From the Experimental to Experimentalism
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Faulkner's Stylistic Difficulty: a Formal Analysis of Absalom, Absalom!
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-14-2017 Faulkner's Stylistic Difficulty: Aormal F Analysis of Absalom, Absalom! Eric Sandarg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Sandarg, Eric, "Faulkner's Stylistic Difficulty: Aormal F Analysis of Absalom, Absalom!." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/english_diss/189 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FAULKNER’S STYLISTIC DIFFICULTY: A FORMAL ANALYSIS OF ABSALOM, ABSALOM! by ERIC SANDARG Under the Direction of Pearl McHaney, Ph.D. ABSTRACT The complex prose of Faulkner’s Absalom, Absalom!, marked by lengthy sentences and confusing punctuation, resonates on both a rhetorical and an aesthetic level that earlier critics failed to recognize. INDEX WORDS: William Faulkner; Absalom, Absalom!; punctuation; syntax; diction; prose poetry; parentheses; sentences; repetition; Faulknerese. i ii FAULKNER’S STYLISTIC DIFFICULTY: A FORMAL ANALYSIS OF ABSALOM, ABSALOM! by ERIC SANDARG A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the College of Arts and Sciences Georgia State University 2017 iii Copyright by Eric Sandarg 2017 iv FAULKNER’S STYLISTIC DIFFICULTY: A FORMAL ANALYSIS OF ABSALOM, ABSALOM! by ERIC SANDARG Committee Chair: Pearl McHaney Committee: Malinda Snow Randy Malamud Electronic Version Approved: Office of Graduate Studies College of Arts and Sciences Georgia State University December 2017 v iv DEDICATION I invoked no muse for inspiration while composing this work; my two principal sources of motivation were decidedly sublunary but nonetheless helpful beyond description: Dr. -
Stream of Consciousness: a Study of Selected Novels by James Joyce and Virginia Woolf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Italian translations of English stream of consciousness: a study of selected novels by James Joyce and Virginia Woolf Giulia Totò PhD The University of Edinburgh 2014 Declaration I hereby declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification except as specified. Giulia Totò iii To little Emma and Lucio, for the immense joy they spread and the love they allow me to return. iv Acknowledgments I am pleased to take this opportunity to thank my supervisors Federica G. Pedriali and Yves Gambier for their guidance and, most of all, for their support and patience during these years. -
Julio Cortázar
Julio Cortázar. (Bruselas, 1914 – París, 1984). de Manuel (1973), queda reflejado su compromiso El perseguidor. Barcelona (2009) Escritor, profesor y guionista. político. Épreuves (1991) En los años siguientes se destacan los poemas Hijo de padres argentinos. Su padre fue destinado Pameos y meopas (1971), los relatos de Octaedro a la Embajada de Argentina en Bélgica. Su familia se Fantômas contre les vampires des multinationales (1974) y Queremos tanto a Glenda (1980) o Un tal refugia en Suiza durante la Primera Guerra Mundial Lucas (1979) y Los autonautas de la cosmopista hasta 1918, que regresan a Buenos Aires (Argentina). (1991) (1983) de su obra miscelánea. Éste último fue escrito Obtiene el título de maestro en 1932. en colaboración con su tercera y última esposa, Carol Dunlop. En 1984, recibe el Premio Konex de Honor en Final del juego (1993) Se identifica con el Surrealismo a través del Argentina. estudio de autores franceses. Sus obras se reconocen Historias de cronopios y de famas (1966) por su alto nivel intelectual y por su forma de tratar los Poco antes de fallecer, publica su libro de poemas sentimientos y las emociones. Fue un gran seguidor Salvo el crepúsculo (1984) y los artículos Argentina, Imagen de John Keats (1996) de Jorge Luis Borges. años de alambradas culturales (1984). En 1996, se publica póstumamente su ensayo Imagen de John Negro el diez (1984) En 1935 comienza la carrera de Filosofía y Letras, Keats y en el 2009 aparece Papeles inesperados, una da clases y publica estudios de crítica literaria. De obra miscelánea encontrada por su primera esposa, La noche boca arriba y otros relatos (1998) esta época es conocida su colección de sonetos Aurora Bernárdez. -
Innovation Relationships in the Emergence of Fintech Ecosystems
Proceedings of the 52nd Hawaii International Conference on System Sciences | 2019 Innovation Relationships in the Emergence of Fintech Ecosystems Kaisa Still Ilkka Lähteenmäki Marko Seppänen VTT Technical Research Centre Aalto University Tampere University of Technology of Finland Ltd [email protected] [email protected] [email protected] Abstract The context of our paper is about the transformative power of digital technology in This paper explores the emergence of ecosystems banking, financial and insurance. Technology in the context of Fintechs infusing digital technology developments have transformed banks’ business into financial services. The rapid rise of Fintechs has landscape [8] and they are turning into new models of changed the business landscape, challenging the cooperation, replacing the hierarchically managed established firms with novel solutions and services. value chains with ecosystems that are modular and As a result, the established firms are turning to new decentralized in their architecture [10]. models of cooperation, replacing the hierarchically The term ecosystem is widely used to describe the managed value chains with ecosystems that are interdependencies and possibilities for novel value modular and decentralized in their architecture. creation. Moore [15] defined the business ecosystem First, a bibliometric analysis was conducted to as follows: “companies coevolve capabilities around present the content and relationships in Fintech a new innovation: they work cooperatively and research in general. Then, a case study on two of the competitively to support new products, satisfy biggest retail banks in Finland and their innovation customer needs, and eventually incorporate the next relationships in developing Distributed Ledger round of innovations.” The prefix eco (in relation to Technologies and related services was conducted. -
The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
“Casa Tomada”. Producción De Un Cortometraje En Video a Partir De La Adaptación De Un Cuento De Julio Cortázar
UNIVERSIDAD CATÓLICA ANDRÉS BELLO FACULTAD DE HUMANIDADES Y EDUCACIÓN ESCUELA DE COMUNICACIÓN SOCIAL MENCIÓN ARTES AUDIOVISUALES TRABAJO DE GRADO “Casa Tomada”. Producción de un cortometraje en video a partir de la adaptación de un cuento de Julio Cortázar Autores: William MORALES SÁNCHEZ Corina SCHADENDORF PARRA Tutor: Lic. Elisa Martínez Caracas, septiembre de 2007 2 A mi madre, que siempre creyó y seguirá creyendo en mí… A mi padre y a mi hermano que sé que en el fondo creen en mí… William A mi familia… Corina 3 AGRADECIMIENTOS En primera instancia debo agradecer a todos aquellos que ayudaron y que por alguna razón no se encuentran mencionados acá… Muchas gracias a todos los profesores que me dieron sus grandes consejos y sabias enseñanzas del gran arte del cine. A la profesora Azlin Perdomo por transmitir gran parte de sus conocimientos y hacerme más amante del séptimo arte. A la profesora Elisa Martínez por haber guiado este gran proyecto con el que se revelan muchos de los conocimientos que hemos adquirido a lo largo de la carrera. A mis grandes amigos y compañeros de clases (Arge, Carol, Susu, Yorch, Beny, Henry, Maru, Meli y Tibi). Sin ellos no hubiésemos podido hacer este proyecto. Demostramos unión y perseverancia en todos los proyectos que hicimos juntos. TODOS SIEMPRE SEREMOS “LOS DESMEDIDOS”. A la otra parte de mis amigos que escogieron irse por otra de las ramas de la carrera (Mau, Cristi y Anto), y que también me han apoyado en todas mis acciones. A mi gran amiga Liset, que también estuvo en todo momento para brindarme su gran corazón. -
Último Round, De Julio Cortázar
Bianka Teixeira de Andrade Silva LITERATURA PARA BRINCAR: ÚLTIMO ROUND, DE JULIO CORTÁZAR Dissertação apresentada ao Programa de Pós- Graduação em Letras: Estudos Literários, da Faculdade de Letras da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Letras: Estudos Literários. Área de concentração: Teoria da Literatura Linha de pesquisa: Poéticas da Modernidade Orientador: Prof. Dr. Georg Otte Universidade Federal de Minas Gerais – UFMG Faculdade de Letras – FALE Belo Horizonte 2015 Bianka Teixeira de Andrade Silva LITERATURA PARA BRINCAR: ÚLTIMO ROUND, DE JULIO CORTÁZAR Dissertação apresentada ao Programa de Pós- Graduação em Letras: Estudos Literários, da Faculdade de Letras da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Letras: Estudos Literários. Área de concentração: Teoria da Literatura Linha de pesquisa: Poéticas da Modernidade Orientador: Prof. Dr. Georg Otte Universidade Federal de Minas Gerais – UFMG Faculdade de Letras – FALE Belo Horizonte 2015 AGRADECIMENTOS A Deus, ápice inalcançável, cheiro de mistério, busca. Ao meu pai, José, ferida aberta. À minha mãe, Maria, a mulher mais sábia que existe, a quem amo infinitamente. Ao Wilmar, meu amor, por me ensinar a ser imprescindível e por me acompanhar sempre de perto e tão generosamente. Aos meus irmãos, Rodrigo e Philippe, por serem um elo vivo. À sensível e humana Jade, em quem muitas vezes me vejo, por me oferecer frescor e diversão. À Dríade, pela acolhida madura e generosa. Ao Georg Otte, pela orientação sempre disposta, pelo respeito e confiança em minha liberdade e, acima de tudo, por me apresentar Schiller. -
Jonathan Greenberg
Losing Track of Time Jonathan Greenberg Ottessa Moshfegh’s My Year of Rest and Relaxation tells a story of doing nothing; it is an antinovel whose heroine attempts to sleep for a year in order to lose track of time. This desire to lose track of time constitutes a refusal of plot, a satiric and passive- aggressive rejection of the kinds of narrative sequences that novels typically employ but that, Moshfegh implies, offer nothing but accommodation to an unhealthy late capitalist society. Yet the effort to stifle plot is revealed, paradoxically, as an ambi- tion to be achieved through plot, and so in resisting what novels do, My Year of Rest and Relaxation ends up showing us what novels do. Being an antinovel turns out to be just another way of being a novel; in seeking to lose track of time, the novel at- tunes us to our being in time. Whenever I woke up, night or day, I’d shuffle through the bright marble foyer of my building and go up the block and around the corner where there was a bodega that never closed.1 For a long time I used to go to bed early.2 he first of these sentences begins Ottessa Moshfegh’s 2018 novelMy Year of Rest and Relaxation; the second, Proust’s In Search of Lost Time. More ac- T curately, the second sentence begins C. K. Scott Moncrieff’s translation of Proust, whose French reads, “Longtemps, je me suis couché de bonne heure.” D. J. Enright emends the translation to “I would go to bed”; Lydia Davis and Google Translate opt for “I went to bed.” What the translators famously wrestle with is how to render Proust’s ungrammatical combination of the completed action of the passé composé (“went to bed”) with a modifier (“long time”) that implies a re- peated, habitual, or everyday action. -
Constructing Transgression: Criminality in Experimental Literature
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2019 CONSTRUCTING TRANSGRESSION: CRIMINALITY IN EXPERIMENTAL LITERATURE Charles Kell University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Kell, Charles, "CONSTRUCTING TRANSGRESSION: CRIMINALITY IN EXPERIMENTAL LITERATURE" (2019). Open Access Dissertations. Paper 888. https://digitalcommons.uri.edu/oa_diss/888 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. CONSTRUCTING TRANSGRESSION: CRIMINALITY IN EXPERIMENTAL LITERATURE BY CHARLES KELL A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2019 DOCTOR OF PHILOSOPHY DISSERTATION OF CHARLES KELL APPROVED: Dissertation Committee: Major Professor Peter Covino Ryan Trimm Eske Møllgaard Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2019 ABSTRACT This dissertation examines integral, challenging contemporary poetry and fiction, and its relationship to notions of the criminal in multiple guises. The present focus on “criminal” excavates not only its literal meaning—the nature of crime, and its specific relation to penal law—but also brings to light how the “criminal” affects the construction of fiction and poetry, and the lives of various individuals (speakers) within the chosen texts. Intricately tied with the criminal are practices that transgress, and this study will also locate specific creations where poets and novelists construct transgressions that challenge contemporary ideas of narrative and poetic modes. -
Elio Gioanola Carlo Bo Charles Singleton Gianfranco Contini
Elio Gioanola Introduzione Carlo Bo Ricordo di Eugenio Montale Charles Singleton Quelli che restano Gianfranco Contini Lettere di Eugenio Montale Vittorio Sereni Il nostro debito verso Montale Vittore Branca Montale crìtico di teatro Andrea Zanzotto La freccia dei diari Luciano Erba Una forma di felicità, non un oggetto di giudizio Piero Bigongiari Montale tra il continuo e il discontinuo Giovanni Macchia La stanza dell'Amiata Ettore Bonora Un grande trìttico al centro della « Bufera » (La primavera hitleriana, Iride, L'orto) Silvio Guarnieri Con Montale a Firenze http://d-nb.info/945512643 Pier Vincenzo Mengaldo La panchina e i morti (su una versione di Montale) Angelo Jacomuzzi Incontro - Per una costante della poesia montaliana Marco Forti Per « Diario del '71 » Giorgio Bàrberi Squarotti Montale o il superamento del soggetto Silvio Ramat Da Arsenio a Gerti Mario Martelli L'autocitazione nel secondo Montale Rosanna Bettarini Un altro lapillo Glauco Cambon Ancora su « Iride », frammento di Apocalisse Mladen Machiedo Una lettera dì Eugenio Montale (e documenti circostanti) Claudio Scarpati Sullo stilnovismo di Montale Gilberto Lonardi L'altra Madre Luciano Rebay Montale, Clizia e l'America Stefano Agosti Tom beau Maria Antonietta Grignani Occasioni diacroniche nella poesia di Montale Claudio Marabini Montale giornalista Gilberto Finzi Un'intervista del 1964 Franco Croce Satura Edoardo Sanguineti Tombeau di Eusebio Giuseppe Savoca L'ombra viva della bufera Oreste Macrì Sulla poetica di Eugenio Montale attraverso gli scritti critici Laura Barile Primi versi di Eugenio Montale Emerico Giachery La poesia di Montale e il senso dell'Europa Giovanni Bonalumi In margine al « Povero Nestoriano smarrito » Lorenzo Greco Tempo e «fuor del tempo» nell'ultimo Montale . -
Último Round De Cortázar: El Collage-Síntesis De Un Proceso
Último round de Cortázar: el collage-síntesis de un proceso Izara BATRES CUEVAS Universidad Complutense de Madrid [email protected] RESUMEN Desde su llegada a París, Julio Cortázar comienza un proceso literario de interpenetración creativa con la ciudad que hace que el espíritu poético de París quede reflejado en las obras de Cortázar, al mismo tiempo que él escribe París desde una mirada poética. Es también un proceso personal, ya que las fases en que se divide se corresponden con los estadios vitales de Cortázar. Todo ello queda recogido en la síntesis heterogénea del libro almanaque Último round, pero, para comprenderla, antes debemos distinguir las fases en las que se divide el proceso, determinadas por la relación con París y que, como trayectos iniciáticos, llevan al escritor de la teoría poética a su práctica, de la indefinición de su identidad y su ideal humano a la definición de ambos, del terreno estético al ontológico. Y por supuesto debemos comprender el concepto cortazariano de almanaque y la relevancia de la cualidad de collage del libro para reflejar todo este proceso. Palabras clave: Cortázar, París, ósmosis, poética. ABSTRACT From his arrival in Paris, Julio Cortázar begins a process of creative inter-penetration with the city that makes the poetic spirit of Paris is reflected in the works of Cortázar, at the same time that he writes from Paris from a poetic viewpoint, it is also a personal process, since the phases that divide them correspond with the life studies of Cortázar. All of this has been gathered in the varied synthesis of Último round, but, in order to understand this, first we should clearly distinguish the phases into which we can divide the process, determined by the relationship with Paris: initiation trajectories which take the writer from the theory of poetry to its practice, from the indefinition of his identity and his ideal human to the definition of both, from aesthetic ground to ontological ground. -
Reciprocity in Experimental Writing, Hypertext Fiction, and Video Games
UNDERSTANDING INTERACTIVE FICTIONS AS A CONTINUUM: RECIPROCITY IN EXPERIMENTAL WRITING, HYPERTEXT FICTION, AND VIDEO GAMES. A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 ELIZABETH BURGESS SCHOOL OF ARTS, LANGUAGES AND CULTURES 2 LIST OF CONTENTS Abstract 3 Declaration 4 Copyright Statement 5 Acknowledgements 6 Introduction 7 Chapter One: Materially Experimental Writing 30 1.1 Introduction.........................................................................................30 1.2 Context: metafiction, realism, telling the truth, and public opinion....36 1.3 Randomness, political implications, and potentiality..........................53 1.4 Instructions..........................................................................................69 1.41 Hopscotch...................................................................................69 1.42 The Unfortunates........................................................................83 1.43 Composition No. 1......................................................................87 1.5 Conclusion...........................................................................................94 Chapter Two: Hypertext Fiction 96 2.1 Introduction.........................................................................................96 2.2 Hypertexts: books that don’t end?......................................................102 2.3 Footnotes and telling the truth............................................................119