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Basilica Mass Held in Remembrance of Valero Craig, Harris Debate Nature
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 44 : Issue 118 FRIDAY, APRIL 8, 2011 ndsmcobserver.com Basilica Mass held in remembrance of Valero Students fill church to commemorate life of Keenan sophomore; Fr. Tom Doyle delivers homily to congregation brought them together and By MEGAN DOYLE and SAM delivered them to the Lord,” STRYKER Doyle said. “That’s what it News Editors means to be a family. That’s what it means to be Notre Rain fell and the Basilica’s Dame.” bells chimed as hundreds filed Students filled the Basilica out of the Basilica of the Sacred pews during the memorial Heart Thursday evening after a Mass for Valero less than one Mass of Remembrance in honor week after campus learned of of Sean Valero. his death. During the Mass, Fr. Tom Fr. Joseph Carey, interim Doyle recounted the sopho- director of Campus Ministry, more’s funeral, held only 12 presided over the Mass, and hours earlier. Doyle, vice president of Student At the request of the Valero Affairs, delivered the homily to family, four of his friends from the standing room only congre- Keenan walked in the funeral gation. procession alongside his par- The men of Keenan Hall filled ents and sister as the casket the first six rows, dressed in was carried down the aisle of blazers, and Keenan rector Fr. St. Helen’s Church in Dan Nolan was among the cele- Niskayuna, N.Y. brants on the altar. The image of Valero’s friends Luke’s gospel about the heal- and family illustrated the ing of a paralytic highlighted Doyle’s message in the homily: the need to be humble in diffi- Our brokenness can bring us cult times, Doyle said. -
LEA-V6-N1.Pdf
/ ____ / / /\ / /-- /__\ /______/____ / \ ============================================================= Leonardo Electronic Almanac Volume 6, No. 1 1998 Craig Harris, Executive Editor Patrick Maun, Gallery Editor/Curator Craig Arko, LEA Coordinating Editor Roger Malina, LDR Editor Kasey Asberry, LDR Coordinating Editor Editorial Advisory Board Roy Ascott, Michael Naimark, Simon Penny, Greg Garvey, Joan Truckenbrod ISSN #1071-4391 ============================================================= ____________ | | | CONTENTS | |____________| ============================================================= INTRODUCTION < This Issue > Craig Harris FEATURE ARTICLE < Blinded... and the new LEA Gallery > Carl DiSalvo and Patrick Maun PROFILE < CAIIA+STAR > Roy Ascott LEONARDO DIGITAL REVIEWS Roger Malina et al < Audio CD Review: Mouse Trap Music by Mark Applebaum > Reviewed by Axel Mulder < Book Review: Painting the Heavens by Eileen Reeves > Reviewed by David Topper < Book Review: Le Ton bon de Marot by Douglas R. Hofstadter > Reviewed by Richard Kade < Book Review: Microcosmos by Margulis & Sagan > Reviewed by Kasey Asberry < Conference Review: The Artist and Philosophy of Colour > Reviewed by Mikhail S. Zalivadny < Book Review: Design Literacy > Reviewed by Roy Behrens < Digital Review Notes > OPPORTUNITIES < Dartmouth College - Bregman Electronic Music Studio > < Brown University Department of Music > < University of Wisconsin-Milwaukee School of Fine Arts > < Pratt Institute, Brooklyn - Computer Graphics Faculty Positions > ANNOUNCEMENTS < Scripted -
Media Ecologies: Materialist Energies in Art and Technoculture, Matthew Fuller, 2005 Media Ecologies
M796883front.qxd 8/1/05 11:15 AM Page 1 Media Ecologies Media Ecologies Materialist Energies in Art and Technoculture Matthew Fuller In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems—understood here as processes, or ele- ments in a composition as much as “things”—have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multi- plicitous materiality—how it can be sensed, made use of, and how it makes other possibilities tangible. He investi- gates the ways the different qualities in media systems can be said to mix and interrelate, and, as he writes, “to produce patterns, dangers, and potentials.” Fuller draws on texts by Félix Guattari and Gilles Deleuze, as well as writings by Friedrich Nietzsche, Marshall McLuhan, Donna Haraway, Friedrich Kittler, and others, to define and extend the idea of “media ecology.” Arguing that the only way to find out about what happens new media/technology when media systems interact is to carry out such interac- tions, Fuller traces a series of media ecologies—“taking every path in a labyrinth simultaneously,” as he describes one chapter. He looks at contemporary London-based pirate radio and its interweaving of high- and low-tech “Media Ecologies offers an exciting first map of the mutational body of media systems; the “medial will to power” illustrated by analog and digital media technologies. Fuller rethinks the generation and “the camera that ate itself”; how, as seen in a range of interaction of media by connecting the ethical and aesthetic dimensions compelling interpretations of new media works, the capac- of perception.” ities and behaviors of media objects are affected when —Luciana Parisi, Leader, MA Program in Cybernetic Culture, University of they are in “abnormal” relationships with other objects; East London and each step in a sequence of Web pages, Cctv—world wide watch, that encourages viewers to report crimes seen Media Ecologies via webcams. -
John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s. -
PRESS RELEASE CONTACT: TERRY JENOURE, DIRECTOR Augusta Savage Gallery Fine Arts Center University of Massachusetts Amherst 413-545-5177
PRESS RELEASE CONTACT: TERRY JENOURE, DIRECTOR Augusta Savage Gallery Fine Arts Center University of Massachusetts Amherst 413-545-5177 Augusta Savage Gallery at the University of Massachusetts Amherst will present The Makanda Project, a tribute to the late multi-instrumentalist and educator Makanda Ken McIntyre, arranged by John Kordalewski on April 3, 7pm. This event is free and open to the general public. This remarkable tribute is comprised of unrecorded works by the Boston-born saxophonist, Makanda Ken McIntyre. This world-renowned multi-instrumentalist, composer, orchestrator and educator was a tireless musical innovator for nearly half a century, with 12 albums and more than 600 compositions and arrangements to his credit. His works include compositions for woodwind quartets, chamber ensembles, jazz bands, and full orchestra, as well as hundreds of lead sheets. He composed ballads, calypsos, bebop, avant-garde and the blues. The tribute is unique in an important way, as John Kordalewski, the arranger and coordinator of the project comments, “As an approach to extending Makanda's legacy, I like playing the unrecorded music much better than having a "ghost band" that would try to re-do the things Makanda already did. This way, his work keeps moving forward.” John Kordalewski has arranged unrecorded compositions for 6 horns. He and Kurtis Rivers (alto saxophone, clarinet) constituted the nucleus of the ensemble. Together, they spent considerable time exploring Makanda's works. They then found others who were enthused about playing the music, thereby completing the ensemble. They include John Lockwood (bass), Yoron Israel (drums), Josiah Woodson (trumpet, flute), Bill Lowe or Robert Stringer (trombone), Sean Berry (tenor saxophone, flute, clarinet), Charlie Kohlhase (baritone saxophone), and Salim Washington (tenor saxophone, flute, oboe). -
In This Issue
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue ab baars Charles Gayle woody herman Coleman Hawkins kidd jordan joe lovano john and bucky pizzarelli lou marini Daniel smith 2012 Critic’s poll berlin jazz fest in photos Volume 39 Number 1 Jan Feb March 2013 SEATTLE’S NONPROFIT earshotCREATIVE JAZZ JAZZORGANIZATION Publications Memberships Education Artist Support One-of-a-kind concerts earshot.org | 206.547.6763 All Photos by Daniel Sheehan Cadence The Independent Journal of Creative Improvised Music ABBREVIATIONS USED January, February, March 2013 IN CADENCE Vol. 39 No. 1 (403) acc: accordion Cadence ISSN01626973 as: alto sax is published quarterly online bari s : baritone sax and annually in print by b: bass Cadence Media LLC, b cl: bass clarinet P.O. Box 13071, Portland, OR 97213 bs: bass sax PH 503-975-5176 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Transcriptions: Colin Haney, Paul Rogers, Rogers Word flt: flute Services Fr hn: French horn Art Director: Alex Haney g: guitar Promotion and Publicity: Zim Tarro hca: harmonica Advisory Committee: kybd: keyboards Jeanette Stewart ldr: leader Colin Haney ob: oboe Robert D. Rusch org: organ perc: percussion p: piano ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and pic: piccolo Discover accepted. rds: reeds POSTMASTER: Send address change to Cadence Magazine, P.O. -
Faculty, Staff, & Student Awards Ceremony
Art + Design FACULTY, STAFF, & STUDENT AWARDS CEREMONY School of Art + Design Awards Ceremony + Luncheon Friday, May 3, 2019 | 11am–1pm Jessica Jutzi (BFA ‘19) and Sydney Kozloski (BFA ‘19), BFA catalog artwork Welcome Alan T. Mette Art Education Awards presented by Laura Hetrick OUTSTANDING SENIOR This award is given to a graduating senior for their outstanding achievements. Elizabeth Chong TEACHING EXCELLENCE AWARD BY A GRADUATE STUDENT This award is given to a graduate student who exhibits teaching effectiveness, impact on students, subject mastery and scholarship, and contributions to the teaching mission of the program. The recipient of this award is selected by the Graduate Faculty Committee. Angela Baldus Art History Awards presented by Oscar Vázquez OUTSTANDING SENIOR This award is given to a graduating senior for their outstanding achievements. Yutong Shi TEACHING EXCELLENCE AWARD BY A GRADUATE STUDENT This award is given to a graduate student who exhibits teaching effectiveness, impact on students, subject mastery and scholarship, and contributions to the teaching mission of the program. The recipient of this award is selected by the Graduate Faculty Committee. Kirstin Gotway Graphic Design Awards Industrial Design Awards presented by Eric Benson presented by William Bullock OUTSTANDING SENIOR OUTSTANDING SENIOR This award is given to a graduating senior for their outstanding achievements. This award is given to a graduating senior for their outstanding achievements. Megan McCausland Ziyan “Zoe” Li A. DOYLE MOORE INTERNATIONAL JEROME CARUSO SIGNIFICANT DESIGN SCHOLARSHIP TRAVEL SCHOLARSHIP IN GRAPHIC DESIGN This scholarship honors an outstanding junior or senior from the Industrial This scholarship, which is awarded by application, supports and supplements Design program who demonstrates the most ability to produce significant the cost of overseas study and travel of students in Graphic Design. -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie -
Craig Harris’ “Souls Within the Veil”
Contact: Glenn Siegel, Ken Irwin, (413) 545-2876 www.fineartscenter.com/magictriangle THE 2013 MAGIC TRIANGLE JAZZ SERIES PRESENTS: CRAIG HARRIS’ “SOULS WITHIN THE VEIL” The Magic Triangle Jazz Series, produced by WMUA-91.1FM and the Fine Arts Center at the University of Massachusetts, Amherst, begins its 24th season on Thursday, Feb. 21, at Bowker Auditorium, at 8:00pm with a performance of Craig Harris’ concert-length piece, “Souls Within the Veil”. Trombonist and composer Craig Harris composed “Souls Within the Veil" in 2003 to commemorate the centennial of W. E. B. Du Bois' seminal work, “The Souls of Black Folk”. A 10-piece ensemble interprets Harris’ musical score, which captures the book’s timeless social commentary, using Du Bois’ concept of Double Consciousness, the "two-ness" of being African and as well as American. Born in Hempstead, N.Y. in 1953, Harris is a graduate of the renowned music program of SUNY at Old Westbury. Profoundly influenced by its legendary founder and director, the late Makanda Ken McIntyre, Harris' move to New York City in 1978 quickly established him in the forefront of young trombonists, along with Ray Anderson, George Lewis and Joseph Bowie. First playing alongside another of his teachers, baritone saxophonist Pat Patrick in Sun Ra's Arkestra for two years, Harris embarked on a world tour with South African pianist/composer Abdullah Ibrahim in 1981. Highly affected by their stay in Australia, Craig played with Aborigine musicians and returned with a dijeridoo, a haunting wind instrument that has become a part of his musical arsenal ever since. -
The BG News April 24, 1970
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-24-1970 The BG News April 24, 1970 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 24, 1970" (1970). BG News (Student Newspaper). 2451. https://scholarworks.bgsu.edu/bg-news/2451 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green, Ohio Independent Student April 24, 1970 Voice THe BG news Volume 54 Number 92 President to end draft deferments WASHINGTON (API-President which need not call exactly the same create extreme hardship. Nixon ordered yesterday an end to future numbers at any one time. At present some 1.8 million men hold deferments for occupational or At the same time, Nixon endorsed the student deferments and 431,000 hold agricultural activities and for goal of ending the draft entirely and occupational deferments. fatherhood. replacing it with an all-volunteer Army. Another 23,000 hold agricultural He also asked Congress for authority To achieve this goal he said he will deferments. to end future student deferments. propose additional pay raises and More than four million men are Yesterday's order and the order he benefits for members of the armed deferred in category 3A because of pledged to issue if he is granted authority- forces, and will seek to encourage dependents, but there was no immediate would not affect the deferments now held enlistment and re-enlistment. -
JAMU 20160418-3 – Lalo Schifrin
JAMU 20160418-3 – Lalo Schifrin Lalo Schifrin (born June 21, 1932)[1] is an Argentine pianist, composer, arranger and conductor. He is best known for his film and TV scores, such as the "Theme from Mission: Impossible". He has received four Grammy Awards and six Oscar nominations. Schifrin, associated with the jazz music genre, is also noted for work with Clint Eastwood in the late 1960s, 1970s and 1980s, particularly the Dirty Harry films. Schifrin was born Boris Claudio Schifrin in Buenos Aires to Jewish parents.[2] His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades.[1] At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz. Although Schifrin studied sociology and law at the University of Buenos Aires, it was music that captured his attention.[1] At age 20, he successfully applied for a scholarship to the Paris Conservatoire. At night he played jazz in the Paris clubs. In 1955, Schifrin played piano with Argentinian bandoneon giant Ástor Piazzolla, and represented his country at the International Jazz Festival in Paris. After returning home to Argentina, Schifrin formed a jazz orchestra, a 16-piece band that became part of a popular weekly variety show on Buenos Aires TV. -
HUMANLY POSSIBLE: the EMPATHY EXHIBITION Curated By
EXHIBIT EDUCATIONAL RESOURCES HUMANLY POSSIBLE: The word empathy comes from the Greek, Em (in) and Pathos (feeling). To feel in union with someone. It is not an acknowledgement; it is participation. THE EMPATHY EXHIBITION For humans and animals the first level of empathy is instinctual, a survival skill of curated by John Schuerman sorts for the collective. The best way for an individual to avoid empathy is to avoid (co-curator Mark Lawson) direct sensorial contact. This is the reason our slaughterhouses are off-limits to photographers and why governments try to prevent news coverage of the suffering January 12 – March 3, 2018 being caused in countless war zones. Humans, and at least some animals, take Frederick Layton Gallery empathy much further. We can choose to learn and imagine more about another’s experience, or we can avoid it. There are times for both. Too much empathy can paralyze decision making. Not enough enables mistreatment of people and the other creatures we share this planet with. As with any exhibition, the audience will complete Humanly Possible: The Empathy Exhibition. They will have many opportunities to launch into vicarious experiences, exercise empathy once removed, and ponder their own choices about when and where not to invoke it. Artists: Lois Bielefeld (Milwaukee, WI) Tina Bondell (Minneapolis, MN) Chase Boston (Pullman, WA) Sue Coe (New York, NY) Raoul Deal (Milwaukee, WI) Nooskin Hakim (Minneapolis, MN) Christopher E. Harrison (Minneapolis, MN) Gudrun Lock (Minneapolis, MN) Peter B. Nelson (Northfield, MN) Juliane Shibata (Norhtfield, MN) Liza Sylvestre (Champaign, IL) Inna Valin (St. Paul, MN) WHY DOES THIS EXHIBIT MATTER? The title, Humanly Possible cuts both ways.