Previous Award Winners and Special Recognition
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POETS HATING POETRY Can’T Anyone Give Poetry a Break? by Ryan Stuart Lowe
Spring | Summer 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas dLearning to love like not hate poetry 2017—A Year of New Initiatives At Oklahoma Humanities, the will explore this challenging period in year 2017 begins with continued our nation’s history. Concurrent with the ANN THOMPSON commitment to serving the public magazine and local programming will Executive Director through inspired and inspiring cultural be the September debut of an 18-hour, experiences. In addition to successful NEH-funded Ken Burns documentary programs like Museum on Main Street; on PBS called The Vietnam War. Our Let’s Talk About it, Oklahoma; Oklahoma objective in focusing on the Vietnam era Humanities magazine; and, of course, is to remind those of us who remember our grants program; we’re working on the war to think critically of lessons special initiatives that we’re proud to learned (and not learned) from the war, bring to our state. and to inform younger generations of First, through a partnership with the challenging issues of that period the Ralph Ellison Foundation, we are that continue to impact our national sponsoring a series of public meetings identity—the civil rights movement, on race relations in Oklahoma. Using the the changing roles of women, student texts of one of Oklahoma’s most esteemed writers and favorite sons, the Foundation activism, how we treat veterans, and the will encourage community conversations roles of music, literature, television, and to foster greater understanding and to the media in forming American opinion. promote the common good. This year promises to be meaningful Second is a multi-faceted look at the and rich in opportunities and, as always, Vietnam era. -
NATIVE AMERICAN LITERATURE a Brief Introduction and Anthology
NATIVE AMERICAN LITERATURE A Brief Introduction and Anthology Gerald Vizenor University of California Berkeley The HarperCollins Literary Mosaic Series Ishmael Reed General Editor University of California Berkeley HARPERCOLUNSCOLLEGEPUBLISHERS Contents Foreword by Ishmael Reed Introduction AUTOBIOGRAPHY William Apess (1798-?) A Son of the Forest Preface 20 Chapter I 20 Chapter II 24 Chapter III 28 Luther Standing Bear (1868-1939) My People the Sioux Preface 33 First Days at Carlisle 33 John Rogers (1890-?) Return to White Earth 46 N Scott Momaday (b 1934) The Way to Rainy Mountain [Introduction] 60 The Names 65 Gerald VTzenor(b 1934) Measuring My Blood 69 Maria Campbell (b 1940) The Little People 76 Louis Owens (b 1948) Motion of Fire and Form 83 Wendy Rose (b 1948) Neon Scars 95 FICTION John Joseph Mathews (1894-1979) The Birth of Challenge 106 iv Native American Literature D Arcy McNickle (1904-1977) A Different World Elizabeth Cook Lynn (b 1930) A Good Chance N Scott Momaday (b 1934) The Rise of the Song Gerald Vizenor (b 1934) Hearthnes Paula Gunn Allen (b 1939) Someday Soon James Welch (b 1940) The Earthboy Place Thomas King (b 1943) Maydean Joe Leslie Marmon Silko (b 1948) Call That Story Back Louis Owens (b 1948) The Last Stand Betty Louise Bell (b 1949) In the Hour of the Wolf Le Anne Howe (b 1951) Moccasins Don t Have High Heels Evelina Zuni Lucero (b 1953) Deer Dance Louise Erdnch (b 1954) Lipsha Mornssey Kimberly Blaeser (b 1955) A Matter of Proportion Gordon Henry Jr (b 1955) Arthur Boozhoo on the Nature of Magic POETRY Mary -
5Th International Conference on the Short Story in English
5TH INTERNATIONAL CONFERENCE ON THE SHORT STORY IN ENGLISH The Global Short Story New Or eans, June 27-30, 1998 Fifth International Conference on the Short Story in English "THE GLOBAL SHORT STORY" New Orleans, June 27-30, 1998 Hotellnter-Continental- All Sessions Saturday, June 27 8:30 a.m. REGISTRATION [THIRD F LOOR LOBBY] 9:00 a.m. WELCOMING REMARKS [LA SALL E BALLROOM B/C] Mary Roh rberge r, Executive Director Ma urice A Lee, Director Please note that, throughout the conference, books on related subjects or by attending authors will be on sale in the ACADI AN ROOM 9:30 a.m. PANEL A: WRITERS' AND CRITICS' ROUND TABLE: ECHOES FROM A DISTANT BATTLEFIELD SHORT FICTION FROM VIETNAMESE NATIONALS AND VIETNAMESE AMERICANS [PELI CAN ROOM 1] Randy Fertel, moderator, Tulane University Mary McCay, Loyola University Wayne Karlin, short fiction writer An dy Lam, short fiction writer and commentator on Asian Affairs for NPR Eric Scroeder, University of California at Davis PANEL B: WRITERS' ROUND TABLE: THE TICKING CLOCK-COMMITTING AND SOLVING MURDER IN UNDER 15 PAGES [PELICAN ROOM 2] Robert Skinner, fiction writer, moderator, Xavier University Bill Cri der, fiction writer O' Neil DeNoux, fiction writer Skye Moody, fiction writer PANEL C: WRITERS' ROUND TABLE: ROMANCE FICTION [FULTON R OOM] Rexanne Becnel, moderator, fiction writer Karen Young, fiction writer Kathleen Nance, fiction writer Anne Logan , fiction wn"ter PANEL D: WRITERS' ROUND TABLE: GENDER IDENTITY AND THE SHORT STORY [POYDRAS ROOM] Ellen Douglas, fiction writer, moderator Anthony Bukowski, fiction writer Natalie Petesch, fiction writer Mary Robison , fiction writer ~ --r:; t\1 W~ Ieh 11 :00 a.m. -
Oklahoma Rose July 2020.Pub
1 Official Newsletter of The Poetry Society of Oklahoma The Oklahoma Rose Volume V Issue IV PSO ~ ESTABLISHED IN 1934 July 2020 PSO Officers Summer Workshop Time 2020 - 2021 Summer has certainly arrived in Okla- in American Indian Culture and Re- President.….Patti Koch homa! It is hot, wet and muggy. search Journal, Broadkill Review, Ci- marron Review, Crazyhorse, Flint Hills VP…...Billy Pennington Poetry Society of Oklahoma has Review, Hawai’i Review, Poet Lore, scheduled its annual Workshop 25th July Treasurer……….…… Puerto del Sol, Quarterly West, Spoon at Twin Hills Country Club in Oklaho- River Poetry Review, Third Coast, and Karen Kay Bailey ma City. And, what an exciting work- the William and Mary Review, among shop we have planned! Recording Secretary.. others. We are honored to have as our key-note Anna Sterling We encourage everyone to attend, to speaker/instructor, Dr. Todd Fuller. Dr. bring a friend and enjoy this time of po- Corr. Secretary…...…. Fuller holds a Ph.D. in English from etry, learning and recognition. Rob Burgess Oklahoma State University and an M.F.A from Wichita State University. If you are attending (and we hope you Historian…………..…. He serves as curator of the Western His- are) please bring pen and paper ~ and Parliamentarian….…. tory Collections (within OU’s Universi- be prepared to work and learn (it’s a ty Libraries). Before taking this position WORKSHOP!). Ed Roberts in 2019, he was the Associate Director PSO always has an In-House workshop Past Co-Presidents…. for Research Development at the Uni- versity of Oklahoma (2011-2018) and with exercises – this year John Coppock Joan & Eddie was the founding president of Pawnee will be doing exercises with Haikus. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Language Handbook Additional Practice in Grammar, Usage, and Mechanics GRADE 10
HOLT McDOUGAL LITERATURE Language Handbook Additional Practice in Grammar, Usage, and Mechanics GRADE 10 000i_TX_L10LH.indd0i_TX_L10LH.indd i 66/3/09/3/09 111:13:111:13:11 PMPM TX_L10LH_FM 6/1/09 6:22 PM Page ii Cover Hand © QJU/Shutterstock; white board Chris Cigliano/Houghton Mifflin Harcourt. Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner unless such copying is expressly permitted by federal copyright law. Permission is hereby granted to individuals using the corresponding student's textbook or kit as the major vehicle for regular classroom instruction to photocopy copying masters from this publication in classroom quantities for instructional use and not for resale. Requests for information on other matters regarding duplication of this work should be addressed to Houghton Mifflin Harcourt Publishing Company,Attn: Contracts, Copyrights, and Licensing, 9400 South Park Center Loop, Orlando, Florida 32819. Printed in the U.S.A. ISBN-13 978-0-547-28542-9 ISBN-10 0-547-28542-6 1 2 3 4 5 6 7 8 9 10 0803 18 17 16 15 14 13 12 11 10 09 If you have received these materials as examination copies free of charge, Houghton Mifflin Harcourt Publishing Company retains title to the materials and they may not be resold. Resale of examination copies is strictly prohibited. Possession of this publication in print format does not entitle users to convert this publication, or any portion of it, into electronic format. -
Confronting Convention: Discourse and Innovation in Contemporary Native American Women's Theatre by Tiffany Noell a Dissertati
Confronting Convention: Discourse and Innovation in Contemporary Native American Women's Theatre by Tiffany Noell A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved April 2011 by the Graduate Supervisory Committee: Tamara Underiner, Chair Bryan Brayboy Stephani Woodson ARIZONA STATE UNIVERSITY May 2011 ABSTRACT In this dissertation, I focus on a subset of Native American theatre, one that concentrates on peoples of mixed heritages and the place(s) between worlds that they inhabit. As it is an emergent field of research, one goal of this project is to illuminate its range and depth through an examination of three specific points of focus – plays by Elvira and Hortencia Colorado (Chichimec Otomí/México/US), who create theatre together; Diane Glancy (Cherokee/US); and Marie Clements (Métis/Canada). These plays explore some of the possibilities of (hi)story, culture, and language within the theatrical realm across Turtle Island (North America). I believe the playwrights' positionalities in the liminal space between Native and non-Native realms afford these playwrights a unique ability to facilitate cross-cultural dialogues through recentering Native stories and methodologies. I examine the theatrical works of this select group of mixed heritage playwrights, while focusing on how they open up dialogue(s) between cultures, the larger cultural discourses with which they engage, and their innovations in creating these dialogues. While each playwright features specific mixed heritage characters in certain plays, the focus is generally on the subject matter – themes central to current Native and mixed heritage daily realities. I concentrate on where they engage in cross-cultural discourses and innovations; while there are some common themes across the dissertation, the specific points of analysis are exclusive to each chapter. -
He Uses of Humor in Native American and Chicano/A Cultures: an Alternative Study Of
The Uses of Humor in Native American and Chicano/a Cultures: An Alternative Study of Their Literature, Cinema, and Video Games Autora: Tamara Barreiro Neira Tese de doutoramento/ Tesis doctoral/ Doctoral Thesis UDC 2018 Directora e titora: Carolina Núñez Puente Programa de doutoramento en Estudos Ingleses Avanzados: Lingüística, Literatura e Cultura Table of contents Resumo .......................................................................................................................................... 4 Resumen ........................................................................................................................................ 5 Abstract ......................................................................................................................................... 6 Sinopsis ......................................................................................................................................... 7 Introduction ................................................................................................................................. 21 1. Humor and ethnic groups: nonviolent resistance ................................................................ 29 1.1. Exiles in their own land: Chicanos/as and Native Americans ..................................... 29 1.2. Humor: a weapon of mass creation ............................................................................. 37 1.3. Inter-Ethnic Studies: combining forces ...................................................................... -
Jennifer Paustenbaugh
OKLAHOMA's WoMEN PoETS LAUREATE Jennifer Paustenbaugh Since 1923 Oklahoma has been among those states designating a state poet laureate. The honorary position includes no salary or official duties; however, the poet laureate is expected to promote the art form through participation in writers' workshops and groups, readings, and involvement in community and school events. In 1994, the position of poet laureate was codified into state law, O.S. 25-98.4, and became law in 1995. Under this statute, the governor appoints a new state poet laureate at the beginning of each odd number year from lists provided by poetry societies and organizations. Fifteen Oklahomans have received the honor of this designation, nine of them women, including the first poet laureate, Sapulpa's Violet McDougal and the current poet laureate, Dr. Francine Ringold of the University of Tulsa. Oklahoma's Women Poets Laureate 1923 Violet McDougal, Sapulpa 1940 Jenny Harris Oliver, Fallis 1941 Della I. Young, Cheyenne 1942 Anne R. Semple, Durant 1945 Bess Truitt, Enid 1977 Maggie Culver Fry, Claremore 1995 Carol Hamilton, Midwest City 1996 Betty Shipley, Edmond 2003&2005 Francine Ringold, Tulsa Source: www.state.ok.us/-arts/resources/poet-html 278 Notable Women/ Poet Laureates DID YOU KNOW? 1940 and 1945 Oklahoma poets laureate Jenny Harris Oliver and Bess Truitt are the only women poets laureate to have been inducted into the Oklahoma Hall of Fame? (page 116, 134) Officers of the Omega Literary Society at Oklahoma A&M College (now Oklahoma State University) pose for the college newspaper in 1909. Co-educational literary societies fostered a greater appreciation for literature and poetry. -
Contemporary Native American Literature Tuesdays 5:00-7:45PM Bates 203 Prof
Susan Power left to right: Louis Owens, Hershman John, Susan Power, Debbie Reese, Philip Red Eagle, Sherman Alexie, L eAnne Howe, Diane Glancy, Leslie Marmon Silko, N. Scott Momaday, Craig Womack. English 631-501 (crn 31963) Graduate Seminar Spring 2009 Contemporary Native American Literature Tuesdays 5:00-7:45PM Bates 203 Prof. Vanessa Holford Diana E-mail: [email protected] Office: Bates 015 Office Hours: MWF 1:35-2:35 & by appt. Office Phone: 572-5687 Course Description: In this discussion-based and student-centered seminar emphasizing contemporary fiction, as well as poetry, autobiography, drama, and film, we will read texts by a range of Native American authors from diverse tribes and geographical regions in the U.S. We will consider texts in specific cultural contexts, and we will explore pedagogical and theoretical debates about approaches to Native American literature in the classroom and the canon. My goal is to approach the class as a conversation among a community of learners, in which we can try out a variety of approaches to critical reading. To that end, each of you will contribute to facilitating class discussion. The semester will conclude with capstone presentations of your individual research findings. Required Texts (available at campus bookstore): Sherman Alexie (Spokane/Coeur d'Alene) Absolutely True Diary of a Part-Time Indian (09); Flight (07) Diane Glancy (Cherokee) Pushing the Bear (1998) LeAnne Howe (Chocktaw) Miko Kings: An Indian Baseball Story (2007) Hershman John (Navajo) I Swallow Turquoise for Courage (2007) Owens, Louis (Choctaw-Cherokee) Nightland (1996) Susan Power (Sioux) The Grass Dancer (1994) Red Eagle, Philip H. -
Positionality and Normative Geographies in Native American Women’S Writings
Citation: Rehman, F. u., Mustafa, A. u., & Mahjabeen. (2020). Positionality and Normative Geographies in Native American Women’s Writings. Global Regional Review, V(III), 317-323. https://doi.org/10.31703/grr.2020(V-III).33 URL: http://dx.doi.org/10.31703/grr.2020(V-III).33 DOI: 10.31703/grr.2020(V-III).33 Positionality and Normative Geographies in Native American Women’s Writings Fasih ur Rehman * Atta-ul-Mustafa † Mahjabeen ‡ Vol. V, No. III (Summer2020) | Pages: 317‒323 p- ISSN: 2616-955X | e-ISSN: 2663-7030 | ISSN-L: 2616-955X The present study aims to revisit Louise Erdrich’s Tracks, Polingaysi Qoyawayma’s No Turning Back, and Diane Glancy’s The Reason for Crows to understand the portrayal of normative geographies in these works. The study considers Tim Cresswell’s theoretical formulations of normative geography to explore the constitution and Native American women’s positionality within these normative geographic structures. The study maintains that Native American normative Abstract geographies are structured to maintain Native American patriarchal socio-cultural supremacy. The study also asserts that Native American woman is located at the margin of these biased normative geographic structures. Key Words: Marginalization, Native American Fiction, Native American Patriarchy, Native American Woman, Normative Geography Introduction The notion of spatiality constitutes the centre of Native American female fiction writers. Along with the overarching spatiality of Native Americans in general, female fiction writers also talk about issues related to the Native American woman’s location and position in Native American spaces and places. Issues related to the Native American female spatial situatedness, role, and experience received extraordinary attention in the works of Louise Erdrich, Linda Hogan, Polingaysi Qoyawayma, Leslie Marmon Silko, Paula Gunn Allen, Diane Glancy, LeAnne Howe, Marry Brave Bird, Lee Maracle, Heid E Erdrich, etc. -
Representations of Christianity in Contemporary Native American Literature by Women Rachel Luckenbill Duquesne University
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 8-6-2016 Conflict and Reconciliation: Representations of Christianity in Contemporary Native American Literature by Women Rachel Luckenbill Duquesne University Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Luckenbill, R. (2016). Conflict and Reconciliation: Representations of Christianity in Contemporary Native American Literature by Women (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1823 This One-year Embargo is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. CONFLICT AND RECONCILIATION: REPRESENTATIONS OF CHRISTIANITY IN CONTEMPORARY NATIVE AMERICAN LITERATURE BY WOMEN A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Rachel Luckenbill August 2016 Copyright by Rachel Luckenbill 2016 CONFLICT AND RECONCILIATION: REPRESENTATIONS OF CHRISTIANITY IN CONTEMPORARY NATIVE AMERICAN LITERATURE BY WOMEN By Rachel Luckenbill Approved May 2, 2016 ________________________________ ________________________________ Dr. Linda Kinnahan Dr. Kathy Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ Dr. Cari