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“Can We Get a Cleanup On Aisle 2?” Previous: The Antisocial Fantasies of Jude the Obscure by Matthew Risling “Can We Get a Cleanup On Aisle 2?”: How Film Critics Mopped Up the Transgressions of Jenny McCarthy’s Dirty Love Sara Swain Pivot is published through Open Journal Systems (OJS) at York University 2 Introduction Dirty Love (John Asher, 2005) is the consequence of Jenny McCarthy’s fearless foray into the risky territory of the gross-out comedy. The film endured a long and laborious gestation period under the threat of financial ruin. The project began as a sitcom pilot that McCarthy had initially penned for Fox Television. Fox passed, deeming the project “too edgy and too controversial for TV” “Can We Get a Cleanup On (qtd. in Kevin Aisle 2?”: Williamson). But McCarthy and her How Film Critics Mopped Up the production team could Transgressions of Jenny McCarthy’s not be dissuaded. They Dirty Love bought the rights back Sara Swain from Fox and McCarthy went to work transforming the script into a feature film (Kates). She insists that she never wanted to be a writer but because of the dearth of onscreen comedic roles for women, she was forced to take matters into her own hands (qtd. in Sobczynski). Dirty Love eventually debuted at the Sundance Film Festival in late January 2005, where it was warmly received. John Cooper, the Festival’s Programming Director, lauded the filmmakers in the program notes for so brazenly travelling “across a comic minefield where few dare to tread.” Soon after the film was picked up for distribution. -
My Open Letter to Jenny Mccarthy Russ Davis
my open letter to jenny mCcarthy Russ davis From: Russ Davis, student/writer; Puyallup, Washington To: Jenny McCarthy, model/comedienne/actress/author/activist; Weehawken, New Jersey Subject: Why I Oppose You and Your Activism Dear Ms. McCarthy, Before all else, let me tell you exactly who I am. My name is Russ Davis, and I am an autistic. On the spectrum. Whatever you want to call it. In June 2000, I was diagnosed with Asperger’s Syn- drome; I’m now made to understand that’s not a thing anymore. No matter. I still tell people that I have Asperger’s, but my concern is not over what label my fellow autistics choose to use. My concern is that autistics keep in mind that we should not be enemies with each other–––we should be enemies with people who want to destroy who we are. Last night, I had the strangest dream. I dreamt that I final- ly had a chance to meet you in person and tell you everything I’ve always wanted to tell you. Because, for all the statements you’ve given on autism, I don’t think you’ve ever been willing to sit down with an actual autistic person to see how we really feel (except for your son, but the public doesn’t get to hear his side of the story). Well, last night, your dream self granted me that opportunity. Let me tell you right now what I told her last night. I am a human being with dreams. I want to be a published author. -
Second Night of 2020 Creative Arts Emmy® Winners Announced
FOR IMMEDIATE RELEASE SECOND NIGHT OF 2020 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (LOS ANGELES – Sept. 15, 2020) — The Television Academy tonight hosted the second of its five 2020 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at Emmys.com. The ceremony awarded many talented artists and craftspeople in the categories of Variety Programming. The ceremony was hosted by Emmy-nominated host Nicole Byer and featured presenters from some of the season’s most popular shows including Josh Flagg (Million Dollar Listing Los Angeles), Chris Hardwick (The Wall; The Talking Dead), Sofia Hublitz (Ozark), Thomas Lennon (Reno 911), Desus Nice & The Kid Mero (Desus & Mero), Jeremy Pope (Hollywood), Issa Rae (A Black Lady Sketch Show; Insecure) and Tracy Tutor (Million Dollar Listing Los Angeles). The 2020 Creative Arts Emmy Awards are being streamed on Emmys.com for four consecutive nights, Monday, Sept. 14, through Thursday, Sept. 17, at 8:00 p.m. EDT/5:00 p.m. PDT with a fifth broadcast ceremony on Saturday, Sept. 19, at 8:00 p.m. EDT/5:00 p.m. PDT on FXX. Winners' names are known only by Ernst & Young LLP until they are revealed to the director of the Emmys ceremony as the show is airing. All five shows are produced by Bob Bain Productions. # # # Press Contact: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected] 818-462-1150 For more information, please visit emmys.com. TELEVISION ACADEMY 2020 CREATIVE ARTS EMMY AWARDS – TUESDAY, SEPTEMBER 15, 2020 -
Written Evidence Submitted by Netflix
Written evidence submitted by Netflix Submission to Digital, Culture, Media and Sport Committee inquiry The future of Public Service Broadcasting June 2020 Netflix in the UK 1. Netflix is a streaming subscription video on demand (SVoD) service that allows customers to watch a wide variety of TV shows, films, documentaries, and more over the internet and ad-free on any one of thousands of internet-connected devices at a time and place of their choice. We are a global service, offered in 190 countries with close to 180 million subscribers, of whom over 12 million are in the UK. 2. The UK is one of Netflix’s top three locations for production globally, along with the U.S. and Canada. In 2019 we invested over £400m1 here in local content, with over 50 different shows in production including co-productions with the public service broadcasters and in total over £500m in UK production - a third of all our production in Europe. We expect our investment here to continue growing; our long-term commitment to the UK creative community and our intention to increase our investment in production is also reflected in our announcement last year that we are creating a dedicated production hub in the UK, based at Shepperton Studios.2 3. Localised content is increasingly a priority for our business, both in the UK and around the world. Since 2019 we have appointed several UK-based commissioners overseeing scripted and unscripted content, including drama, comedy, factual, and kids and family - all of whom built their careers in the UK film and TV industry, including with the PSBs. -
A Gay/Straight Comparison of Gay Voices
A GAY/STRAIGHT COMPARISON OF GAY VOICES A RESEARCH PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY SHANE LANNING DR. CAROLYN MACKAY - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2015 Lanning-1 Introduction: This study compares 4 gay male comedians and 4 straight male comedians’ performances of “gay speech”. The researcher observed comedians who were performing gay characters for the following three variables: the lisp ([s̪ ] instead of [s]), a raised pitch, and formal [–iŋ] vs. informal [–In] endings. It was hypothesized that both straight comedians and gay comedians would manipulate their [s] production to the dental [s̪ ] when performing a gay character; moreover, the comedians would also raise their pitch during their performance. The [–iŋ] vs. [–In] sounds, because their production below the level of consciousness, would not vary in the homosexual or heterosexual comedians. The purpose of this comparison was to determine how salient the features were in each group in order to identify stereotypical features associated with gay speech. In other words, if all of the comedians were using a particular feature, one could postulate that this feature has a stronger association with perceived gay speakers. Conversely, if the comedians were not using a particular feature, one could postulate that this feature has a weaker association or is not associated at all with perceived gay speakers. In recent studies, participants were asked to rate speakers on a scale of homosexual to heterosexual and a scale of feminine to masculine. In these studies, the data showed that features like the lisp ([s̪ ] instead of [s]), received higher gay ratings; participants rated speakers’ sexuality as gay more often when they exhibited this feature (Mack & Munson, 2012). -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Metamodernism, Or Exploring the Afterlife of Postmodernism
“We’re Lost Without Connection”: Metamodernism, or Exploring the Afterlife of Postmodernism MA Thesis Faculty of Humanities Media Studies MA Comparative Literature and Literary Theory Giada Camerra S2103540 Media Studies: Comparative Literature and Literary Theory Leiden, 14-06-2020 Supervisor: Dr. M.J.A. Kasten Second reader: Dr.Y. Horsman Master thesis submitted in accordance with the regulations of Leiden University 2 Table of Contents Acknowledgments ................................................................................................................................. 3 Introduction ........................................................................................................................................... 4 CHAPTER 1: Discussing postmodernism ........................................................................................ 10 1.1 Postmodernism: theories, receptions and the crisis of representation ......................................... 10 1.2 Postmodernism: introduction to the crisis of representation ....................................................... 12 1.3 Postmodern aesthetics ................................................................................................................. 14 1.3.1 Sociocultural and economical premise ................................................................................. 14 1.3.2 Time, space and meaning ..................................................................................................... 15 1.3.3 Pastiche, parody and nostalgia ............................................................................................ -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Thaw Is Maniac
formation of the sediment does not harm. cyclopaedia explains that some families only necessary to stir it up W‘t_h English nobility as it is of the held their land the marking brush. When necessary wa- DOCTOR DECLARES on a tenure which forbade them to cut ink is ter may be added. Another ob- these being reserved #s the in down trees. by dissolving gum property of the Royal pavy. But any tained some damar ef- down oil of turpentine, which is quickly ~ _— ‘ree \ IS which fell without human as- by the application of a THAW MANIAC WIS, cistance they might keep, so that a hurri- fected ht?e,he:x_t.1s \ e EAGLE RIVER, In this weak varnish a black color ———————ee cane causing a great ‘“windfall” was ; —————eeeeee be very | _——— e | welcome. seems probable, stirred, which must finely fa’m““d- AT heartily It oil of rurpentine 1S vola- SUPERINTENDENT MATTEAWAN WILL APPCINT ONLY however, that the expression was simp- TROOPS ON MARCH HAVE ORDERS After use the - SPEARKER gum to ~ HE 1S DANGEROUS ©O. E. BOWEN, Publisher. ap tilized and the thet(‘“]“r BELIEVES T 0 ler in origin. Even apple that fell to TO REPRESS MERCILESSLY markingsecures ink “REGULARS” MEMBERS OF IM- the ground without the trouble of pick- the wood. This sHould willbe | HAVE AT LARGE. ————— often kept in well closed bottles, and it P PORTANT COMMITTEES. ing it, and which a passerby might ANY RESISTANCE. 1f the color annex without feeling that he was a then remain good for years. ; ee e e it can OF CONG RESS : thief, would be a lucky *“windfall.”— e has become too thick be reduced WORK it of turpentine. -
Ninos Dia De
THE DETROIT CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS NEWS By an overwhelming majority, Michigan voters pulled the plug on the proposal to legalize physician-assisted suicide. Jack Kevorkian may have more trouble winning over juries in the future.Page 3. ENTERTAINMENT Michigan Opera Theatre’s opening-night production of “Lucia di Lammermoor” flirted with disaster, but was consider ably better the second time around.Page 10. Journal photo by GEORGE WALDMAN Re’Sean Coleman, 4, and his brother ReVon, 2, show art they cre SPORTS ated at Holy Trinity School following the parish’s week celebration of Dia de losNinosthe Mexican holiday Day of the Dead. See photo story, Pages 16-17. DRC will close today after 48 years, ending Detroit-area thoroughbred racing.Page 32. GOP in control Classifieds Page 26 State Dems must rebuild after debacle Crossword Page 27 By Eric Freedman ■ First, Gov. John Engler’s legisla Letters Page 9 Journal Lansing Bureau analysis tive hand will be far stronger, Entertainment Page 10 ANSING — Fieger time is because the GOP now has majorities over, and rebuilding time theis party’s most visible and powerfulin both the state House and Senate. Television Page 12 here for Michigan Demoofficial in Lansing. And they leave“That puts Engler in a dominant crats. Republicans in control of both positionleg as far as policymaking, but Movie Guide Page 23 L islative chambers. of course there will be one more state The topsy-turvy results of Horoscope Page 24 Tuesday’s election leave a Let’s look at what the results meanHouse election this century, so we Democratic newcomer, Attorneyfor Michigan during the next two Sports Page 32 General-elect Jennifer Granholm, asyears: See STATE, Page 6 PAGE 2 THE DETROIT SUNDAY JOURNAL NOVEMBER 8 y 1998 DAILY DAILY 4 * 1 1 /6 Midday: 1-3- Eve: N.A. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
JUNE 21-27, 2019 / VOL. 41 / NO. 31 / LAWEEKLY.COM Art Ar Nd the Way
Italian Eatery Toscana Celebrates its 30th Anniversary • The Satanic Doo-Wop of Twin Temple • The history of Historical Roasts ® JUNE 21-27, 2019 / VOL. 41 / NO. 31 / LAWEEKLY.COM Art Ar nd the Way e Dr. Maya Angelou High School Mural Festival highlighted social justice and deep community roots By Jordan Riefe 2 Y Y WEEKL LA | June 21 - 27, 2019 | | June WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. 3 LA WEEKLY | June 21 - 27, 2019 | WWW.LAWEEKLY.COM 4 L June 21-27, 2019 // Vol. 41 // No. 31 // laweekly.com Y Y WEEKL LA Contents | June 21 - 27, 2019 | | June WWW.LAWEEKLY.COM 21 GO LA...6 FILM...18 A rooftop Gypsy party to kick off summer, The creators of Historical Roasts recount the unveiling of Dolores Huerta Plaza, a their rise from a local comic store to Netflix. celebration for toys of everyone’s favorite BY NICK WALKER. monster, and more to do and see in L.A. this week. MUSIC...21 Satanic doo-wop duo Twin Temple are FEATURE...11 deadly serious in their subversiveness. BY Dr. Maya Angelou Community High School’s KATHERINE TURMAN. recent dedication of more than two dozen murals strengthen its roots to South Central and help redefine the neighborhood’s reputation to outsiders.