Plutarch and Poliziano
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Civic Virtue of Women in Quattrocento Florence A Dissertation Presented by Christine Contrada to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2010 Copyright by Christine Contrada 2010 Stony Brook University The Graduate School Christine Contrada We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Alix Cooper – Dissertation Advisor Associate Professor, History Dr. Joel Rosenthal – Chairperson of Defense Distinguished Professor Emeritus, History Dr. Gary Marker Professor, History Dr. James Blakeley Assistant Professor, History St. Joseph’s College, New York This dissertation is accepted by the Graduate School. Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation The Civic Virtue of Women in Quattrocento Florence by Christine Contrada Doctor of Philosophy in History Stony Brook University 2010 Fifteenth century Florence has long been viewed as the epicenter of Renaissance civilization and a cradle of civic humanism. This dissertation seeks to challenge the argument that the cardinal virtues, as described by humanists like Leonardo Bruni and Matteo Palmieri, were models of behavior that only men adhered to. Elite men and women alike embraced the same civic ideals of prudence, justice, fortitude, and temperance. Although they were not feminists advocating for social changes, women like Alessandra Strozzi, Margherita Datini, and Lucrezia Tornabuoni had a great deal of opportunity to actively support their own interests and the interests of their kin within popular cultural models of civic virtue. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Leonardo Da Vinci on Nature Alessandro Nova E Gerhard Wolf Knowledge and Representation
kunsthistorisches institut in florenz kunsthistorisches institut in florenz max-planck-institut max-planck-institut Direttori leonardo da vinci on nature Alessandro Nova e Gerhard Wolf Knowledge and Representation edited by Fabio Frosini and Alessandro Nova Marsilio frank fehrenbach Rather than painting, though, it is music that would represent the tempo- francesca borgo ral structure of nature in the most accurate way. The polyphonic units cre- ated «in un medesimo tempo» mirror the transitoriness of natural objects THE IMPETUS OF BATTLE: perfectly – they are virtual «bodies» whose limbs are united in harmony but VISUALIZING ANTAGONISM IN LEONARDO inevitably doomed to pass and perish («costrette a nascere e morire in uno o più tempi armonici»)50. Painting is different from both nature and music because it virtually eternalizes the temporal existence of things and bodies «in un medesimo tempo». Therefore, it is «piu degna l’opera del pittore che della natura»51, a remarkable statement for a writer who never ceases to celebrate nature as the undisputed «maestra» of painting, the paradigm of human art52. Painting, triggered by the power of nature to impress or imprint its own images in the mind of man, emerges as a «second nature», Comme si les variations des choses lui paraissaient dans le calme trop lentes, an expression of the first nature’s longing to maintain the existence of every il adore les batailles, les tempêtes, le déluge. Il s’est élevé à les voir dans leur product, suspending the fugacity of time. While the first nature struggles ensemble mécanique et à les sentir dans l’indépendance apparente ou la vie de leurs fragments, dans une poignée de sable envolée éperdue, dans l’idée égarée de to overcome death through procreation, pittura «doesn’t have children» chaque combattant où se tord une passion et une douleur intime1. -
Simonetta Cattaneo Vespucci: Beauty. Politics, Literature and Art in Early Renaissance Florence
! ! ! ! ! ! ! SIMONETTA CATTANEO VESPUCCI: BEAUTY, POLITICS, LITERATURE AND ART IN EARLY RENAISSANCE FLORENCE ! by ! JUDITH RACHEL ALLAN ! ! ! ! ! ! ! A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Department of Modern Languages School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT ! My thesis offers the first full exploration of the literature and art associated with the Genoese noblewoman Simonetta Cattaneo Vespucci (1453-1476). Simonetta has gone down in legend as a model of Sandro Botticelli, and most scholarly discussions of her significance are principally concerned with either proving or disproving this theory. My point of departure, rather, is the series of vernacular poems that were written about Simonetta just before and shortly after her early death. I use them to tell a new story, that of the transformation of the historical monna Simonetta into a cultural icon, a literary and visual construct who served the political, aesthetic and pecuniary agendas of her poets and artists. -
“Unlucky in Affairs of Business….” Turning Points in the Life of Lorenzo
“Unlucky in affairs of business….” Turning Points in the life of Lorenzo de Medici Harry Don Stephenson, Jr. Faculty Advisor: Thomas Robisheaux, Ph.D. Fred W. Schaffer Professor of History History Department November 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Liberal Studies Program in the Graduate School of Duke University. Copyright by Harry Don Stephenson, Jr. 2015 i Contents Abstract ………………………………………………………………………………………………………………………………….…iii List of Tables and Figures ……………………………………………………………………………………………………….…iv Acknowledgements …………………………………………………………………………………………………………………..v Introduction ………………………………………………………………………………………………………………………………1 Chapter One: Banking in Fifteenth Century Italy………………………………………………………………………. 5 Chapter Two: Family Tree ………………………………………………………………………………………………………...12 Chapter Three: Lorenzo in Rome – 1466 ………………………………………………………………………………….. 30 Chapter Four: The Pazzi Conspiracy- April 1478 ………………………………………………………………………. 36 Chapter Five: The Pazzi War – 1479-1480 ………………………………………………………………………………….50 Chapter Six: Restoration with Rome - 1488 …………………………………………………………………………….. 59 Chapter Seven: Conclusion ……………………………………………………………………………………………………… 66 Bibliography ii Abstract The Medici family name is inextricably tied to Florence and the Italian Renaissance. For three hundred and fifty years, through twelve generations, the Medici lived in, work in, and to a considerable degree ruled the city. No Medici name rises higher in recorded history than Lorenzo di Piero de’ Medici. Lorenzo il Magnifico is remembered as a patron of the arts, poet, humanist, diplomat and savior of Florence during the Pazzi War. His legacy as a competent banker, manager and caretaker of the family business empire is sadly much less triumphant. Through the “quirks of genealogical fortune”, including a string of untimely deaths of male members of the Medici, Lorenzo found himself to be the sole owner of the Medici Bank in its sixth decade of business. -
Notes on the Presence of Boccaccio in Cristoforo Landino's <I>Comento
Notes on the Presence of Boccaccio in Cristoforo Landino's Comento sopra la Comedia di Danthe Alighieri Simon A. Gilson Italian Culture, Volume 23, 2005, pp. 1-30 (Article) Published by Michigan State University Press DOI: https://doi.org/10.1353/itc.2006.0012 For additional information about this article https://muse.jhu.edu/article/204837 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Notes on the Presence of Boccaccio in Cristoforo Landino’s Comento sopra la Comedia di Danthe Alighieri ———————— simon a. gilson recent years have seen a resurgence of critical interest in cristoforo Landino’s celebrated and widely influential Dante commentary, the Comento sopra la Comedia di Danthe Alighieri, which was first printed in late August 1481 and underwent some 20 reprints, in various formats, before the end of the sixteenth century (see Cardini 1973, 1974, 1990; Dionisotti 1965, 1972; Field 1988, 231–49; Gilson 2003a; 2003b; 2005, 163–230; Haywood 2004; La Brasca 1985, 1986, 1987; Lentzen 1971; Parker 1993, 76–85; Procaccioli 1989). Scholarly inquiry has focused upon the ideological qualities of the Comento, in particular its proemio, or prologue, as well as upon its extensive body of glosses, or chiose, which has received particular attention with respect to Landino’s interest in allegory and Platonism, his indebtedness to the trecento tradition of Dante commentary, and his reliance on his own earlier activities both as teacher of vernacular and classical poetry at the Florentine Studio and as author of the Latin dialogues, the De anima (c. 1471) and the Disputationes Camaldulenses (c. -
Marsilio Ficino, Philosopher, and Head of the Platonic Academy of Florence
Ho\oler Thef,, mutilation, and underlining of books '''«'P""<'^y action and may Zl',rTresult m dismissal from the University BUILDING US|E ONLY PEB-|6 1974 /£B . 6 197^ BUlLDlNcj USE ONLY 0CTi9|l979 OCT 131 L161 — O-I096 MARSILIO FICINO, PHILOSOPHER, AND HEAD OF THE PLATONIC ACADEMY OF FLORENCE BY HARRIET WELLS HOBLER A. B. Rockford College, 1882 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OP THE UNIVERSITY OF ILLINOIS 1917 H^^ UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL i -^^ .9. 7 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY ____ ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Thesis Head of Department Recommendation concurred in :* Committee on Final Examination* ^Required for doctor's degree but not for master's. 376559 UlUc' . TABLE OF CONTENTS PROLOG: Two portraits of Marsilio Ficino. INTRODUCTION: The study of Greek in the fifteenth century CHAPTER I: Ficino' s early dedication to the study of Plato; his education; devotion to the work; Cosmo de' Medici's gifts to him; his study of Greek; his letters; his friends; intimate friendships; loyal- ty to Medici family; habits; personal appearance; character; his father, who lived with him; foreign friends; offers of honor and homes; death and burial CHAPTER II: The Florentine Academy; banquets, Landino' description of them; course of instruction in Acad emy; description of assembly rooms; importance; spread of movement. CHAPTER III: Ficino' s works; produced under Lorenzo's patronage; Dialogues of Plato; Enneads of Plotinus Teologica Platonica; Orphic Hymns; other writers of Neo-Platonic School; St. -
Neo Latin News New.Pdf (158.4Kb)
♦ 194 seventeenth-century news NEO-LATIN NEWS Vol. 59, Nos. 3 & 4. Jointly with SCN. NLN is the official publica- tion of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European Editors: Jerzy Axer, Barbara Milewska-Wazbinska, and Katarzyna Tomaszuk, Centre for Studies in the Classical Tradition in Poland and East- Central Europe, University of Warsaw. Founding Editors: James R. Naiden, Southern Oregon University, and J. Max Patrick, University of Wisconsin-Milwaukee and Graduate School, New York University. ♦ Angelo Poliziano. Lamia: Text, Translation, and Introductory Studies. Ed. by Christopher S. Celenza. Brill’s Studies in Intellectual History, 189; Brill’s Texts and Sources in Intellectual History, 7. Leiden and Boston: Brill, 2010. xiv + 272 pp. The text at the center of this book is a praelectio, or preliminary oration, delivered in the fall of 1492 to open a course on Aristotle’s Prior Analytics being taught at the Florentine university by Angelo Poliziano. The decision to teach Aristotle was a controversial one: no one challenged Poliziano’s ability to handle the Greek, but his background was in literature and he held the chair in rhetoric and poetics, not philosophy. ThePrior Analytics, focused on the use of syllogisms, struck some of his contemporaries as an especially inflammatory choice, and as is always the case, the backbiting soon reached his ears. To Poliziano, a member of the late fifteenth-century Florentine intellectual community who gossiped about him as he sought to expand his teaching portfolio was a sorcerer or enchantress who sucked the blood of her victims—a lamia, in Latin. -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and -
Coexistence and Contamination of Vernacular and Latin in Alessandro Braccesi's Bilingual Tribute to Camilla Saracini. the Sien
Coexistence and contamination of vernacular and Latin in Alessandro Braccesi’s bilingual tribute to Camilla Saracini. The Siena and Florence of illustrious women and Neoplatonism.1 In October 1491 the Florentine envoy to Siena, Alessandro Braccesi (1445-1503), composed and dedicated two sonnets in the vernacular and one Latin carmen to Camilla Saracini, the most beautiful girl in the city, who had recently and suddenly become blind. While this may seem only occasional poetry by a lesser-known figure of fifteenth-century Tuscany, a closer look at both the texts and their context reveals that these poems mirror the social and artistic ambitions embedded into Florentine society and the cultural trends of two cities and two languages employed for different purposes. In Siena, where the poems were written, vernacular poetry was the norm, and the production of literary texts in Latin was progressively dying out. Braccesi, however, brought with him a multifaceted Florentine heritage; in his hometown, during the same century, the endorsement of the Tuscan vernacular as the language of literature, culture and philosophy, followed a tortuous path. Braccesi’s work did not stand out among that of his notorious contemporaries. Despite not achieving great success as an intellectual, both his prose and poetry are of great interest, especially in relation to the contamination of Latin and the vernacular. In the specific episode related to Camilla Saracini, it is worth looking into the reasons that moved him to communicate in both languages, when the status of the vernacular was changing side by side with a flourishing Neo-Latin literature. -
Displays of Medici Wealth and Authority: the Acts of the Apostles and Valois Fêtes Tapestry Cycles
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles Madison L. Clyburn University of Central Florida Part of the Classical Archaeology and Art History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Clyburn, Madison L., "Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles" (2019). Honors Undergraduate Theses. 523. https://stars.library.ucf.edu/honorstheses/523 DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FÊTES TAPESTRY CYCLES by MADISON LAYNE CLYBURN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2019 Madison Layne Clyburn ii ABSTRACT The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-à-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fêtes. The cycles were commissioned by Pope Leo X (1475- 1521), the first Medici pope, and Catherine de’ Medici (1519-1589), queen, queen regent, and queen mother of France. -
Chivalry and Performance in Medicean Jousts of the 15Th Century
CHIVALRY AND PERFORMANCE IN MEDICEAN JOUSTS OF THE FIFTEENTH CENTURY Emma Iadanza Vassar College ABSTRACT Jousts and other tournaments have existed in Europe since the early 1000s, but they began to take a different form during the Italian Renaissance, particularly in Florence during the fifteenth century. Rather than serving as demonstrations of military prowess, they became performative events that exhibited the patrons’ and competitors’ wealth as well as their devotion to the city. Descriptions of these tournaments tended to focus on the spectacular processions and visuals that were put on display during these occasions, rather than on the competitive portion of the event itself. The joust of Giuliano de’ Medici in 1475 embodies these characteristics to the fullest, as reflected in the wealth of descriptions in chronicles, letters, and poems that it inspired. Overall, the florid nature of these accounts evince the joust’s importance as a spectacle more than a military event, and the attitude to tournaments in Medicean Florence as a whole. By the fifteenth century, the tournament had played a part in chivalric culture for more than four hundred years, and was moving away from its origins as a military exercise and towards a more performative display. Jousts, especially in Italy, tended not to focus on a knight’s ability to fight, but instead on his courtly manners and the spectacular performance that he sought to create. Indeed, luxury was the focus of these events to such an extent that writers of the time paid little attention to the events or outcome of the jousts, and focused instead on their grandeur.