AUGUST 2014 WELCOME

Welcome to the second production in the 2014 Summer Shakespeare Festival! We are so pleased at the warm welcome Othello received earlier this summer, and now, The Two Gentlemen of Verona sets loose on our stage a riot of energy and color. The play is a celebration of youth helmed by one of the great veteran Shakespeare directors in the country: Mark Lamos. Mark has directed several times at The Old Globe, but surprisingly he has never done Shakespeare here. We are delighted to welcome him to the DOUG GATES Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. Lowell Davies Festival Theatre stage for the first time.

Mark heads a team packed with major American talent. Costume designer Linda Cho recently won the Tony Award for Best Costume Design of a Musical for her work on A Gentleman’s Guide to Love and Murder (which made its world premiere at the Globe last year). Acclaimed set designer John Arnone, also a Tony Award winner, has worked across the United States and internationally and is at last making his Globe debut. Lighting designer Stephen Strawbridge and composer Fitz Patton return to the Globe for yet more Shakespeare—Stephen designed this summer’s Othello and Fitz last season’s The Winter’s Tale. The Two Gentlemen of Verona also boasts a cast of stellar performers—both local and national, familiar faces alongside new arrivals—held together as always by our own Old Globe/USD M.F.A. students. We hope you enjoy the ride!

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences and, the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS

RHONA AND RICK THOMPSON Rhona and Rick are honored to serve as sponsors of The Two Gentlemen of Verona. The Thompsons believe the humanities are a vital part of a complete education and recognize that theatre at its best can be transformative, delivering fresh perspective and focus on the The Old Globe is pleased to acknowledge The Qualcomm Foundation as the 2014 Shakespeare news of the day. The Thompsons deeply appreciate the central role that the Globe plays in Sponsor. Through a very generous grant, the Foundation is supporting three productions: The Winter’s the San Diego community and its standing on a national level. Serial entrepreneurs in the Tale this past January and the two summer productions of Othello and The Two Gentlemen of Verona internet space, the Thompsons recently launched Signia Venture Partners, an early-stage in the Lowell Davies Festival Theatre. The Qualcomm Foundation has supported The Old Globe’s venture capital fund. Rhona and Rick’s passion and philanthropic support for education and Shakespeare Festival and its many associated education programs for more than a decade, including the arts have grown out of their conviction that creative, out-of-the-box thinking is essential the touring production of Twelfth Night that reached more than 5,000 students at 20 schools to the long-term success of individuals, families, businesses, and communities. Rhona has throughout San Diego County in 2013. The Qualcomm Foundation’s leadership has helped to ensure been a longtime season ticket holder and, as a member of the Board of The Old Globe, looks that the work of Shakespeare will continue to grace the stages of The Old Globe year after year. The forward to playing a role in the theatre’s future. Foundation was established in 2010 by Qualcomm Incorporated and is dedicated to strengthening communities worldwide. Most importantly, the Foundation aims to create and support educated, healthy, culturally vibrant communities, focusing on geographic regions where the company has a business presence. Through its support of arts education and outreach programs, it helps young people develop innovative minds and expands cultural enrichment opportunities to in-need populations. EXTRAORDINARY LEADERSHIP

Since the founding of The Old Globe in 1935, heroic lead- The following individuals and organizations, recognized ership has made the theatre a cultural icon in San Diego for their tremendous cumulative giving, comprise a spe- and a forerunner in the American theatre. Many individu- cial group of friends who have played leading “behind-the- als have paved that way and enabled the theatre’s extraor- scenes” roles, helping create the productions on the three dinary success, and the Globe would like to recognize and stages, programs in the community, and our influence HME® has supported The Old Globe since 2003, donating in excess of $500,000 honor its most generous and committed philanthropists beyond this region. in innovative communication technology for each of the Globe’s three theatres. who have helped make that possible. HME’s groundbreaking wireless intercom systems have quickly become the industry standard among broadcast and entertainment professionals around the world. In — $25 million and higher — 2010, HME acquired Clear-Com®, the global leader in Analog and Digital Cabled Donald* and Darlene Shiley

Intercoms, and today companies around the world depend on HME and Clear- — $11 million and higher — Com for clear, reliable, and scalable communication solutions for live performance Conrad Prebys | San Diego Commission for Arts and Culture venues. HME/Clear-Com’s generous gift of communications equipment has enabled the Globe’s production staff to rely on state of the art wireless and wired — $8 million and higher — communications, and The Old Globe applauds HME for their ongoing philanthropy Karen and Donald Cohn | Sheryl and Harvey White

and generosity to the arts in San Diego. — $7 million and higher — Kathryn Hattox

— $3 million and higher — Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego

The Old Globe acknowledges Holland America Line for its outstanding contributions — $2 million and higher — to the theatre since 2007, when the company began its relationship with the Globe The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation Guilders through support of the annual Fashion Show. In 2013, Holland America Line increased its support by underwriting a luncheon and cabaret performance — $1 million and higher — onboard the ms Statendam while docked in San Diego. This season, the Globe is The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* pleased to acknowledge Holland America Line as a Production Sponsor due to its Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm Foundation continued and increased support. Holland America Line, a worldwide leader in California Cultural & Historical Endowment National Endowment for the Arts Bank of America Stephen & Mary Birch Foundation, Inc. Helen Edison* Anonymous global cruising, sails more than 500 cruises to 415 ports in 98 countries on cruises Jeannie and Arthur Rivkin Estate of Beatrice Lynds* from one to 110 days and with a fleet of 15 ships. The Old Globe is honored to have Wells Fargo Victor H.* and Jane Ottenstein *In Memoriam Holland America Line’s generous support of The Two Gentlemen of Verona.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS $50,000 and higher Season Sponsors In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following Season Sponsors who have generously supported the 2013-2014 season.

Leading Season Sponsors $75,000 and higher JIM COX JIM COX J. KATARZYNA WORONOWICZ KATARZYNA J. Globe Guilders John A. Berol The County of San Diego Charter Sponsor since 1995 Sponsor since 1996 Sponsor since 1996

Karen and Donald Cohn Darlene Marcos Shiley Charter Sponsor since 1995 Audrey S. Geisel Charter Sponsors since 1995 In memory of Donald Shiley Sponsor since 1998 Joan and Irwin Jacobs Valerie and Harry Cooper Mickey Stern Charter Sponsor since 1995 Sponsors since 2002 Sponsors since 2005 Sponsor since 2009

Gillian and Tony Thornley June E. Yoder Brian and Silvija Devine Sponsors since 2009 Sponsor since 2010 Sponsors since 2012 Kathryn Hattox Sheryl and Harvey White Conrad Prebys and Mary Beth Adderley Sponsor since 1998 Sponsors since 2000 Debra Turner Sponsor since 2004 Sponsors since 2004

Gloria Rasmussen Rhona and Rick Thompson Ann Davies Sponsor since 2012 Sponsors since 2013 Sponsor since 2013

Mary Ann Blair Peter Cooper and Elaine and Dave Darwin Paula and Brian Powers Sponsor since 2007 Norman Blachford Sponsors since 2011 Sponsors since 2012 Sponsors since 2008

Hal and Pam Fuson Vicki and Carl Zeiger Sponsors since 2013 Sponsors since 2014

Sponsor since 2000

Charter Sponsor since 1995 Sponsor since 2007 For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Photo for Globe Guilders: Lee Aaron Rosen and Sarah Manton in Time and the Conways, 2014; for John A. Berol: the cast of A Midsummer Night’s Dream, 2013; for The County of San Diego: Participants of the 2010 Summer Shakespeare Intensive. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY It seems we are traversing the Seven Ages Show us your commitment—your philanthropy can make a differ- of Man over the course of our summer, ence. Your financial support of the Globe, San Diego’s largest not- and the ardent young lovers of The Two for-profit performing arts organization, helps close the funding gap Gentlemen of Verona show us the Bard at between the costs of presenting each show and ticket sales. And spe- the start of the journey, in one of Shake- cial thanks goes to those who guarantee the Globe’s future for years speare’s most delightful and boisterous to come through endowments and Craig Noel League membership. comedies. Discover for yourself the in- We are grateful for our audiences and our supporters for everything FROM THE tricate plots and devices—unrequited you do, including purchasing tickets, attending performances, and ARTISTIC love, rivalries and schemes, women in spreading the word about our productions and education programs It’s hard to believe today, but William of town, and even a crazy dog. The tragic vision of disguise, outlaws in the forest—and of with your friends. DIRECTOR Shakespeare first found fame as a poet Othello—mellow, deep, and dark—isn’t yet so much course, a charming canine. We are glad and not a playwright. In the early 1590s as a glint in this playwright’s eye. Shakespeare’s you are here to join in on the fun! Thank you for your presence and for all that you do for the Globe he wrote two epic poems, the first of juvenilia are characterized by discovery, the family. which, Venus and Adonis, became a succès de scandale stretching of wings, and the first deployment of As your Globe Board Chair and a firm believer in the restorative thanks to its erotically charged depiction of a powers that would, over the next five years of his powers of the arts, I am pleased to represent and support this amaz- middle-aged goddess seducing a gorgeous young writing, grow fully fledged and muscular. ing institution alongside our valued sponsors: Qualcomm Founda- man. So notorious was this poem that it all but tion, Rhona and Rick Thompson, HM Electronics, Inc., and Holland eclipsed Shakespeare’s first efforts for the stage, And yet we don’t need to find in this play the seeds America Line. Elaine Bennett Darwin and as a result, we cannot date with confidence of the future Beatrice and Benedick or Hamlet Chair, Board of Directors the first half-dozen plays in his canon. Thus some and Ophelia in order for Two Gents to have great scholars argue that The Comedy of Errors was the comedic and emotional value. Its own strengths are first play, others that it was one of the Henry VI ample, especially in this production, directed by an BOARD OF DIRECTORS trilogy, and still others that it was tonight’s comedy, American master. The Two Gentlemen of Verona. Elaine Bennett Darwin* Harold W. Fuson, Jr.* Peter J. Cooper* CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, EDUCATION I love that this production of the play, which Anthony S. Thornley* Vicki L. Zeiger* Harvey P. White* Whatever its date of composition, Two Gents, as we so highlights and is so thoroughly suffused by TREASURER VICE CHAIR, NOMINATING SECRETARY theatre folk call the play, is certainly the work of a the energies of youth, is directed by one of our DIRECTORS Kathryn Hattox* Steven J. Stuckey HONORARY DIRECTORS EMERITUS DIRECTORS young playwright. Its concerns are those of youth: country’s veteran Shakespeareans. Mark Lamos, an Mary Beth Adderley* Patricia A. Hodgkin Daniel L. Sullivan, Ph.D. Mrs. Richard C. Adams Garet B. Clark the hormonal thrum of first love; that terrible late- old friend of The Old Globe, knows his way around Elizabeth Altman Daphne H. Jameson Karen Tanz (1912–2005) J. Dallas Clark (1913–2005) teens moment when the power of our own desires the Bard. His productions over many decades have Pamela Cesak Jo Ann Kilty Rhona Thompson Clair Burgener (1921-2006) Bea Epsten first brings us into conflict with others we care set the bar for those of us who ply this trade. I’ve Nicole A. Clay Sheila Lipinsky Evelyn Mack Truitt Mrs. John H. Fox Sally Furay, R.S.C.J. about, even our closest friends; the thunderclap of long admired Mark’s approach to Shakespeare, and Joseph J. Cohen Keven Lippert Debra Turner (1908–2003) Bernard Lipinsky our first awareness of adult responsibility. And like have long been inspired by it. I welcome him and his Donald L. Cohn* Mitzi Lizárraga Linda Van Vark Audrey S. Geisel (1914-2001) the audacious and hot-blooded Venus and Adonis, exuberant production to our Festival Stage. Valerie S. Cooper* Ramin Pourteymour Stacey LeVasseur Vasquez Paul Harter Delza Martin (1915–2005) the voice of the play, its very linguistic fabric, is Ann Davies Paula Powers* Jordine Von Wantoch Gordon Luce (1925-2006) Darlene Marcos Shiley young. There’s a fearlessness to it, a barnstorming Thanks for coming. Enjoy the show. Silvija Devine Conrad Prebys* Pamela J. Wagner Dolly Poet (1921-2007) Patsy Shumway dramaturgical daring. With no regard to literary Stephen P. Embry Tim Rafalovich Lynne Wheeler Deborah Szekely Carolyn Yorston-Wellcome propriety, it throws a bawdy joke against a lyric Pamela A. Farr David L. Reagan Karin Winner* Hon. Pete Wilson trope, and it jams a sonneteer’s earnestness into Karen Fox Sandra Redman June Yoder the bruised shins of a low comic. Its plot is likewise Robert Foxworth Crystal Sargent *Executive Committee Member full of the enthusiasms of a new writer testing how Jack Galloway Jean Shekhter far out he can push: there’s a girl in pants, a Duke Victor P. Gálvez Ann Steck* with a scheme, some outlaws in the woods outside ASSOCIATE ARTISTS OF THE OLD GLOBE

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe.

William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 THE CAST PROTEUS, a gentleman...... Adam Kantor* PRESENTS VALENTINE, a gentleman...... Hubert Point-Du Jour*

JULIA, beloved of Proteus...... Kristin Villanueva* SILVIA, beloved of Valentine...... Britney Coleman*

SPEED, servant to Valentine...... Rusty Ross* LAUNCE, servant to Proteus...... Richard Ruiz* CRAB, Launce’s dog...... Khloe Jezbera LUCETTA, waiting-woman to Julia...... Erin Elizabeth Adams†

ANTONIO, father of Proteus; DANCING MASTER...... Arthur Hanket* PANTHINO, advisor to Antonio...... Kushtrim Hoxha† DUKE, father of Silvia; FENCING MASTER...... Mark Pinter* THE TWO GENTLEMEN † TURIO, suitor of Silvia...... Lowell Byers SIR EGLAMOUR, agent for Silvia in her escape...... Adam Gerber†

SILVIA’S PAGE...... Lindsay Brill† OF VERONA HOST, where Julia lodges...... Tyler Kent† SERVANT TO ANTONIO; MUSICIAN...... Jamal Douglas† DANCING INSTRUCTOR TO SILVIA; MUSICIAN...... Robbie Simpson†

BY OUTLAW 1...... Patrick Zeller† OUTLAW 2...... Arthur Hanket* WILLIAM SHAKESPEARE OUTLAW 3...... Jamal Douglas† OUTLAWS...... Lindsay Brill†, Kushtrim Hoxha†, Stephen Hu†, Tyler Kent†, Allison Layman†, Robbie Simpson†

STUDENTS...... Lindsay Brill†, Lowell Byers†, Jamal Douglas†, Adam Gerber†, † † † † † John Arnone Linda Cho Stephen Strawbridge Acme Sound Partners Kushtrim Hoxha , Stephen Hu , Tyler Kent , Robbie Simpson , Patrick Zeller SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN LADIES-IN-WAITING...... Meaghan Boeing†, Charlotte Bydwell†, Allison Layman†, Megan M. Storti† . UNDERSTUDIES...... For Silvia – Meaghan Boeing†; for Lucetta – Lindsay Brill†; Fitz Patton Jeff Michael Rebudal Michael Rossmy for Panthino, Speed – Jamal Douglas†; for Valentine – Adam Gerber†; ORIGINAL MUSIC MOVEMENT FIGHT DIRECTOR for Sir Eglamour – Kushtrim Hoxha†; for Launce – Stephen Hu†; for Duke – Tyler Kent†; for Julia – Allison Layman†; for Proteus – Robbie Simpson†; for Host – Megan M. Storti†; for Antonio, Turio – Patrick Zeller† David Huber Tara Rubin Casting Bret Torbeck VOICE AND TEXT COACH CASTING STAGE MANAGER STAGE MANAGEMENT Stage Manager...... Bret Torbeck* Assistant Stage Manager...... Amanda Salmons* Stage Management Interns...... Samantha Bauman-Martin, Georgi Hughes

DIRECTED BY SETTING Verona, Milan, and a forest near Mantua. MARK LAMOS PRODUCTION STAFF Assistant Director...... Ali Viterbi Associate Scenic Design ...... Bryce Cutler Assistant Scenic Design...... Sean Fanning Assistant Costume Design...... Michelle Hunt Souza Assistant Lighting Design...... Jason Bieber, Luke Olson Associate Sound Design...... Jason Crystal Dance Captain...... Charlotte Bydwell† Fight Captain...... Stephen Hu† Music Assistant...... Meaghan Boeing† Lowell Davies Festival Theatre August 10 - September 14, 2014 *Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

†Student in the Old Globe/University of San Diego Graduate Theatre Program.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY Renaissance Inspirations Relishing the Play Director Mark Lamos on The Two Gentlemen of Verona Interview by Danielle Mages Amato

Have you ever directed The Two they abandon it, or they are hurt by it. Gentlemen of Verona before? And yet they never seem to experience it fully. They’re not mature enough yet, It’s my first time! I’ve done most of like the lovers in another early comedy the comedies—some of them more that ends sadly: Love’s Labour’s Lost. than once—but never this play or The Comedy of Errors. I’ve been relishing it I understand that you’ve drawn because, though it’s such an early play, some inspiration from the “gentle- Shakespeare is already experimenting men” of the title. with ideas about ethical choices and love and friendship that run through The word “gentleman” now is almost all the plays, even the tragedies and the arcane. It’s used so casually. When you Scenic designer John Arnone drew abundant romances. I’ve been finding it fascinat- hear it, you don’t think “gentle man,” ing to work on. and you don’t think of it in contrast to visual inspiration from Italian Renaissance men who aren’t gentlemen, which was As an early play, The Two Gentlemen clearly the case in the Renaissance. A frescoes and oil paintings. The image above of Verona has sometimes been dis- “gentleman” was an acquired series shows the set model for The Two Gentlemen missed by critics. What would you of talents that had to be developed, say are the strengths of the play on skills learned, traditions that had to be of Verona; the one on the left is a detail from stage? passed on from one generation of men

Mark Lamos. to the next. I’m hoping that I can cap- Benozzo Gozzoli’s fresco Procession of the It does get a bad rap, but it was very ture a sense of the idea of “gentleman” popular in its time, which tells you of exploring it through an Elizabe- as something that’s worth aspiring to, Magi in Florence’s Palazzo Medici Riccardi. something, because so was Hamlet. than sensibility as much as I can. I’m but that is also constraining. When I hear about any work of art also fascinated by the way women being dismissed, I think: there’s prob- are thought of in the 17th century. Proteus is a challenging character. HOW TO BE A GENTLEMAN ably something here that we’re not Even though Shakespeare gives us Viola Do you think he is like other char- aware of, or that might be of enormous and Rosalind and Imogen, these amaz- acters we might have encountered interest. This play has a lot going for it: ing, fantastic female characters, this in Shakespeare’s work, or is he The Book of the Courtier and Gentlemanly Education By Danielle Mages Amato it’s playable; it’s something that audi- play explores what women’s roles in the something totally different? swimming, wrestling, stone-throwing, ences really enjoy; it’s got good chal- 17th century were really like. They were Courtesy makes the man—or so said and “leaping.” He must handle every lenges for actors and beautiful poetry. possessions. They weren’t to be trusted. I think he’s very new—certainly very the countless manuals of gentlemanly kind of weapon well, both on foot and And of course, it has sweet humanity, They could disturb that male bonding new for me. You need an actor who is behavior popular across Europe in the on horseback. Most importantly, a this amazing relationship between a that was so central to society’s struc- likeable, and who can be fearless in sixteenth and seventeenth centuries. courtier must have sprezzatura—an air man and his dog. And I honestly think tural health itself. exploring the flip-flops that the char- The most important handbook of this of effortlessness. He must practice all one of the great strengths of the play acter makes. He’s “protean,” there’s no kind, Baldasarre Castiglione’s The Book these carefully cultivated skills with is the problematic scene at the end. It Ultimately, what I want to explore is the question—as changeable as any char- of the Courtier, was published in 1528 total nonchalance. requires infinite amounts of explora- difference between friendship and love, acter I’ve ever come across. He indulg- and would have been well-known to tion and study. I think it’s one of the which I think is at the center of the play. es in strange and childish behavior. Shakespeare and his contemporaries. The Book of the Courtier inspired a host most shocking things in all of Shake- In all of Shakespeare’s plays, there’s His mind is feverish and exploratory, The Book of the Courtier lays out all the of other so-called “courtesy books,” speare. basically one big theme that’s like the seeing two sides to every possibility. I qualities an ideal gentleman should including Henry Peacham’s The Compleat axle of a wheel—every scene is like almost wonder if he might be autobio- possess, especially if he aspires to a Gentleman. These early predecessors What’s your approach to the play? another spoke in that wheel, exploring graphical: a young Shakespeare, inves- place at court or hopes to serve one to today’s self-improvement literature Are there certain themes you’re it from a different angle. Even Launce tigating, plotting, observing himself of Italy’s great princes. Castiglione’s reflected a growing sense that a hoping to bring out in the produc- and his dog Crab are exploring ideas of and others. I want us to take a journey gentleman must dress to impress, “gentleman” could not just be born— tion? friendship and trust and abandonment. with him. I never want to know from speak with consummate tact and grace, he must be shaped. And he himself was All of the characters are trying to figure one moment to the next what he’s going and excel at both public oratory and responsible for creating the “gentleman” I’ve decided to give it an Elizabe- out what love is—they latch onto the to do, or how I’m going to feel about private wit. Moreover, he should be a that he wanted others to see. § than setting because I like the idea idea of love, and then they get lost in it, him doing it. § master of dancing, painting, horseback riding, and the “noble sports”: running, Bronzino’s Portrait of a Young Man, 1530s.

10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY ARTISTS ERIN ELIZABETH Testify! in New York. She also performed sketch BRITNEY COLEMAN ADAMS comedy in the Chicago Women’s Funny Festival (Silvia) is thrilled to make Creating the (Lucetta) was last seen in and finished shooting the new web series “An- her Globe debut. She has the Globe’s productions of nie and Brie.” Ms. Brill holds a B.A. in Dramatic appeared Off Broadway in Othello, The Winter’s Tale, A Arts from Washington University in St. Louis. Stop the Virgens (St. Ann’s Midsummer Night’s Dream, lindsaybrill.com. Warehouse) and regionally World of the Play The Merchant of Venice, in the world premiere of Sing Linda Cho on Designing Costumes for Rosencrantz and Guildenstern Are Dead, and CHARLOTTE BYDWELL for Your Shakespeare directed by Mark Lamos Pygmalion, as well as the Old Globe/USD M.F.A. (Lady-in-Waiting, Dance (Westport Country Playhouse), Dreamgirls The Two Gentlemen of Verona productions of Much Ado About Nothing and Captain) recently appeared (The Marriott Theatre in Lincolnshire as well in The Old Globe’s produc- Interview by Danielle Mages Amato Measure for Measure and the staged reading as Fulton Theatre/Maine State Music Theatre), of Once in a Lifetime. She appeared in Gated at tion of Othello and in the Into the Woods (Center Stage/Westport Coun- the Midtown International Theatre Festival Old Globe/USD M.F.A. Pro- try Playhouse), Ain’t Misbehavin’ (Milwaukee What makes designing Shakespeare and regionally in Heist!, A Midsummer Night’s gram productions of Much Repertory Theater),The Last Days of Judas Is- different from designing for a musical Dream, and Post Wave Spectacular (Actors The- Ado About Nothing, Antigone, and Reckless. She cariot (Stage 773), and Tarzan, Hairspray, State or a contemporary play? atre of Louisville), Henry IV Parts I and II (Actors’ is a graduate of The Juilliard School and began Fair; Big River, and All Shook Up (Wagon Wheel Shakespeare Project), and Done (Providence her career as a dancer with Monica Bill Barnes Theatre). Her other credits include Goddess A Gentleman’s Guide to Love and Murder Black Repertory Company). She is a former Act- Company and Keigwin + Company, performing (The Eugene O’Neill Theater Center/National was set in Edwardian times (although ing Apprentice with the Actors Theatre of Lou- at Jacob’s Pillow Dance, American Dance Festi- Music Theater Conference), Ragtime, Into the I took many liberties with the period), isville. Ms. Adams received her B.A. in Theatre val, La Jolla Playhouse, and The Joyce Theater. Woods, See Rock City and Other Destinations, and the look of the musical had to reflect and Literary Arts from Brown University. As a member of the resident acting company at The Caucasian Chalk Circle, and Ella Minnow the humor and whimsy of the piece. The The Flea Theater she appeared in Sean Graney’s Pea (University of Michigan), and A Very Potter Recommendation was a contemporary MEAGHAN BOEING highly acclaimed These Seven Sicknessesdirected Musical, A Very Potter Sequel, A Very Potter 3D: play with specific characters that had to (Lady-in-Waiting, Music by Ed Iskandar. At the 2012 Williamstown The- A Very Potter Senior Year (UM Basement Arts/ be rendered in a realistic and believable Assistant) was most recently atre Festival, she appeared in The Importance StarKid Productions). She received her B.F.A. in Have you and director Mark Lamos way. With Shakespeare you can create the of Being Earnest directed by David Hyde Pierce worked together before? in The Old Globe’sOthello, Musical Theatre from University of Michigan. world of the play, decide the period and the The Winter’s Tale, A Mid- and A Month in the Country directed by Richard place—real or imagined. § britneycoleman.com. No, this is the first time, but I’ve been an summer Night’s Dream, The Nelson. Her one-woman show, Woman of Leisure admirer of his work for years. Merchant of Venice, and and Panic, debuted in the eighth-annual soloN- JAMAL DOUGLAS Rosencrantz and Guildenstern Are Dead, as well OVA Arts Festival (New York Innovative Theatre (Servant to Antonio, What was your process like for as the Old Globe/USD M.F.A. Program produc- Award nomination), played at the 2013 New York Musician, Outlaw 3, Stu- working on this show? How did the tions of Much Ado About Nothing (Beatrice), International Fringe Festival, and was trans- dent) is an M.F.A. candidate ideas develop? Measure for Measure (Mistress Overdone), and lated into Spanish for performances in Mexico. with the Old Globe/Univer- Tartuffe (Elmire). Her regional credits include charlottebydwell.com. sity of San Diego Graduate Mark sent me and other collaborators Imagine (South Coast Repertory), Master Class Theatre Program. He was some early thoughts on the play. He (The Will Geer Theatricum Botanicum), Man LOWELL BYERS recently seen in the Globe’s mentioned wanting to set it in the of La Mancha (A Noise Within), Surf Orpheus (Turio, Student) recently productions of Othello and The Winter’s Tale. Renaissance, to “give it a slightly quirky (Getty Villa), various productions with The made his Globe debut in He also appeared in the Old Globe/USD M.F.A. but nevertheless lavish and beautiful look.” Antaeus Company, King Lear, The Two Gentle- Othello and appeared in the Program productions of Reckless and Much Ado He wanted “Elizabethan-style dancing… men of Verona, As You Like It, The Misanthrope, Old Globe/USD M.F.A. Pro- About Nothing. Mr. Douglas has worked with slightly heightened, not all historically Sunday in the Park with George, The Pirates of gram productions of Much Philadelphia Young Playwrights, PlayPenn, Sim- accurate. Playful and robust.” At that point, Penzance, The Sound of Music, and a world pre- Ado About Nothing, Antigone, patico Theatre Project, Delaware Shakespeare he imagined beginning the play with some miere translation of Don Juan. Ms. Boeing has and Reckless. His Off Broadway credits include Festival, Arden Theatre Company, Plays & sort of lecture, explaining what it took to be appeared in national commercials, performs Night Float (Playwrights Horizons), Othello Players, and the National Constitution Center, considered a gentleman. “Perhaps we see vocal music of various styles, and is a teacher of (Theatre Row), Balm in Gilead (New York Innova- among others. In his spare time, he teaches with the men in the company,” he said, “fencing, piano and voice. Ms. Boeing received her Bach- tive Theatre Award for Outstanding Production SAY (The Stuttering Association for the Young) wrestling, debating, dancing, wooing even.” elor of Music in Voice Performance from Ithaca of a Play), and You Never Can Tell and The Chang- in New York City. He holds a B.F.A. in Acting The seed that helped me generate the College. meaghanboeing.com. ing Room (T. Schreiber Studio). He has been seen from Arcadia University. This was a very vivid description of how he look for the show was the idea of the regionally in North Shore Fish (Gloucester Stage saw the world of the play, and I proceeded “School for Gentlemen.” I took some LINDSAY BRILL Company), As You Like It (Vermont Stage Com- ADAM GERBER to sketch even before we met. It’s unusual anachronistic elements of a contemporary (Silvia’s Page, Outlaw, pany), and SMILE: The Musical (Deane Center (Sir Eglamour, Student) was for me to begin sketching before any first boys’ prep school uniform and integrated Student) most recently for the Performing Arts). He played the title role last seen in The Old Globe’s meeting with a director, and especially it into Valentine and Proteus’s looks. By appeared in Othello and in Caligula: 1400 Days of Terror (History Chan- productions of Othello, A unusual considering this was our first time extension, the outlaws were what I thought The Winter’s Taleat The Old nel) and appeared in the filmsChilling Visions: 5 Midsummer Night’s Dream, working together. So it was somewhat of of as counterculture to the private boys’ Globe. She also appeared as Senses of Fear (Chiller/NBC Universal), Brewsie The Merchant of Venice, a gamble to take that step; I wasn’t sure school world, so I added a few anachronistic Antonia and Verges in Much and Willie (Rocam Productions), and Things I Rosencrantz and Guildenstern whether ultimately I would be showing touches of motorcycle gang-type elements Don’t Understand (Best Feature Film winner, Are Dead, and Pygmalion, and the Old Globe/ him that initial pass. When we sat down that speak to that idea. Ado About Nothing and Pooty in Reckless with together with scenic designer John Arnone the Old Globe/USD M.F.A. Program. In New Burbank International and Philadelphia Inde- USD M.F.A. production of Measure for Measure. in New York and I listened to more details Globe audiences have seen your York, Ms. Brill has performed at The Lion’s The- pendent Film Festivals). His original play, Luft His New York credits include As You Like It and about Mark’s ideas, I felt like I was on the designs recently in both A atre, The Ensemble Studio Theatre, Prospect Gangster, had its 2013 world premiere at Abing- the Off Broadway revival of Lebensraum (Har- don Theatre Company directed by Austin Pend- old Clurman Lab Theatre). He has also worked right path, so I did share my sketches, and Gentleman’s Guide to Love and Linda Cho’s costume renderings for The Two Theater Company, The Actors Studio, Nora’s it was great to have the sketches to react to Murder and The Recommendation. Gentlemen of Verona for the characters (from left) Playhouse, and New York Theatre Workshop. leton. A New York City native, he received a B.A. in Tokyo, Japan on Hikobae (The Actors Clinic, so early in the process. Sir Eglamour, Julia, and Proteus. She recently won the John Chatterton Short in Theatre from Denison University where he Will Do). Mr. Gerber has performed in numer- Play Festival award for the one-woman show competed as an NCAA All-American Swimmer. ous other productions including Sex and the Holy 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS Land (New York International Fringe Festival) and “Familja Moderne.” Mr. Hoxha studied Rep), Much Ado About Nothing (Extant Arts cuse Stage), West Side Story (Pittsburgh Civic the original cast of Miracle on South Division a B.F.A. in Acting from Syracuse University. and Much Ado About Nothing, Macbeth, Twelfth at Kosovo’s University of Prishtina/Academy Company), Twelfth Night (The San Francisco Light Opera), Victor/Victoria (North Shore Street (St. Luke’s Theatre). Also in New York, @MrRobbieSimpson on Twitter and Insta- Night, In the Boom Boom Room, and Dancing at of Dramatic Arts and received a B.A. in The- Shakespeare Festival), MEDEAStories (SITI Music Theatre), Equus (Arizona Theatre Com- he appeared in Robert Wilson’s Alice (Brook- gram. Lughnasa (Stella Adler Studio of Acting), and he ater Performance from Greensboro College. Company), Little Shop of Horrors (Broadway pany), and The Lion in Winter (North Coast lyn Academy of Music) and the premiere of N. has been featured in various national commer- By The Bay), Snapshots and Auctioning the Repertory Theatre). Mr. Pinter has appeared Richard Nash’s Loss of D-Natural. His regional MEGAN M. STORTI cials. He is a graduate of the Stella Adler Studio STEPHEN HU Ainsleys (TheatreWorks Silicon Valley), in the world premieres of Anna Ziegler’s An- appearances include American Buffalo (Center (Lady-in-Waiting) was last of Acting and received his B.A. from The George (Outlaw, Student) was last Finian’s Rainbow (Woodminster), Vera Wilde other Way Home (Magic Theatre), and Richard Stage), A Midsummer Night’s Dream (Pioneer seen at the Globe in Othel- Washington University where he appeared in seen in The Old Globe/USD (Shotgun Players), and What the Butler Saw Montoya’s Federal Jazz Project (San Diego Theatre Company), the premiere of Sick (New lo. Her other credits with The Winter’s Tale and Metamorphosis. M.F.A. Program’s Antigone, (Pacific Repertory Theatre). Mr. Kent was Repertory Theatre), and Melinda Lopez’s Jersey Repertory Company), the premiere The Old Globe/USD M.F.A. Much Ado About Nothing, among the American participants in Kevin Becoming Cuba (North Coast Rep). His televi- of Our Lady of South Division Street (Penguin Program include Bazira in ARTHUR HANKET Tartuffe, and Measure for Spacey and Sam Mendes’s international sion credits include “Mad Men,” “NCIS: Los Rep Theatre), The Cripple of Inishmaan(Depot Much Ado About Nothing, (Antonio, Dancing Master, Measure. He also appeared Bridge Project with The Old Vic. His cabarets Angeles,” “Cold Case,” “Law & Order,” “All My Theatre), and Crimes of the Heart (Totem Pole Rachael in Reckless and Ismene in Antigone. Outlaw 2) is thrilled to be in the 2014 Shakespeare Festival production Nobody’s Hart and Give Me the Simple Life Children,” and “Another World.” His films Playhouse). He is a graduate of Northwestern Her Chicago credits include The Liar (Writers’ back at The Old Globe where of Othello and the 2013 Festival productions toured China in 2009 and 2011. He is a grad- include Other People’s Money, Vanilla Sky, The University. Theatre), As You Like It (Chicago Shakespeare he previously played Mr. of A Midsummer Night’s Dream, The Merchant uate of Whitman College and also trained Eden Myth, Season of Youth, and the short Theater), The Woman in White and The City & Ford in Roger Rees’s produc- of Venice, and Rosencrantz and Guilderstern with CAP21, SITI Company, and the British Play. He received his M.F.A. from Hilberry RICHARD RUIZ the City (Lifeline Theatre), A Christmas Carol tion of The Merry Wives of Are Dead. His Los Angeles credits include American Drama Academy. tylerkent.com. Theatre/Wayne State University. (Launce) happily makes his (Metropolis Performing Arts Centre), Marat/ Windsor. In recent years, Mr. Hanket has been Macbeth and Richard III (The Will Geer Theat- Globe debut. His Off Broad- Sade (The Right Brain Project), Romeo and Ju- involved in West Coast theatre including Klub ricum Botanicum) and the title role in Ching ALLISON LAYMAN HUBERT POINT-DU way credits include the liet (Glass Onion Theatre), and Titus Androni- (The Actors’ Gang, 2008 L.A. Weekly The- Chong Chinaman (Artists at Play). Some of his (Outlaw, Lady-in-Waiting) JOUR musical Two Gentlemen of cus (DreamLogic Theatreworks). Her regional ater Award) and Garry Essendine in Present Bay Area credits include Over the Asian Air- was most recently seen at (Valentine) has appeared Verona (The Public Theater) credits include Shakespeare Festival St. Laughter (The Theatre Group at Santa Bar- waves (Ferocious Lotus Theatre Company), The Old Globe as Nina in in A Fable (Rattlestick Play- and Twelfth Night (Pig Iron Louis, Illinois Shakespeare Festival, Heart- bara, 2013 Independent Theater Award). An Concerning Strange Devices from the Distant Vanya and Sonia and Ma- wrights Theater), The Model Theatre Company). His national tour credits land Theatre Company, Phoenix Theatre En- M.F.A. graduate of Florida State University’s West (Berkeley Repertory Theatre), and Bei- sha and Spike. Ms. Layman Apartment (Primary Stag- include Sweet Charity, Urinetown, Man of La semble, and Putnam County Playhouse. Ms. Asolo Conservatory, he has performed with jing, CA (Asian American Theater Company). played the Parlor Maid in es, Lucille Lortel Award Mancha, and Jesus Christ Superstar. He has Storti received her B.A. in Acting from Illi- The Public Theater, New York Theatre Work- Mr. Hu holds a B.A. in Theater Performance Pygmalion, directed by Nicolas Martin, and and Drama Desk Award nominations for been seen regionally in Cyrano (Folger The- nois State University. shop, Hudson Guild, Playwrights Horizons, Studies from UC Berkeley. was a member of the 2013 Shakespeare Fes- Outstanding Revival), A Map of Virtue (13P, atre), The Winter’s Tale (Yale Repertory The- Ahmanson Theatre, La Jolla Playhouse, tival company. Her Old Globe/USD M.F.A. The New York Times and Time Out New York atre), ’Tis Pity She’s a Whore (Center Stage), KRISTIN VILLANUEVA Guthrie Theater, Hartford Stage (with Mark ADAM KANTOR Program credits include the title role in Critics’ Pick), Nightlands (New Georges), An- Guys and Dolls (Long Wharf Theatre), Moby (Julia) is delighted to be Lamos), Alley Theatre, Philadelphia Drama (Proteus) returns to San Antigone, Hero in Much Ado About Nothing, gels in America (Signature Theatre Company), Dick—Rehearsed (Berkshire Theatre Festival), making her Globe debut. Guild, Milwaukee Repertory Theater, Mis- Diego after playing Jeff and Francisca in Measure for Measure. Ms. The Tempest (Target Margin Theater, The New Candide (Arden Theatre Company), Treasure Her regional credits in- souri Repertory Theatre, The Repertory The- in the hit musical Nobody Layman was a two-year company member York Times Critics’ Pick), The Brother/Sister Island (People’s Light & Theatre Company), clude Mary Zimmerman’s atre of St. Louis, and the California, Utah, Loves You at The Old Globe of The Shakespeare Theatre of New Jersey, Plays (The Public Theater, understudy), 365 A Midsummer Night’s Dream (Two River The- The White Snake(Goodman and Alabama Shakespeare Festivals. He in 2012. More recently in where her credits include The Comedy of Er- Days/365 Plays (The Public Theater, Clubbed ater Company), The Music Man(Lyric Theatre Theatre, McCarter Theatre loved touring in Some Like It Hot: The Musi- New York he played Jamie rors, Timon of Athens, A Midsummer Night’s Thumb), andThe Gentleman Caller (Clubbed of Oklahoma), American Night: The Ballad of Center), Elizabeth in Pride and Prejudice di- cal (with Tony Curtis, in which he played Mr. in the Second Stage production of The Last Dream, Julius Caesar, and Macbeth. Her other Thumb). His regional credits include A Raisin Juan José (Yale Repertory Theatre, Califor- rected by Timothy Douglas (PlayMakers Rep- Curtis’s film role Joe/Josephine/Junior) and Five Years directed by its composer, Jason regional work includes Petra in An Enemy in the Sun directed by Phylicia Rashad (West- nia Shakespeare Theater), and Room Service ertory Company), Helena in All’s Well That creating roles in the New York premieres of Robert Brown. His other favorite credits of the People at Playhouse on Park in Hart- port Country Playhouse), Romeo and Juliet (Westport Country Playhouse). Ends Well directed by Tina Packer (Shake- works by Tony Kushner and Eric Overmyer. include: Mark in Rent and Henry in Next to ford, Connecticut, and a wide range of roles (The Shakespeare Theatre Company),Blue speare & Company), O Guru Guru Guru, or He is quite mad for the Virgos in his life, Normal (both on Broadway and directed by in productions at the Monomoy Theatre in Door and The Breach (Seattle Repertory The- ROBBIE SIMPSON why I don’t want to go to yoga class with you (Ac- Stephanie and Zoe. Michael Greif) and Princeton/Rod in Avenue Chatham, Massachusetts. Ms. Layman stud- atre), and American Buffalo (Wellfleet Harbor (Dancing Instructor to tors Theatre of Louisville), May inThe Wind- Q (Off Broadway), as well as Posthumous in ied with Bill Esper at his studio in New York Actors Theater). He has also been seen inter- Silvia, Musician, Outlaw, Up Bird Chronicle (Singapore Arts Festival), KUSHTRIM HOXHA Mary Zimmerman’s production of Shake- and received her B.A. in French Language nationally in Blue Door (Harare International Student) was most recently Juliet in Romeo and Juliet and Julia in the (Panthino, Outlaw, Stu- speare’s Cymbeline (Northwestern Universi- and Literature from Wesleyan University Festival of the Arts in Zimbabwe). His televi- seen at The Old Globe in musical Two Gentlemen of Verona (Nebraska dent) was recently seen at ty). On television, he played Ezra on the CBS in Connecticut. Ms. Layman is in her final sion credits include “Law & Order” and “Law Othello and The Winter’s Shakespeare Festival), and Dromio of Syra- The Old Globe in Othello, drama “The Good Wife.” He is a cofounder semester of training in the Old Globe/USD & Order: Special Victims Unit” (NBC), Over/ Tale, both directed by Barry cuse and Dromio of Ephesus in The Comedy of The Winter’s Tale, A Mid- of Broadway in South Africa and an artistic M.F.A Program. Under (USA), and “Black Jack” (pilot), and his Edelstein. His other Globe credits include the Errors (Theatreworks Colorado). She has been summer Night’s Dream, associate of American Music Theatre Live in film credits includeJames White and SWEEP 2013 Shakespeare Festival and Freddy Eyns- seen in New York in the workshop produc- Rosencrantz and Guilden- Paris. @AdamJKantor on Twitter. MARK PINTER (Screen Actors Guild short). He trained at ford Hill in the 100th anniversary production tions of Here Lies Love (The Public Theater), stern Are Dead, and The Merchant of Venice. (Duke, Fencing Master) New York University’s Tisch School of the of Pygmalion directed by Nicholas Martin. The Rufus Equation (New York International He also appeared in the Old Globe/USD TYLER KENT recently played The Duke Arts and is a YoungArts Awardee. Mr. Simpson’s Old Globe/USD M.F.A. Pro- Fringe Festival 2013), National Asian Ameri- M.F.A. Program productions Much Ado About (Host, Outlaw, Student) of Venice in Othello at The gram credits include Benedick in Much Ado can Theatre Company, Overturn Theatre, Liv- Nothing, Tartuffe, and Measure for Measure. recently made his Old Old Globe, where he pre- RUSTY ROSS About Nothing as well as Measure for Measure. ing Image Arts, and Theatreworks USA. Her He has appeared in Rock ‘n’ Roll, King Lear, Globe festival debut in viously appeared in The (Speed) happily returns to His U.K. and New York credits include Orlan- film credits includeMerry Christmas, Eve, and Sun Monkey, The Glass Menagerie, and Ham- Barry Edelstein’s Othello. Old Globe’s 1977 Summer The Old Globe after having do in As You Like It (Shakespeare’s Globe), A WordPlay Shakespeare’s A Midsummer Night’s let (National Theater of Kosovo), Patriotic He has also appeared in Shakespeare Festival as Horatio in Hamlet originated the role of Young Class Act directed by Bob Moss (Playwrights Dream and Romeo and Juliet e-books, and her Hypermarket (Bitef Theater, Belgrade), Much Ado About Nothing, and Jack Chesney in Charley’s Aunt. His Off Max in Dr. Seuss’ How the Horizons), and Hanschen in Spring Awaken- television credits include “Gossip Girl.” She and Yue Madeline Yue (Multimedia Center, Antigone, and Reckless with the Old Globe/ Broadway credits include My Sweetheart’s Grinch Stole Christmas! and ing directed by Lauren Coulson (Roy Arias). trained at SUNY Purchase, where she re- Kosovo and Volkstheater, Vienna). He has USD M.F.A. Program. His regional credits the Man in the Moon (Hypothetical Theatre subsequently originating His favorite regional credits include A Class ceived the Chair’s Award for Achievement in performed in numerous theatre festivals include The Arabian Nights (Berkeley Reper- Company) and Three on the Couch (Soho the same role on Broadway (Hilton Theatre Act (Berkshire Theatre Festival), Rent and Al- Acting. kristinvillanueva.com. in Columbia, Bosnia and Herzegovina, Slo- tory Theatre, Kansas City Repertory The- Repertory Theater). Regionally he has been and St. James Theatre). On tour, in 40 cit- most, Maine (Papermill Theatre),The Sisters venia, Italy, Sweden, Serbia, South Africa, atre), The Cherry Orchard(Eugene O’Neill seen in Book of Days (Arena Stage), Clybourne ies, he played Professor in the Lincoln Center Rosensweig (New Century Theatre), andMiss Macedonia, and Kosovo. His film and televi- Foundation), A Doctor in Spite of Himself Park (San Diego Repertory Theatre), The Price Theater production ofSouth Pacific, directed Saigon, Inherit the Wind, and Lost in Yonkers sion credits include Human Zoo, I Need You, and The Lieutenant of Inishmore(Berkeley (Northern Stage), The Sound of Music(Syra - by Bartlett Sher. Off Broadway, he was part of (The Majestic Theatre). Mr. Simpson holds 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS

PATRICK ZELLER Tony for its body of work. His other theatre Award for Best Costume Design of a Musical. Hair (2009 revival, Tony nomination), In the Paper Bullets at Yale Repertory Theatre. He ertory Theatre, Westport Country Playhouse, (Outlaw 1, Student) is credits include The Kennedy Center, Strat- Off Broadway she has designed at Theatre for Heights (Tony and Drama Desk nominations), also worked on the Broadway production and Bucks County Playhouse. thrilled to be at The Old ford Festival, The Shakespeare Theatre Com- a New Audience, Manhattan Theatre Compa- Dr. Seuss’ How the Grinch Stole Christmas!, Le- of A Tale of Two Cities. Mr. Rossmy’s work Globe again. He was last pany, Chicago Shakespeare Theater, Guthrie ny, Second Stage Theatre, The Public Theater, gally Blonde, A Chorus Line (2006 revival), The has been featured regionally at Westport BRET TORBECK seen as Lodovico in Othel- Theater, American Conservatory Theater, Classic Stage Company, Drama Dept., The Drowsy Chaperone (Drama Desk nomination), Country Playhouse, Long Wharf Theatre, (Stage Manager) is happy to return to the lo, Jailer in The Winter’s and Yale Repertory Theatre, among others. Acting Company, and Atlantic Theater Com- Spamalot, Avenue Q, Fiddler on the Roof (2004 McCarter Theatre Center, Primary Stages, Globe, where he has worked on the 2011- Tale, and Borachio in Much His opera credits include new productions pany. Regionally her designs have been seen revival), Baz Luhrmann’s La Bohème (Drama Delaware Resident Ensemble Players, Red 2013 Shakespeare Festivals, The Women, The Ado About Nothing. Mr. Zeller’s other clas- for the Metropolitan Opera, including I Lom- at LA Opera, La Jolla Playhouse, Arena Stage, Desk and Ovation Awards), and of course, Bull Theater, The Muny, Center Stage, Good- Sisters Rosensweig, and Take Me Out. His re- sical theatre credits include The Mysteries bardi and Wozzeck (both televised on “Great Guthrie Theater, Goodman Theatre, Chicago Dirty Rotten Scoundrels. Acme is Tom Clark, speed Musicals, Paper Mill Playhouse, Seattle cent credits include the premiere of The Boy (Shakespeare & Company), The Comedy of Performances”). His many new productions Shakespeare Theater, The Shakespeare The- Mark Menard, and Sten Severson. Repertory Theatre, The Public Theater, Hun- at the Edge of Everything at Seattle Children’s Errors (New York Classical Theatre),Edward for New York City Opera include an Emmy atre Company, Oregon Shakespeare Festival, tington Theatre Company, The Shakespeare Theatre and Young Frankenstein at Saint Mi- II (Pet Brick Productions), Hamlet (Maine Award-winning Madama Butterfly, Tosca, and Williamstown Theatre Festival, Goodspeed FITZ PATTON Theatre Company, Metropolitan Opera, Wil- chael’s Playhouse in Burlington, Vermont. Shakespeare Festival), and Romeo and Juliet Paul Bunyan (all for “Great Performances” and Musicals, and Opera Theatre of Saint Louis. (Original Music) previously sound designed liamstown Theatre Festival, Rattlestick Play- Mr. Torbeck also works at The Shakespeare and Midsummer Night’s Dream (Shakespeare “Live from Lincoln Center”), and numerous Internationally Ms. Cho has designed cos- the Globe productions of The Winter’s Tale, wrights Theater, Project Y Theatre Company, Theatre Company in Washington, D.C. and Now! Theatre Company). Mr. Zeller has ap- others. He spent 12 seasons at Glimmerglass tumes at Royal Shakespeare Company in Good People, and August: Osage County. On and others. Mr. Rossmy is a faculty member Alliance Theatre in Atlanta, Georgia. His peared on “Law & Order,” “Medium,” “All My Opera and has created new productions for England and Stratford Festival in Canada. Broadway this past year he designed/scored at Yale University School of Drama where other regional work has taken him to The 5th Children,” “One Life to Live,” and “The Young the opera companies of San Francisco, Santa She received her M.F.A. from the Yale Univer- Harvey Fierstein’s Casa Valentina, John he teaches stage combat, and he is also the Avenue Theatre in Seattle for four seasons, and the Restless.” He also co-starred in the Fe, St. Louis, San Diego, Dallas, and Washing- sity School of Drama. Shanley’s Outside Mullingar, Sharr White’s Stage Combat Supervisor for all undergradu- Seattle Repertory Theatre for eight seasons, award-winning feature film Virgin Alexander. ton, as well as Chicago’s Lyric Opera, Opéra The Other Place, and John Logan’s I’ll Eat ate productions at Yale College. Center Stage in Baltimore, Actors Theatre of His other film credits include No Reserva- de Montréal, Norway’s Bergen National Op- STEPHEN STRAWBRIDGE You Last: A Chat with Sue Mengers. This fall Louisville, Long Wharf Theatre, Arizona The- tions, End of the Spear, and A Totally Minor era, and Sweden’s Gothenburg Opera, among (Lighting Design) previously designed The he scores Terrence McNally’s It’s Only a Play DAVID HUBER atre Company, La Jolla Playhouse, American Motion Picture. Most recently Mr. Zeller has others. He is featured in Samuel Leiter’s 100 Old Globe’s productions of Othello and Dou- for Jack O’Brien, staring Nathan Lane and (Voice and Text Coach) has previously worked Conservatory Theater, Kansas City Reper- worked as a mentor and teaching artist with Great Directors. He has honorary doctorates ble Indemnity. He has designed more than Mathew Broderick. He was awarded both Lu- as an actor at the Globe on The Winter’s Tale tory Theatre, Berkeley Repertory Theatre, The Unusual Suspects Theatre Company in from University of Hartford, Connecticut 200 productions on and Off Broadway and cille Lortel and Drama Desk Awards in 2010, directed by Jack O’Brien, The Tempest, The San Jose Repertory Theatre, and Pittsburgh Los Angeles. patrickzeller.com. College, and Trinity College. A former actor, at most leading regional theatres and opera and he was nominated again for a Lortel in Two Gentlemen of Verona, and The Merchant Public Theater. He has worked on the nation- he played the title role in Hamlet at the Globe houses across the U.S. His international cred- 2011. Mr. Patton’s symphony, The Holy Land, of Venice, among several others. He has stud- al tours of Proof, Spamalot, and The Phantom KHLOE JEZBERA under Jack O’Brien’s direction and appeared its include major premieres in Bergen, Co- a 45-minute work for baritone, tenor, mezzo- ied voice with Master Linklater Voice teacher of the Opera. He volunteers for the Kentucky (Crab) is happy to make in the film Longtime Companion. penhagen, The Hague, Hong Kong, Linz, Lis- soprano, and orchestra, was completed in David Smukler, Eric Armstrong, and Kate Chapter of the ALS Association and he teach- her debut at The Old Globe. bon, Munich, Naples, Sao Paulo, Stockholm, January of this year, and he is the founder of Burke. He is a graduate of the Graduate Voice es for the University of Washington School of She is an eight-year-old JOHN ARNONE and Vienna. His recent credits include Henry Chance Magazine, a new theatre design maga- Teacher Diploma Program at York University Drama. labrador/German short- (Scenic Design), a Tony Award winner, be- IV Parts I and II (The Shakespeare Theatre zine that debuted in May. in Toronto. His regional theatre credits in- hair pointer who enjoys gan his career designing critically acclaimed Company), Antony and Cleopatra, (The Public clude Actors Theatre of Louisville, Cincinnati AMANDA SALMONS the company of people, a productions Off Broadway, for which he re- Theater, Royal Shakespeare Company), Marie JEFF MICHAEL REBUDAL Playhouse in the Park, The Repertory Theatre (Assistant Stage Manager) has worked previ- good bowl of food, a scratch under her chin, ceived two Obie Awards. He has designed Antoinette (Soho Repertory Theater), Proof (Movement) is the Artistic Director of New of St. Louis, Pittsburgh Playhouse, PCPA The- ously at The Old Globe on Vanya and Sonia and a queen size bed, her sister Marley Jane, and more than 30 sets with The Public Theater (McCarter Theatre Center), The Happy Ones York- and Detroit-based Rebudal Dance and aterfest, Texas Shakespeare Festival, Center Masha and Spike, The Last Goodbye, the Shake- a squeaky tennis ball. Did she mention food? and legendary producer Joseph Papp, The (Magic Theatre), The Dining Room (Westport is an original founding member of the criti- REP Theatre, Centennial Theater Festival, speare Festival (2011-2013), Anna Christie, Her favorite things to do are play in the waves Lion’s Theatre, Playwrights Horizons, and Country Playhouse), The Train Driver and The cally acclaimed Seán Curran Company. Mr. and Mo’olelo Performing Arts Company. Mr. Dr. Seuss’ How the Grinch Stole Christmas!, at Coronado Dog Beach, hike trails, enjoy Circle Repertory Company. He has worked Blood Knot (Signature Theatre Company), Rebudal’s opera and theatre choreography Huber is currently on faculty at Grossmont Somewhere, Groundswell, Welcome to Arroyo’s, campouts, run around in her backyard, and with Garland Wright and Joe Dowling at the Rigoletto (Dallas Opera), Madame Butterfly credits include L’Etoile (New York City Opera, College and has been a faculty member at Lost in Yonkers, I Do! I Do!, The Savannah Dis- be loved by her family. Her nickname is Ko- Guthrie Theater and Des McAnuff at La Jolla (Houston Grand Opera), and Azimuth (Pilo- Opéra de Montréal, Glimmerglass Opera, MiraCosta College in the Actor’s Academy for putation, and The Price. In addition, she stage komo. Khloe thanks her family and friends Playhouse and the Stratford Festival. In 1993 bolus Dance Theatre). He has received Ameri- Bergen National Opera, Cincinnati Opera, the last two years. He is also a graduate of the managed for the Summer Shakespeare Inten- for the love and support that allow her to be The Who’s Tommy opened on Broadway, for can Theatre Wing, San Francisco Bay Area Austin Lyric Opera), Romeo et Juliette, La Old Globe/USD M.F.A. Program. sive through the Globe’s education depart- a dog. which Mr. Arnone received Tony, Dora Mavor Theatre Critics Circle, Connecticut Critics Traviata, La Rondine, and A Little Night Mu- ment, working with high school students on Moore, Drama Desk, and Outer Critics Circle Circle, Dallas-Fort Worth Theater Critics Fo- sic (Michigan Opera Theatre), and recently TARA RUBIN CASTING Love’s Labour’s Lost, As You Like It, and Peri- MARK LAMOS Awards. His other Broadway designs include rum, Helen Hayes, Henry Hewes Design, and Carmen (Cincinnati Opera). His choreogra- (Casting) previously cast the Globe produc- cles. Her other San Diego credits include The (Director) previously directed the Globe pro- How to Succeed in Business Without Really Lucille Lortel Awards and nominations. He phy has also been presented at Joyce SoHo, tions of Othello, Dog and Pony, A Room with Foreigner, miXtape, See How They Run, The Mu- ductions of Compleat Female Stage Beauty, Trying, Twilight: Los Angeles, 1992, Sacrilege, is Co-Chair of the design department at Yale Danspace Project, Lincoln Center, Downtown a View, Robin and the 7 Hoods, Sammy, and sic Man, and The Rivalry (Lamb’s Players The- Pentecost, and Resurrection Blues. He is cur- Tommy Tune’s productions of The Best Little University School of Drama and Resident Dance Festival, Cunningham Studio, and The First Wives Club. Their selected Broadway atre), The Gondoliers, The Pirates of Penzance, rently the Artistic Director of Westport Whorehouse Goes Public and Grease, Sex and Lighting Designer for Yale Repertory Theatre. DUMBO Dance Festival. His other credits credits include Bullets Over Broadway, Alad- Candide, Trial by Jury, and Rumpelstiltskin Country Playhouse. His Broadway credits in- Longing, The Goat, or Who is Sylvia?, Fortune’s include venues such as the Cultural Center din, Mothers and Sons, Les Misérables, Big Fish, (Lyric Opera San Diego), and SummerFest clude Our Country’s Good (Tony Award nomi- Fool, The Full Monty, Marlene, The Deep Blue ACME SOUND PARTNERS of the Philippines in Manila and Anargyrios The Heiress, How to Succeed in Business With- (La Jolla Music Society). Ms. Salmons holds a nation), Seascape (Tony nomination for Best Sea, Lone Star/Pvt. Wars, Minnelli on Minnelli, (Sound Design) is pleased to be returning to & Korgialenios Theatre of Helioupolis in out Really Trying, Promises, Promises, A Little B.A. in Theatre from UC San Diego. Revival of a Play), Cymbeline, The Gershwins’ The Best Man, The Ride Down Mt. Morgan, and The Old Globe, where they designed Dirty Greece. Mr. Rebudal is an Associate Professor Night Music, Billy Elliot, Shrek, The Farnsworth Fascinating Rhythm, and The Deep Blue Sea. Lennon. His work has been seen in Canada, Rotten Scoundrels and Othello. Acme has de- and Head of Dance at Wayne State University Invention, Young Frankenstein, The Little Mer- BARRY EDELSTEIN His Off Broadway credits include As You Like London, Vienna, Berlin, Japan, and Australia. signed sound for over 30 Broadway shows in Detroit and has an M.F.A. from the Ameri- maid, Mary Poppins, Spamalot, Jersey Boys, The (Artistic Director) is a stage director, produc- It (Shakespeare in the Park), Measure for Mea- since 2000 including The Gershwins’ Porgy can University and a B.A. from the University 25th Annual Putnam County Spelling Bee, The er, author, and educator. Widely recognized sure (Lucille Lortel Award for Outstanding LINDA CHO and Bess (2012 revival, Tony Award nomi- of Hawaii at Mãnoa. Pirate Queen, Imaginary Friends, The Produc- as one of the leading American authorities Revival), and productions for Lincoln Center (Costume Design) is thrilled to be returning nation, Drama Desk Award), Bengal Tiger at ers, Mamma Mia!, The Phantom of the Opera, on the works of Shakespeare, he has directed Theater, Playwrights Horizons, Signature to The Old Globe; this is her 13th show here the Baghdad Zoo (Tony nomination, Drama MICHAEL ROSSMY Oklahoma!, The Frogs, Contact,and Thou Shalt nearly half of the Bard’s plays. His directing Theatre Company, Primary Stages, and The since 2002. Her work can currently be seen Desk Award), The Merchant of Venice (Drama (Fight Director) is very excited to be making Not. Their Off Broadway credits includeLove, credits include his Globe directorial debut Public Theater. He also served as Artistic Di- on Broadway in A Gentleman’s Guide to Love Desk nomination), Fences (2010 revival, Tony his Globe debut. His recent credits include Loss, and What I Wore and Old Jews Telling with The Winter’s Tale starring Billy Camp- rector for Hartford Stage, accepting the 1989 and Murder, for which she received an Outer nomination), Ragtime (2009 revival, Drama Nora, Fences, and the world premiere of These Jokes. Regionally they have cast for Yale Rep- bell, the first Shakespeare to be staged in our Critics Circle Award nomination and a Tony Desk Award), Bye Bye Birdie (2009 revival), 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 ARTISTS indoor theatre in over a decade, and his 2014 Columbia Artists Theatricals Corporation. tions. His vision for The Old Globe resulted Summer Shakespeare Festival production of Mr. Murphy serves on the Board of Direc- in the establishment of the Shakespeare The Royale Othello starring Blair Underwood, Richard tors of the National Alliance of Musical The- Festival and the San Diego Junior Theatre in By This theatre operates under an agreement Marco Ramirez Thomas, and Kristen Connolly in the Lowell atre, the National Corporate Theatre Fund, the late ’40s, the expansion to two theatres between the League of Resident Theatres Directed by Rachel Chavkin Davies Festival Theatre. As Director of the and the Balboa Park Cultural Partnership in the ’50s, Globe Educational Tours in the and Actors’ Equity Association, the union of professional actors and stage managers in the Shakespeare Initiative at The Public Theater and serves as a Management Trustee for San ’70s, and Teatro Meta and the Old Globe/ United States. Loosely based on real events, Marco (2008-2012), Edelstein oversaw all of the Diego County Theatrical Trusts, the pension University of San Diego Graduate Theatre Ramirez’s (“Orange is the New company’s Shakespearean productions, as and welfare trust for IATSE stagehands in Program in the ’80s. During the 1940s, Mr. The Directors are members of the Society Black”) wildly theatrical new play well as its extensive educational, community the San Diego region. He was also an adjunct Noel served as dialogue director for the 20th of Stage Directors and Choreographers, outreach, and artist-training programs. At faculty member of the Music Department Century Fox Studios and was the director of an independent national labor union. brings to explosive life the sights The Public, he stagedJulius Caesar starring at the University of San Diego. Mr. Murphy the Ernie Pyle Theatre in Tokyo. Described and sounds of the early 20th- Jeffrey Wright for Shakespeare in the Park earned his B.F.A. degree in Stage Manage- by Variety as the eminence grise of San Di- century boxing circuit, and the This Theatre operates under an Agreement and The Merchant of Venicefeaturing Ron ment from Webster University in St. Louis, ego theatre, Mr. Noel is one of the few San with the International Alliance of Theatrical ultimate fight for a place in history. Stage Employees Local No. 122. Leibman’s Obie Award-winning portrayal Missouri, and his M.F.A. in Performing Arts Diegans to have had an entire year (1987) Contains strong language. of Shylock. He was also Associate Producer Management from Brooklyn College of the proclaimed in his honor, and to be named of The Public’s Broadway production ofThe City University of New York. one of San Diego’s “Living Treasures.” He was October 4 - Merchant of Venice starring Al Pacino. From a founder of the California Theatre Council The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by November 2 , 2014 1998-2003 he was Artistic Director of Clas- JACK O’BRIEN and a former vice president of the California United Scenic Artists Local USA-829, IATSE. sic Stage Company, where he produced and (Artistic Director Emeritus) served as the Confederation of the Arts. His numerous directed some of New York’s most memora- Artistic Director of The Old Globe from honors include the San Diego Union-Tribune ble classical productions. Edelstein’s Shake- 1981 through 2007. Mr. O’Brien will direct list of 25 persons who shaped the city’s his- spearean directorial credits include The It’s Only a Play this fall on Broadway star- tory; the Governor’s Award for the Arts; Winter’s Tale with David Strathairn, Timon ring F. Murray Abraham, Matthew Broder- University of Arizona Alumni Association’s of Athens with Richard Thomas,As You Like It ick, Nathan Lane, Stockard Channing, and Outstanding Citizen, for his contribution PATRON INFORMATION with Gwyneth Paltrow, and Richard III with to their Fine Arts department; San Diego Megan Mullally. He most recently direct- TICKET SERVICES HOURS SEATING OF LATECOMERS John Turturro. His additional credits include ed the Broadway revival of Macbeth with State University’s Outstanding Alumnus; Monday: Closed Although we understand parking is often at a premium, the seating of the Lucille Lortel Award-winning reviv- Ethan Hawke. His Broadway credits also Conservator of American Arts Award from Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alterna- al of Arthur Miller’s All My Sons; the world include: The Nance, Dead Accounts, Catch Me American Conservatory Theater; the San Di- Hours subject to change. Please call ahead. tive seating and will be seated at an appropriate interval. premiere of Steve Martin’s The Underpants, If You Can, Impressionism, The Coast of Utopia ego Press Club Headliner Award; San Diego PHONE (619) 23-GLOBE (234-5623) which he commissioned; Molière’s The Mis- (Tony Award), Dr. Seuss’ How the Grinch Stole Gentleman of Distinction Award; and a com- FAX (619) 231-6752 anthrope starring Uma Thurman in her stage Christmas!, Dirty Rotten Scoundrels (Tony bined tribute from the Public Arts Advisory YOUNG CHILDREN EMAIL [email protected] or [email protected] debut; and the world premiere of novelist nomination), Henry IV (Tony Award), Hair- Council and the San Diego County Board of Children five years of age and under will not be admitted to perfor- WEBSITE www.TheOldGlobe.org Nathan Englander’s play The Twenty-Seventh spray (Tony Award), Imaginary Friends, The Supervisors. Mr. Noel was particularly proud mances. Man. Edelstein has taught Shakespearean Invention of Love (Tony nomination, Drama of the following three honors representing acting at The Juilliard School, NYU’s Grad- Desk Award), The Full Monty (Tony nomina- education and theatre: Honorary Doctorate ADMINISTRATION HOURS ELECTRONIC DEVICES AND CAMERAS uate Acting Program, and the University tion), More to Love, Getting Away with Mur- of Humane Letters, University of San Diego; Monday – Friday: 9:00 a.m. – 5:00 p.m. The video and/or audio recording of this performance by any means of Southern California. His book Thinking der, Pride’s Crossing, The Little Foxes, Hapgood Honorary Doctorate in Fine Arts, San Diego PHONE (619) 231-1941 whatsoever is strictly prohibited. Please silence all digital watches, pag- Shakespeare (called by New York Magazine “a (Lucille Lortel Award, Best Director), Damn State University; and the annual Awards for WEBSITE www.TheOldGlobe.org ers, and cellular phones prior to entering the theatre. must-read for actors”) was published in 2007 Yankees, Two Shakespearean Actors (Tony Excellence in Theatre named in his honor by ADDRESS The Old Globe P.O. Box 122171 and is now the standard text on American nomination), Porgy and Bess (Tony Award). the San Diego Theatre Critics Circle. In 2007, ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 Shakespearean acting. He is also the author Metropolitan Opera: II Trittico. London: Love he received the National Medal of Arts—the For the convenience of our hard-of-hearing and hearing-impaired pa- of Bardisms: Shakespeare for All Occasions. Never Dies, Hairspray (Olivier nomination). nation’s highest honor for artistic excel- trons, The Old Globe has an Assistive Listening System in all three the- National Theatre: His Girl Friday. Six mov- lence—in a ceremony at the White House. ORDERING TICKETS/CHANGE OF ADDRESS atres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, and MICHAEL G. MURPHY ies for PBS’s “American Playhouse.” Awards: Craig Noel died on April 3, 2010 at the age The Old Globe accepts Visa, Discover, MasterCard, and American Ex- the Lowell Davies Festival Theatre. A limited number of the lightweight (Managing Director) served as General Man- 2008 Theatre Hall of Fame Inductee, 2005 of 94. press. Phone orders for non-subscribers are subject to a $3.50-per-tick- headsets, as well as induction neck loops, may be obtained from the ager of The Old Globe from 2003 to 2012, John Houseman Award, ArtServe Michigan et service charge. Ticket exchanges are subject to a service charge for house manager prior to performances. overseeing the Production, Education, 2008 International Achievement Award, non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 during Ticket Ser- Human Resources, Information Technology, Honorary Doctorate, University of Michi- PUBLIC TOURS and Facilities Departments, as well as Front gan. Honorary Doctor of Humane Letters, vices hours, mail your change of address to the Ticket Services Office, CASTING Go behind the scenes at The Old Globe to learn about the history, three of House operations. He also managed the University of San Diego. Film (actor): Sex and or email [email protected]. stages, shops and craft areas. Open tours: most Saturdays and Sundays construction of the Globe’s new theatre and the City 2. Jack Be Nimble: The Accidental Edu- TARA RUBIN CASTING at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. education facilities. Prior to the Globe, he was cation of an Unintentional Director, his mem- UNABLE TO ATTEND? Call (619) 238-0043 x2145 for information/reservations. the Managing Director of Austin Lyric Opera oir about the early years of his career, was Tara Rubin CSA, Merri Sugarman CSA If you find you are unable to use your tickets, please give them to a in Austin, Texas; Director of Administration released in the summer of 2013 by Farrar, friend, or turn them in to the Ticket Services Office and receive a tax LOST AND FOUND of San Diego Opera; and General Manager of Straus and Giroux. receipt for your donation. Tickets must be received by show time. San Diego Repertory Theatre. Before relocat- Eric Woodall CSA, Kaitlin Shaw CSA If you have misplaced a personal item while at the theatre, please con- tact the Ticket Services Office or Security as soon as possible. If we ing to San Diego from New York, he held sim- CRAIG NOEL Lindsay Levine CSA, Scott Anderson RESTROOMS are unable to locate your item, we’ll happily take down your contact ilar positions at Theatre for a New Audience (Founding Director) was first appointed Restrooms are located in the lower lobby of the Old Globe Theatre, the information and a description of the item and contact you if it is found. and the Joyce Theater Foundation’s Ameri- director in 1939, directing 15 productions lobby of the Sheryl and Harvey White Theatre, and adjacent to the Low- The Old Globe does not assume liability for items left behind on the can Theater Exchange. He also served as prior to World War II. Since then he directed ell Davies Festival Theatre. premises. negotiating assistant for the League of Res- more than 200 plays of all styles and peri- ident Theatres and sales representative for ods and produced an additional 270 produc- NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. 18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 EDUCATION OUR THANKS CORPORATE DONORS

Education Underground Lead Season Sponsors ($75,000 or more) Season Sponsors ($50,000 - $74,999)

Production Sponsors ($25,000 - $49,999)

Pairs of teachers participate in an acting workshop focusing on mirroring movements and expressions.

Deep underground in Balboa Park there’s a world of creativity rum- Then we turn our attention to an often-neglected group of artists. National Corporate Theatre Fund is a not-for-profit corporation created to increase Director Circle ($15,000 to $24,999) bling the earth. The theatre’s rehearsal halls are hidden several sto- Two events this fall will again draw theatre teachers underground to and strengthen support from the business community for 10 of this country’s most distinguished professional theatres. The following foundations, individuals, and ries below the Mingei International Museum and our actors, direc- learn from each other and from their professional theatre colleagues. corporations support these theatres through their contributions to NCTF: tors, designers, and artisans toil for weeks to bring our audiences the First, the annual Arts Mega Conference brings arts educators to Bal- moving, thoughtful, provoking, intriguing, hilarious, serious, and boa Park for a full day of seminars, workshops, presentations, and Acquis Consulting Group Marsh & McLennan Companies American Express Foundation The McGraw-Hill Companies meaningful theatre they have come to expect from us. professional growth. The San Diego County Office of Education’s Vi- AOL MetLife sual and Performing Arts (VAPA) department partners with many Bank of America Morgan Stanley Bloomberg Pfizer, Inc. Other groups of art-makers also use the rehearsal spaces to learn, of the park’s arts institutions to present this extraordinary event, BNY Mellon RBC Wealth Management reflect, innovate, and challenge themselves. The Globe’s education where educators can take the time to learn, grow, and collaborate to James E. Buckley RVM Inc. department presents inspiring programs for students and educators energize our schools with creative learning. Steven Bunson The Ralph and Luci Schey Foundation Christopher Campbell/ Sharp Electronics to help them reach their artistic goals. Palace Production Center Skadden, Arps, Slate, And this year, through a California Arts Council and the William Cisco Systems, Inc. Meagher & Flom LLC ($10,000 to $14,999) Citi George S. Smith, Jr. During the summer months, our Middle School Conservatory and and Flora Hewlett Foundation grant, we partner with the San Diego First American Trust ResMed Foundation Clear Channel Outdoor TheaterMania.com/Gretchen Shugart the Summer Shakespeare Intensive programs shake the rafters with County VAPA office and California County Superintendents Educa- Cleveland Clinic John Thomopoulos ($5,000 - $9,999) CMT/ABC The James S. and Lynne P. Turley Ernst the urgent power of emerging young artists. Their energy motivates tional Services Association to develop a training program called Cre- Founder Circle Datacert, Inc. & Young Fund for Impact Creativity Bertrand at Mister A’s Loma Media Nokia Inc. us all to reimagine our art through their youthful eyes. On the last ativity at the Core that will provide teachers new tools to give the Dorsey & Whitney Foundation UBS day of each program, students demonstrate what they’ve learned new Common Core State Standards a vibrant infusion of theatrical Epiq Systems Wells Fargo Craig Noel Circle ($2,500 - $4,999) Ernst & Young Willkie Farr & Gallagher LLP with us. For the middle school students, it’s a showcase for parents energy. Cubic Corporation Luna Grill Goldman, Sachs & Co. and friends that has them performing Shakespeare monologues, contemporary scenes, stage combat, and even dance. The high school The Old Globe is proud to be a part of this exciting initiative and PUBLIC SUPPORT students burst from the rehearsal halls onto the Lowell Davies Festi- to welcome more arts professionals to our underground cauldron of val Stage for exhilarating performances of one-hour versions of two creativity. What emerges will surely move the earth with innovation Major funding provided by the City of San Diego Commission for Arts and Culture. Shakespeare plays. The experience is life-changing for many and up- and creativity. We can’t wait for the sparks to fly. The Old Globe is funded by the County of San Diego. lifting for everyone.

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OUR THANKS Susan Barlow Cowell Drs. Joseph & Gloria Shurman Dr. Sara Rosenthal & Dr. Julie Prazich Rod & Barbara Orth Jane Cowgill Dee E. Silver, MD Crystal A. Rubin Dr. David & Elizabeth Ostrander Gigi & Ed Cramer Beth & Kevin Smith Ryan Family Charitable Foundation Lori Partrick ANNUAL FUND DONORS Carlo & Nadine Daleo Marisa SorBello & Peter Czipott San Diego Branch of Julius J. Peal Fund at Darlene G. Davies, in memory Nancy & Alan Spector and Family The English-Speaking Union The San Diego Foundation of Lowell Davies Barbie & Dan Spinazzola Marilies Schoepflin, Ph.D. In Memory of Margaret Peninger The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the Jim & Sally Ditto Ann & Robert Steck Alan & Ester Siman Clifford T. Pentrack & financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks Devora & Ron Eisenberg of Great News! Nancy Steinhart & Rebecca Goodpasture Dave & Phyllis Snyder Mary E. Giovaniello Mr. & Mrs. Ira S. Epstein Hannah & Gene Step Margery & John Swanson Stuart & Linda Robinson and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of Diane & Elliot Feuerstein Karen & Don Tartre Greta & Steve Treadgold Rowling Family Charitable Fund of the those who have stepped into the spotlight. Mary & David Fitz Michael T. Turner & Suzanne Poet Turner Stan & Anita Ulrich Jewish Community Foundation Jean & Sid Fox Mary R. Warkentin Karen Walker Frank Ruyak Chuck Freebern Jan Harden Webster & Raul Ortega James & Ellen Weil Jay & Julie Sarno Benefactors ($100,000 and above) Charles & Millicent Froehlich The Patricia and Christopher Weil David & Irene Weinrieb Brigid Hom-Schnapp & Russell Schnapp Mary Beth Adderley Audrey S. Geisel/Dr. Seuss Fund at Conrad Prebys & Debra Turner Joy & Dr. Fred Frye Family Foundation Judith Wenker Linda J. Seifert Anonymous The San Diego Foundation Qualcomm Foundation Barbara & Albert Garlinghouse Shirli, Damien and Justin Weiss Sandy Wichelecki & Ms. Lari Sheehan Bill & Judy Garrett Mary Kay West Suzanne Dukes Howard & Beverly Silldorf City of San Diego Commission for Arts & Culture Globe Guilders Darlene Marcos Shiley, in memory of Donald Shiley Teresa George Pat & Bob Whalen Howard & Christy Zatkin Mr. William D. Smith & Dr. Carol Harter Karen & Donald Cohn Kathryn & John Hattox The Shubert Foundation Wendy Gillespie James E. & Kathryn A. Whistler Don Stanziano & Michael Sikich Peter Cooper & Norman Blachford The James Irvine Foundation Sheryl & Harvey White Foundation Robert Gleason & Marc Matys Ellen & Tim Zinn GOLD Ronald & Susan Styn Sheila & Tom Gorey ($500 to $999) Mr. & Mrs. Gordon Swanson Elaine & Dave Darwin Microsoft George C. Guerra DIAMOND Mrs. Marilyn Adams Clifford & Kay Sweet Edgerton Foundation Paula & Brian Powers Ms. Cheryl Haimsohn ($1,500 to $2,499) George Amerault, Jr. Tim & Judy Tillyer Guy & Laura Halgren Anonymous (2) Anonymous (3) Brenda & Robert Tomaras Pat & Rick Harmetz Jeff & Donna Applestein Earl Asbury Jeffrey & Sheila Truesdell Season Sponsors ($50,000 to $99,999) Patrick Harrison & Eleanor Lynch Mrs. Lazare F. Bernhard Alicia Atun & Elaine Rendon* Natalie C. Venezia & Paul A. Sager The Legler Benbough Foundation Joan & Irwin Jacobs Fund of the Rhona & Rick Thompson Liz & Gary Helming Mary-Kay Butler The Backman Family Kathy & Jim Waring Rhonda Heth & Thomas Mabie Greg & Loretta Cass Bruce & Patricia Becker The Washkowiak Family John A. Berol Jewish Community Foundation Gillian & Tony Thornley Gary & Carrie Huckell Gay and Lesbian Fund for San Diego Amnon & Lee Ben-Yehuda Dennis & Carol Wilson Mary Ann Blair NCTF/Edgerton Foundation Fund for United Richard & Janet Hunter at The San Diego Foundation Jay Biskupski & Catherine Imrie Cass Witkowski Family Valerie & Harry Cooper New American Theatre Wells Fargo Hutcheson Family Fund at Bill & Nancy Homeyer Barbara Bolt Brendan M. & Kaye I. Wynne The San Diego Foundation Jake’s on 6th A Wine Bar Deb & Brand Brickman Ann Davies The Parker Foundation (Gerald & Inez Grant Parker) June E. Yoder Drs. Sonia & Andy Israel Dr. & Mrs. M. Joseph McGreevy Ruth Bunn Mr. & Mrs. Brian K. Devine Gloria Rasmussen Vicki & Carl Zeiger Pat JaCoby Judith & Neil* Morgan Luc Cayet & Anne Marie Pleska Hal & Pam Fuson Mickey Stern Mary & Russell Johnson Akiko Charlene Morimoto & Drs. Lynne Champagne & Wilfred Kearse *In Memoriam Jackie Johnston Hubert Frank Hamilton, Jr. Richard T. Clampitt Katleman Family Fund of the Elspeth & Jim Myer Jack & Carol Clark This list current as of July 15, 2014. Jewish Community Foundation Susan C. Parker Alan L. & Frances E. Cornell Production Sponsors ($25,000 to $49,999) Dr. Gerald & Barbara Kent The Arthur & Jeanette Pratt Ronald D. Culbertson Edythe Kenton Memorial Fund Honorable Vincent P. Di Figlia (Ret.) Bank of America GEN7 Wines Price Philanthropies Foundation J. Robert & Gladys H. King Family Trust Wade and Candi Rich Dr. Donald & Eilene Dose Alan Benaroya Higgs Fletcher & Mack, LLP Random House Children’s Books Ken & Sheryl King Ryde Family Memorial Foundation at Jacqueline & Stanley Drosch Webster & Helen Kinnaird The San Diego Foundation Berit & Tom Durler Richard & Kathy Binford Leonard Hirsch, in memory of Elaine Hirsch San Diego Gas & Electric® Sherry & Larry Kline Jack & Louise Strecker Bill Eiffert & Leslie Hodge California Bank & Trust HM Electronics, Inc. Sheraton San Diego Hotel & Marina Jane & Ray* Klofkorn Ms. C. Anne Turhollow & Drs. George & Susan Dersnah Fee Pamela & Jerry Cesak Holland America Line Ms. Jeanette Stevens Curt & Nancy Koch Mr. Michael J. Perkins Richard & Beverly Fink Joseph Cohen & Martha Farish The Hull Family Torrey Pines Bank Rosalie Kostanzer & Michael Keefe Family Foundation Regina Kurtz, in fond memory PLATINUM Pauline E. Forman & Jack Burke Cohn Restaurant Group/Prado Restaurant Jo Ann Kilty Evelyn Mack Truitt of Al Isenberg ($1,000 to $1,499) Steven & Susan Garfin The County of San Diego Elaine Lipinsky Family Foundation Union Bank Bob & Laura Kyle In Memory of Freda Altschuler & Terrie Georgi Nina & Robert Doede Jeffrey & Sheila Lipinsky Family Foundation U.S. Bank Jean & David Laing Sylvia Goldin Arthur Getis & Roberta King Terry & Mary Lehr Drs. Gabriela & Mike Antos Norman & Patricia Gillespie Pamela Farr & Buford Alexander National Corporate Theatre Fund Pamela J. Wagner Ms. Sherrill Leist Sondra & Robert Berk Fund of the J. M. Gillman Neiman Marcus Mandell Weiss Charitable Trust Ronald & Ruth W. Leonardi Jewish Community Foundation Robert & Edry Goot James & Pamela Lester Gary & Barbara Blake Family Fund of the Barbara & Leonard Gosink Director Circle ($10,000 to $24,999) Paul Levin Jewish Community Foundation Chris Graham & Michael Albo Sandy & Arthur Levinson Bob & Joyce Blumberg Carol & Don Green Melissa Garfield Bartell & Michael Bartell Dr. & Mrs. Harry F. Hixson, Jr. Allison & Robert Price Robin J. Lipman Walter & Cheryl Deegan Richard & Candace Haden Barbara & Mathew Loonin Dean & Mrs. Michael H. Dessent Jeff & Judy Handler Jane Smisor Bastien Daphne H. & James D. Jameson Jean & Gary Shekhter Music by Edie Brickell Susan and John Major Dorothy R. Dring James & Ruth Harris Fund of the Bjorg Family Barbara G. Kjos Ben & Karen Sherwood Donor Advised Fund at the Clare & Paul Friedman Jewish Community Foundation and Steve Martin The Anthony Cerami & Ann Dunne Brooke & Dan Koehler Karen & Stuart Tanz Rancho Santa Fe Foundation Geraldo & Scarrain Gomes Fund Virginia Hawkins Lyrics by Edie Brickell Foundation for World Health Carol & George Lattimer Nita & Henk van der Werff Carlos Malamud Louise & Doug Goodman Kaaren Henderson Book by Steve Martin Dr. Robert & Marcia Malkus Heat Bar & Kitchen Jamie Henson & Robert Houskeeper Nikki & Ben Clay Rebecca Moores Carol & Larry Veit Jackie & Charlie Mann Fund of the Phil & Kathy Henry Bruce & Jane Hopkins Based on an original story by Dan & Phyllis Epstein National Endowment for the Arts Jordine Skoff Von Wantoch Jewish Community Foundation Joan & George Hornig Joseph & Donna Hynes Steve Martin and Dr. & Mrs. Robert Epsten Caroline & Nicolas Nierenberg Dr. Steve & Lynne Wheeler Lois Marriott Isaacs Brothers Foundation at Mrs. Susan Inot Edie Brickell Karen Fox The Kenneth T. & Eileen L. Norris Foundation Karin Winner Ms. Kerri Martella The San Diego Foundation Ed & Linda Janon Dr. Ted & Marcy Mazer Kenneth & Marilyn Jones Tony & Nancy Janus Directed by Walter Bobbie Diana R. Glimm Tom & Lisa Pierce Brent Woods & Laurie Mitchell Elizabeth & Edward McIntyre Louis & Mary Beth Kelly Dr. & Mrs. Clyde W. Jones Lee & Frank Goldberg Ramin Pourteymour Elizabeth B. Meyer Robert Kilian & Kathleen Slayton Anthony & Joyce Joseph From award-winning screenwriter Dr. Howard & Barbara Milstein Gayle & Jerry Klusky Bob & Janice Kayler and playwright Steve Martin Sara F. Moser Bill & Linda Kolb Dr. Marvin M. Kripps (Picasso at the Lapin Agile, Nancy & James Mullen Dr. & Mrs. James E. Lasry LABS, Inc./Silvia Dreyfuss Roxanne) and chart-topping Bette Nagelberg Thomas D. Lookabaugh Foundation Rick & Sherry Levin singer-songwriter Edie Brickell FOUNDER CIRCLE Drs. Thomas H. & Jane D. Gawronski Herb Solomon & Elaine Galinson Diana J. Barliant* & Nowell Wisch Joyce & Martin Nash Edward & Nancy Lyon Marshall & Judy Lewis Fund of the comes a world premiere American ($5,000 to $9,999) Norm Hapke & Valerie Jacobs Hapke Iris & Matthew Strauss Jan Bart Lyn Nelson Joy & Ronald Mankoff Jewish Community Foundation musical inspired by their Grammy Lawrence G. Alldredge & Dawn Moore Gordon & Phyllis Harris Pat & Jack Thomas Mr. & Mrs. Bear Arthur & Marilyn Neumann Jasna Markovac & Gary Miller Carl Maguire & Margaret Sheehan Award-winning collaboration “Love Anonymous Alexa Kirkwood Hirsch Cherie Halladay Tirschwell Charlotte & Charles Bird Lawrence Newmark Marcia A. Mattson Sally & Luis Maizel Has Come For You.” Tony Award- Joan & Jeremy Berg Jerri-Ann & Gary Jacobs Carol Vassiliadis Paul Black Mr. & Mrs. Thomas C. Pastore Rena Minisi & Rich Paul Drs. Betty Joan Maly & John Meyers winning director Walter Bobbie Barbara Bloom William Karatz Viterbi Family Fund of the Steve & Elizabeth Bluhm Patrons of the Prado Charles & Ilene Mittman Mercy & Ron Mandelbaum (Broadway’s Chicago)Chicago makes his The Louis Yager Cantwell Jennifer Lake & Donald Francis Donovan Jewish Community Foundation Dr. Herman & Irene H. Boschken Patricia Payne Jim & Ruth Mulvaney Foundation at Rev. Stephen J. Mather Globe debut with this entertaining Private Foundation Peter Landin & Michelle Cardinal Jim & Mary Jane Wiesler Anita Busquets & William Ladd Col. & Mrs. Ben Pollard The San Diego Foundation Ronald McCaskill & Robyn Rogers Carol & Jeff Chang Peter Manes & Yoko Sakaguchi Pamela & Marty Wygod Dr. & Mrs. Edgar D. Canada Bill & Mo Popp Marsha J. Netzer, in memory of Mr. & Mrs. William M. McKenzie musical of enduring love, family Barbara Charlton Paul & Maggie Meyer Edward & Pamela Carnot Daniel Porte & Sally Dubois Alice & Ray Jacobson Mr. & Mrs. Paul E. Michelson ties, and the light of forgiveness Colwell Family Distributable Fund at Money/Arenz Foundation, Inc. Cecilia Carrick & Stan Nadel Joseph & Jane Rascoff Mark Niblack, MD James & Estelle Milch Fund of the that shines from a bright star. The San Diego Foundation Matthew & Judith Pollack CRAIG NOEL CIRCLE Harry & Sandra Carter Sarah B. Marsh-Rebelo & John G. Rebelo Virginia Oliver Jewish Community Foundation R. Patrick & Sharon Connell John & Marcia Price Family Foundation ($2,500 to $4,999) George & Ellen Casey Nancy J. Robertson Barbara B. Oswalt Ursula & Hans Moede September 13 - Bernard J. Eggertsen & Florence Nemkov Rivkin Family Fund I at Dr. & Mrs. Wayne Akeson Rudy & Carol Cesena Cathy & Larry Robinson Christopher & Susan Pantaleoni Dr. Robert & Anne Morrison Marion Eggertsen The San Diego Foundation Anonymous (6) Garet & Wendy Clark Carole Sachs Robert & Doris Reed Charles & Susan Muha November 2 Barbara & Dick Enberg The Jerome Robbins Foundation Judith Bachner & Eric Lasley Ms. Heidi Conlan/ Beverly & Warren Sanborn John & Josette Rekettye Shirley Mulcahy Carol Spielman-Ewan & Joel Ewan Chrissy & Roger Roberts Jan & Rich Baldwin The Sahan Daywi Foundation Sue & Duff Sanderson Jordan Ressler Charitable Fund of the Darrell Netherton Susanna & Michael Flaster Patricia K. Shumway Bobbie Ball Richard & Stephanie Coutts Dr. Myron & Doreen Schonbrun Jewish Community Foundation Evy & Ed Newton Sherry & Charles Sheppard Esther Rodriguez William & Carla Nolan

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager Dave Henson...... Director of Marketing and Communications PROPERTIES DEVELOPMENT Todd Schultz...... Director of Development Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Mark Somers...... Director of Finance Kristin Steva Campbell...... Assistant to the Director Institutional Grants Richard Seer...... Director of Professional Training M.H. Schrenkeisen...... Shop Foreman Bridget Cantu Wear...... Associate Director, Planned Giving Robert Drake...... Director of Production Rory Murphy...... Lead Craftsman Eileen Prisby...... Events Manager Roberta Wells-Famula...... Director of Education Chris Carignan, Trish Rutter, Rachel Plummer, Keely Tidrow...... Major Gifts Officers Tom Stephansky...... Craftspersons Jessica Burger...... Development Manager, ARTISTIC David Medina...... Properties Buyer Individual Annual Giving Eric Louie, Justin Waldman...... Associate Producers Kristine Hummel-Rosen...... Properties Assistant Matthew B. Williams...... Major Gifts Associate Danielle Mages Amato...... Literary Manager/Dramaturg David Buess...... Property Master, Globe Diane Addis...... Membership Administrator Bernadette Hanson...... Artistic Associate Kristen Flores...... Stage & Property Master, White Rico Zamora...... Development Assistant Jan Gist...... Resident Vocal Coach Andrew Recker...... Property Master, Festival Tyler Jones...... VIP Donor Ticketing

PRODUCTION LIGHTING DONOR SERVICES Debra Pratt Ballard...... Associate Director of Production Shawna Cadence...... Lighting Director Silvana Burrata, Laura Embry, Janette Jack, Barbara Lekes, Richard Navarro, Suzanne Conway...... Company Manager Jack Bender...... Assistant Lighting Director Gary Neuberg, Stephanie Reed, Steve Schmitz...... Lighting Assistant Carol Donahue...... Production Coordinator Stephen Wade...... Suite Concierges Jackson Smith...... Assistant Company Manager Evan Page...... Interim Master Electrician, Globe Jim Dodd...... Master Electrician, White MARKETING Kevin Liddell...... Master Electrician, Festival STAGE MANAGEMENT Susan Chicoine...... Public Relations Director Derek Lauer, Leila Knox...... Production Stage Manager Ed Hofmeister...... Associate Director of Marketing Bradley Bergholtz...... Follow Spot Operators, Festival Mike Hausberg...... Public Relations Associate TECHNICAL Christian Erikson, Mike McCullock, Andrew Waltz...... Digital and Print Publications Coordinator Xavier Luevano, Kyle Montgomery...... Electricians Benjamin Thoron...... Technical Director Jordyn Patton...... Marketing Assistant Wendy Berzansky...... Associate Technical Director Marketing/Events Assistant SOUND Stephen Wade...... Lucas Skoug...... Interim Associate Technical Director DeAndre Clay, Carolann Malley, Paul Peterson...... Sound Director Travis Barrett...... Assistant Technical Director Lauren Senko...... Distribution Staff Sean Fanning...... Resident Design Assistant Mark Hartshorn...... Master Sound Technician, Globe Dana Pickop...... Master Sound Technician, White Eliza Korshin...... Technical Assistant/Buyer SUBSCRIPTION SALES Jeremy Nelson...... Master Sound Technician, Festival Gillian Kelleher...... Master Carpenter Scott Cooke...... Subscription Sales Manager Austin Taylor...... Deck Audio, Globe Carole Payette...... Charge Scenic Artist Arthur Faro, Janet Kavin, Pamela Malone, Gregg Essex...... Draftsman James Zadai...... Deck Audio, Festival Yolanda Moore, Jessica Morrow, Ken Seper, Christian Thorsen...... Stage Carpenter/Flyman, Globe RJ Givens, Emily Yavitch...... Sound Technician Cassandra Shepard, Jerome Tullmann, Robert Dougherty...... Festival Master Carpenter Grant Walpole...... Subscription Sales Representatives Jack Hernandez...... Charge Carpenter, White ADMINISTRATION Jessica Amador, Dwaine Best, Dave Garcia, Alexandra Hisserich...... Operations Assistant TICKET SERVICES Nadine Masters, Eileen McCann, Carolyn Budd...... Assistant to the Artistic Bob Coddington...... Ticket Services Director Linda Van Vark...... Painters and Managing Directors Marsi Bennion...... Ticket Operations Manager Daniel Capiro, Sean Chaffin, Chris Chauvet, Michael Darlene Davies...... The Old Globe Historian Karen Ann Daniels...... Group Sales Manager Curtis, Matt Giebe, Larry J. Hall, Sloan Holly, Tony Dixon, Laura McEntyre, Francisco Ramirez, Jon Serbian, INFORMATION TECHNOLOGY Kari Archer, Kathy Fineman, Adam Gibbs, Bea Kurt Weichers, Zane Whitemore, Dean Yager...... Information Technology Director Gonzalez, Lauryn Greschke, Alejandro Gutierrez, Tim Zaragoza...... Carpenters John Ralston...... Information Technology Assistant Manager Amanda King, Caryn Morgan, Danielle Porath, Christopher Smith, John Sweeney, W. Adam Bernard...... Lead Scenic Artist Brittany Summers...... Information Technology Assistant Jesse Uribe...... Ticket Services Representatives Jason Chohon...... Automation Coordinator HUMAN RESOURCES Tim McCalister...... Technical Director Intern PATRON SERVICES Sandy Parde...... Human Resources Director Mike Callaway...... Patron Services Director COSTUMES Manny Bejarano...... Human Resources Coordinator Juliana Johnson, Mary Taylor...... House Managers Stacy Sutton...... Costume Director Stephanie Hable...... Front of House Assistant Charlotte Devaux...... Resident Design Associate MAINTENANCE Timothy Acosta, Violanda Corona, Ismael Delgado, Frank Fields, Maureen Mac Niallais...... Assistant to the Director Topher Rasmussen...... Pub Shift Supervisors Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Shelly Williams...... Design Assistant/Shopper Tanika Baptiste, Carolyn Elder, Deborah Montes, Michelle Hunt Souza...... Design Assistant Jose Morales, Albert Rios, Maria Rios, Leonardo Rodriguez, Vielka Smith, Will Van Atta...... Building Staff Stephanie Passera, Paige Plihal, Brandon Potter, Erin Cass...... Draper Isaac Saenz, Michelle Thorson...... Pub Staff Su-Lin Chen, Marsha Kuligowski, PROFESSIONAL TRAINING Linda Bahash, Jessica Piatt, Wendy Miller...... Tailors Stephanie Rakowski...... Gift Shop Supervisors Shana Wride...... Program Coordinator Babs Behling, Anne Glidden Grace, Brian Byrnes, Maria Carrera, Cynthia Caywood, SECURITY/PARKING SERVICES Susan Sachs...... Assistant Cutters Ray Chambers, Gerhard Gessner, Jan Gist, Mary Miller, Raquel Stewart...... Tailoring/Construction Fred Robinson, Abraham Stoll...... M.F.A. Faculty Edward Camarena...... Security Supervisor Mark Baiza, Michelle Bales, Maria De La Mora, Corey Johnston, Nate Parde, Sherisa Eselin...... Security Officer Allison Elsey, Tea Ninkovic, Nunzia Pecoraro, Nicole Ries, Robin Roberts...... M.F.A. Production Staff Jonathon Ayon, Joshua Caldwell, Heather Premo, Ademir Serrano, Dallas Chang, Jeff Howell, Marthe Witte...... Stitchers EDUCATION Janet Larson, Guadelupe Velez...... Security Guards Erin Carignan...... Craft Supervisor/Dyer/Painter Crystal Mercado...... Education Programs Manager Michael Prince, Alexander Thomas...... VIP Valet Attendants Sharon Granieri, Brent Roberts, Katherine Harroff...... Community Voices Teaching Artist Emily N. Smith...... Craft Artisans Carol Green...... Speakers Bureau Coordinator Molly O’Connor...... Wig and Makeup Supervisor Lisel Gorell-Getz, Jason Heil, Erika Malone, Kimberly Eddo, Danielle Griffith, Heather Pauley, Christopher Salazar, Ana Maldonado...... Wig Assistants Damon Shearer...... Teaching Artists Beverly Boyd...... Wardrobe Supervisor Jack O’Brien...... Artistic Director Emeritus Beth Merriman...... Wardrobe Crew Chief, Globe FINANCE Craig Noel...... Founding Director Anna MacDonald...... Wardrobe Crew Chief, White Carly Bennett-Valle...... Senior Accountant Sunny Haines, Hanna May, Janet Gray...... Interim Senior Accountant Sarah Mendez, Sue Noll, Kim Parker, Trish Guidi...... Accounts Payable/Accounting Assistant Hallie Thomas...... Wardrobe Crew, Festival Adam Latham...... Payroll Coordinator/Accounting Assistant Marie Jezbera...... Rental Agent Tim Cole...... Receptionist 24 PERFORMANCES MAGAZINE