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UNIVERSITY of CALIFORNIA, IRVINE Soteriology in the Female
UNIVERSITY OF CALIFORNIA, IRVINE Soteriology in the Female-Spirit Noh Plays of Konparu Zenchiku DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSPHY in East Asian Languages and Literatures by Matthew Chudnow Dissertation Committee: Associate Professor Susan Blakeley Klein, Chair Professor Emerita Anne Walthall Professor Michael Fuller 2017 © 2017 Matthew Chudnow DEDICATION To my Grandmother and my friend Kristen オンバサラダルマキリソワカ Windows rattle with contempt, Peeling back a ring of dead roses. Soon it will rain blue landscapes, Leading us to suffocation. The walls structured high in a circle of oiled brick And legs of tin- Stonehenge tumbles. Rozz Williams Electra Descending ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv CURRICULUM VITAE v ABSTRACT OF DISSERTATION vi INTRODUCTION 1 CHAPTER 1: Soteriological Conflict and 14 Defining Female-Spirit Noh Plays CHAPTER 2: Combinatory Religious Systems and 32 Their Influence on Female-Spirit Noh CHAPTER 3: The Kōfukuji-Kasuga Complex- Institutional 61 History, the Daijōin Political Dispute and Its Impact on Zenchiku’s Patronage and Worldview CHAPTER 4: Stasis, Realization, and Ambiguity: The Dynamics 95 of Nyonin Jōbutsu in Yōkihi, Tamakazura, and Nonomiya CONCLUSION 155 BIBLIOGRAPHY 163 iii ACKNOWLEDGEMENTS This dissertation is the culmination of years of research supported by the department of East Asian Languages & Literatures at the University of California, Irvine. It would not have been possible without the support and dedication of a group of tireless individuals. I would like to acknowledge the University of California, Irvine’s School of Humanities support for my research through a Summer Dissertation Fellowship. I would also like to extend a special thanks to Professor Joan Piggot of the University of Southern California for facilitating my enrollment in sessions of her Summer Kanbun Workshop, which provided me with linguistic and research skills towards the completion of my dissertation. -
Parallel Session
Proceedings of Eco-Sophia 2011 Parallel Session -8th International Whitehead Conference- Creativity and Harmony: The Way of Eco-Sophia for the Future of Civilization September 26-29, 2011 The Yotsuya Campus, Sophia University, Tokyo, Japan Table of Contents Parallel Session Papers ABE Yoshihiko (Sophia junior college, Japan) p. 2 Sapientia convivendi in Life of Suso-Narratological Perspective of German Mysticism on the Horizon of Love and Reconciliation ANZAI Masahiro (Sophia University, Japan) p. 9 The reflect of the war-liking of logos-centrism- The way to co-exist and reconcile- Donna BOWMAN (University of Central Arkansas, U.S.A.) p. 16 Needle, Hook, Relational Wisdom: The Prayer Shawl Ministry As Creative Engagement With Fate John T. BRINKMAN (Commission on Ecology and Religion, Japan) p. 18 Harmony, Attribute of the Sacred and Phenomenal CHEN Aihua (Southeast University, China) p. 20 Environmental Moral Philosophical Review on the Logic of "City Charm" FAN Meijun (Center for Process Studies, U.S.A) p. 21 Ecological wisdom in Daoism Alexander HAITOS (Texas A&M University, U.S.A.) p. 33 Foreseeing novelty: Bergson and Whitehead on Possibility and Creation HANAOKA Eiko (Osaka Prefecture University, Japan) p. 52 Eco-sophia in “the Wisdom as prajuna viz. Love as agape” - through the change of paradigms- HAO Dong (China Community Party School, China) p. 58 Low-Carbon Technological Paradigm in Urbanization of China Brian G. HENNING (Gonzaga University, U.S.A.) p. 63 The Ontology of Collective Individuals and the Process Turn HIRATA Ichiro (Kansaigaidai College, Japan) p. 72 Continuity and Atomicity (p. 72-) Final Cause of Whitehead's Process and Reality (p. -
Ebook Download Cultural Traditions in China Pdf Free Download
CULTURAL TRADITIONS IN CHINA PDF, EPUB, EBOOK Lynn Peppas | 32 pages | 01 Mar 2012 | Crabtree Publishing Co,Canada | 9780778775911 | English | New York, Canada China - Language, Culture, Customs and Etiquette The family head was generally the senior male, but if a man died before his sons were grown, his widow would serve as family head until they were of age. The law codes of the imperial period enforced monogamy and provided a variety of punishments for bigamy and for promoting a concubine to the status of wife. Men could divorce their wives on any of seven grounds, which included barrenness, jealousy, and talkativeness, but could do so only if there was a family for her to return to. There were no grounds on which a woman could divorce her husband, but divorce by mutual agreement was possible. Much was written in Han times on the virtues women should cultivate. It also contained cautionary tales about scheming, jealous, and manipulative women who brought destruction to all around them. Another very influential book was written by Ban Zhao, a well-educated woman from a prominent family. Her Admonitions for Women urged girls to master the seven virtues appropriate to women: humility, resignation, subservience, self-abasement, obedience, cleanliness, and industry. By the end of the Han period, the Confucian vocabulary for talking about women, their natures, their weaknesses, and their proper roles and virtues was largely established. The durability of these ways of thinking undoubtedly owes much to continuities in the family system, which from Han times on was patrilineal, patrilocal, and patriarchical, and allowed concubinage. -
Interpretation/Translation/Quotation? Contemporary Architects' Interventions Into Multicultural Australia
QUOTATION: What does history have in store for architecture today? Interpretation/Translation/Quotation? Contemporary Architects’ Interventions into Multicultural Australia David Beynon Deakin University Ian Woodcock RMIT University Abstract Over the last forty years, Australian cultural identity has moved from being framed as loss - the tyranny of distance between an immigrant population and their mainly British origins - to one of surplus: an overabundance of identities of a hybridising/glocalising populace of diverse origins. Australia’s resultant landscapes comprise increasingly complex overlays of cultures and practices, particularly in the larger cities, where a diverse range of communities have created buildings and built environments. Even if facilitated in a pragmatic sense by architects, draftspeople and constructors, Australia’s growing number of ethnically-specific buildings continues to exist largely detached from the nation’s architectural profession, rarely being evident within its publications or awards systems. Within this context, the paper discusses two of the few instances where architects of note have designed works specific to multicultural Melbourne: Gregory Burgess’ Victoria Street Gateway in Richmond Victoria and Hassell’s Afghan Bazaar Cultural Precinct in Dandenong Victoria. In considering these projects, we focus on three of the many questions these projects raise about Melbourne’s (and more broadly Australia’s) architectural identity and the boundaries they blur between architectural and extra-architectural -
Records of the Transmission of the Lamp (Jingde Chuadeng
The Hokun Trust is pleased to support the fifth volume of a complete translation of this classic of Chan (Zen) Buddhism by Randolph S. Whitfield. The Records of the Transmission of the Lamp is a religious classic of the first importance for the practice and study of Zen which it is hoped will appeal both to students of Buddhism and to a wider public interested in religion as a whole. Contents Foreword by Albert Welter Preface Acknowledgements Introduction Appendix to the Introduction Abbreviations Book Eighteen Book Nineteen Book Twenty Book Twenty-one Finding List Bibliography Index Foreword The translation of the Jingde chuandeng lu (Jingde era Record of the Transmission of the Lamp) is a major accomplishment. Many have reveled in the wonders of this text. It has inspired countless numbers of East Asians, especially in China, Japan and Korea, where Chan inspired traditions – Chan, Zen, and Son – have taken root and flourished for many centuries. Indeed, the influence has been so profound and pervasive it is hard to imagine Japanese and Korean cultures without it. In the twentieth century, Western audiences also became enthralled with stories of illustrious Zen masters, many of which are rooted in the Jingde chuandeng lu. I remember meeting Alan Ginsburg, intrepid Beat poet and inveterate Buddhist aspirant, in Shanghai in 1985. He had been invited as part of a literary cultural exchange between China and the U. S., to perform a series of lectures for students at Fudan University, where I was a visiting student. Eager to meet people who he could discuss Chinese Buddhism with, I found myself ushered into his company to converse on the subject. -
Jewels of the Orient $ Per Person 1999 Twin Share Typically $3599
17 DAY FLY, TOUR & CRUISE JEWELS OF THE ORIENT $ PER PERSON 1999 TWIN SHARE TYPICALLY $3599 BEIJING • SHANGHAI • TOKYO • OSAKA • KOBE THE OFFER 17 DAY: INTERIOR STATEROOM Beijing, Shanghai, Tokyo, Osaka and beyond… the glittering jewels of China and Japan are yours to discover on this inspiring 17 day package featuring the game- $1999 changing Quantum of the Seas, or the brand new Spectrum of the Seas ship. Begin your cultural odyssey with visits to Tiananmen Square and the Forbidden 17 DAY: OCEAN VIEW STATEROOM City, walk along the mighty Great Wall of China, see giant pandas at Beijing Zoo, view the mesmerising Shanghai skyline, and more. Then, set sail for a relaxing seven night cruise aboard Royal Caribbean’s dazzling new Spectrum of $2199 the Seas or the 5-star Quantum of the Seas. Sail through the magical Japanese archipelago to Osaka, Kobe and Tokyo, enjoying free time to enjoy the highlights of these diverse cities at leisure. This incredible-value package includes return 17 DAY: BALCONY STATEROOM flights, eight nights 4-star hotel accommodation, a seven-night Royal Caribbean cruise, a one-way high speed rail journey and so much more! $2399 Want to see more? Upgrade to the 19 day package with Terracotta Warriors pre- tour extension. 19 DAY: INTERIOR STATEROOM $2499 19 DAY: OCEAN VIEW STATEROOM $2699 19 DAY: BALCONY STATEROOM $2899 *Please note: all information provided in this brochure is subject to both change and availability. Prior to purchase please check the current live deal at tripadeal.com.au or contact our customer service team on 135 777 for the most up-to-date information. -
Aspects of Ancient Indian Art and Architecture
ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE M.A. History Semester - I MAHIS - 101 SHRI VENKATESHWARA UNIVERSITY UTTAR PRADESH-244236 BOARD OF STUDIES Prof (Dr.) P.K.Bharti Vice Chancellor Dr. Rajesh Singh Director Directorate of Distance Education SUBJECT EXPERT Dr. S.K.Bhogal, Professor Dr. Yogeshwar Prasad Sharma, Professor Dr. Uma Mishra, Asst. Professor COURSE CO-ORDINATOR Mr. Shakeel Kausar Dy. Registrar Author: Dr. Vedbrat Tiwari, Assistant Professor, Department of History, College of Vocational Studies, University of Delhi Copyright © Author, 2019 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 -
The Process of Making 3D-Vector Scenograph of Ancient Building with Large Quantities of Data
Yixuan, Zhu THE PROCESS OF MAKING 3D-VECTOR SCENOGRAPH OF ANCIENT BUILDING WITH LARGE QUANTITIES OF DATA Yixuan ZHU*, Zhiyong CHEN** Wuhan Technical University of Surveying and Mapping Department of Information Engineering [email protected] Wuhan, China KEY WORDS: Block, Layer, Orthograph, Scenograph. ABSTRACT This paper offers an introduction of the making process of 3D-vector scenograph of an ancient building with large quantities of data with the aid of AutoCAD, which display the effect of scenery drawings. The vital skills and technique involved are illustrated through the example of Pagoda of Thousands of Buddha in Chi Lin Nunnery in HongKong. Which was started in the year of 1996 and finished in 1999 with the concrete structure internal and wood external, imitating the style of buildings in Tang Dynasty. Thus, 3D-vector scenograph become available to users. 1 INTRODUCTION Ancient buildings, as the essence of ancient Chinese culture, characterized by its complex and antique shape, delicate structure, compact combination and graceful sculpture, is welcomed globally. Some ancient buildings made of wood endure long because of its solid structure. For example, the existent Nanchan Temple and Foguang Temple on Wutai Mountain in Shanxi Province of China can be traced back to Tang Dynasty. Nowadays, the building techniques have been constantly renovated due to the integration of both old and new ones. Before the birth of computer, the available drawings and internal structure drawings were all made by hand. The scenery effect of the building perceived by human eyes was demonstrated in the drawings made by building artist. The popularity of the technology of CAD provides sufficient hardware and software environment for the making of 3D scenery effect drawings of shape and internal structure drawings. -
Indian Culture (Semester System) B
SAURASHTRA UNIVERSITY NEW REVISED SYLLABUS INDIAN CULTURE (SEMESTER SYSTEM) B. A. Semester 1 TO 6 Under Graduate PAPER NO. 1 TO 22 Code: JUNE-2016 Page 1 of 111 Saurashtra University, Rajkot Arts Faculty Subject: INDIAN CULTURE SEMESTER: I to VI Sr. LEVEL Semes Course Course(Paper) Title Pap Credit Internal External Pract Total Course (Paper) No UG/PG/M.Phil ter Group er Mark Mark ical/ Marks Unique Code . etc. Core/El No. Viva e1 Mark /Ele2 s (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) 1 Under Graduate 1 Core Cultural History of India – 1 3 30 70 - 1 Ancient period. ૦૦ 1601280101010100 2 Under Graduate 1 ELE::I Cultural History of India - 1 3 30 70 - 1 Ancient period. ૦૦ 1601280201010100 3 Under Graduate 1 ELE::II Cultural History of India - 1 3 30 70 - 1 Ancient period. ૦૦ 1601280301010100 4 Under Graduate 1 Core Cultural History of Gujarat - 2 3 30 70 - 1૦૦ Ancient period 1601280101010200 5 Under Graduate 1 ELE::I Cultural History of Gujarat - 2 3 30 70 - 1૦૦ Ancient period 1601280201010200 6 Under Graduate 1 ELE::II Cultural History of Gujarat - 2 3 30 70 - 1૦૦ Ancient period 1601280301010200 7 Under Graduate 2 Core Cultural History of India - 3 3 30 70 - 1 Ancient period. ૦૦ 1601280101020300 8 Under Graduate 2 ELE::I Cultural History of India - 3 3 30 70 - 1 Ancient period. ૦૦ 1601280201020300 Page 2 of 111 (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) 9 Under Graduate 2 ELE::II Cultural History of India - 3 3 30 70 - 1 Ancient period. -
Palatial Symbolism in the Buddhist Architecture of Early Medieval China
Front. Hist. China 2015, 10(2): 222–263 DOI 10.3868/s020-004-015-0014-1 RESEARCH ARTICLE Tracy Miller Of Palaces and Pagodas: Palatial Symbolism in the Buddhist Architecture of Early Medieval China Abstract This paper is an inquiry into possible motivations for representing timber-frame architecture in the Buddhist context. By comparing the architectural language of early Buddhist narrative panels and cave temples rendered in stone, I suggest that architectural representation was employed in both masonry and timber to create symbolically charged worship spaces. The replication and multiplication of palace forms on cave walls, in “pagodas” (futu 浮圖, fotu 佛圖, or ta 塔), and as the crowning element of free-standing pillars reflect a common desire to express and harness divine power, a desire that resulted in a wide variety of mountainous monuments in China. Finally, I provide evidence to suggest that the towering Buddhist monuments of early medieval China are linked morphologically and symbolically to the towering temples of South Asia through the use of both palace forms and sacred ma alas as a means to express the divine power and expansive presence of the Buddha. Keywords Pagoda, ta, mandala, Sumeru, Yicihui pillar, Yongningsi, Songyuesi From South to East Asia, from narrative relief panels to surface decoration both in caves and freestanding worship spaces, Buddhist sites are replete with depictions of timber buildings. Narrative reliefs not only allow us to read the story of the life of the Buddha, they also provide a window into the visual language of the region in which the panels were produced. -
A FEW NOTES on a FLYING Vlsit to JAPAN
A FEW NOTES ON A FLYING VlSIT TO JAPAN. PAPER IV,-THE TORI! OF JAPAN AND THE TORANS OF INDIA. ( Read.'on 31st January 1923.) 'The'Torii play an important part in the architecture of the Houses of Worship of Japan, where Introduction. they are generally seen in the shrines of the Shinto religion. On my way back -from Lucknow, where I had gone to preside at the Anthro J)ological section of the 10th Indian Science Congress, which had met there from the 8th to the 13th January, I got down for about 12 hours at Sanchi in the State of Her Highness the Begum of Bhopal, to visit the well-known Buddhist Sancbi Topes. The visit was made very interesting by the excellent guide book prepared for the Buddhist monuments there, by Sir John Mar 'Shall, whose great and good work in the field of Indian Archreo .Jogy will be long remembered. We students of Anthropology. who have to do something with archreology', not only pre historic archreology, but later archreology, have to express our gratitude to him for all that he has done by his excavations and explorations. My visits to two places, with which his name will be more than ordinarily associated, viz., Taxala and Sanchi, bavEi -impressed me much with the good work of this great .:archreological scholar of modern India. I visited Sanchi on the 12th of January 1923, and, among all things that I saw there, _it were the beautiful stone torans which drew my spbcial attention. There were three following reasons for this: (1) The;y reminded me of the Torii of the Japanese and the pilou4 the Chinese, the forms of both of '-which we:re'fresh in my mind, having visited their countries <in the spring of the last year. -
Experimental Investigation on the Lateral Structural Performance of A
Engineering Structures 167 (2018) 582–591 Contents lists available at ScienceDirect Engineering Structures journal homepage: www.elsevier.com/locate/engstruct Experimental investigation on the lateral structural performance of a T traditional Chinese pre-Ming dynasty timber structure based on half-scale pseudo-static tests ⁎ Xianjie Menga, Qingshan Yangb,c, Jianwei Weia, Tieying Lia, a School of Architecture and Civil Engineering, Taiyuan University of Technology, Taiyuan 030024, China b School of Civil Engineering, Chongqing University, Chongqing, China c Beijing’s Key Laboratory of Structural Wind Engineering and Urban Wind Environment, Beijing, China ARTICLE INFO ABSTRACT Keywords: Existing ancient Chinese timber buildings are frequently subjected to seismic or strong wind loads throughout Ancient timber building their lifetime, hence their lateral structural performance can undergo significant changes. It is essential to Lateral structural performance employ tests in the laboratory to study these variations to protect these existing timber buildings. In this paper, a Energy dissipation single-layer model of a timber building with a geometrical ratio of 1:2 was fabricated according to the pre-Ming Lateral stiffness dynasty construction method. Six pseudo-static tests were conducted under three levels of vertical loads. The Restoring force model timber structure displayed visible rocking characteristics during the tests, and the column feet and mortise-tenon joints were the weak links in the structure. The features of hysteresis curves, envelope curves, strength reduction, energy dissipation, and lateral stiffness of the timber structure were obtained, and their variations associated with loading courses were discussed. Moreover, a simplified restoring force model was built for this type of timber structure.