Humanist and Writer Richard Clements

Total Page:16

File Type:pdf, Size:1020Kb

Humanist and Writer Richard Clements Vol. 63 No. 11 NOVEMBER 1958 Sixpence Notes of the Month Custos S.P.E.S. Presents ... John Morley: Humanist and Writer Richard Clements The Issue is Survival Archibald Robertson The Social Roots of Art Otto Wolfgang F. Matthias Alexander Conway Discussions Correspondence South Place News Activities of Kindred Societies Society's Other Activities • • SOUTH PLACE ETHICAL SOCIETY SUNDAY MORNING MEETINGS AT ELEVEN O'CLOCK November 2—GEORGE VON HILSHEIMER, BA. (Former Director of Re- ligious Education, Ethiral Society of St. Louis). Religious Education in America Oboe Solo by JOHN COWDY Sonata .. Saint - Saens Hymn: No. 76 November 9—W. E. SWIN'I'ON, Ph.D., F.RS.E. Memory Hold the Door That Time of Year G. C. Dowinan The Lads in their hundreds Somerrell Hymn: No. 64 November 16—JOHN LEWIS, Ph.D. The Modem Threat to the Individual Piano Solos by JOYCE LANGLEY - Nocturne in F sharp .. Chopin Waltz in A flat .. Chopin 'Hymn : No. 163 November 23—F. IL A. MICKLEWRIGIIT, M.A. What the Bishops said at Lambeth 0 Mistress Mine .. Roger Quitter Eleanore .. Coleridge Taylor Tenor Solos by STANLEY GERRARD Hymn: No. 226 November 30—Mrs. DOROTHY PICKLES, MA. Black Africa, the Fifth Republic and Britain Soprano Solos by JUDITH Louis Feast of Lanterns Bantock The Fields are full Armstrong Gibbs Hymn: No. 25 SOUTH PLACE SUNDAY CONCERTS, 68th SEASON Concerts 6.30 p.m. (Doors open 6 p.m.) Admission 2s. November 2—LONDON STRING TRIO, EMANUEL HURWITZ, WATSON FORBES, VIVIAN JOSEPH. CHRISTOPHER BUNTING. Bach, The Art of Fugue. November 9—ALLEGRI STRING QUARTET. ELI GOREN, JAMES BARTON, PATRICK IRELAND, WILLIAM PI FETH Mozart in E flat, K428; Britten No. I: Dvorak in E flat, Op. 51. November 16—AMIC1 STRING QUARTET, Haydn in B flat, Op. 76, No. 4; Bartok No. 2; Beethoven in F, Op. 135. November 23—AEOLIAN STRING QUARTET. SYDNEY IIUMPHREVS, TREVOR WILLIAMS, WATSON FORBES, DEREK SIMPSON. Mozart in 0 mi., K421; Sibelius. PETER WALLFISCH. Brahms Piano Quintet. November 30—ILSE WOLF, MARTIN ISEPP. Schubert Lieder, with GERVASE DE PEYER, Schubert "Der Hirt Auf Dem Felsen". GERVASE DE PEYER, CECIL ARONOWITZ, LAMAR CROW- SON. Mozart and Uhl Trios for Clarinet. Viola and Piano. December 7—HARRY ISAACS PIANO TRIO. Mozart in C. K548; Beethoven in B flat, Op. 97; Brahms in C minor, Op. 101. The Monthly Record is posted free to members and Associates. The Annual charge to subscribers is 8s. Matter for publication in the December issue should reach the Editor, G. C. Dowman, Conway Hall, Red Lion Square, W.C.I, by _November 5.. The Objects of the Society are the study and dissemination of ethical principles and the cultivation of a rational religious sentiment. Any person in sympathy with these objects is cordially invited to become a Member (minimum annual subscription is 12s. 6d.), or Associate (minimum annual subscription 7s. 6d.). Life membership i13 2s. 6d. Associates arc not eligible to vote *or hold office. Enquiries should be made of the Registrar to whom subscriptions should be paid. The MONTHLY RECORD Vol. 63 No. 11. NOVEMBER 1958 Sixpence CONTENTS NOTES OF THE MONTH, Custos 3 S.P.E.S.PRESENTS . 5 JOHN MORLEY: HUMANIST AND WRITER, Richard Clernents 6 THE ISSUE IS SURVIVAL, Archibald Robertson .. 7 THE SOCIAL ROOTS OF ART, Otto Wolfgang .. 10 F. MATTHIAS ALEXANDER ("A POET UNSUNG") .. 13 CONWAY DISCUSSIONS 14 CORRESPONDENCE .. 17 SOUTH PLACE NEWS 19 ACTIVITIES OF KINDRED SOCIETIES SOCIETY'S OTHER ACTIVITIES .. 20 The views expressed in this journal amnot necessarily those of the Society Notes of the Month A MOST SUCCESSFUL Annual Reunion of this Society and kindred bodies took place .at Conway Hall on September 28. Mr. Hutton made an efficient Chairman' and introduced those of the Society's lecturers who were present, after which Mr: Archibald Robertson replied, paying a sympathetic tribute to the late S. K. Ratcliffe who was for so long one of our best loved speakers. Dr. W. E. Swinton then introduced the guest of honour, Sir Julian Huxley, who was present with Lady Huxley. Dr. Swinton paid tribute to Sir Julian1s great scientific achievements and to his activities in the cause of ethics, also to his continuance of the great work done by his grandfather, T. H. Huxley. In his reply Sir Julian covered a good deal of ground in a short time. He made acknowledgment to the South Place Ethical Society for their endeavours in maintaining a rationalist platform during difficult times and was confident that their work would eventually bear abundant fruit. He laid particular stress on the International Humanist and Ethical Union Conference held at Conway Hall in 1957. This conference he felt to have 3 been of the utmost importance in that it• united several countries in the maintenance of sanity in a world of varying supernatural religions. Whilst unity was present among Humanists, other religions in their variety of outlook, showed disunity. in-many ways. Between the speeches, Mr. Frederic Jackson upheld the high standard of South Place music when he played some attractive piano pieces; Beethoven's ever popular Moonlight Sonata was enthusiastically received. The Bible in Plain English An English parson was told by a young Londoner that he couldn't understand the Epistle to the Colossians. "This epistle, guy; we can't understand what it's all about; it reads all funny like". Prebendary John Phillips was then inspired to write his own translation of the New Testament from the Greek texts. Reading one of his translations we fear he will not be without his critics. St. Paul's beautiful and poetic passage in the Corinthians beginning "Though I speak with the tongues of men and of angels- becomes "If I were to speak with the combined eloquence of men and angels I should stir men like a fanfare of trumpets or the crashing of cymbals". Your translation, guy, reads all funny like. But being published at 45s. and in danger of becoming a best seller, we think that perhaps it may be worth it. Published in the United States on September 15, more than 65,000 copies were bought by booksellers before publication. "Vision" of the Future We have read a good deal recently of the impact of television on the home. A news item coming from the north of England serves to underline the facts. A survey of 200 houses in a Yorkshire town showed that only three had baths, six had hot water and four with separate w.c.s. Yet 125 of these houses revealed the inevitable march of civilisation; they were equipped with TV sets. A public health inspector commented, ironically we can assume, "We have heard recently about rockets going up 100 miles and of the trip from Hong Kong to London taking less than twenty-four hours, yet although w.c.s were first invented in 1724, it seems we have to wait for over 200 years for one w.c. for one family." Further comment is unnecessary. Religion and Superstition Writing in the Daily Telegraph, Dr. W. R. Matthews, Dean of St. Paul's Cathedral, made the astonishing admission that the two words "Religion" and "Superstition" were closely related. This Society has recognised such for nearly a century, but it reveals a change of heart for Dr. Matthews to say so. Remembering the late Dean Inge, of course it might be thought that these sentiments should be expected from the Dean of St. Paul's. "It is curiously difficult to define the meaning of superstition," says the Dean. We find it more difficult to define the meaning of religion, or to put it more definitely, the religion of the churches. We can understand better Tom Paine's dictum : "The world is my country. To do good is my religion." 1.11.E.11. Bulletin The October Information Bulletin of I.H.E.U. has reports of the Annual Conferences of both the R.P.A. and the Ethical Union, and of the Annual Reunion at Conway Hall. The Obituary of S. K. Ratcliffe receives sympathetic notice: "His un- 4 faltering eloquence and firm grasp of affairs, which made- him invaluable to the Society, make him irreplaceable." This is a very acute summing-up of our late beloved lecturer. The Pope The Monthly Record offers every sympathy for the death of an individual, yet we find it difficult to explain the hysterical emotion engendered by the passing of the head of a concern which had been disavowed by Britain over 400 years ago; although the immediate reasons were somewhat discreditable, we do not forget that this body had a long and unsavoury history of torture, murder and suppression of freedom. Moreover, during the past war, this man of peace, as the Press has described him, wavered between the Allies and the Nazis, the latter having revealed an excess of cruelty comparable to that of the Inquisition, and had not shown finally whose side he favoured until he was confident who were to be the ultimate victors. This fact could label him as a man of peace, but there are less flattering descriptions that could fit him equally well. CUSTOS S.P.E.S. Presents ... Sunday Morning Meetings—I l a.m. Large Hall. A YOUNG MAN in his middle twenties will address us on November 2—Mr. George Hilsheimer, who is in Germany at present with the American forces. When the call-up for National Service came he was Director of Religious Education in the Ethical Society of St. Louis, and assistant to the Leader, Mr. J. F. Hornback (Mr. Hutton Hynd's successor there). The speaker will describe a "religious education" situation so different from our own; and he will give us an outline of the definite programme of ethical and religious instructicin sponsored by Ethical Societies and Humanist.Groups in U.S.A.— under the title "Religious Education in America".
Recommended publications
  • The Scottish Viola a Tribute to Watson Forbes
    NI 6180 The Scottish Viola A tribute to WAtson Forbes For further information please visit MArtin outrAM viola www.martinoutram.com www.wyastone.co.uk JuliAn rolton piano The Scottish Viola A tribute to WAtson Forbes As an accompanist he recorded an piano trios entitled Borderlands on Campion Pietro Nardini (arr Forbes/Richardson): Concerto in G minor acclaimed CD of Russian song with Cameo which attracted exceptional reviews. 1. Allegro moderato 4:28 the mezzo-soprano Helen Lawrence in The Chagall Trio has appeared at festivals 2. Andante affettuoso 2:57 3. Allegretto 2:35 celebration of Pushkin’s bi-centenary. throughout Britain, broadcasts on BBC He has appeared with Richard Jackson Radio 3 and has given premieres of works Robin Orr: Sonata 4. Introduction and Fugue 5:01 in the Almeida Opera Festival and, with by Nicholas Maw, David Matthews and Philip 5. Elegy 4:24 Mary Wiegold, performed a programme Grange. During the Royal Academy of Art’s 6. Scherzetto 1:55 of songs by Howard Skempton in the Chagall exhibition, “Love and the Stage”, 7. Finale 4:51 Aldeburgh Festival. He regularly plays for they were invited to present a programme of Alan Richardson: Sonata the master-classes of such eminent singers music and words celebrating the life of their 8. Poco lento - Allegro 6:17 as Galina Vishnevskaya, Phyllis Bryn-Julson namesake. With the actor Samuel West, the 9. Molto vivace: leggiero e volante 2:24 10. Lento 7:06 and Anthony Rolfe Johnson at the Snape Trio repeated this programme in the Wigmore 11. Allegro energico 4:02 Maltings.
    [Show full text]
  • Verklarte Nacht ("Transfigured Night") in D Minor, Op
    S:he Jl,cademy o/ St. 511a1itin in the ~efds Chamhe'l Gnsembfe_ KENNETH SILLITO, LEADER KENNETH SILLITO, VIOLIN ROBERT SMISSEN, VIOLA HARVEY DE SOUZA, VIOLIN DUNCAN FERGUSON, VIOLA MARTIN BURGESS, VIOLIN STEPHEN ORTON, CELLO JAN SCHMOLCK, VIOLIN JOHN HELEY, CELLO TUESDAY, FEBRUARY 15, 2005 -PROGRAM­ "Innocent Ear" The ensemble will play a work unannounced, and invite the audience to guess composer/work with CDs as a prize. Verklarte Nacht ("Transfigured Night") in D Minor, Op. 4 (1905) ARNOLD SCHOENBERG (1874-1951) - INTERMISSION- Octet for Strings in E-flat Major, Op. 20 (1825) FELIX MENDELSSOHN (1809-184 7) Allegro moderato, ma con fuoco Andante Scherzo (Allegro leggierissimo) Presto THIS PROGRAM HAS BEEN PARTIALLY UNDERWRITTEN BY THE GE NEROSITY OF AN ANONYMOUS DONOR IN HONOR OF SHIRLEY AND DAVID TOOMIM. Please turn off all cellphones, pagers and chiming watches. Also, taking photographs (with cameras, phones or any media device) or making recordings is strictly prohibited. Thank you. ARNOLD SCHOENBERG (1874-1951) Verklarte Nacht (Transfigured Night) Most people associate Arnold Schoenberg with development of the "twelve-tone" sys­ tem of musical composition. However, one of his most popular works, Verklarte Nacht, was composed early in his career (1899) at the age of twenty-five, before his experiments in atonality were evident. Though primarily a self-taught composer, Schoenberg admits to having been greatly influenced by Brahms and Wagner during this period. Verklarte Nacht was unusual in that it was a tone poem composed for a chamber ensemble (string sextet). It was based on a poem written in 1896 by Richard Dehmel, whose work Schoenberg particularly admired.
    [Show full text]
  • English Chamber Orchestra
    Charles Mackerras & English Chamber Orchestra Concerts and broadcasts with the Goldsbrough Orchestra, which became the English Chamber Orchestra at the end of 1960. I am extremely grateful to Pauline Gilbertson, General Manager of the ECO, for allowing me to consult the orchestra’s archives, in particular the typed schedules (covering the years 1962–1991) which include information that would otherwise have been impossible to find. Venues are in London unless otherwise stated. A. Goldsbrough Orchestra 1953, April 10, broadcast Stravinsky: Renard (Richard Lewis, John Kentish, John Cameron, George James) [other works unspecified; The Times ‘Broadcasting’ lists the composers as Kodály, Ibert and Stravinsky] 1953, July 7, broadcast Ernst Eichner: Symphony [Op. 5 No. 1] Sullivan: Cello Concerto (William Pleeth) Radio Times: ‘The cadenzas Wiliiam Pleeth is to play tonight were written specially by Charles Mackerras’. This was the last known performance of Sullivan’s Cello Concerto before all the material was destroyed in Chappell’s fire (1964). 1953, August 16, broadcast Strauss: Le Bourgeois gentilhomme 1954, March 1, broadcast [unspecified works] Victoria Elliott (soprano), Marjorie Shires (contralto), John Kentish (tenor), Frederick Sharp (baritone), BBC Singers 1954, April 22, broadcast Piccini: La buona figliola Joan Sutherland (Lucinda), Hugues Cuénod (Armidoro), Alexander Young (Marquis of Conchiglia) Elsie Morison (Cecchina), Margaret Ritchie (Sandrina), Marion Lowe (Paoluccia), Dennis Noble (Tagliferro), John Cameron (Mengotto) 1955,
    [Show full text]
  • The Sonata for Piano and Violin Perfected
    The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Summer 8-2013 Beethoven's Opus 96: The Sonata for Piano and Violin Perfected Paul S. Roberts University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Composition Commons Recommended Citation Roberts, Paul S., "Beethoven's Opus 96: The Sonata for Piano and Violin Perfected" (2013). Honors Theses. 187. https://aquila.usm.edu/honors_theses/187 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Beethoven's Opus 96: The Sonata for Piano and Violin Perfected by Paul Stanton Roberts A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Music Performance in the Department of Music August, 2013 ii Approved by ______________________________ Stephen Redfield, Professor of Violin ______________________________ Michael Miles, Chair Department of Music ______________________________ David R. Davies, Dean Honors College iii Abstract This thesis attempts to shed light on Beethoven's final sonata for Piano and Violin, the Sonata for Piano and Violin op. 96 in G major. Presented first is a survey of music for violin and piano throughout previous centuries (in itself a valuable resource for those who want to approach this ambiguous and disorganized subject) followed by a discussion of Beethoven's sonatas leading up to the composition of Opus 96.
    [Show full text]
  • Friday 29 May 2.30Pm Federation Concert Hall
    A Fine MATINEE 2 MATINEE FRIDAY 29 MAY 2.30PM FEDERATION CONCERT HALL Anthony Marwood director & violin INTERVAL BEETHOVEN Duration 20 mins Romance in F for Violin and Orchestra DVORˇ ÁK Duration 10 mins Romance for Violin and Orchestra MOZART Duration 12 mins Symphony No 31, Paris Allegro assai VASKS Andante Distant Light Allegro Duration 32 mins Duration 23 mins This concert will end at approximately 4.30pm. Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. 27 LUDWIG VAN BEETHOVEN (1770-1827) Romance in F for Violin and Orchestra, in these pieces, of rondo form, where Op 50 repeated statements of material are contrasted with episodes of new material, Long after Beethoven was well established balancing lyricism and virtuosity. Just what in Vienna, he had two violin Romances the story might be is a mystery, of course. published. The G-major piece appeared ANTHONY MARWOOD Anthony Marwood regularly collaborates in Leipzig in 1803 and the F-major work The F-major piece is perhaps more forward- with contemporary composers. Violin in Vienna two years after that. But despite looking than its stable-mate. It begins concertos that have been composed for that, the non-contiguous opus numbers and without preamble, with the soloist spinning Anthony Marwood is internationally him include Sally Beamish’s Violin Concerto, the fact that their first public performances out the long and songlike melody, which is then taken up by the orchestra.
    [Show full text]
  • About the Goldcrest Ensemble 2019
    About the 5 musicians who make up the Goldcrest Ensemble The Goldcrest Ensemble was formed in 2016 by Duke Dobing and Miriam Keogh. Performing a variety of chamber music ranging from Mozart to the present day, Goldcrest comprises a quintet of flute, string trio and harp, making available a considerable range of instrumental combinations. Duke Dobing, flute, took up the flute aged 10, and four years later joined the National Youth Orchestra, where he became Principal Flute. He made his debut as a professional with the English Chamber Orchestra aged 18, and over the ensuing six years, participated in a number of Aldeburgh Festival concerts and recordings conducted by Benjamin Britten. Duke has played as Guest Principal Flute with most of London’s major orchestras, while his core commitment wasas Principal Flute of City of London Sinfonia, a position he held for 25 years. With CLS, Duke appeared as soloist throughout the UK and on foreign tours, giving many broadcasts including the UK première of Jean Françaix’s Double Concerto and Radio 3’s “A Breath of Virtuosity” series, playing concertos by Mozart and Nigel Osborne. Kenneth Sillito, violin, studied at the Royal Academy of Musicwith David Martin and in Rome with Remy Principe. On returning to England in 1961 he was appointed associate leader of the newly formed English Chamber Orchestra and subsequently becoming Leader, a position he held until 1973. In 1967 Kenneth Sillito founded the Gabrieli String Quartet and remained their leader until 1987, during which time the quartet gained an international reputation. In 1980, he became Artistic Director of The Academy of St.
    [Show full text]
  • Schubert, Melos Ensemble
    Schubert The "Trout" Quintet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The "Trout" Quintet Country: UK Released: 1967 MP3 version RAR size: 1557 mb FLAC version RAR size: 1550 mb WMA version RAR size: 1261 mb Rating: 4.2 Votes: 816 Other Formats: AIFF APE AAC MP3 AA DMF RA Tracklist A1 Quintet In A Major, D 667 (Trout) 1st Movement A2 Quintet In A Major, D 667 (Trout) 2nd Movement A3 Quintet In A Major, D 667 (Trout) 3rd Movement B1 Quintet In A Major, D 667 (Trout) 4th Movement B2 Quintet In A Major, D 667 (Trout) 5th Movement B3 Adagio & Rondo Concertante In F Major, D 487 Credits Cello – Terence Weil Composed By – Franz Schubert Double Bass – Adrian Beers Orchestra – Melos Ensemble Of London Piano – Lamar Crowson Viola – Cecil Aronowitz Violin – Emanuel Hurwitz Barcode and Other Identifiers Matrix / Runout: 2YEA3264, 2YEA3265 Other versions Category Artist Title (Format) Label Category Country Year Franz Schubert, Franz Schubert, 1038 451 Melos-Ensemblet* - EMI 1038 451 Netherlands Unknown Melos-Ensemblet* Forelkvintetten (LP) Franz Schubert, Mitglieder des Franz Schubert, Melos-Ensemble - SME 80 SME 80 Mitglieder des Forellenquintett - Electrola Germany Unknown 910 910 Melos-Ensemble Adagio und Rondo concertante (LP, Album) Franz Schubert, Mitglieder des Franz Schubert, Melos-Ensemble - His 037 7 037 7 Mitglieder des Forellenquintett - Master's Germany 1987 69273 1 69273 1 Melos-Ensemble Adagio und Rondo Voice concertante (LP, Album, RE) Franz Schubert, His Mitglieder des 5C Master's 5C Franz Schubert, Melos-Ensemble
    [Show full text]
  • ST LAZARUS CHAMBER CONCERT St Paul's Church, Knightsbridge
    ST LAZARUS CHAMBER CONCERT St Paul’s Church, Knightsbridge A Concert in Aid of The St Lazarus Charitable Trust to raise money for the relief of Leprosy Sufferers throughout the world. Thursday 21st November at 7.00pm Includes a rare performance of the Piano Trio in D minor by the English-born composer, Henry Charles Litolff, who is mainly remembered today for the sparkling and light-hearted ‘Scherzo’ from his Concerto Symphonique No. 4, op. 102 for piano & orchestra (1852). Programme Ludwig van Beethoven: Variations on "Ich bin der Schneider Kakadu” in G Op. 121a (1803) Henry Charles Litolff: Piano Trio No. 1 in D minor Op. 47 (ca. 1848) Johannes Brahms: Piano Trio in B Op. 8 (1854/91) Simon Callaghan – piano Benjamin Roskams – violin Ashok Klouda – cello Steinway Artist Simon Callaghan performs internationally as a soloist and chamber musician. He has performed at all the UK’s major concert halls, and his extensive repertoire has included complete cycles of Beethoven and Brahms chamber works. In 2017 he released, to critical acclaim, his debut CD for Hyperion Records’ “Romantic Piano Concerto” series: the first recordings of Roger Sacheverell Coke’s piano concerti with the BBC Scottish Symphony Orchestra and Martyn Brabbins. As one half of The Parnassius Duo, with pianist Hiro Takenouchi, he has recorded, for the Lyrita label, works for two pianos by distinguished Victorians Percy Sherwood and Hubert Parry. Simon’s first solo recording for Hyperion, world premières of piano works by Jean Louis Nicodé (1853-1919), was released this year. Website: https://www.simoncallaghan.com/ Benjamin Roskams currently holds the position of 1st violin with the BBC Symphony Orchestra.
    [Show full text]
  • Coleman Chamber Concerts Ensembles & Musicians (1904-2020)
    COLEMAN CHAMBER CONCERTS ENSEMBLES & MUSICIANS (1904-2020) (Dates in bold face type are Competition Winners Concert performances, including the prize awarded.) ENSEMBLE/MUSICIANS PERFORMANCE DATE ABAS STRING QUARTET............................................................................................................................................................. Feb 1937, Apr 1937 Nathan Abas, violin; Hubert Sorenson, violin; Abraham Weiss, viola; Flori Gough, cello ACADEMY OF ANCIENT MUSIC ................................................................................................................................................................ Feb 2008 Richard Egarr, director, harpsichord; Pavlo Beznosiuk, Pierre Joubert, Persephone Gibbs, violin I; Rodolfo Richter, Joanna Lawrence, Iwona Muszynska, violin II; Trevor Jones, viola; Joseph Crouch, cello; Tim Amherst, double bass; William Carter, theorbo; Rachel Brown, flute ACADEMY OF ST MARTIN IN THE FIELDS CHAMBER ENSEMBLE Kenneth Sillito, Malcolm Latchem, violin; Robert Smissen, viola; Stephen Orton, cello; Paul Marrion, double bass; Andrew Marriner, clarinet; Graham Sheen, bassoon; Timothy Brown, French horn ................................................................................. Mar 1994 Kenneth Sillito, Harvey de Souza, Mark Butler, Paul Ezergailis, violin; Robert Smissen, Duncan Ferguson, viola; Stephen Orton, John Heley, cellos ............................................................................................................................................................
    [Show full text]
  • Colby Queens Premier Saturday
    Colby Queens Premier Saturday With due 'deliberation, Colby's wisely the Colby Echo takes pri'de Interfraterniby Council has chosen in giving its readers a preview of "A Salute to the Queens" Ifor the the candidates and a bit of back- theme of Homecoming 1968. Carry- ground on each one. Beyond this, ing through with this theme ea'ch the electorate mrust make an effort fraternity will construct <a float, for to meet .he candidates and per- competition, In the form of a caric- sonally judge their qualif-cattions. ature of its queen 'candidate. A team Playing .the 'averages, this writer of judges .will vieW the floats during predicts that the winner will to< _ the football game Homecoming 5'4M7" tall and will not hail (from Weekend. Maine. We might also note that On Saturday, October 19, the ten approximately 70% of the potential! fraternity queen candidates, escort- queens are tolue-eyed blonds. ed by a member of the fraternity From left to right in the 'accom- they represent, will parade onto- the panying picture the contest en- football field at halftime to be for- trants are: mally introduced to th e Colby Com- Amy Sylvester — Alpha Tau Ome- munity. The election for the Home- ga's candidate, from Granville, coming Queen will be held the fol- Ohio. Amy plans to major in So- lowing Tuesday, October 22. Verting ciology with an eye to child guid- stations will ibe set up outside each ance in the future. Extracurricular dining room at supper. interests include swimming and div- In an effort to help you vote ing.
    [Show full text]
  • The Proliferation of String Quartets in Canada 1991-2014
    The Proliferation of String Quartets in Canada 1991-2014 by Min-Jeong Koh A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Min-Jeong Koh 2014 The Proliferation of String Quartets in Canada 1991-2014 Min-Jeong Koh Doctor of Musical Arts Faculty of Music University of Toronto 2014 Abstract This paper examines the proliferation of string quartets in Canada between 1991 and 2014. The year 1991 is a pivotal one: it was the end of a Golden Age of string quartet performance in Canada with the conclusion of the activities of the Orford, Vághy, and Purcell Quartets. It marked, also, the beginning of a New Golden Age of string quartet performance in Canada. Similar to their predecessors, the quartets of this new era have different levels of international success, but one could call it a New Golden Age from the sheer number of professional ensembles active in Canada from 1991 onward. The thesis begins with biographies of leading ensembles of this period: the Alcan, Arthur Leblanc, Claudel-Canimex, St. Lawrence, Lafayette, Penderecki, Molinari, Bozzini, Borealis, Tokai, Silverbirch, Cecilia, Afiara, and the New Orford Quartets. The fourth chapter researches the opportunities available to string quartets in Canada, including the Banff International String Quartet Competition. To supplement the biographies and to gain additional insight on the available resources, eight quartet players participated in interviews. Findings emphasize the need to create more support for Canadian musicians, including both professional ensembles and also young aspiring quartet ensembles, to stay in Canada.
    [Show full text]
  • Second Thoughts and Short Reviews - Spring 2019/2 by Brian Wilson and Dan Morgan
    Second Thoughts and Short Reviews - Spring 2019/2 By Brian Wilson and Dan Morgan Spring/1 is here and Winter/1 is here. Reviews are by Brian Wilson except where signed [DM]. Index ARNELL The Great Detective (see ELGAR) ARRIAGA Orchestral Music_Chandos BAIRSTOW, HARRIS and STANFORD Choral Music_Hyperion BEETHOVEN Piano Concerto No.2; Triple Concerto_LSO Live - Choral Music_Beulah BERWALD Octet_Alpha (with SCHUBERT Octet) BLISS Clarinet and Oboe Quintets, Piano Sonata_Beulah CAVALLI La Calisto; L’Ormindo_Decca Eloquence CLÉRAMBAULT Cantatas_Alpha DVOŘÁK Serenade for Strings_Arcana, BIS (with TCHAIKOVSKY) ELGAR Alassio, Serenade, Enigma Variations_Onyx ELGAR Introduction and Allegro; Serenade_Beulah (with ARNELL The Great Detective, SULLIVAN, Di Ballo, VAUGHAN WILLIAMS Fantasias) see Sounds English below HARRIS Choral Music – see BAIRSTOW HILLER – see Clara SCHUMANN HONEGGER – Symphonies_Supraphon - Symphony No.3_Phoenix (with MILHAUD) - Symphonies Nos. 3 and 5_Chandos HOWELLS Chamber Music_Naxos IRELAND Piano Concerto; Violin Sonata; Holy Boy; Downland Suite_Beulah KNECHT ‘Pastoral’ Symphony, etc._Carus LASSUS Choral Music_Decca Eloquence MESSIAEN Piano Music Vol. 3_Naxos MILHAUD – Orchestral works_Brilliant Classics - Suite Provençale, Symphony No.8_Phoenix (with HONEGGER) PARRY Songs of Farewell_Signum RAVEL The Complete Solo Piano Music_Hyperion RESPIGHI Roman Trilogy_Naxos ROUSSEL Albert Roussel Edition_Erato SCHUBERT Piano Sonatas D959 and D840_Ottavo - Wanderer Fantasia, Fantasie for violin and piano_ECM - Octet_Alpha (with BERWALD
    [Show full text]