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LOYALTY in the WORKS of SAINT-EXUPBRY a Thesis
LOYALTY IN THE WORKS OF SAINT-EXUPBRY ,,"!"' A Thesis Presented to The Department of Foreign Languages The Kansas State Teachers College of Emporia In Partial Fulfillment or the Requirements for the Degree Mastar of Science by "., ......, ~:'4.J..ry ~pp ~·.ay 1967 T 1, f" . '1~ '/ Approved for the Major Department -c Approved for the Graduate Council ~cJ,~/ 255060 \0 ACKNOWLEDGMENT The writer wishes to extend her sincere appreciation to Dr. Minnie M. Miller, head of the foreign language department at the Kansas State Teachers College of Emporia, for her valuable assistance during the writing of this thesis. Special thanks also go to Dr. David E. Travis, of the foreign language department, who read the thesis and offered suggestions. M. E. "Q--=.'Hi" '''"'R ? ..... .-.l.... ....... v~ One of Antoine de Saint-Exupe~J's outstanding qualities was loyalty. Born of a deep sense of responsi bility for his fellowmen and a need for spiritual fellow ship with them it became a motivating force in his life. Most of the acts he is remeffibered for are acts of fidelityo Fis writings too radiate this quality. In deep devotion fo~ a cause or a friend his heroes are spurred on to unusual acts of valor and sacrifice. Saint-Exupery's works also reveal the deep movements of a fervent soul. He believed that to develop spiritually man mQst take a stand and act upon his convictions in the f~c0 of adversity. In his boo~ UnSens ~ la Vie, l he wrote: ~e comprenez-vous Das a~e le don de sol, le risque, ... -
The Archetype of a Cultural Hero in the Works of A. De Saint-Exupery (Based on “Southern Mail”, “Night Flight” and “Wind, Sand and Stars”)
Journal of Siberian Federal University. Humanities & Social Sciences 5 (2016 9) 1074-1080 ~ ~ ~ УДК 82-3 The Archetype of a Cultural Hero in the Works of A. De Saint-Exupery (Based on “Southern Mail”, “Night Flight” and “Wind, Sand and Stars”) Sofiia A. Andreeva and Yana G. Gerasimenok* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 17.02.2016, received in revised form 16.03.2016, accepted 02.04.2016 This article is devoted to the analysis of a pilot’s character in the works of A. de Saint-Exupery in the context of mythopoetics and the archetype of a cultural hero. The theme of aviation and the character of a pilot are the main elements of Saint-Exupery’s poetics. Being a professional pilot he described true events and created a heroic and mainly mythologized character of a pilot. In his works there are such functions of a cultural hero as fighting with nature or mythical beasts, breaking new ways, formation of human society. There are also motifs of initiation, magic transition to another world, death and rebirth. Such archetypic spaces as desert, night, sky/earth are connected with the character of a pilot. Keywords: archetype, aviation, French literature, mythopoetics, Saint-Exupery. DOI: 10.17516/1997-1370-2016-9-5-1074-1080. Research area: philology. Introduction into the problem Due to the dangerous and unusual nature of this For many centuries the idea to conquer the profession romanticization of pilots in the first sky has been concerning the minds of people. half of the 20th century has led to the fact that They created drawings of flying machines, the pilot’s character became mythologized and conducted experiments, dreams of flying were acquired the features of exclusivity. -
Looking at Hollywood with Ed Sullivan
P.~. Tw. Chic ••• Saaday Trihaae Looking at Hollywood with Ed Sullivan l DclYid Ni.•.•n Rudy Vcd1ee D. FClirbcmb Jr. RlchGrd Gr •• ne Jimmy St.wGrt Joe Sch.nck on the coast and he has loads brothers, three of them, are don't believe that there will be of dough. Or how about some- married. So are Jack Haley, Jack any reaction whatsoever. The thing in writers or directors- Benny, George Burns, Frank studio bosses are of the opinion Norman Krasna, Rouben Ma· McHugh, Al Jolson, Bert Wheel· that a performer who is married moulian, Bob Risklnd, Carl er, Bob Hope, Fred Allen, Frank happily is better liked by the Laemmle Jr., Eddie Sutherland, Morgan, George Jessel. Their public and gains solid prestige. Austin Fairman? Uh-huh, you marriage rating is high. want Gable or Robert Taylor- Perhaps we shouldn't indulge • • • you will have to take that up in any such broad generality. There are one hundred argu- with Miss Lombard or Miss W. C. Fields, Edgar Bergen, Mil· ments in support of this idea. Stanwyck, ma'am. Can I Inter- ton Berle, and Edward Everett Gable was tremendous at the est you in a nice, swingy band Horton are comics who are root- box office while he was married. leader? Guy Lombardo, Abe loose and fancy-free. So, too, is So was W1lliam Powell. Bing Lyman, Skinnay Ennis. Hal Ken Murray. Charlie Butter- Crosby as a married man and Kemp? No, a lady came and worth is getting a divorce, or a father has gained in popular- got him just the other day. -
Ar.Itorne DE Sarrvr- Exupf Nv
Ar.itorNE DE Sarrvr-Exupf nv Born: Lyon, France June 29, 1900 Died: Near Corsica July3l ,7944 Throughhis autobiographicalworhs, Saint-Exupery captures therra of earlyaviation uith his$rical prose and ruminations, oftenrnealing deepertruths about the human condition and humanity'ssearch for meaningand fulfillrnar,t. teur" (the aviator), which appeared in the maga- zine LeNauired'Argentin 1926.Thus began many of National Archive s Saint-Exup6ry's writings on flying-a merging of two of his greatestpassions in life. At the time, avia- Brocnaprrv tion was relatively new and still very dangerous. Antoine Jean-Baptiste Marie Roger de Saint- The technology was basic, and many pilots relied Exup6ry (sahn-tayg-zew-pay-REE)rvas born on on intuition. Saint-Exup6ry,however, was drawn to June 29, 1900, in Lyon, France, the third of five the adventure and beauty of flight, which he de- children in an aristocratic family. His father died of picted in many of his works. a stroke lvhen Saint-Exup6ry was only three, and Saint-Exup6rybecame a frontiersman of the sky. his mother moved the family to Le Mans. Saint- He reveled in flying open-cockpit planes and loved Exup6ry, knor,vn as Saint-Ex, led a happy child- the freedom and solitude of being in the air. For hood. He wassurrounded by many relativesand of- three years,he r,vorkedas a pilot for A6ropostale, a ten spent his summer vacations rvith his family at French commercial airline that flew mail. He trav- their chateau in Saint-Maurice-de-Remens. eled berween Toulouse and Dakar, helping to es- Saint-Exup6ry went to Jesuit schools and to a tablish air routes acrossthe African desert. -
Tale of the Rose: Redefining Rose Through the Lens of Feminist Theory in the Little Prince
© 2018 JETIR June 2018, Volume 5, Issue 6 www.jetir.org (ISSN-2349-5162) TALE OF THE ROSE: REDEFINING ROSE THROUGH THE LENS OF FEMINIST THEORY IN THE LITTLE PRINCE 280 Williams Abstract-From her very first encounter with Antoine De Saint-Exupéry in 1930, Consuelo Suncín de Sandoval has both intrigued and charmed him but despite her extensive role in Antoine’s life as his wife and muse,she was forgotten until 1999 when The Tale of the Rose was discovered.Consuelo died in 1979,written but never having published her side of the story.The new found account by Consuelo De Saint-Exupéry,the human embodiment of the infamous proud Rose of the Little Prince raises many questions but most importantly that of her lack of agency.This paper will focus on her abjection from her position as the wife of Antoine De Saint-Exupéry alongside her attempts at delinking herself as the extension of him by telling her own account of their marriage.Within the framework of Feminist theory the paper will draw the parallels between the artistic representation of Consuelo in The Little Prince and the physical, more realistic conditions she underwent in The Tale of the Rose. The text has been conveniently termed as that of a romantic retelling of a widely celebrated aviator and his renowned literary creation,placing it as a variation of the original text but a more subliminal reading reveals the lack of female subjectivity,that the paper will further argue on Key words – Feminist, The Little Prince, The Tale of the Rose, subjectivity, agency, embodiment, the rose, delinking, extension and representation. -
Tyrone Power
Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Views on Technical Progress and Superman in Saint-Exupéry’S Night Flight and P
Annie Bourguignon Conquering the Arctic and Conquering the Sky: Views on Technical Progress and Superman in Saint-Exupéry’s Night Flight and P. O. Sundman’s The Flight of the Eagle Antoine de Saint-Exupéry is most known as the author of The little Prince. In the 20 th century, this book was the absolute bestseller in French literature and the most translated French literary work. But Saint-Exupéry also wrote essays and novels for grown-ups, among which Night Flight was very successful when it appeared in 1931 1, and later filmed in Hollywood in 1933 2. Night Flight is a novel about a pilot, Fabien, getting caught in a storm at night while carrying mail from Patagonia to Buenos Aires. Losing his way, it becomes certain that he will perish, as the plane is running out of fuel. Per Olof Sundman’s The Flight of the Eagle , which appeared in 1967, is an historical novel about the Swedish engineer Andrée’s attempt to reach the North Pole in a balloon in 1897. The balloon trip starts from Danes Island, one of the Spitsbergen 3 islands, and flies for about three days, but it has to be given up by 1 It was published in Norway in 1932 ( Flyvere i natten , på norsk ved Henrik Groth, Oslo, Steenske forlag, 1932) and in Sweden in 1933 ( Natt- flygning , till svenska av Tania Silfverskiöld-Glachant, Stockholm, Bonnier, 1933). 2 The director was Clarence Brown; John Barrymore and Clark Gable were in the cast. Cf. Curtis Cate: Antoine de Saint-Exupéry, his Life and Times , New York, G. -
City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939 2004
Repositorium für die Medienwissenschaft Alastair Phillips City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939 2004 https://doi.org/10.25969/mediarep/4113 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Phillips, Alastair: City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939. Amsterdam: Amsterdam University Press 2004 (Film Culture in Transition). DOI: https://doi.org/10.25969/mediarep/4113. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5117/9789053566336 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0/ Lizenz zur Verfügung Attribution - Non Commercial 3.0/ License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0/ https://creativecommons.org/licenses/by-nc/3.0/ City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.