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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
Teaching Folk Dance. Successful Steps. INSTITUTION High/Scope Educational Research Foundation, Ypsilanti, MI
DOCUMENT RESUME ED 429 050 SP 038 379 AUTHOR Weikart, Phyllis S. TITLE Teaching Folk Dance. Successful Steps. INSTITUTION High/Scope Educational Research Foundation, Ypsilanti, MI. ISBN ISBN-1-57379-008-7 PUB DATE 1997-00-00 NOTE 674p.; Accompanying recorded music not available from EDRS. AVAILABLE FROM High/Scope Press, High/Scope Educational Research Foundation, 600 North River Street, Ypsilanti, MI 48198-2898; Tel: 313-485-2000; Fax: 313-485-0704. PUB TYPE Books (010)-- Guides - Non-Classroom (055) EDRS PRICE EDRS Price MF04 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Aesthetic Education; Cultural Activities; Cultural Education; *Dance Education; Elementary Secondary Education; *Folk Culture; Music Education IDENTIFIERS *Folk Dance ABSTRACT This book is intended for all folk dancers and teachers of folk dance who wish to have a library of beginning and intermediatefolk dance. Rhythmic box notations And teaching suggestionsaccompany all of the beginning and intermediate folk dances in the book. Many choreographieshave been added to give beginning dancers more experience with basicdance movements. Along with each dance title is the pronunciation and translation of the dance title, the country of origin, and the "Rhythmically Moving"or "Changing Directions" recording on which the selectioncan be found. The dance descriptions in this book provide a quick recall of dances and suggested teaching strategies for those who wish to expand their repertoire of dances. The eight chapters include: (1) "Beginning and Intermediate Folk Dance: An Educational Experience"; (2) "Introducing Folk Dance to Beginners"; (3) "Introducing Even and Uneven Folk Dance Steps";(4) "Intermediate Folk Dance Steps"; (5) "Folk Dance--The Delivery System"; (6) "Folk Dance Descriptions"; (7) "Beginning Folk Dances"; and (8)"Intermediate Folk Dances." Six appendixes conclude the volume. -
Philadelphia Ceili Group Seanachie ~January 2010
Philadelphia Ceili Group Seanachie ~March 2016 Upcoming Concert Events and dramatic chapters in the history of Ireland. Sponsored By the Philadelphia Ceili The journey begins with pre-Christian myth, and Group continues through the Golden Age of Irish Civilization to the coming of the Vikings, the Normans, and the English. Relive the Flight of ************ the Earls, the events of 1798, the time of the 4th Friday Ceili Fenians, The Famine, the trauma of exile, and the Friday, February 26th at 8:00 pm Easter Rising of 1916 as described by W.B. Yeats and epitomized by Cúchulainn, the hero of the The Philadelphia Ceili Group 4th Friday Ceili tribe. Mor. Recorded Music provided by John Shields - Hosted by John Shields and Cass Tinney Check out this short film about the Bring a dessert or dish to share, 50/50 raffle, project: https://vimeo.com/147461433 prizes. Admission: $10 The Commodore Barry Club, “The Irish Center”, ****************** 6815 Emlen St., Philadelphia, PA 19119 Runa in Concert Sunday, March 6th, 2016, 7.00pm ****************** The Crooked Road – A Ramble Through Irish History in Words & Music with DIARMUID JOHNSON, poet, musician and Gaelic scholar February 27, 2016 at the Irish Center, 8:00pm Tickets: $20.00 (Family price $50.00; 12-18 Tickets $20.00 Children Free years old are $5.00; Kids 12 and under FREE) THE CROOKED ROAD is a musical and poetic Quickly gaining recognition as one of Irish journey through Irish history leading up to the music’s new “super-groups”, RUNA has been Easter Rebellion of 1916. Lyrics from the earliest enchanting audiences by pushing the boundaries times are woven into the show, along with music of Irish folk music, since their formation in 2008. -
Published by the Folkdance Federation of California, South Volume 52, No
Published by the Folkdance Federation of California, South Volume 52, No. 4 May 2016 Folk Dance Scene Committee Coordinator Jay Michtom [email protected] (818) 368-1957 Calendar Gerri Alexander [email protected] (818) 363-3761 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor Jan Rayman [email protected] (818) 790-8523 Carl Pilsecker [email protected] (562) 865-0873 Design and Layout Editors Pat Cross, Don Krotser [email protected] (323) 255-3809 Business Managers Gerda Ben-Zeev [email protected] (310) 399-2321 Nancy Bott Circulation Sandy Helperin [email protected] (310) 391-7382 Subscriptions Gerda Ben-Zeev [email protected] (310) 399 2321 Advertising Steve Himel [email protected] Printing Coordinator Irwin Barr (310) 202-6166 Marketing Bob, Gerri Alexander [email protected] (818) 363-3761 Gerda Ben-Zeev Jill and Jay Michtom 19 Village Park Way Sandy Helperin 10824 Crebs Ave. Santa Monica, CA 90405 4362 Coolidge Ave. Northridge, CA 91326 Los Angeles, CA 90066 Folk Dance Scene Copyright 2016 by the Folk Dance Federation of California, South, Inc., of which this is the official publication. All rights reserved. Folk Dance Scene is published ten times per year on a monthly basis except for combined issues in June/July and December/January. First class postage is paid in Los Angeles, CA, ISSN 0430-8751. Folk Dance Scene is published to educate its readers concerning the folk dance, music, costumes, lore and culture of the peoples of the world. -
An Investigation Into the Feasibility and Benefit of Irish Set Dancing for People with Parkinson’S Disease
An Investigation into the Feasibility and Benefit of Irish Set Dancing for People with Parkinson’s Disease Joanne Shanahan BSc. MISCP A thesis submitted to the University of Limerick in fulfilment of the requirements for the award Doctor of Philosophy in Clinical Therapies University of Limerick Supervised by: Dr. Amanda M. Clifford Dr. Orfhlaith Ni Bhriain, Prof. Meg E. Morris Submitted to the University of Limerick, November 2016 i i Abstract Title: An investigation into the feasibility and benefit of Irish set dancing for people with Parkinson’s disease Author: Joanne Shanahan Irish set dancing may be beneficial for people with Parkinson’s disease and encourage habitual exercise participation through the integration of dynamic balance activities, socialisation and musical enrichment. Currently, only one published study, which was carried out in a sample of Venetians with Parkinson’s disease, has investigated the feasibility of set dancing. Set dancing has a rich cultural heritage in Ireland and is a popular social and cultural activity in Ireland. Thus, research exploring the role of set dancing as an exercise activity in an Irish population is warranted. The aim of the project presented in this thesis was to investigate the feasibility and benefit of Irish set dancing for people with Parkinson’s disease in Ireland. The findings of a systematic review and single-group feasibility study informed the methods of a multi-centered pilot randomised controlled trial (RCT). Ninety participants were randomised (n=45 per group) into a set dancing group and usual care control group. No adverse effects were reported. Attrition during the study was >40% in both groups and adherence to the intervention was 93.5%. -
Our Thanks to Dennis Boxell for These Photos from His 1964 Research in Bulgaria (See Article on Page 7)
T)< THE MAGAZINE OF INTERNATIONAL FOLK DANCING **> July/August EOO5 Our thanks to Dennis Boxell for these photos from his 1964 research in Bulgaria (See article on page 7) Dancing in Ihtiman Belogradchik dance OFFICIAL PUBLICATION OF THG FOLK DANCG FGD6RATION OF CALIFORNIA, INC. Volume 62, No. 6 July/August 2OO5 Editor: Gary Anderson TABLE OF CONTENTS AND CONTRIBUTORS [email protected] PO Box 548, Woodacre, CA, 94973 An Interview With Frank Bacher, Laila Messer, page 14 415-488-9197—9:00 am to A Shakespearean Dance, page 15 3:00pm weekdays Beginner Dance Listings Needed, page 15 Council Clips: Contributions from clubs Address change and membership: Calendar of Events, Dance List, pages 4-6 Sidney Messer, [email protected] Changs Family Night a Success!, Laila Messer, page 11 Calendar: Gary Anderson, editor Council and Club Clips, Barbara Malakoff, Naomi Lidicker, page 20 Proofreader: Irene Croft Cruise Tour—Up the Mekong, Mel Mann, page 24 Federation Website: www.folkdance.com Dance Descriptions: Joyce Lissant Uggla, The Breakdown, page 25 Federation Officers, North Koga Me Mama Rodila, page 23 President: B.C. "Vick" Vickland Vice President: Marion Earl Dancing For Sanity, Sylvia Stachura, page 16 Treasurer: Louise Lidicker Errata, page 3 Recording Secretary: Ann Brown How I Annoyed Bulgarian Communists and Found Folklore, Editor: Gary Anderson Dennis Boxell, page 7 Membership: Sidney Messer In Memoriam—Louis Haynick, page 20 Public Relations: Donna Frankel Letter, Jean Rosen, page 27 Historian: Vacant Insurance: Elsa Bacher Letters, Al Lisin, Robert Roelofsen, page 3 Publications: Joel Bruxvoort Little Festival of the Redwoods, page 13 Website: www.folkdance.com Looking Back—July, 1955, page 12 Looking Back—Who is this?, page 15 Federation Officers, South New Home for Fresno International Dancers, Marty Torbit, page 22 President: Karen Wilson-Bell President's Message, E.G. -
In Mckinney August 14
Céilí Vol. 29, No. 4 A Publication of the Southwest Celtic Music Association July-August 2010 Mick Moloney and The Green Fields of America: in McKinney August 14 he SCMA is proud to present to you what promises to be having inspired, trained and toured the best musicians in the United one of the most dynamic and exciting concerts we’ve yet States. For more than thirty years this renowned musician and Tproduced. On Saturday, August 14, 2010, Mick Moloney folklorist has led a stalwart group of Irish-American instrumen- and The Green Fields of America will take the stage at the talists, singers and dancers in concerts from coast-to-coast. McKinney Performing Arts Center and make it their own. If you have even a slight interest in Irish and folk music, you’ve heard Mick Moloney’s work. He is the dean of Irish-American music, Continued on page 2 Céilí July - August 2010 1 " Cover Story been privileged to use. If you’ve not been to a show here I urge Continued from page 1 you to make this one your first. You will not be disappointed by either the venue or the presentation. All seats in the house are very good, but be advised they are the original wooden seats from Though born in Ireland Moloney concentrates his efforts its days as an actual courtroom, so feel free to bring a seat cush- and interest on the Irish in America, and is an expert on the pe- ion! MPAC also provides cushions for a $1 donation that goes to riod during which the Irish were first attempting to integrate into the maintenance and preservation of the space. -
Scene June-July 11.Book
FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S. POSTAGE Santa Monica, CA 90405 PAID Los Angeles, CA Permit No. 573 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ E-MAIL _________________________________________ PHONE (_____)_____–________ ADDRESS _________________________________________ STATE __________________ CITY _______________________________________ ZIP __________–________ Please mail subscription orders to the address at the top left corner of this page. (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 47, No. 5 June/July 2011 Folk Dance Scene Committee Club Directory Coordinator Jay Michtom [email protected] (818) 368-1957 SAN PEDRO KOLO DANCERS ETHNIC EXPRESS Dance Companies and Calendar Gerri Alexander [email protected] (818) 363-3761 Mon 7:30-9:30 Wed 6:30-7:30 closed holidays & Aug On the Scene Jill Michtom [email protected] (818) 368-1957 (310) 832-1074 Pauline Klak (702) 732-4871 Richard Killian Exhibition Groups Club Directory Steve Himel [email protected] (949) 646-7082 SAN PEDRO, Dalmatian-American LAS VEGAS, Charleston Heights Art Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Club, 1639 S Palos Verdes St. Center, 800 S. Brush St. BALLET FOLKLORICO JUVENIL DE PICO RIVERA Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor H. -
FEET FIRST:An Invitation to Dance
QPAC PRESENTS FEET FIRST: an invitation to dance Dance Genres Learn more about each of the genres and presenters on show at Feet First. This culture represents a living heritage left by the African slaves in Brazil, in which context Capoeira and Afro-Brazilian dances constitute a whole. For this reason, the pratice of Capoeira Afro-Brazilian always comes together with Afro-Brazilian dances such as Maculelê, Samba de Roda and Puxada de Rede. Presented by: http://www.xangocapoeira.com.au/ Creative movement and dance for 3-8 year olds. Designed specifi cally for young children, baby ballet introduces the foundations of dance through movement, rhythm, imagination and Baby Ballet creative play. Presented by: http://www.brisbanedancetheatre.com.au/tipoe-dance/ Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since Ballet become a widespread, highly technical form of dance with its own vocabulary. Presented by: http://www.vaganova.com.au/classes/http://www.2ballerinas.com/ Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, fi lm, and television. Ballroom dance may refer, at its widest, to almost any type of social dancing as recreation. Ballroom Dance However, with the emergence of dancesport in modern times, the term has become narrower in scope. It usually refers to the International Standard and International Latin style dances. -
FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S
FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S. POSTAGE Santa Monica, CA 90405 PAID Los Angeles, CA Permit No. 573 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year beginning with the next published issue. Subscription rate: $18/year U.S.A., $20/year Canada or Mexico,. $25/year other countries Published monthly except for June/July and December/January issues. NAME ___________________________________________ E-MAIL ______________________________________________ PHONE _____________________________ ADDRESS _________________________________________________ STATE ________________________ CITY _____________________________________________________ ZIP _____________ - ___________ Please mail subscription orders to the address at the top left corner of this page. (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) Published by the Folkdance Federation of California, South Volume 50, No. 2 March 2014 Folk Dance Scene Committee Coordinator Jay Michtom [email protected] (818) 368-1957 Calendar Gerri Alexander [email protected] (818) 363-3761 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor H. Barbara Cutler [email protected] (818) 782-6715 Design and Layout Editors Pat Cross,