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Bassic Fundamentals Course Take The Next Step On Your Bass Journey A Massive 10 Hours Of Lessons Covering Every Area Of Playing “Every bass player starts with the same goal - a solid foundation Building a strong, all-round set of bass skills can be hard work, especially when there are holes in that foundation. To avoid any pit falls you need a structured study program with a clear, simple road map covering every aspect of playing. That can be hard to find! To remedy this problem, I created Bassic Fundamentals, a huge course covering the basics of every essential area from technique to bass line creation to music theory, sight reading, bass setup, effects and much, much more. It really is a one size fits all course. Bassic Fundamentals will provide you with the skills necessary to easily progress and develop your bass playing in any area or style you desire – always building on a strong core and foundation” Mark J Smith (Creator of Talkingbass) “I took the Basic Fundamentals course shortly after picking up the instrument. Nine months after picking up the instrument and 6 months after starting the course, I went to an audition.” Mark Mahoney – USA “I play in church most weeks and wouldn’t have got anywhere near the level I’m at without these lessons.” Rob P. – Australia “After about six months of getting nowhere, I bought the Bassic Fundamentals course. My playing has been turbo charged.” Matthew Ogilvie – Western Canada “Bassic Fundamentals gave me a good starting point for practising different techniques.” Alexander Fuchs – Germany Bassic Fundamentals Course Breakdown Module 1: The Core Foundation Lesson 1-1 Course Introduction In this lesson we look at the course ahead and the kind of topics we’ll be covering Lesson 1-2 Practice Tips & Warmups Here we look at how to create a simple practice routine and work through some basic warmup exercises both on and away from the instrument Lesson 1-3 Tuning In this lesson we look at several different ways of tuning the bass: Tuning to an open string; Tuning with harmonics; Using an electronic tuner. -
Overture Digital Piano
Important Safety Instructions 1. Do not use near water. 2. Clean only with dry cloth. 3. Do not block any ventilation openings. 4. Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produce heat. 5. Do not remove the polarized or grounding-type plug. 6. Protect the power cord from being walked on or pinched. 7. Only use the included attachments/accessories. 8. Unplug this apparatus during lightning storms or when unused for a long period of time. 9. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when the power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC Statements FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. -
Sampletank 4 MAX - NEW Sounds - Master Instruments
SampleTank 4 MAX - NEW sounds - master instruments Acoustic Piano Size (MB) C7 Close Mics 12,000 C7 Coincident Mics 12,000 C7 Binaural Mics 12,000 Electric Piano Size (MB) Stage Electric Piano (Rhodes MKI) 717 Wurly Suitcase (Wurlitzer 200a) 451 Electric Bass Size (MB) Stick Bass 1 636 Stick Bass 2 61 Stick Melody 375 P-Bass 5-String 1,740 Finger Pick Slap 4001 Sunburst Bass 2,100 Finger Pick Bass Harmonics 100 Finger Pick Brass Size (MB) Euphonium 1,300 Crescendo (Slow, Fast) Doits (Slow, Fast) Espressivo Falls (Slow, Fast) Marcato Sforzando (Slow, Fast) Staccato Sustain 1 SampleTank 4 MAX - NEW sounds - master instruments Trombone 2,900 Crescendo (Slow, Fast) Doits (Slow, Fast) Espressivo Falls (Slow, Fast) Growl Marcato Rips Scoop Sforzando (Slow, Fast) Staccato Sustain Trumpet 2,800 Crescendo (Slow, Fast) Doits (Slow, Fast) Espressivo Falls (Slow, Fast) Growl Marcato Rips Scoop Sforzando (Slow, Fast) Staccato Sustain French Horn 1,500 Crescendo (Slow, Fast) Doits (Slow, Fast) Espressivo Falls (Slow, Fast) Marcato Sforzando (Slow, Fast) Staccato Sustain Flugel Horn 1,100 Crescendo (Slow, Fast) Doits (Slow, Fast) 2 SampleTank 4 MAX - NEW sounds - master instruments Espressivo Falls (Slow, Fast) Marcato Sforzando (Slow, Fast) Staccato Sustain Tuba 1,500 Crescendo (Slow, Fast) Doits (Slow, Fast) Espressivo Falls (Slow, Fast) Marcato Sforzando (Slow, Fast) Staccato Sustain Chromatic Size (MB) Clavinet 547 Clavinet BT-DA Clavinet S-DA Marimba 292 Vibraphone 625 Studio Xylophone 139 Brass Xylophone 127 Glockenspiel 118 Bells 200 Acoustic -
Nord Stage 2 EX English User Manual V2.X Edition B.Pdf
User Manual Nord Stage 2 EX 88 Nord Stage 2 EX HP76 Nord Stage 2 EX Compact OS Version 2.x Part No. 50444 Copyright Clavia DMI AB Print Edition: B The lightning flash with the arrowhead symbol within CAUTION - ATTENTION an equilateral triangle is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated voltage within the products en- DO NOT OPEN closure that may be of sufficient magnitude to constitute RISQUE DE SHOCK ELECTRIQUE a risk of electric shock to persons. NE PAS OUVRIR Le symbole éclair avec le point de flèche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK suffisante pour constituer un risque d`éléctrocution. DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE literature accompanying the product. PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER. Le point d´exclamation à l´intérieur d´un triangle équilatéral est CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE. employé pour alerter l´utilisateur de la présence d´instructions AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION, importantes pour le fonctionnement et l´entretien (service) dans le N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET. -
Unmatched: Buffy the Vampire Slayer Rulebook
RULES THE UNMATCHED SYSTEM Unmatched is a miniatures dueling game featuring fighters of all kinds — from the page to the screen to the stuff of legends. Each hero has a unique deck of cards that fits their fighting style. You can mix and match fighters from 03 any Unmatched set. But remember, in the end, there can only be one winner. All of your characters in the battle are HEROES& called your fighters, but your primary CONTENTS fighter is called your hero. Heroes are represented by miniatures that move SIDEKICKS around on the battlefield. 3 BUFFY Your other fighters are called sidekicks. All of the heroes RAPID RECOVERY in this set have a single sidekick. (Some heroes in other sets 3 AFTER COMBAT: ACTION CARDS ACTION 1 health. Buffy recovers have multiple sidekicks, and still other heroes have no sidekick HERO MINIATURES HEALTH DIALS HEALTH BUFFY 25 | x3 4 1 8 at all.) Sidekicks are represented by tokens that move around on the battlefield. HERO BUFFY MELEE ATTACK Each hero has a special ability noted on their character card. START 14 HEALTH Buffy may move through spaces containing opposing This card also lists your fighters’ stats, including the starting fighters (including when 3 she is moved by effects). health of your hero and their sidekick. Fighters’ health is SPECIAL ABILITY ™ & © 20th Century Fox BATTLEFIELDS MOVE 2 SIDEKICK GILES OR XANDER tracked on separate health dials. Fighters cannot gain health CHARACTER CARDS CHARACTER MELEE SIDEKICK TOKENS ATTACK START 6 HEALTH DOUBLE-SIDED BOARD DOUBLE-SIDED 4 4 1 WITH higher than the highest number on their health dial. -
Instruments Included in Sampletank 4
Instruments included in SampleTank 4 6,000 instruments. Including: Over 100 GB of samples. 70 GB of all-new SampleTank 4 samples. SampleTank 33Instruments GB of legacy SampleTank 3 samples (the full SampleTank 3 legacy product). All versions of SampleTank 4 include the full SampleTank 4 engine ACOUSTIC PIANOS (123) ACOUSTICSampleTank PIANOS 4 New Instruments (20) 123 BASSBad Stories 224 BRASSC7 Grand Cinematic 1 247 CHROMATICC7 Grand Close Mic - Natural 92 ACOUSTICC7 Grand DRUMS Close Mic - Natural SE 303 ELECTRONICC7 Grand DRUMS Close Mic Sharp 282 C7 Grand Delicate ELECTRIC PIANOS 204 C7 Grand Digi Piano Shine ETHNIC 206 C7 Grand Digi Piano ACOUSTIC GUITARS 101 C7 Grand House Piano ELECTRIC GUITARS 331 C7 Grand Pop Piano 1 LOOPS 423 C7 Grand Pop Piano 2 ORGANSC7 Grand Rock Piano 233 PERCUSSIONC7 Grand Tremolo Piano 77 SOUNDDelay FX Grand Delicate 16 STRINGSLFO Piano 375 SYNTHLoft BASIC Piano 106 Modern Piano SYNTH BASIC VARIATIONS 246 Ode to Robert SYNTH ARPEGGIO 34 Radio Piano SYNTH BASS 482 Very Old Friend SYNTH FX 63 SampleTank 3 Instruments (65) SYNTH LEAD 385 Grand Piano 1 SYNTH PAD 420 Grand Piano 1 Classical SYNTH PLUCK 29 Grand Piano 1 Mono Pop SYNTH SWEEP 16 VOICES 240 WOODWINDS 1 189 1 Instruments included in SampleTank 4 SampleTank Instruments ACOUSTIC PIANOS (123) SampleTank 4 New Instruments (20) Bad Stories C7 Grand Cinematic 1 C7 Grand Close Mic - Natural C7 Grand Close Mic - Natural SE C7 Grand Close Mic Sharp C7 Grand Delicate C7 Grand Digi Piano Shine C7 Grand Digi Piano C7 Grand House Piano C7 Grand Pop Piano 1 C7 -
In the Shadow of Billy the Kid: Susan Mcsween and the Lincoln County War Author(S): Kathleen P
In the Shadow of Billy the Kid: Susan McSween and the Lincoln County War Author(s): Kathleen P. Chamberlain Source: Montana: The Magazine of Western History, Vol. 55, No. 4 (Winter, 2005), pp. 36-53 Published by: Montana Historical Society Stable URL: http://www.jstor.org/stable/4520742 . Accessed: 31/01/2014 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Montana Historical Society is collaborating with JSTOR to digitize, preserve and extend access to Montana: The Magazine of Western History. http://www.jstor.org This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions In the Shadowof Billy the Kid SUSAN MCSWEEN AND THE LINCOLN COUNTY WAR by Kathleen P. Chamberlain S C.4 C-5 I t Ia;i - /.0 I _Lf Susan McSween survivedthe shootouts of the Lincoln CountyWar and createda fortunein its aftermath.Through her story,we can examinethe strugglefor economic control that gripped Gilded Age New Mexico and discoverhow women were forced to alter their behavior,make decisions, and measuresuccess againstthe cold realitiesof the period. This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions ,a- -P N1878 southeastern New Mexico declared war on itself. -
Quantum Leap Stormdrum 3 Manual
Quantum Leap Stormdrum 3 Virtual Instrument Users’ Manual QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2013. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com ii QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT 1. Welcome 2 About EastWest and Quantum Leap 3 Producer: Nick Phoenix 4 Percussionist: Mickey Hart 5 Credits 6 How to Use This and the Other Manuals 7 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT Welcome About EastWest and Quantum Leap Founder and producer Doug Rogers has over 35 years experience in the audio industry and is the recipient of many recording industry awards including “Recording Engineer of the Year.” In 2005, “The Art of Digital Music” named him one of “56 Visionary Artists & Insiders” in the book of the same name. -
Founded 1860 Lutheran Church Missouri Synod Worship in The
Founded 1860 Lutheran Church Missouri Synod Worship in the Sanctuary Sunday May 23rd Pastor Rev. Mark Moldenhauer (979) 551-2293 PastorMark @Bethlehem WmPenn.org Secretary Mrs. Amy Schroeder (979) 836-7303 Office @Bethlehem WmPenn.org Organist Ann Sommer AV Tech Ian Schroeder The Day of Pentecost May 23, 2021 Divine Service: Setting One with Communion Pre-Service Music Ringing of the Church Bell At Bethlehem Lutheran Church we teach and confess that Holy Communion consists of four different visible elements: the bread, the wine, the body, and the blood. When the Word of God is added to the bread and wine it is the body and blood of Jesus Christ, 1 Cor. 11: 23-26. There are many different beliefs concerning Holy Communion so on the basis of 1 Cor. 11: 27-29 we request that you speak with the Pastor or one of the Elders before receiving Holy Communion. PROCESSIONAL HYMN We Praise You and Acknowledge You, O God LSB 941 Text: © 1999 Stephen P. Starke, admin. Concordia Publishing House. Used by permission: LSB Hymn License no. 110005013 Tune: Public domain CONFESSION AND ABSOLUTION LSB 151 P In the name of the Father and of the T Son and of the Holy Spirit. C Amen. P If we say we have no sin, we deceive ourselves, and the truth is not in us. C But if we confess our sins, God, who is faithful and just, will forgive our sins and cleanse us from all unrighteousness. P Let us then confess our sins to God our Father. C Most merciful God, we confess that we are by nature sinful and unclean. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Model 6100 Assembly Instructions My First Piano Tutor
Model 6100 Assembly Instructions My First Piano Tutor Schoenhut® Piano Company, 6480B US1 North, Saint Augustine, FL USA Phone 904-810-1945 Fax 904-823-9213 Email [email protected] Website www.toypiano.com “Manufacturer of Toy Pianos since 1872” Schoenhut® Piano Company Page 1 all rights reserved © 2011 Printed in China WARNING! This product must be assembled by an adult prior to play. Unassembled parts may have sharp edges which could cause injury. The piano and bench are designed for use by a child. Inspect the hardware periodically for tightness and integrity, tightening or replacing any loose parts. Parts Piano body Bench seat Piano Crosspiece leg support 7” Bench Legs (two) Piano Legs (two) 6.25” Bench Legs (two) Music Stand Long Screws (ten) Song book and color strip Short Screws (four) Learning System book Barrel Nuts (fourteen) Microphone (one) Pedal (one) Power Adapter (one) Assembly Alert: Hardware is located inside the Styrofoam packing material Step1: Insert barrel nuts into the top portion of the (2) sets of piano legs. Use (2) long screws to attach the piano leg to the piano body. Repeat this for other side. Step 2: Insert (4) barrel nuts into the crosspiece. Use (4) long screws to attach the piece onto the piano legs. Step 3: To put the bench together, you will insert barrel nuts into the holes of each bench leg. Place (1) 7 inch bench leg and (1) 6.25 inch bench leg together so that they make “V” shape. Attach these together using (2) long screws. Do the same for the remaining (2) bench legs. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.