Knowledge Cycles of Digital Television in Australia
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Pay TV in Australia Markets and Mergers
Pay TV in Australia Markets and Mergers Cento Veljanovski CASE ASSOCIATES Current Issues June 1999 Published by the Institute of Public Affairs ©1999 by Cento Veljanovski and Institute of Public Affairs Limited. All rights reserved. First published 1999 by Institute of Public Affairs Limited (Incorporated in the ACT)␣ A.C.N.␣ 008 627 727 Head Office: Level 2, 410 Collins Street, Melbourne, Victoria 3000, Australia Phone: (03) 9600 4744 Fax: (03) 9602 4989 Email: [email protected] Website: www.ipa.org.au Veljanovski, Cento G. Pay TV in Australia: markets and mergers Bibliography ISBN 0 909536␣ 64␣ 3 1.␣ Competition—Australia.␣ 2.␣ Subscription television— Government policy—Australia.␣ 3.␣ Consolidation and merger of corporations—Government policy—Australia.␣ 4.␣ Trade regulation—Australia.␣ I.␣ Title.␣ (Series: Current Issues (Institute of Public Affairs (Australia))). 384.5550994 Opinions expressed by the author are not necessarily endorsed by the Institute of Public Affairs. Printed by Impact Print, 69–79 Fallon Street, Brunswick, Victoria 3056 Contents Preface v The Author vi Glossary vii Chapter One: Introduction 1 Chapter Two: The Pay TV Picture 9 More Choice and Diversity 9 Packaging and Pricing 10 Delivery 12 The Operators 13 Chapter Three: A Brief History 15 The Beginning 15 Satellite TV 19 The Race to Cable 20 Programming 22 The Battle with FTA Television 23 Pay TV Finances 24 Chapter Four: A Model of Dynamic Competition 27 The Basics 27 Competition and Programme Costs 28 Programming Choice 30 Competitive Pay TV Systems 31 Facilities-based -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
New Series of a Place to Call Home for Foxtel
Seven confirms new series of A Place To Call Home for Foxtel Commissioning builds on Seven’s momentum in creation of new content in Australian and international markets The Seven Network – Australia’s most-watched broadcast television platform and a key business of Seven West Media, one of Australia’s leading integrated media and content creation companies - today confirmed the signing of an agreement with Foxtel for a new series of Seven Productions’ A Place To Call Home. This will be the fifth series for A Place To Call Home. A Place To Call Home and Home and Away are two of Seven Productions’ most successful drama series seen around the world. My Kitchen Rules – another Seven Productions creation – is seen in 160 territories and will launch a “local version” next January in primetime on FOX, one of the “big four” networks in the United States. My Kitchen Rules has also recently launched on Channel 4 in the United Kingdom. These significant commissions signal Seven’s next move in its long-term strategy in the development and creation of market-leading content. Commenting, Therese Hegarty, Seven’s Director of Content Distribution and Rights said: “We take great pride in A Place To Call Home. It is a clear indication of the future for Seven Productions. We are now creating more content than at any time in our history and expanding our presence in international content production. We look forward to further dramatically expanding our content creation and production over the coming twelve months.” Commenting, Julie McGuaran, Head of Drama for Seven, said: “All of us at Seven Productions are delighted to take A Place To Call Home to a new series. -
(PSYOP) in Time of Military Conflict
Report of the Defense Science Board Task Force on The Creation and Dissemination of All Forms of Information in Support of Psychological Operations (PSYOP) in Time of Military Conflict May 2000 Office of the Under Secretary of Defense For Acquisition, Technology and Logistics Washington, D.C. 20301-3140 This report is a product of the Defense Science Board (DSB). The DSB is a Federal Advisory Committee established to provide independent advice to the Secretary of Defense. Statements, opinions, conclusions, and recommendations in this report do not necessarily represent the official position of the Department of Defense. This report is UNCLASSIFIED Table Of Contents List of Figures and Tables................................................................................................... ii Executive Summary............................................................................................................ 1 CHAPTER 1, Introduction.................................................................................................. 6 CHAPTER 2, Organizational Issues................................................................................. 15 CHAPTER 3, Reaching the Target Audience................................................................... 23 CHAPTER 4, Future Trends in Media Creation and Dissemination................................ 29 CHAPTER 5, FM and TV Broadcast from Aircraft......................................................... 46 CHAPTER 6, Recommendations..................................................................................... -
Major Breakthrough for Seven with US Commission for My Kitchen Rules
Major breakthrough for Seven with US commission for My Kitchen Rules FOX Broadcasting Company signs Seven to create My Kitchen Rules for the United States television market The Seven Network – Australia’s most-watched broadcast television platform and a key business of Seven West Media, one of Australia’s leading integrated media and content creation companies - today announced its next move in its long-term strategy in the development and creation of market-leading content in international markets. Building on the increasing international recognition of Seven’s created and produced My Kitchen Rules, the company today confirmed that FOX Broadcasting Company (FOX), one of the “big four” television networks in the United States has signed Seven to create and produce My Kitchen Rules for the United States. The programme – a celebrity version of the successful format - has commenced filming. Today’s signing with FOX for the United States builds on Seven’s agreement to create and produce My Kitchen Rules for Channel 4 in the United Kingdom and joins New Zealand, Serbia, Russia, Denmark, Belgium, Canada, Norway, Germany and Lithuania with “local” versions of the Seven format. In addition, the Australian version of My Kitchen Rules is seen in more than 160 territories around the world. Commenting, the Chief Executive Officer and Managing Director of Seven West Media, Tim Worner, said: “We are very excited to be working with FOX on this one. My Kitchen Rules is truly a labour of love for all of us at Seven. It has played and continues to play such an important role across all parts of our business. -
Master Thesis
University of Southern Queensland Faculty of COMMUNICATIONS FOR SMART GRID SUBSTATION MONITORING USING WIMAX PROTOCOL. A dissertation submitted by Sreekanth Anumula In fulfillment of the requirements of Courses ENG8411 and 8412 Research Project Master Thesis ABSTRACT The SMARTGRID is a general term for a series of infrastructural changes applied to the electric transmission and distribution systems. By using the latest communication and computing technology, additional options such as Condition Monitoring can now be implemented to further improve and optimise complex electricity supply grid operation. Lifecycle optimisation of high voltage assets and other system components in the utility provide a case in point. Today Utility experts agree that application of scheduled maintenance is not the effective use of resources. To reduce maintenance expenses and unnecessary outages and repairs of equipment due to scheduled maintenance, utilities are adopting condition based approaches. Real time online monitoring of substation parameters can be achieved by retrofitting the existing substation with SMARTGRID technology. The IEC 61850 is a common protocol meant for Substation Automation Systems, designed for the purpose of establishing interoperability, one that all manufacturers of all different assets must comply with. This thesis advocates the estimation of bandwidth required for monitoring a substation after retrofitting the existing substation with smart communication technologies. This includes establishing a latest wireless communication infrastructure from the substation to the control centre and evaluating the performance modelling and simulating the physical layer of communication technologies such as WIMAX (IEEE802.16) and MICROWAVE point to point using MATLAB SIMULINK and RADIO mobile online simulation software. Also, link budget of the satellite communication for the same application is calculated. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1983-10-27 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1983). All Xavier Student Newspapers. 467. https://www.exhibit.xavier.edu/student_newspaper/467 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Volume 69, Number 8 Xavier University, Cincinnati Thursday, October 27, 1983 WVXU turns up money and power BY BILL KRONENBERGER funds. How~ver, the fund drive has drive in the spring, Myers said. At permiSSton from· the Federal Com tains that the power boost is a good . Newa EdHcir ·grown into a larger source of revenue . that time, listeners may donate $20 munication Commission to ·boost its .idea: "We think that we have a good "Showcase ·,83," WVXU's week _forWVXU. ·· · . · · for a basic membership, $25 for a wattage. from 6400 watts to 10,200 radio system, and .we'd like to. make long fund drive, ·finished almost "go-getter" membership, or $50 for watts. Myers noted that the increased it available to as many people as $2,000 above the goal of$50,000, ac The station's listeners pledged a· sustaining membership. Donations power will allow the station to get possible."· cording . to Kathy Myers, operations most of the money for "Showcase of $91.70 (WVXU's broadcast fre more listeners and suppon. -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
RVN2: the Riverina's Own Television Service
The Riverina’s Own Television Service CSU Regional Archives Summer Research Project By Maikha Ly 2008/09 RVN2 – Riverina’s Own Television: By Maikha Ly Page 1 of 27 Contents Introduction Page 3 Formation of Television in Australia Page 4 Formation of Television in the Riverina Page 4 Opening Night Page 6 RVN‐2 in the Community Page 8 Television’s Impact Page 10 RVN‐2/AMV‐4 Merger Page 11 Paul Ramsay and The Prime Network Page 13 Aggregation Looms Page 15 Changes for the future Page 17 RVN‐2 Today Page 18 Appendixes Page 19 RVN2 – Riverina’s Own Television: By Maikha Ly Page 2 of 27 Introduction RVN‐2 was established in 1964 as Wagga Wagga’s dedicated local Television Station, providing a television service to the people of the Riverina and South‐ West Slopes area of New South Wales, both in the production of local television programs such as the news service, and the broadcasting of purchased television programs seen to Metropolitan Audiences. RVN‐2 refers to the broadcast license call sign of the station, “2” being the channel number of the frequency. However, RVN‐2 was also the name and reference attributed to the station and the channel for many decades amongst viewers, and up to today, those who experienced RVN‐2 sometimes still refer to the channel as that. RVN‐2 was more than just a television service. Its identity on air and its Kooringal Studio facility became local institutions equivalent to that of a landmark. The station was a major local industry, at one time employing 150 local people in various roles from production to technical to clerical, as well as providing an introduction and training ground for young television employees. -
The Media and Indigenous Policy
The Media and Indigenous Policy How news media reporting and mediatized practice impact on Indigenous policy A preliminary report Copyright © Kerry McCallum, Michael Meadows, Lisa Waller, Michelle Dunne Breen, Holly Reid, 2012 ISBN: 9781740883658 Editor: Associate Professor Kerry McCallum, Journalism & Communication Studies, Faculty of Arts & Design, University of Canberra Editorial Assistant: Monica Andrew Contributors: Kerry McCallum Michael Meadows Lisa Waller Michelle Dunne Breen Holly Reid Further information about the Australian News Media and Indigenous Policy-making 1988-2008 project is available at http://www.canberra.edu.au/faculties/arts-design/research/active- research-groups/public-communication/Indigenous-Policymaking This research was supported under the Australian Research Council’s Discovery Projects funding scheme (DP0987457), with additional funding supplied by the Faculty of Arts and Design, University of Canberra. ii Contents Acknowledgements v Executive summary vii Researchers ix Introduction 1 Media reporting and Indigenous policymaking 3 Kerry McCallum Policymaker perspectives 11 Managing the optics of Indigenous policy 13 Kerry McCallum & Lisa Waller When the stars align 23 Michael Meadows Media perspectives 33 Indigenous health reporting 1988–2008 34 Framing Indigenous Health, 1988–1995 37 Kerry McCallum Practice imperfect: media, discourse and intervention 43 Michelle Dunne-Breen Journalists, ‘remote’ Indigenous sources and cultural competence 51 Lisa Waller From little things big things grow: campaigning journalism -
Seven Productions' Boy to Man Goes Global
Seven Productions’ Boy to Man Goes Global 1 February 2017 --- Seven Productions, the production arm of Australia’s market-leading Seven Network, today confirmed that one of its key new franchises, Boy to Man, has secured significant international broadcast distribution. Boy to Man was originally commissioned in the US market for The Travel Channel and will now debut on the El Ray Network in the United States under the title, Rite of Passage. In sales brokered directly by Seven, Boy to Man is set to debut on BBC Knowledge in Australia today while Mediaworks/TV3 has acquired the series for broadcast in in New Zealand. In sales managed via Beyond Distribution, the series has also been sold to BBC Worldwide for BBC Knowledge across Asia, France 5, Discovery (CEEMEA), RTL Germany, SBS Discovery Sweden, YLE Finland, RUV Iceland, Blue Ant Media and Canal Evasion in Canada. Working with Beyond Distribution, Seven is confident of further expanding the programme’s presence in other international markets. In Boy to Man, adventurer and filmmaker Tim Noonan embarks on a solo journey of self-discovery to worlds beyond his imagination to try and unlock the mysteries of what it means to be the ultimate man. With just his gear and cameras, Noonan first has to earn the tribe's trust. Over the next few weeks, he is put through rituals, initiations and gruelling tests to man-up and prove himself worthy of their respect. Throughout the series, Noonan travels the world, stopping in places such as Siberia to join the reindeer people, the Nenets, goes native learning how to climb coconut trees in Guinea Bissau and trains a golden eagle with Kazakh men in Mongolia. -
Countdown and Cult Music Television Programmes
Giuffre, Liz Countdown and Cult Music Television Programmes Countdown and cult music television programmes: an Australian case study Liz Giuffre Abstract Music television programs, programs that focus on music for their core content, have been produced all over the world for all types of markets. However there remains little sustained work on them beyond studies of key production periods, franchise waves or biography-like narratives. This article shows that theories of Cult TV can be applied to music television programs to help explore this neglected form, as well as helping to expand Cult TV’s theoretical reach beyond its traditional fare of narrative driven, fiction series. This article offers 1970s and ‘80s Australian music television program Countdown as a prime example of Cult TV, first in the context of its initial production and consumption in 1970s and ‘80s Australia, and also in terms of its subsequent influence on contemporary audiences from a historical perspective. The Cult TV frame extends to the program itself in its original incarnation, as well as additional recontextualisations in new music television programs, and the continued work of its former host, Ian ‘Molly’ Meldrum. Introduction1 Music television is an unusual type of programming. It provides both regular entertainment that is watched intensely while on air, and produces key moments that survive well in audience collective memory. ‘Live’ music performance and interview series Countdown remains an icon of the Australian television and music industries.2 Created by the national public service broadcaster, the Australian Broadcasting Corporation (ABC),3 the show was broadcast from 1974 to 1987 on Sunday evenings and was highly influential with television audiences and the broader music industry.4 Countdown provided opportunities for music artists and audiences to engage with each other in a way that had not previously been possible.