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Publishing & the Book in Africa
Publishing & the Book in Africa: A Literature Review for 2017 Hans M. Zell [email protected] Copyright © Hans Zell Publishing Consultants 2018 This is the third in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. The previous annual literature reviews can be found as follows: 2016: https://www.academia.edu/31441110/Publishing_and_the_Book_in_Africa_A_Literature_ Review_for_2016 (pre-print version) Print/online version published in The African Book Publishing Record 43, no. 2 (May 2017): 120- 170. https://doi.org/10.1515/abpr-2017-0004 2015: https://www.academia.edu/20432811/Publishing_and_the_Book_in_Africa_- _A_Literature_Review_for_2015 (pre-print version) Print/online version published in The African Book Publishing Record 42, no. 1 (March 2016): 11-37. https://doi.org/10.1515/abpr-2016-0003. Extensively annotated and/or with abstracts, the present list brings together new literature published during the course of 2017, a total of 157 records. Also included are a small number of articles and other documents published in 2016 or earlier, and which have not hitherto been included in previous annual literature reviews or in the Publishing, Books & Reading in Sub-Saharan Africa online database (see also below). The literature review covers books, chapters in books and edited collections, journal articles, Internet documents and reports, theses and dissertations, interviews, audio/video recordings and podcasts, as well as a number of blog postings, with their posting dates indicated. Newspaper articles and stories are not generally included, unless of substantial length or of special significance. Records are grouped under a range of regional/country and topic-specific headings. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Caine Prize Annual Report 2015.Indd
THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre. -
Changing Kenya's Literary Landscape
CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King -
Beyond the Cancelled Character of Kuseremane in Yvonne Adhiambo
Stephen Derwent Partington Making us make some sense of Stephen Derwent Partington has genocide: Beyond the cancelled published a critically acclaimed Ken- yan poetry collection, SMS & Face to character of Kuseremane in Face (Phoenix, 2003). He completed postgraduate studies at the Universi- Yvonne Adhiambo Owuor’s ties of York and Oxford, United King- “Weight of Whispers” dom. He is the Head of Curriculum at Lukenya Academy, Ukambani, Kenya. E-mail: [email protected] Making us make some sense of genocide This essay attempts a politically and ethically responsible, identity-focused reading of one of the central texts from the new generation of post-didactic Kenyan writers: Yvonne Owuor’s extended short story, “Weight of Whispers”, which deals with the post-genocide experience of a particular refugee who is the story’s narrator. The interdisciplinary essay examines the way in which this first-person narrator is constructed alongside the extra-textual, postcolonial construction of Rwanda’s “Tutsi” and “Hutu” as racialised groups, making explicit the parallels between these two “fictionalised” processes and ultimately concluding that Owuor’s ostensibly depressing story can be read optimistically as a consequence of its democratic indeterminacy, in this way empowering the reader to contribute to post-genocide dialogue. Key words: Kenyan short stories, genocide, Rwanda, Yvonne Owuor (short story writer). The Caine Prize-winning “Weight of Whispers”, an extended short story by Kenya’s Yvonne Adhiambo Owuor, has received neither local -
March April 2019 Programme Overview
MARCH APRIL 2019 PROGRAMME OVERVIEW WHEN WHAT & WHERE 01/03/2019 & NAIROBI JAM 30/03/2019 GOETHE-INSTITUT, AUDITORIUM 04/03/2019– GZ CALLING 15/03/2019 GOETHE-INSTITUT, AUDITORIUM 08/03/2019– VR-EXPERIENCE 10/03/2019 AFRICA NOUVEAU FESTIVAL, NGONG RACE COURSE 10/03/2019- SERIAL STORYTELLING 14/03/2019 GOETHE-INSTITUT, MEDIATHEK 16/03/2019 & CHILDREN’S PROGRAMME 20/04/2019 MCMILLIAN MEMORIAL LIBRARY BRANCHES 20/03/2019 ON DEFIANCE – ART AS SOCIAL COMMENTARY GOETHE-INSTITUT, AUDITORIUM 21/03/2019 THE RIDGES ACROSS RIVER KAITI GOETHE-INSTITUT, AUDITORIUM 22/03/2019- JENGA CCI CONFERENCE 24/03/2019 PARK INN HOTEL, WESTLANDS 23/03/2019 POETRY SLAM AFRICA 1ST PRELIMINARY GOETHE-INSTITUT, AUDITORIUM 27/03/2019 & ARTISTIC ENCOUNTERS 24/04/2019 GOETHE-INSTITUT, AUDITORIUM 28/03/2019 AGAINST THE WORLD GOETHE-INSTITUT, AUDITORIUM 29/03/2019 GERMAN FILM EVENING GOETHE-INSTITUT, AUDITORIUM 30/03/2019 & LITERATURE FORUM 27/04/2019 GOETHE-INSTITUT, AUDITORIUM 04/04/2019 GERMAN-KENYAN AUTHOR EXCHANGE GOETHE-INSTITUT, AUDITORIUM 04/04/2019- FROM HERE TO WHEN 26/04/2019 GOETHE-INSTITUT, AUDITORIUM 27/04/2019 BOXOFBEATSKE GOETHE-INSTITUT, AUDITORIUM WORKSHOP & CONCERT NAIROBI JAM FRIDAY 01/03/2019 & SATURDAY 30/03/2019, 4.00 PM & 6.00 PM GOETHE-INSTITUT, AUDITORIUM In order to increase the visibility and accessibility of Kenyan music and create more opportunities for the sector, the Goethe-Institut has kicked off 2019 with a brand new concert series. Nairobi JAM is a free monthly music concert that brings together both upcoming and established musicians for a day of entertainment and collaboration. -
Murder She Wrote: Reading Yvonne Adhiambo Owuor's
MURDER SHE WROTE: READING YVONNE ADHIAMBO OWUOR’S DUST AS FEMINIST POSTCOLONIAL CRIME FICTION by Maryanne Wairimũ Mũrĩithi Dissertation submitted in partial fulfilment of the requirements for the degree Master of Arts in the Department of English at the UNIVERSITY OF PRETORIA FACULTY OF HUMANITIES SUPERVISOR: Dr. Nedine Moonsamy December 2018 UNIVERSITY OF PRETORIA FACULTY OF HUMANITIES RESEARCH PROPOSAL & ETHICS COMMITTEE DECLARATION Full name: Maryanne Wairimũ Mũrĩithi Student number: 13240715 Degree/Qualification: MA Title of thesis: Murder She Wrote: Reading Yvonne Adhiambo Owuor’s Dust as Postcolonial Crime Fiction I declare that this mini-dissertation is my own original work. Where secondary material is used, this has been carefully acknowledged and referenced in accordance with university requirements. I understand what plagiarism is and am aware of university policy and implications in this regard. th 4 December 2018 Signature Date ResPEthics Documentation NE 46/04 05/2004 i ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr. Nedine Moonsamy, for her support and guidance, as well as the integral role she played in the creation, reimagination and refinement of my thesis. I would like to thank Dr. Keguro Macharia for the invaluable archives on his blog, Gukira, the kindness and support he has provided throughout the process, and for the way he challenges me to keep up ethical citation and engagement praxes in my work. I would like to thank my parents, my godmother, and my brother, Matu Mũrĩithi, for their frequent calls and text messages checking in on me, even as they readily admit they are never quite sure what I am studying. -
African Worlds RENEWING a DIALOGUE BETWEEN AFRICAN WOMEN WRITERS and WOMEN of AFRICAN DESCENT
Women’s Words: African Worlds RENEWING A DIALOGUE BETWEEN AFRICAN WOMEN WRITERS AND WOMEN OF AFRICAN DESCENT DATE: 25-26 AUGUST 2010 VENUE: WINDYBROW THEATRE Hosted By The Department Of Arts And Culture In Association With The Windybrow Theatre (Pan-African Centre For The Arts) 20 Programme Details of Symposium: 25-26 August 2010 DAY 1: 10am – 1pm DAY 2: Keynote speaker: Minister of Arts and Culture : SESSION 4: Narrating the nation and the politics of reconstruction: “This pioneering programme SESSION 1: Dreams, Dialogues and Realities: 10am 12.30am fictional voices Facilitator: Karabo Kgoleng features writers and performers Facilitator: Zukiswa Wanner Panelists: Elinor Sisulu (South Africa / Zimba- Panelists: Lauretta Ngcobo (South Africa); bwe); Zubeida Jaffer (South Africa); Shailja Patel of the written and spoken word, Lola Shoneyin (Nigeria); Shailja Patel (Kenya); (Kenya); Lisa Combrinck (South Africa) Henrietta Rose-Innes (South Africa); Veronique Tadjo (Ivory Coast / South Africa); SESSION 5: No Newsroom of my own: from all over Africa and its Journalistic and editorial voices: SESSION 2: Dreams, Dialogues and Realities: 1.30 pm to 3.15pm diaspora. We wish you all a joyous fictional voices continued Facilitator: Nokuthula Mazibuko (South Africa) 2pm - 3.30pm Panelists: Maureen Isaacson (Sunday Inde- Facilitator: Lynda Spencer pendent); Gail Smith (South Africa) Nosipho Kota and fruitful symposium” Panelists: Miriam Tlali (South Africa); Samira (South Africa) Margaret Busby (UK / Ghana) Negrouche (Algeria); Adaobi Nwaubani (Nigeria); -
Africa Rising Review
AFRICA RISING Realising Africa’s Potential as a Global Publishing Leader in the 21st Century International Publishers Association Nairobi Seminar 14th - 15th June 2019 Hosted in Nairobi, Kenya REVIEW BORDERS REVIEWS OF AFRICA RISING: IPA NAIROBI SEMINAR| © Olatoun Williams 2019 Page 1 On the 9th June – the Day of Pentecost – my heart alight with hope for Africa - I boarded flight ET 900. Seatbelt fastened, eyes closed in prayer for journey mercies, I let Ethiopian Airways fly me out of Lagos, Nigeria, over the forests, mountains and rivers of Chad, Sudan’s plains and Red Sea Hills, bound for Ethiopia, Addis Ababa. At Bole Airport, ET 308 would fly me to Nairobi. We landed safely in Jomo Kenyatta Airport at around 1.30am on 10th June 2019. Visa processing at Immigration at that spectral hour was a quick, silent affair. In no time I was walking out of the airport building into a cold Kenyan night. A taxi driver- a massive, dark skinned Kenyan dressed up for a Nordic winter shepherded me into the car-park, looking at me with concern when he saw that I was chilly; talking about Kenyan winters, nodding towards the ATM, asking whether I had Kenyan Shillings on me. It was far too dark outside to see anything during the long drive to the Mӧvenpick Hotel in Westlands, Nairobi, where he deposited me and my suitcase with a courtesy that did nothing to hide the fact that he had overcharged me. Mӧvenpick staff were professional. I had forgotten just how much Kenya is a veteran of world class hospitality. -
Goethe Medal 2020 Press Pack Contents
GOETHE MEDAL 2020 PRESS PACK CONTENTS 1. PRESS RELEASE: 2020 RECIPIENTS HONOURED 2. PRESS RELEASE: INTRODUCTION TO THE CEREMONY 3. PRESS RELEASE: ANNOUNCEMENT OF RECIPIENTS 4. LAUDATORY SPEECHES 5. GOETHE MEDAL CEREMONY ON 28 AUGUST 6. ABOUT THE RECIPIENTS 7. ABOUT THE PRESENTERS OF THE MEDALS 8. PRESS PHOTOS 9. ABOUT THE GOETHE MEDAL Susanne Meierhenrich Goethe Medal Press Officer, Goethe-Institut Tel.: +49 171 742 1717 [email protected] Viola Noll Deputy Press Officer Goethe-Institut Head Office Tel.: +49 30 25906 471 [email protected] www.goethe.de www.goethe.de/goethe-medaille GOETHE MEDAL: 2020 RECIPIENTS HONOURED The celebration for the recipients of the 2020 Goethe Medal took place today, on Goethe’s 271st birthday. The official honour of the Federal Republic of Germany was awarded to Bolivian artist and her country’s first indigenous museum director Elvira Espejo Ayca, British writer and passionate pro-European Ian McEwan and South African writer, publisher and curator Zukiswa Wanner. Their outstanding cultural work and commitment to the struggle against political restrictions and the narrowing of perspectives in civil society was honoured in a digital ceremony organised by the Goethe-Institut in collaboration with the broadcaster Deutsch Welle. “Accepting contradiction – the fruits of contradiction”, the theme of this year’s awards, is bizarrely apposite against the backdrop of the coronavirus pandemic. At a time when society seems to have come to a standstill, international cultural dialogue is more important than ever, said Klaus-Dieter Lehmann, President of the Goethe-Institut: “This year we are honouring three outstanding recipients from Africa, Latin America and Europe who are all a byword for the freedom of discourse. -
Building Bridges
Derelict Shards & The Roaming of Colonial Phantoms By Yvonne Adhiambo Owuor Thank you for such a generous introduction. Honorable Minister, Michelle Müntefering, Professor Drs Rebekka Habermas, Bettina Brockmeye, Ulrike Lindne, ladies and gentlemen, good afternoon from my side of the world. Nicole Gonsior, Katharina Klaus, Simone Baumstark thank you for all your support. To the panellists, audience, some of whom are friends signing in, a big hello. I trust that you are all holding up well in these surreal days. A quick apology: My presentations are usually companioned by dramatic visuals, mostly collated from the public library that is the World Wide Web. Copyright issues associated with this session; means I have to forego the visual evidence. When Professor Dr. Rebekka Habermas contacted me to inquire whether I would be interested in offering a keynote, I reminded her that I am a person of artistic persuasion, not an academic. “That’s what we desire.” She replied. I asked if she was aware that I do not have a single politically correct bone in my body.” She said, “Good.” “I eat sacred cows.’ I pleaded. She implied, “Guten Appetit.” So here we are. Derelict Shards: … An opening quotation by the late Swedish author, Sven Lindqvist, who for me represents those rare human beings who do the hard work of refining and engaging a sense of their moral consciousness and conscience, however disordering that can be, in his extraordinary work, ‘ “Exterminate All the Brutes”: One Man’s Odyssey into the Heart of Darkness and the Origins of European Genocide, in the first paragraph, he observes: “You already know enough. -
Afrolit Sans Frontieres: Behind the Scenes, in Front of the Camera
Afrolit Sans Frontieres: Behind the Scenes, In Front of the Camera Festival/Books/Writers in the time of Corona by Zukiswa Wanner | Angola | Brazil | Cameroon | Cote d'Ivoire | DR Congo | Egypt | Ethiopia | Eritrea | Ghana | Jamaica | Kenya | Liberia | Malawi | Martinique | Mozambique | Namibia | Nigeria | Sierra Leone | South Africa | Sudan | Uganda | US | UK | Zambia | Zimbabwe | The Birth It’s the early days of coronavirus on the continent. In South Africa, the first known covid case is announced on March 5. Patient zero is a South African who had just returned from a vacation in Italy. A day later, I leave Johannesburg, where I had gone to attend an arts event, to return to my current base of Nairobi, Kenya. March 15, 2020. Nairobi, Kenya. My family and I have gone for dinner at my friend Lindy’s home. Like me, Lindy is a South African living in Nairobi. There is an expected announcement from the Kenyan President, Uhuru Kenyatta. There is a pending announcement from the South African President, Cyril Ramaphosa. The announcements come just as we have finished dessert and are having drinks. Both countries are shutting down. | 1 Kenya will stop all flights in the next week, as will South Africa. In Kenya, schools are immediately closed. Parents with children in boarding schools should have them out by end of day the next day. My son’s school sends a message that online school will start two days later. My son is happy to have a day off. This shall be our last social outing in a long time. On Thursday evening after dinner, a post on Facebook leads me to a John Legend concert on Instagram titled At Home.