MIDI ROTARY INTERFACE (Fw 1.3)
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The Vox Continental
Review: The Vox Continental ANDY BURTON · FEB 12, 2018 Reimagining a Sixties Icon The original Vox Continental, rst introduced by British manufacturer Jennings Musical Industries in 1962, is a classic “combo organ”. This sleek, transistor-based portable electric organ is deeply rooted in pop-music history, used by many of the biggest rock bands of the ’60’s and beyond. Two of the most prominent artists of the era to use a Continental as a main feature of their sound were the Doors (for example, on their classic 1967 breakthrough hit “Light My Fire”) and the Animals (“House Of The Rising Sun”). John Lennon famously played one live with the Beatles at the biggest-ever rock show to date, at New York’s Shea Stadium in 1965. The Continental was bright orange-red with reverse-color keys, which made it stand out visually, especially on television (which had recently transitioned from black-and-white to color). The sleek design, as much as the sound, made it the most popular combo organ of its time, rivaled only by the Farsa Compact series. The sound, generated by 12 transistor-based oscillators with octave-divider circuits, was thin and bright - piercing even. And decidedly low-delity and egalitarian. The classier, more lush-sounding and expensive Hammond B-3 / Leslie speaker combination eectively required a road crew to move around, ensuring that only acts with a big touring budget could aord to carry one. By contrast, the Continental and its combo- organ rivals were something any keyboard player in any band, famous or not, could use onstage. -
Arturia Farfisa V User Manual
USER MANUAL ARTURIA – Farfisa V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Samuel Limier (project manager) Pierre-Lin Laneyrie Theo Niessink (lead) Valentin Lepetit Stefano D'Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte Pierre Pfister Baptiste Le Goff Benjamin Renard Design Glen Darcey Gregory Vezon Shaun Ellwood Morgan Perrier Sebastien Rochard Sound Design Jean-Baptiste Arthus Jean-Michel Blanchet Boele Gerkes Stephane Schott Theo Niessink Manual Hollin Jones Special Thanks Alejandro Cajica Joop van der Linden Chuck Capsis Sergio Martinez Denis Efendic Shaba Martinez Ben Eggehorn Miguel Moreno David Farmer Ken Flux Pierce Ruary Galbraith Daniel Saban Jeff Haler Carlos Tejeda Dennis Hurwitz Scot Todd-Coates Clif Johnston Chad Wagner Koshdukai © ARTURIA S.A. – 1999-2016 – All rights reserved. 11, Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Farfisa V – USER MANUAL 2 Table of contents 1 INTRODUCTION .................................................................... 5 1.1 What is Farfisa V? ................................................................................................. 5 1.2 History of the original instrument ........................................................................ 5 1.3 Appearances in popular music ......................................................................... 6 1.3.1 Famous Farfisa users and songs:..................................................................... 7 1.4 What does Farfisa V add to the original? ......................................................... -
Masters Thesis
Hammond Technique and Methods: Music Written for the Hammond Organ JESSE WHITELEY A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2013 © JESSE WHITELEY, 2013 Abstract The following thesis is made up of four original compositions written between February and September of 2012, with emphasis on the Hammond Organ in the context of jazz and rhythm and blues ensembles. The pieces of music were designed to feature the organ as the lead instrument in order to highlight various playing techniques that are specific to the Hammond Organ within these genres. In addition to my own music and an explanation and analysis of my work, the writing will provide a historical overview of organists I have chosen to highlight as influences to provide a framework for each piece of music. In order to aid this discussion of what has been an under-theorized instrument and performance tradition, I have sought out active contemporary organists to discuss their creative practices on the Hammond, as well as their insight into the notable organists of the past. Finally, of particular interest to me in this thesis is the emphasis on the Hammond Organ as an electric instrument, and the unique musical textures that are possible through the exploitation of the multiple controls that are integral to the instrument's construction. An audio recording of each piece accompanies the scores that are included. ii Acknowledgements A big thanks to my supervisor Rob Bowman for being the perfect person to work on this project with, for his good advice, resources, and above all - enthusiasm, which has charged me up in the writing of this, multiple times. -
New Documentary Examines Milford Graves' Music, Philosophy
MARCH 2018 VOLUME 85 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael -
Nord Electro 5 Clavier De Scène Aide-Mémoire D'utilisation
Démarrage - 1.1 OU trouver QUOI ? Nord Electro 5 Clavier de scène Aide-mémoire d’utilisation Loïc Duffar Nord Electro 5D 61 19 Nord Electro 5D 73 Nord Electro 5 HP 73 Nord Electro 5 – Aide-mémoire d’utilisation Décembre 2019 1/270 Démarrage - 1.1 OU trouver QUOI ? Sommaire court (Le sommaire complet est fourni à la fin du document) Pour une lecture à l’écran pensez à utiliser les signets du PDF pour naviguer dans le document 1 DÉMARRAGE 5 1.1 OU TROUVER QUOI ? 6 1.2 INTRODUCTION 6 1.3 CONNEXIONS 7 1.4 UTILISATION PRATIQUE 9 2 MODE D’EMPLOI 20 2.1 VUE D'ENSEMBLE DU PANNEAU DE COMMANDES 20 2.2 BITIMBRALITÉ : PART LOWER / PART UPPER 23 2.3 « PROGRAM » 25 2.4 « ORGAN » 29 2.5 « PIANO » 34 2.6 AUTRES « INSTRUMENT ÉCHANTILLONNÉS » : « SAMPLE SYNTH » 36 2.7 MODE « SET LIST » 42 2.8 NAVIGATION DANS LES « PROGRAMS » PAR LIST VIEW (LISTES) 45 2.9 CONFIGURATION MIDI 47 2.10 MENUS : SYSTEM, MIDI ET SOUND 51 2.11 « NORD SOUND MANAGER » (CF. § 4.1 CI-DESSOUS POUR PLUS DE DÉTAILS) 55 3 INFORMATIONS COMPLÉMENTAIRES 61 3.1 INSTALLATION DRIVER USB POUR CONNEXION À L’ORDINATEUR 61 3.2 MISE À JOUR DU FIRMWARE OU OS (SYSTÈME D’EXPLOITATION) 63 3.3 NORD LIBRARY : GÉNÉRALITÉS 64 3.4 FACTORY BANKS NORD ELECTRO 5 (BANQUES D’USINE) 66 3.5 SONS ADDITIONNELS DE « NORD PIANO LIBRARY » 71 3.6 SONS ADDITIONNELS DE « NORD SAMPLE LIBRARY » 74 4 LOGICIELS EXTÉRIEURS DE CONTRÔLE DU NORD 110 4.1 « NORD SOUND MANAGER » POUR PC ET MAC (GRATUIT) 110 4.2 « NORD SAMPLE EDITOR » POUR PC ET MAC (GRATUIT) 131 4.3 APPLICATION « NORD BEAT 2 » POUR IPAD (GRATUIT) 166 5 ANNEXE 169 -
SC the Attic User Guide
The Attic 2 TABLE OF CONTENTS INSTALLING YOUR SONICCOUTURE PRODUCT 3 LIBRARY SPECIFICATIONS 4 CLIMB INTO THE ATTIC 5 THE ATTIC SYNTHS 6 THE KONTAKT INSTRUMENTS 24 ATTIC CONVENTIONS 24 INFO 24 HIDDEN CONTROLS 24 AN INTRODUCTION TO ANALOGUE 26 MINIKORG 700S 29 JENNINGS UNIVOX 31 SUZUKI OMNICHORD 33 PHILIPS PHILICORDA 36 ROLAND RS202 38 KORG LP10 ELECTRONIC PIANO 39 HAMMOND SOLOVOX 41 GODWIN STRING CONCERT 43 ROLAND SH2000 45 EMS SYNTHI AKS 47 ARP OMNI 2 53 CHEETAH MS800 54 CRUMAR DP-80 55 FARFISA VIP-345 56 MOOG MINITMOOG 57 SIEL ORCHESTRA 2 58 SOLINA 59 THE ATTIC EFFECTS 60 SUPPORT 69 END USER LICENSE AGREEMENT 70 !2 The Attic 2 INSTALLING YOUR SONICCOUTURE PRODUCT If you do not own Kontakt, you can install the free Kontakt Player If you have an earlier version of Kontakt, click here 1. Open NI Kontakt in standalone mode. 2. In the Libraries tab, click Manage Libraries 3. Click Launch Native Access : Login or create an account if you don’t have one. 4. Click Add A Serial (find it in your SC account with the product download). 5. Copy and paste the number in the box and click Add Serial 6. Navigate to the downloaded product folder and select it 7. Click INSTALL to complete the process. NOTE: The login for NI Native Access is not the same as your login for the Soniccouture site. You must create an account with Native Instruments if you don’t already have one. !3 The Attic 2 LIBRARY SPECIFICATIONS • 18 GB Library • 18 vintage synth Instruments • 48 Khz, 24 bit Single Key Sampling • Kontakt Player / NKS compatible !4 The Attic 2 CLIMB INTO THE ATTIC The Attic was first conceived as a project to sample obscure, characterful synth instruments (mostly from the 1970s) that may not always be the obvious choice when we think of ‘classics’. -
User Manual Solina V
USER MANUAL ARTURIA – Solina V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Pierre-Lin Laneyrie (project manager) Valentin Lepetit Theo Niessink (lead) Samuel Limier Stefano D'Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte, Pierre Pfister Adrien Courdavault Benjamin Renard Baptiste Le Goff Design Glen Darcey Sebastien Rochard Shaun Ellwood Greg Vezon Morgan Perrier Sound Design Glen Darcey Theo Niessink Boele Gerkes Erik Norlander Randy Lee Pierce Warnecke Manual Randy Lee Jason Valax Tomoya Fukuchi Special Thanks Chuck Capsis Koshdukai Denis Efendic Simon McDonnell Ben Eggehorn, Lewyn Mitchell David Farmer Ken Flux Pierce Ruary Galbraith Daniel Saban Jeff Haler Chad Wagner ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Solina V – USER MANUAL 2 Table of Contents 1 INTRODUCTION ................................................................................................................. 5 1.1 History of the original instrument ......................................................................................................... 5 1.1.1 String theories ................................................................................................................................... 5 1.1.1.1 Chamberlin and Mellotron ..................................................................................................................................... 6 1.1.1.2 Ken Freeman: string synthesist............................................................................................................................... -
Combo Compact Organ V1.0.0
Combo Compact Organ v1.0.0 Produced and Designed by Matt Black © 2014 Jiggery-Pokery Sound All rights reserved. “Reason”, “Rack Extension” and associated logos are trademarks of Propellerhead Software AB. All commercial symbols are protected trade names of their holder and their inclusion within this guide and the associated Reason Rack Extension product are merely indicative and do not constitute endorsement of this product by any party. AVAILABLE IN THE www.jiggery-pokery.com www.jiggery-pokery.com Combo Compact Organ 1 Combo Compact Organ The Farfi sa Combo Compact, along with its siblings, the Mini Compact, Compact Deluxe and Compact Duo, was one of the defi ning sounds of the Sixties music scene. It was introduced around 1964, and was in production in one form or another, via the Fast and Professional series, until the early 70s. Cheap and portable (well, portable-ish: weighing in at 70Ibs it certainly couldn’t be carried by the case handle with one hand, as suggested by photos in the original brochure!), the Compact transistorized organ is perhaps the defi nitive combo organ, still highly sought after and commanding auction prices up to £1,000 for the Duo. The original single manual was available in either red or grey, and came equipped with vibrato, spring reverb, a swell pedal and a one octave bass section (bass pedals were an optional extra). It included nine Voice tabs providing a mixture of fl ute and reed tones. But it was the Multitone All-Booster that provided the key to the distinctive sharp, kitsch Farfi sa sound, with its high-pass pulse wave for that bright, psychadelic buzz. -
AUGUST, 2008 Media Presbyterian Church Media, Pennsylvania Cover
THE DIAPASON AUGUST, 2008 Media Presbyterian Church Media, Pennsylvania Cover feature on pages 30–31 Aug 08 Cover-alt.indd 1 7/10/08 12:36:33 PM “A virtuoso’s flair” (The Washington Post) “Verve and style and an innate musicality” (The American Organist) “Electrifying...superb!” (The Organ, England) “Flamboyant...magnificent” (The Barrie Examiner, Canada) “Queen of the swell organ....In “A virtuosic the habit of casting performance...sheer a spell over her enjoyment” listeners” (The Diapason) (Pforzheimer Zeitung, Germany) “Enviable technique, and plays with splendid aplomb” (The Diapason) “Delightful and extraordinarily talented...truly stunning” (Keyboard Player, London) “The power of the organ unleashed...awe- inspiring” (The Straits Times, Singapore) THE DIAPASON Here & There A Scranton Gillette Publication Ninety-ninth Year: No. 8, Whole No. 1185 AUGUST, 2008 The Basilica of the National Shrine August 6, Paul Weber, First English Established in 1909 ISSN 0012-2378 of the Immaculate Conception, Wash- Lutheran Church, Appleton; 8/13, John An International Monthly Devoted to the Organ, ington, DC, continues its summer organ Skidmore, St. Joseph Catholic Church, the Harpsichord, Carillon, and Church Music recitals on Sundays at 6 pm: August 3, Appleton; 8/20, Daniel Steinert, Zion Charles Miller; 8/10, Emmanuele Cardi; Lutheran Church, Appleton; 8/27, Maril- 8/17, Richard Fitzgerald; 8/24, Richard lyn Freeman, St. Paul Lutheran Church, Pilliner; 8/31, Andrew Mills. For infor- Neenah. For information: 920/734-3762; CONTENTS Editor & Publisher -
Bontempi Pop 5 Electronic Organ 37124
Search eBay Faster UK Home / Musical Instruments / Keyboards & Pianos / Organs / Bontempi Pop 5 Electronic Organ 37124 1 of 6 2 of 6 3 of 6 4 of 6 See Details on eBay ✉ Bontempi Pop 5 Electronic Organ 37124 £10.00 0 Bids Unsold Seller: 0muze0 (1,343) 100%, Location: King's Lynn, Ships to: Free Local Pickup, Item: 142820221128 Italian made Bontempi Pop 5 Electronic Organ 37124 All original and working fine. Collection only please Condition: Used, Brand: Bontempi See More PicClick Insights PicClick Exclusive Popularity - 0 views, 0 views per day, 52 days on eBay. 0 Sold, 1 Available. More Price - Avg: £10.00, Low: £10.00, High: £10.00, Good quality and value when compared to PicClick … More Seller - 1,343+ items sold. 0% negative feedback. Great seller with very good positive feedback and … More Similar Items More Organs Sharma 3000 Organ Ca… Hammond Ttr100 Orga… Yamaha M44 Organ Yamaha Electone Hx-5 … £0.99 0 Bids 3h 58m £312.00 24 Bids 3h 52m £366.00 10 Bids 3h 40m £132.00 5 Bids 3h 36m See Details See Details See Details See Details Yamaha E75 Synth Org… WEM Vintage 60's Teisc… Technics Electronic Organ Thomas Monticello Elec… VISCOUNT D9 drawbar… £1,750.00 Buy It Now 5d 8h £100.00 0 Bids 5d 0h £0.99 0 Bids 5d 7h £5.00 or Best Offer 26d 23h £125.00 1 Bid 4d 4h See Details See Details See Details See Details See Details Back To Top Conn Serenade 632 Or… Technics Electronic Org… Church organ 32 bass p… korg CX3 hammond like… Hammond M100 Organ £250.00 or Best Offer 29d 0h £10.00 0 Bids 2d 6h £0.99 1 Bid 5d 5h £1.20 -
M U S I C I N M O T I O N
MP10733 Sweetwater Montage.qxp_Layout 1 8/2/16 12:12 PM Page 1 S t u n n i n g S O U N D U n i q u e E X P R E S S I O N L i m i t l e s s C R E A T I O N M U S I C I N M O T I O N “…it may well be one of the most influential synthesizers of the next 15 years.” – Stephen Fortner, Keyboard Magazine (800) 222-4700 www.sweetwater.com Sweetwater.com Keyboards & Synths 191 NEW! MX49 Compact Synth/Controller with Full-sized Keys and 1,000 Sounds The MX49 doesn’t sacrifice playability for its portability. This petite powerhouse comes loaded with 1,000 great Motif XS sounds, including acoustic and electric pianos, drums, strings, and synths. Fat fingered? No problem! Montage Series All 49 keys are full sized and touch sensitive. Yamaha’s Flagship Synth Packs a Punch And USB and MIDI ports make this synth a Yamaha’s Montage synthesizers will streamline your workflow and rocket your sound creation superb controller for modern and legacy studios capabilities to new levels. Built on the legacy of Yamaha’s groundbreaking DX and Motif keyboards, the alike. Live players will enjoy the 128-note Montage series is driven by a programmable Motion Control matrix, which gives you fluid, interactive polyphony and 16-part multitimbrality for command over two powerful synthesis engines: AWM2 and FM-X. building up dense sequences. And studio AWM2 is powered by Yamaha’s proprietary data compression and sound playback technology.