The MILES Band Songlist

Total Page:16

File Type:pdf, Size:1020Kb

The MILES Band Songlist The MILES Band Songlist Blues Days Like This — Van Morrison Have I Told You Lately (that I love you) — Van Tore Down — Freddie King/Eric Clapton Morrison Before You ‘Cuse Me — Freddy King/Eric Into the Mystic — Van Morrison Clapton Moondance — Van Morrison Come On — Jimi Hendrix Tupelo Honey — Van Morrison Funky Fine Blues — Peter Miles Warm Love — Van Morrison Cold Shot — Stevie Ray Vaughan Tightrope — Stevie Ray Vaughan Light Rock Give Me One Reason — Tracy Chapman Wonderful Tonight — Eric Clapton Sugaree — Jerry Garcia Country The Night They Drove Ol’ Dixie Down — Robertson/Helm I Walk The Line — Johnny Cash Somebody Like You — Keith Urban Funk Making Memories of Us — Keith Urban/Rodney Use Me — Bill Withers Crowell Will It Go ‘Round In Circles — Billy Preston Wagon Wheel — Old Crow Medicine Show Shaky Ground — Delbert McClinton My Wish — Rascal Flatts Right Place, Wrong Time — Dr. John My Little Girl — Tim McGraw Cantaloupe Island — Herbie Hancock Chicken Fried — Zac Brown Band It’s Your Thing — Isley Brothers Papa's Got a Brand New Bag — James Brown Easy Pop Get Down Tonight — KC & the Sunshine Band Boni Maroni — Larry Williams Driftaway — Dobie Gray Voo Doo — Neville Bros. Change The World — Eric Clapton Yellow Moon — Neville Bros. Sarah Smiles — Hall & Oats Sneakin’ Sally — Robert Palmer Banana Pancakes — Jack Johnson Bearfootin’ — Robert Parker/Wilson Picket Upside Down — Jack Johnson Boogie On Reggae Woman — Stevie Wonder Country Road — James Taylor Signed, Sealed, Delivered — Stevie Wonder How Sweet It Is — James Taylor Brick House — The Commodores Shower the People — James Taylor Sissy Strut — The Meters I’m Yours — Jason Mraz Play that Funky Music — Wild Cherry Daughters — John Mayer Mustang Sally — Wilson Picket Why Georgia — John Mayer You and Me — Lifehouse Jazz Everything — Michael Buble Night And Day — Cole Porter/Frank Sinatra Don’t Know Why — Nora Jones At Last — Etta James Dock Of The Bay — Otis Reading Fly Me to The Moon — Frank Sinatra Let Her Go — Passenger As Time Goes By — H. Hupfeld / Dooley Wilson Father & Daughter — Paul Simon Song for My Father — Horace Silver Freedom In Release — Peter Miles Moonlight In Vermont — J. Blackburn & K. Gone, Gone, Gone — Phillip Phillips Suessdorf Wild Horses — Rolling Stones Autumn Leaves — Kosma/Prevert I Will — The Beatles What a Wonderful World — Louis Armstrong In My Life — The Beatles All Blues — Miles Davis Crazy Love — Van Morrison Unforgettable — Nat ‘King’ Cole MILESSONGS.com My Favorite Things — R. Rodgers How Far is Heaven — Los Lonely Boys Time After Time — Styne/Cahn Walking a Thin Line — Peter Miles Pop The Shape I’m In — Robbie Robertson/The Band Steal My Kisses — Ben Harper Bad Case Of Loving You — Robert Palmer Short Skirt, Long Jacket — Cake Brown Sugar — Rolling Stones Forget (!) You — Cee Lo Green Honky-tonk Woman — Rolling Stones Get Lucky — Daft Punk/P. Williams, N. Rogers It’s All Over Now — Rolling Stones Take Good Care of My Baby — Dion & The Miss You — Rolling Stones Belmonts Soul Man — Sam & Dave Flake — Jack Johnson My Old School - Steely Dan Neon — John Mayer Fly Like An Eagle — Steve Miller Band Close Your Eyes — Michael Buble Take the Money & Run — Steve Miller Band Billy Jean — Michael Jackson Superstitious — Stevie Wonder Late In The Evening — Paul Simon Interstate Love Song — Stone Temple Pilots Happy — Pharrell Williams Day Tripper — The Beatles Nothing Can Change This Love — Sam Cooke Money — The Beatles Santeria — Sublime The Letter — The Boxtops/Joe Cocker What I Got — Sublime Already Gone — The Eagles Wrong Way — Sublime Take It Easy — The Eagles Such Great Heights — The Postal Service Casey Jones — The Grateful Dead Reggae Driven To Tears — The Police I Shot the Sheriff — Bob Marley Message In A Bottle — The Police Is This Love — Bob Marley Walking On The Moon — The Police Stir It Up — Bob Marley What I Like About You — The Romantics Three Little Birds - Bob Marley American Girl — Tom Petty Rock and Roll Free Fallin’ — Tom Petty Hard To Handle — BlackCrowes/Otis Reading I Won’t Back Down — Tom Petty Runaround — Blues Traveler Runnin’ Down A Dream — Tom Petty Knockin’ On Heaven’s Door — Bob Dylan/Eric You Wreck Me — Tom Petty Clapton All I Want Is You — U2 For What It’s Worth — Buffalo Springfield Desire — U2 Feelin’ Alright — Dave Mason Domino — Van Morrison Golden Years — David Bowie Wild Night — Van Morrison Rebel, Rebel — David Bowie Jesus Just Left Chicago — ZZ Top Givin’ It Up for Your Love — Delbert McClinton Waitin’ for the Bus — ZZ Top Knock On Wood — E. Floyd/S. Cropper Soul Lay Down Sally — Eric Clapton Valerie — Amy Winehouse/The Zeutons The Core — Eric Clapton Let’s Get It On — Marvin Gaye Fire On The Mountain — Grateful Dead What’s Goin’ On — Marvin Gaye After Midnight — J.J. Cale/E. Clapton You Are The Best Thing — Ray La Montagne Great Balls Of Fire — Jerry Lee Lewis You Are the Sunshine of My Life — Stevie Crosstown Traffic — Jimi Hendrix Wonder The Wind Cries Mary — Jimi Hendrix Swing Born on the Bayou — John Fogarty/CCR Choo, Choo, Ch'Boogie — Louis Jordan Green River — John Fogarty/CCR Jump, Jive & Wail — Louis Prima/Brian Setzer Footloose — Kenny Loggins Route 66 - Nat 'King' Cole I’ve Just Seen A Face — Lennon/McCartney Lucille — Little Richard MILESSONGS.com .
Recommended publications
  • Song Artist 25 Or 6 to 4 Chicago 5 Years Time Noah and the Whale A
    A B 1 Song Artist 2 25 or 6 to 4 Chicago 3 5 Years Time Noah and the Whale 4 A Horse with No Name America 5 Achy Breaky Heart Billy Ray Cyrus 6 Adelaide Old 97's 7 Adelaide 8 Africa Bamba Santana 9 Against the Wind Bob Seeger 10 Ain't to Proud to Beg The Temptations 11 All Along the W…. Dylan/ Hendrix 12 Back in Black ACDC 13 Bad Leroy Brown Jim Croce 14 Bad Moon Risin' CCR 15 Bad to the Bone George Thorogood 16 Bamboleo Gipsy Kings 17 Black Horse and… KT Tunstall 18 Born to be Wild Steelers Wheels 19 Brain Stew Green Day 20 Brown Eyed Girl Van Morrison 21 Chasing Cars Snow Patrol 22 Cheesburger in Para… Jimmy Buffett 23 Clocks Coldplay 24 Close to You JLS 25 Close to You 26 Come as you Are Nirvana 27 Dead Flowers Rolling Stones 28 Down on the Corner CCR 29 Drift Away Dobie Gray 30 Duende Gipsy Kings 31 Dust in the Wind Kansas 32 El Condor Pasa Simon and Garfunkle 33 Every Breath You Take Sting 34 Evil Ways Santana 35 Fire Bruce Springsteen Pointer Sis.. 36 Fire and Rain James Taylor A B 37 Firework Katy Perry 38 For What it's Worth Buffalo Springfield 39 Forgiveness Collective Soul 40 Free Bird Lynyrd Skynyrd 41 Free Fallin Tom Petty 42 Give me One Reason Tracy Chapman 43 Gloria Van Morrison 44 Good Riddance Green Day 45 Have You Ever Seen… CCR 46 Heaven Los Lonely Boys 47 Hey Joe Hendrix 48 Hey Ya! Outcast 49 Honkytonk Woman Rolling Stones 50 Hotel California Eagles 51 Hotel California 52 Hotel California Eagles 53 Hotel California 54 I Won't Back Down Tom Petty 55 I'll Be Missing You Puff Daddy 56 Iko Iko Dr.
    [Show full text]
  • Eric Clapton I Shot the Sheriff
    I Shot The Sheriff Eric Clapton Ami Dmi Ami 1. I shot the sheriff, but I did not shoot the deputy Dmi Ami I shot the sheriff, but I did not shoot the deputy Dmi Emi Ami All around in my home town Dmi Emi Ami They're trying to track me down Dmi Emi Ami They say they want to bring me in guilty Dmi Emi Ami For the killing of a deputy Dmi Emi Ami For the life of a deputy. But I say 2. I shot the sheriff, but I swear it was in self-defense I shot the sheriff, and they say it is a capital offense Sheriff John Brown always hated me For what I don't know Every time that I plant a seed He said "Kill it before it grows" He said "Kill it before it grows" I say! 3. I shot the sheriff, but I swear it was in self-defense I shot the sheriff, but I swear it was in self-defense Freedom came my way one day And I started out of town yeah All of a sudden I see sheriff John Brown Aiming to shoot me down So I shot, I shot him down I say! 4. I shot the sheriff, but I did not shoot the deputy I shot the sheriff, but I didn't shoot the deputy Reflexes got the better of me And what is to be must be Every day the bucket falls to the well But one day the bottom will drop out Yes, one day the bottom will drop out.
    [Show full text]
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • Popular Repertoire (1960’S – Present Day)
    ! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club
    [Show full text]
  • Special Edition Band Songlist
    (revised for January 2021) POP/DANCE 24-Karat Magic Bruno Mars Ain't It Fun Paramore Ain't Nobody Chaka Khan All About The Bass Meghan Trainor Attention Charlie Puth Bad Romance Lady Gaga Bang Bang Ariana Grande/Nicki Minaj Bidi Bidi Bom Bom Selena Gomez Big Time Peter Gabriel Billie Jean Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey California Gurls Katy Perry Can't Stop the Feelin' Justin Timberlake Celebration Kool & The Gang Cheap Thrills Sia Cheerleader Felix Jaehn Chunky Bruno Mars Conga Gloria Estefan and The Miami Sound Machine Crazy In Love Beyoncé Dancing Queen Abba Donna Summer Medley Donna Summer Don't Cha Pussycat Dolls Don't Stop The Music Rhianna Drag Me Down One Direction Ex's and Oh's Elle King Faith George Michael Family Affair Mary J Blige Fancy Iggy Azalea feat. Charli XCX Feel It Still Portugal, The Man Finesse Bruno Mars/Cardi B Footloose Kenny Loggins Funkytown Lipps, Inc. Girls Just Wanna Have Fun Cyndi Lauper Give Me Everything Pitbull Good Kisser Usher Groove is in The Heart Deee-Lite Happy Pharrell Williams Havana Camilla Cabello Hella Good No Doubt I Feel For You Chaka Khan I Gotta Feelin' Black Eyed Peas I Wanna Dance With Somebody Whitney Houston I Will Survive Gloria Gaynor Intentions Justin Bieber I'm Like A Bird Nelly Furtado Jealous Nick Jonas Just Dance Lady Gaga Kiss Prince Lady Marmalade LaBelle/Shakira Last Dance Donna Summer Leave Your Hat On Joe Cocker Let's Go Crazy Prince Let's Groove Tonight Earth, Wind and Fire Locked Out Of Heaven Bruno Mars Love on Top Beyoncé
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Download Song List As
    Top40/Current Bruno Mars 24K Magic Stronger (What Doesn't Kill Kelly Clarkson Treasure Bruno Mars You) Uptown Funk Bruno Mars Firework Katy Perry Can't Stop The Feeling Justin Timberlake Hot N Cold Katy Perry Good as Hell Lizzo I Choose You Sara Bareilles Cake By The Ocean DNCE Till The World Ends Britney Spears Shut Up And Dance Walk The Moon Life is Better with You Michael Franti & Spearhead Don’t stop the music Rihanna Say Hey (I Love You) Michael Franti & Spearhead We Found Love Rihanna / Calvin Harris You Are The Best Thing Ray LaMontagne One Dance Drake Lovesong Adele Don't Start Now Dua Lipa Make you feel my love Adele Ride wit Me Nelly One and Only Adele Timber Pitbull/Ke$ha Crazy in Love Beyonce Perfect Ed Sheeran I Gotta Feeling Black Eyed Peas Thinking Out Loud Ed Sheeran Let’s Get It Started Black Eyed Peas Cheap Thrills Sia Everything Michael Buble I Love It Icona Pop Dynomite Taio Cruz Die Young Kesha Crush Dave Matthews Band All of Me John Legend Where You Are Gavin DeGraw Blurred Lines Robin Thicke Forget You Cee Lo Green Party in the U.S.A. Miley Cyrus Feel So Close Calvin Harris Talk Dirty Jason Derulo Song for You Donny Hathaway Call Me Maybe Carly Rae Jepsen This Is How We Do It Montell Jordan Brokenhearted Karmin No One Alicia Keys Party Rock Anthem LMFAO Waiting For Tonight Jennifer Lopez Starships Nicki Minaj Moves Like Jagger Maroon 5 Don't Stop The Party Pitbull This Love Maroon 5 Happy Pharrell Williams I'm Yours Jason Mraz Domino Jessie J Lucky Jason Mraz Club Can’t Handle Me Flo Rida Hey Ya! OutKast Good Feeling
    [Show full text]
  • 2021 AKC Master National Qualified Dogs
    2021 AKC Master National Qualified Dogs 1,506 as of July 31, 2021 (See below if your dog is not listed.) DOG NAME OWNER BREED 3m Foxy Kona MH J Lane Lab 6bears Chasing The Perfect Storm MH B Berrecloth/S Berrecloth Lab 6bears Gatorpoint Rhea MH B Berrecloth/S Berrecloth Lab 6bears Just Sippin On Sweet Tea MH B Berrecloth/S Berrecloth Lab A Double Shot Of Miss Ellie May MH B Hadley Lab A Legend In Her Own Mind MH K Forehead Lab Abandoned Road's Caffeine Explosion MH MNH4 C Pugh Lab A-Bear For Freedom MH C Kinslow Lab Academy's Buy A Lady A Drink MH T Mitchell NSDTR Academy's Deacon Howl'N Amen MH MNH M Bullen/S Bullen Lab Academy's Pick'Em All Up MH P Dennis Lab Ace Basin’s Last King’s Grant MH R Garmany Lab Ace On The River IV MH MNH M Zamudio Lab Addys Sweet Baby Rae MH D McGraw Lab Adirondac Explorer MH C Lantiegne Golden Adirondac Kuma Yoko MH G Neurohr/N Neurohr Golden Adirondac Tupper Too MH C Lantiegne Golden Agent Natasha Romanova MH G Nichols Lab AHOY Dark Beauty MH R Randleman Lab Aimpowers Captain's Creole Cash MH L Hoover Lab Ajs Labs Once Upon A Time MH A Walters/J Walters Lab Ajs Labs Song Of The South MH J Walters/A Walters Lab AJS Labs Song of the South MH Joel and Anja Walters Lab Ajs Sailor Katy's I Shot The Sheriff MH a walters/j walters Lab Ajs Sailor Katy's Whips And Things MH MNR j walters/a walters Lab Ajtop Chiefs Blessed Beau MH K Jenkins Lab Ajtop Cody's Kajun Pride MH C Billings Lab AJTOP Gold Pearl MH R Loewenstein/J Loewenstein Lab Alabama Moon Bear MH J Gammon CBR Alabama's Rebel Girl MH G Goodman Lab Alabamas
    [Show full text]
  • Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
    PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Transpopular Spaces: Gypsy Imagineries in the Work of Van
    Fecha de recepción: 1 septiembre 2019 Fecha de aceptación: 4 octubre 2019 Fecha de publicación: 9 febrero 2020 URL: https://oceanide.es/index.php/012020/article/view/39/182 Oceánide número 13, ISSN 1989-6328 DOI: https://doi.org/10.37668/oceanide.v13i.39 Dr. Eduardo Barros Grela Universidade da Coruña, España ORCID: https://orcid.org/0000-0002-7533-5580 Dra. María Bobadilla Pérez Universidade da Coruña, España ORCID: https://orcid.org/ 0000-0002-4972-5980 Transpopular Spaces: Gypsy Imageries in the Work of Van Morrison Resumen La obra del autor norirlandés Van Morrison ha pasado relativamente desapercibida por la crítica a pesar de los numerosos elementos sociales, literarios y artísticos que presenta. Entre ellos se encuentra la representación de la figura del gitano como modelo de actuación para unas generaciones de oyentes a quienes les preocupaba el aspecto cultural a la contra, así como los modelos de vida alternativos a los legitimados por la clase media de la época. El objetivo de este estudio es analizar el componente romantizado que se presenta en la obra de Morrison alrededor de su representación del gitanismo, así como observar cómo esos elementos generan primero una función deontologizante y después una resignificación de los espacios en tránsito ocupados por la(s) imaginación(es) de esta comunidad como pueblo nómada. Para llevar a cabo el análisis se atenderá a varias canciones de la primera época del autor norirlandés, y se explicarán las funciones de representación del gitano en el entorno del espacio y de una epistemología contracultural. Palabras clave: Van Morrison; espacio; gitanos; contracultura; música Abstract The work of Northern Irish singer-songwriter Van Morrison has gone relatively unnoticed by critics despite the numerous social, literary and artistic elements included in his songs.
    [Show full text]
  • Reggatta De Blanc (White Reggae)
    “Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2.
    [Show full text]