Securities and Exchange Commission Form 10-K Viacom
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Image Eagle News Principal: Kathleen Keller Assistant Principal: Lisa Angeley
“Eagles are Safe, Respectful, and Responsible!” z Be an Eagle! Image Eagle News Principal: Kathleen Keller Assistant Principal: Lisa Angeley 4400 NE 122nd Avenue District "Emergency Hotline" (360) 604-3637 Vancouver, WA 98682 Attendance Line to Report Absences: (360)604-6859 (360)604-6850 FAX (360)604-6852 Carlee Burton, PTO President [email protected] Image Calendar of Events~January 15, 2018 This bulletin is also posted on our website. Monday Tuesday Wednesday Thursday Friday 15 16 17 18 19 Cheerleading Practice No School Martin 3:15 – 4:45 Early Release 12:55 Luther King Day Basketball Practice Choir – 3:15 – 4:15 Observed 3:15 – 4:30 Cheerleading Practice Eagle Family Night 3:15 – 4:45 Basketball Tournament 3:30 – 4:30 Basketball Practice 6:00 – 10:30 at Little Eagle Preschool 3:15 – 4:30 Covington Middle 4:30 – 5:30 School Monday Tuesday Wednesday Thursday Friday 22 23 24 25 26 Spirit Day – Blackout Vancouver Pops –8:45 Early Release 12:55 Choir 3:15 – 4:15 PTO Meeting – 3:30 (Adults Standing Room Only) 1st Grade Field Trip 9:00 – 1:30 Monday 29 No School - End of Semester Upcoming Dates Every Student Succeeds Act Jan 29 No School – End of Semester Feb 9 Craft Night- 6:00 – 8:00 Feb 13 Biz Town Field Trip – 9:00 – 2:30 You are invited to learn about Title I, Part A and the Feb 16 – 19 No School – Presidents Day Every Student Succeeds Act (ESSA). The Title I, Part Weekend A program provides funding to our school for Feb 22, 23 Early Release/Conferences 12:55 additional help for students. -
PUBLIC NOTICE Washington, D.C
REPORT NO. PN-1-210205-01 | PUBLISH DATE: 02/05/2021 Federal Communications Commission 45 L Street NE PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 APPLICATIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000132840 Assignment AM WING 25039 Main 1410.0 DAYTON, OH ALPHA MEDIA 01/27/2021 Accepted of LICENSEE LLC For Filing Authorization From: ALPHA MEDIA LICENSEE LLC To: Alpha Media Licensee LLC Debtor in Possession 0000132974 Assignment FM KKUU 11658 Main 92.7 INDIO, CA ALPHA MEDIA 01/27/2021 Accepted of LICENSEE LLC For Filing Authorization From: ALPHA MEDIA LICENSEE LLC To: Alpha Media Licensee LLC Debtor in Possession 0000132926 Assignment AM WSGW 22674 Main 790.0 SAGINAW, MI ALPHA MEDIA 01/27/2021 Accepted of LICENSEE LLC For Filing Authorization From: ALPHA MEDIA LICENSEE LLC To: Alpha Media Licensee LLC Debtor in Possession 0000132914 Assignment FM WDLD 23469 Main 96.7 HALFWAY, MD ALPHA MEDIA 01/27/2021 Accepted of LICENSEE LLC For Filing Authorization From: ALPHA MEDIA LICENSEE LLC To: Alpha Media Licensee LLC Debtor in Possession 0000132842 Assignment AM WJQS 50409 Main 1400.0 JACKSON, MS ALPHA MEDIA 01/27/2021 Accepted of LICENSEE LLC For Filing Authorization From: ALPHA MEDIA LICENSEE LLC To: Alpha Media Licensee LLC Debtor in Possession Page 1 of 66 REPORT NO. PN-1-210205-01 | PUBLISH DATE: 02/05/2021 Federal Communications Commission 45 L Street NE PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 APPLICATIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. -
Reality Programming Lessons for Twenty-First Century Trial Lawyering
Penn State Dickinson Law Dickinson Law IDEAS Faculty Scholarly Works Faculty Scholarship Fall 2001 Reality Programming Lessons for Twenty-First Century Trial Lawyering Gary S. Gildin [email protected] Follow this and additional works at: https://ideas.dickinsonlaw.psu.edu/fac-works Recommended Citation Gary S. Gildin, Reality Programming Lessons for Twenty-First Century Trial Lawyering, 31 Stetson L. Rev. 61 (2001). This Article is brought to you for free and open access by the Faculty Scholarship at Dickinson Law IDEAS. It has been accepted for inclusion in Faculty Scholarly Works by an authorized administrator of Dickinson Law IDEAS. For more information, please contact [email protected]. REALITY PROGRAMMING LESSONS FOR TWENTY-FIRST CENTURY TRIAL LAWYERING Gary S. Gildin* I. WHY SHO ULD WE CARE ABOUT THE ARRIVAL OF THE TWENTY-FIRST CENTURY? When I told my cousin-in-law Gary Ruben, a lawyer in Chicago, that I had agreed to write an article for a Symposium on trial advocacy in the twenty-first century, he responded incredulously, "We are supposed to be doing something different than trying to make a jury understand what happened and be persuaded by our version of the events?" Well, Gary, in one sense you are absolutely correct to be skeptical because the objectives of trial advocacy that you described have remained immutable, regardless of the century. However, two interrelated changes are occurring as we enter the new millennium that must affect the way trial lawyers present their cases to the jury - the evolution in the demographics of the jury pool and the revolution in technology that has transformed how our new breed of juror receives and is presented out-of-court informa- tion. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
William & Mary Football Record Book
William & Mary CONTENTS & QUICK FACTS Football Record Book as of June 1, 2020 CONTENTS Contents . 1 Tribe in the Pros . 2-3 Honors & Awards . 6-9 Records . 10-11 Individual Single-Season Records . 12-13 Individual Career Records . 14 All-Time Top Performances . 15 Team Game Records . 16 Team Season Records . 17 The Last Time … . 18-22 All-Time Coaches & Captains . 23-24 All-Time Series Results . 25-26 All-Time Results . 27-33 All-Time Assistant Coaches . 34 All-Time Roster . 35-46 WWW.TRIBEATHLETICS.COM 1 TRIBE IN THE PROS B.W. Webb Luke Rhodes DeAndre Houston-Carson Cincinnati Bengals Indianapolis Colts Chicago Bears Name Pro Team Years Dave Corley, Jr . Hamilton Tiger-Cats 2003-04 R .J . Archer Minnesota 2010 Calgary Stampeders 2006 Milwaukee Mustangs 2011 Jerome Couplin III Detroit Lions 2014 Georgia Force 2012 Buffalo Bills 2014 Detroit Lions 2012 Philadelphia Eagles 2014-15 Jacksonville Sharks 2013-14 Los Angeles Rams 2016 Seattle Seahawks 2015 Hamilton Tiger-Cats 2018 Drew Atchison Dallas Cowboys 2008 Orlando Apollos 2019 Bill Bowman Detroit Lions 1954, 1956 Los Angeles Wildcats 2020 Pittsburgh Steelers 1957 Derek Cox Jacksonville Jaguars 2009-12 Tom Brown Pittsburgh Steelers 1942 San Diego Chargers 2013 Russ Brown Honolulu Hawaiians 1974 Minnesota Vikings 2014 New York Giants 1974 Baltimore Ravens 2014 Washington Redskins 1975 New England Patriots 2015 Todd Bushnell Baltimore Colts 1973 Lou Creekmur Detroit Lions 1950-59 David Caldwell Indianapolis Colts 2010-11 Dan Darragh Buffalo Bills 1968-70 New York Giants 2013 DeVonte Dedmon -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Universidade Federal De Juiz De Fora Faculdade De Comunicação Social Mestrado Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA FACULDADE DE COMUNICAÇÃO SOCIAL MESTRADO EM COMUNICAÇÃO Pedro Augusto Silva Miranda INTIMIDADE MEDIADA: as estratégias narrativas do GloboNews Em Pauta na comunicação com o público Juiz de Fora 2019 Pedro Augusto Silva Miranda INTIMIDADE MEDIADA: as estratégias narrativas do GloboNews Em Pauta na comunicação com o público Dissertação apresentada ao Programa de Pós- graduação em Comunicação, da Universidade Federal de Juiz de Fora como requisito parcial a obtenção do grau de Mestre em Comunicação. Área de concentração: Comunicação e Sociedade. Orientadora: Prof.a Dra. Cláudia de Albuquerque Thomé Juiz de Fora 2019 Ficha catalográfica elaborada através do programa de geração automática da Biblioteca Universitária da UFJF, com os dados fornecidos pelo(a) autor(a) Miranda, Pedro Augusto Silva. Intimidade Mediada : as estratégias narrativas do GloboNews Em Pauta na comunicação com o público / Pedro Augusto Silva Miranda. -- 2019. 173 p. Orientadora: Cláudia de Albuquerque Thomé Dissertação (mestrado acadêmico) - Universidade Federal de Juiz de Fora, Faculdade de Comunicação Social. Programa de Pós Graduação em Comunicação, 2019. 1. Narrativas. 2. Estratégias. 3. TV por assinatura. 4. Telejornalismo. 5. GloboNews Em Pauta. I. Thomé, Cláudia de Albuquerque, orient. II. Título. Dedico este trabalho aos meus pais, Xavier e Maria, e ao meu irmão Junior. Exemplos de coragem, dedicação e amor incondicional. AGRADECIMENTOS Agradeço, primeiramente, a Deus, por permitir que esse momento acontecesse e por ser luz em meio às adversidades dessa caminhada. Obrigado por me fazer acreditar e mostrar que todos os meus sonhos são possíveis. Agradeço a minha família, pai, mãe e irmão, por sempre estarem ao meu lado com muito amor e acreditando em mim e que tudo daria certo. -
A Critical Ideological Analysis of Mass Mediated Language
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2006 Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language Michael Alan Glassco Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Mass Communication Commons Recommended Citation Glassco, Michael Alan, "Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language" (2006). Master's Theses. 4187. https://scholarworks.wmich.edu/masters_theses/4187 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DEMOCRACY, HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIA TED LANGUAGE by Michael Alan Glassco A Thesis Submitted to the Faculty of the Graduate College in partial fulfillment'of the requirements for the Degreeof Master of Arts School of Communication WesternMichigan University Kalamazoo, Michigan August 2006 © 2006 Michael Alan Glassco· DEMOCRACY,HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIATED LANGUAGE Michael Alan Glassco, M.A. WesternMichigan University, 2006 Accepting and incorporating mediated political discourse into our everyday lives without conscious attention to the language used perpetuates the underlying ideological assumptions of power guiding such discourse. The consequences of such overreaching power are manifestin the public sphere as a hegemonic system in which freemarket capitalism is portrayed as democratic and necessaryto serve the needs of the public. This thesis focusesspecifically on two versions of the Society of ProfessionalJournalist Codes of Ethics 1987 and 1996, thought to influencethe output of news organizations.