The Churches of Old Riga Mežaparks

Total Page:16

File Type:pdf, Size:1020Kb

The Churches of Old Riga Mežaparks 2,5 h riga in olden tiMes 3 h CLASSICAL OLD RIGA and today The House of the Blackheads, Albert’s Square, John’s Town Hall Square, Dome Square, the Three Yard, city wall, St. Peter’s Church, Town Hall Square, Brothers, St. Jacob’s Cathedral, the Swedish Gate, Kalķu Street, Big Guild and Small Guild, Mikhail Saeima, Powder Tower, Bastion Hill, the Freedom Chekhov Riga Russian Theatre, The “Cat’s” House, Monument, the Latvian National Opera, the Dome Square, Riga Cathedral, Jēkaba Street, the University of Latvia. Freedom Monument, Bastion Hill, Powder Tower. THE CHURCHES 2 h 3 h OF OLD RIGA Mežaparks The Anglican Church, Riga Cathedral, St. John’s Wooden buildings and architecture of Mežaparks, Church, St. Jacob’s Cathedral, St. George’s Church, Ķīšezers lake, Mežaparks – the park of culture and St. Mary Magdalene’s Church, St. Peter’s Church, recreation. Reformed Church, Our Lady of Sorrows Church. art nouveau in riga 3 h kalncieMa quarter 2 h Old Riga, Alberta Street, the so-called Buildings and objects (buildings, market, shops) on embassy or silent district. the corner of Kalnciema Street and Melnsila Street. parks and gardens 3 h spīķeri quarter and 2,5 h OF RIGA central Market Bastion Hill, the Esplanade, Kronvalda Park, Arkādijas Market squares and pavilions of Central Market, Park (+ optional tour to Ziedoņdārzs Park, Vērmanes streets of the Spīķeri quarter, take a look at/visit the Garden, Victory Park, Viesturs Garden Park). concert hall, art shops and shops of farm goods. THE CIRCLE 2 h historical wooden 2 h of Boulevards Buildings of ķīpsala The Esplanade, Bastion Hill, the Latvian National Exploratory walk around the streets of Ķīpsala, Opera, the National Theatre, the Art Academy taking a look at its historical wooden building of Latvia, the Riga Latvian Society House, the infrastructure and enjoying the panoramic views University of Latvia, the Freedom Monument. of the towers of Old Riga. Insight in the history of the opposite bank of the Daugava River. Optional: lunch. the culture palace 3,5 h the ethnographic 3 h “ZieMeļBlāZMa” open-air MuseuM An exciting tour to an architectural monument of Take a walk along the Jugla lake together with national importance and magnificent example of a well-informed tour guide and visit one of the Art Nouveau – the Culture Palace “Ziemeļblāzma”, oldest, richest and largest ethnographic museums about 30 minutes’ drive away from the centre in Europe, surrounded by a pine forest, where you of Riga. A walk through the palace park and its can see the houses of Latvian farmers, craftsmen recreational areas, as well as visit to the observation and fishermen, as well as the tools and interior tower, enjoying a breath-taking view of Riga and of the 17th to 20th centuries. Visiting workshops. the Gulf of Riga. Optional: lunch, horse rides. tour for parents and children: Birds and aniMals 2 h in old riga It turns out that Old Riga is a home to various different birds and animals, such as a rooster, cat, wild boar, giant snails and even the legendary dragon! Take an exciting 2-hour tour of the streets of Old Riga, looking for and learning about its mythical inhabitants, as well as dropping in one of the souvenir shops to buy the lucky black cat. TOURS ARE AVAILABLE IN THE FOLLOWING LANGUAGES: English, Russian, Latvian, French, German, Polish, Norwegian, Swedish, Finnish, Danish, Italian, Spanish, and other languages upon request. WE ALSO OFFER TOURS TO Jūrmala, Sigulda, Kuldīga and tours specifically created for you on request. TO ORDER A TOUR, call 26011192 or email [email protected] The main task of our tour guides is to ensure that you have a great time, accumulate great memories and experience beautiful moments in Latvia! LLC “LMI Translations” Riga, Kr. Valdemara Street 33-1A www.lmi.lv Mob. 26011192, Phone 67275623, [email protected].
Recommended publications
  • Riga Municipality Annual Report 2018
    Riga, 2019 CONTENT Report of Riga City Council Chairman .................................................................................................................... 4 Report of Riga City Council Finance Department Director ................................................................................... 5 Riga Municipality state ............................................................................................................................................. 6 Riga City population.............................................................................................................................................. 6 Riga Municipality economic state.......................................................................................................................... 7 Riga Municipality administration structure, functions, personnel........................................................................... 9 Riga Municipality property state .............................................................................................................................. 11 Value of Riga Municipal equity capital and its anticipated changes...................................................................... 11 Riga Municipality real estate property state........................................................................................................... 11 Execution of territory development plan ...............................................................................................................
    [Show full text]
  • Latvia Since 1918
    Latvia since 1918 The Wolfgang Watzke Collection Latvia‘s Freedom Monument in Riga 10 LATVIA SINCE 1918 6006 / € 150 6007 / € 80 ex 6008 / € 80 6005 / € 100 ex 6004 / € 100 Detail 6009 / € 120 Detail 6010 / € 120 Detail 6012 / € 150 Detail 6011 / € 150 Detail 6013 / € 150 LATVIA SINCE 1918 11 LatVIA Lot-No. Mi.-No. Western Army Start price 6001 0/1 1919, unused/ mint never hinged and used collection with some covers including Mi.-Nr. /6/4 1-11 (without 10k.) on two covers, later issue also with multiples, gutter pairs etc., in addition some forgeries, many signed Davydoff, Hoffmann, Rucins etc., (Photo = 1 www) 300 Latvia - Issued Stamps 6002 6003 6002 1918, Women with ears of corn on their arms in front of the rising sun 5 k., black ink drawing, partly touched up with opaque white, on thin carton (104x147mm), signed on reverse, a very attractive item, unique 200 6003 Acorn branch and Corn bundle in front of the rising sun 20 k., black ink drawing, partly touched up with opaque white, on thin carton (102x147mm), signed on reverse, a very attractive item, unique 200 6004 1P 2 Sun pattern 5 k. black on map and vertical pair carmine printed on map side, without gum, the pair light bend, otherwise fine (Photo = 1 10) 100 6005 1P 1 5 k. orange as colour proof on map paper, mint never hinged, fine (Photo = 1 10) 100 6006 1 4/2 5 k. carmine, block of four printed on both sides, without gum, fine (Photo = 1 10) 150 6007 1 2 5 k.
    [Show full text]
  • Kruk Latvia Statues
    Conference on the Historical Use of Images Vrije Universiteit Brussel, 10-11 March 2009 Wars of Statues: Ius imaginum and Damnatio memoriae in the 20th century Latvia. Sergei Kruk In Latvia outdoor sculpture functions as a medium of political communication. Transformations of political regime engendered the alteration of representation politics aimed at attesting the new power relations. Not always the authorities can topple down a monument and erect a new one to propagate an unambiguous political message. More subtle methods are exploited to depreciate the unwanted sculptures and to break in the public sphere with new political messages. This paper conceptualises the peculiarities of this kind of political communication in semiotic terms. Among the most popular practices are renaming of monuments, change or addition of inscriptions, circulation of new explanations, permitting of natural decay and banal vandalism, modification of environment around the sculpture, and its inclusion in rituals. Outdoor sculpture as a medium of political communication Latvia has experienced several waves of erection and destruction of monuments in the 20th century. The change of representation practice coincided with the political transformations in the state. As a part of the memory rewriting project, ostensibly the commemoration of persons and events asserted the regime change and legitimised the power relations. Sculpture’s peculiar role in political communication owes to the treatment of visual icon in Russian and Latvian cultural tradition. Roman legal terms ius imaginum and damnatio memoriae are used in the title to highlight that the controversy over outdoor sculpture has deep roots in the millennia long debate on visual iconicity.
    [Show full text]
  • A Reconstructed Indigenous Religious Tradition in Latvia
    religions Article A Reconstructed Indigenous Religious Tradition in Latvia Anita Stasulane Faculty of Humanities, Daugavpils University, Daugavpils LV-5401, Latvia; [email protected] Received: 31 January 2019; Accepted: 11 March 2019; Published: 14 March 2019 Abstract: In the early 20th century, Dievtur¯ıba, a reconstructed form of paganism, laid claim to the status of an indigenous religious tradition in Latvia. Having experienced various changes over the course of the century, Dievtur¯ıba has not disappeared from the Latvian cultural space and gained new manifestations with an increase in attempts to strengthen indigenous identity as a result of the pressures of globalization. This article provides a historical analytical overview about the conditions that have determined the reconstruction of the indigenous Latvian religious tradition in the early 20th century, how its form changed in the late 20th century and the types of new features it has acquired nowadays. The beginnings of the Dievturi movement show how dynamic the relationship has been between indigeneity and nationalism: indigenous, cultural and ethnic roots were put forward as the criteria of authenticity for reconstructed paganism, and they fitted in perfectly with nativist discourse, which is based on the conviction that a nation’s ethnic composition must correspond with the state’s titular nation. With the weakening of the Soviet regime, attempts emerged amongst folklore groups to revive ancient Latvian traditions, including religious rituals as well. Distancing itself from the folk tradition preservation movement, Dievtur¯ıba nowadays nonetheless strives to identify itself as a Latvian lifestyle movement and emphasizes that it represents an ethnic religion which is the people’s spiritual foundation and a part of intangible cultural heritage.
    [Show full text]
  • Centenary Magazine
    Proem In collaboration with Satori Internet Magazine Editorial Staff Office Latvia 100 Ilmārs Šlāpins, Elizabete Lukšo-Ražinska, Anna Andersone Translator Kārlis Streips How to read English Editor Suzanne McQuade ourselves Typefaces Freight, Lapture LV100 information Centre If we compare a nation’s history to the length of a human life, then The National Library of Latvia Paper it is hard to know where its careless childhood ends, when maturity Mūkusalas Street 3, 1st floor, Rīga Maestro Print 190 g/m2, Amber graphic 90 g/m2 begins, and when the country starts to age or grow sick. No coun- try's beginning has been so careless, but its maturity and years of +371 67330350, +371 22013889 Design strength can appear at any moment. A country's centenary can be a [email protected] Kārlis Dovnorovičs: SIA You Made My Day long life that appears suddenly, without notice. lv100.lv The value of jubilees is that a round number is more likely to Publisher make you stop and think about what has happened, what you have Ascendum Association achieved and what you want to achieve in the future. Latvia's cente- January 2018 nary seems to be its adulthood, and we’re afforded a chance to look back at our origins, to get a sense of how we came to be what we are. UDK 08(474.3) We can identify our strengths, ambitions and the limitations of our Ce565 capabilities, formulating ideas about ourselves as well. ISBN 978-9934-8560-7-5 Just like a young person receiving his first passport, excited to choose the prettiest signature by repeating his name on a piece of paper over and over again, we await the arrival of the country's adulthood, repeating the word Latvia in various declinations, the shapes of the letters, beautiful phrases and words of congratula- tions.
    [Show full text]
  • FREEDOM MONUMENT the Unveiling of the Freedom Monument
    FREEDOM MONUMENT The unveiling of the Freedom Monument. November 18, 1935. The Freedom Monument is one the most outstanding historical, architectural and artistical monuments in Latvia. It was erected using donations from the people as a symbol of Latvia’s independence, which shows the respect and affection the Latvian people have towards their fatherland and freedom. The idea to build a monument dedicated to Latvia’s freedom was first announced in 1920, during the final days of the battles for independence. The project design competition was held in several rounds and lasted eight years. The monument’s Kārlis Zāle’s 100th birthday celebration. October 28, 1988 foundation stone was put into place on November 18, 1931. The Freedom Monument was unveiled and dedicated on November 18, 1935. It was constructed using sculptor Kārlis the monument leading upwards to the statue of Freedom, Zāle’s (1888-1942) design called Mirdzi kā Zvaigzne (Shine Like which holds three stars above her head, symbolizing the a Star). Ernests Štālbergs was the lead architect on the project, three historical regions of Latvia – Kurzeme, Vidzeme and with the iconic Freedom statue made by the Swedish metal Latgale. The universal ideas depicted on the Freedom craftsman Ragnar Myrsmeden (1889-1989). Monument are expressed in a spiritual and artistic form. The sculptural characters are genuinely, morally and aesthetically The idea of Freedom is depicted on the moment in a clear enlightening. architectural and sculptural language, enriched by symbolism and the depiction of historical events within the sculptural The Freedom Monument is 42.7 meters tall. groups: an obelisk as a bright and rousing carrier of the The monument is made up of 56 sculptures divided into idea of freedom, inspired by the characters and symbols on 13 sculptural groups on several levels.
    [Show full text]
  • Third Report Submitted by Latvia Pursuant to Article 25, Paragraph 2 of the Framework Convention for the Protection of National Minorities
    Strasbourg, 6 December 2016 ACFC/SR/III(2016)001 Third Report submitted by Latvia pursuant to Article 25, paragraph 2 of the Framework Convention for the Protection of National Minorities (Received on 6 December 2016) Third Report on the Implementation of the Framework Convention for the Protection of National Minorities by the Republic of Latvia Rīga, 2016 2 List of Abbreviations ANCAL Association of National Cultural Associations of Latvia ACNM Advisory Council on National Minorities CL Criminal Law EEA European Economic Area EMM electronic mass media LJTC Latvian Judicial Training Centre LLA Latvian Language Agency MC Ministry of Culture MES Ministry of Education and Science MoI Ministry of the Interior NEMMC National Electronic Mass Media Council NGO non-governmental organisation OCMA Office for Citizenship and Migration Affairs PHARE financial instrument of the European Union for financial and technical co- operation with Central and Eastern European countries SIF Society Integration Fund SLC State Language Centre USSR Union of Soviet Socialist Republics 3 Introduction Procedure for drafting and adoption of the Report 1. On 26 May 2005, the Parliament of Latvia (the Saeima) ratified the Council of Europe Framework Convention for the Protection of National Minorities (hereinafter – the Convention), and it entered into force on 1 October 2005. The Second State Report on the implementation of the Convention (hereinafter – the Second Report) was submitted on 3 September 2012. The second cycle of monitoring the implementation of the Convention
    [Show full text]
  • Films from Latvia 2016/2019
    FILMS FROM LATVIA 2017 / 2019 CONTENT 2 FICTIONS 13 FICTIONS COMING SOON FILMS 35 SHORT FICTIONS 50 DOCUMENTARIES 75 DOCUMENTARIES COMING SOON 112 ANIMATION FROM 123 ANIMATION COMING SOON INDEXES 136 English Titles 138 Original Titles LATVIA 140 Directors 142 Production Companies 144 ADDRESSES OF PRODUCTION 2017 / COMPANIES USEFUL ADDRESSES 149 Main Distributors in Latvia 149 Main Film Institutions 150 International Film Festivals and 2019 Events in Latvia FICTIONS THE CHRONICLES OF MELANIE MELĀNIJAS HRONIKA Director Viestur Kairish 120’, Latvia National Premiere 01.11.2016, Riga, Splendid Palace International Premiere 21.11.2016, Tallin Black Nights FF (Estonia) Scriptwriter Viestur Kairish Cinematographer Gints Bērziņš Production Designer Ieva Jurjāne Costume Designers Ieva Jurjāne, Gita Kalvāne Makeup Designer Mari Vaalasranta Original Music Arturs Maskats, Aleksandrs Vaicahovskis, Kārlis Auzāns Sound Directors Aleksandrs Vaicahovskis, Robert Slezák Editor Jussi Rautaniemi The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into Main Cast Sabine Timoteo, Edvīns Mekšs, the house of Melanie and her husband Aleksandrs and force them to leave everything Ivars Krasts, Guna Zariņa, Maija Doveika, behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Viktor Nemets Siberia. In her fight against cold, famine and cruelty, she only gains new strength through Producers Inese Boka-Grūbe, Gints Grūbe the letters she writes to Aleksandrs, full of hope for a free Latvia and a better tomorrow.
    [Show full text]
  • Commemoration of the Mass Deportations from the Baltic States Address by Dr
    Commemoration of the Mass Deportations from the Baltic States Address by Dr. Gunārs Nāgels Latvian Centre, Sydney, Australia – 12 June 2011 Honoured guests, consuls, ladies and gentlemen. Today I will be telling you a story about a piece of soap and the washing away of crimes. We all know why we are here today, so I do not need to try and impress you with a range of terrible statistics, but they will come anyway. However numbers are just numbers, and they often take our thoughts away from the individuals that these numbers represent. But even the numbers do not tell us the full story. We have all been affected in some way, even if we have not ourselves had the pleasure of a free trip to Siberia. And the affect on our nations, even today, is immense. The 14th of June, 1941, was in many ways a day much the same as any other in the previous 11 months. My mother was working as a dietician at the Second City Hospital, and living not too far away. As she was walking to work, she was surprised to see a large number of trucks transporting people somewhere. And the people being transported were waving to her. She didn’t know what to make of this. While at work, she received a phone call from her foster sister, informing her that her foster brother, Jānis Raiska, had been arrested together with his wife, Elga, and sent to Siberia. Fortunately, their two children were spending the summer in the country, and so were not arrested.
    [Show full text]
  • OUR PATH to INDEPENDENCE Curator ILMĀRS ZNOTIŅŠ THOSE PEOPLE in the PHOTOGRAPHS THAT WAS US
    The Ministry of Foreign Affairs of the Republic of Latvia Photo exhibition dedicated to the 20th anniversary of the barricades 1991 OUR PATH TO INDEPENDENCE Curator ILMĀRS ZNOTIŅŠ THOSE PEOPLE IN THE PHOTOGRAPHS THAT WAS US. So courageous and fearless. Resolved and steadfast. Bewildered and hopeful, overcome by naive enthusiasm. So full of conviction and strong, so fervent and self-denying. Industrious and unsel sh. Empathetic and just. And so joyfully radiant and happy. Those ve years – from the rst feeble sprouts of daring planted by the human rights protection group ‘Helsinki 86’, to the spontaneous enthusiasm and fervour of the masses not yet cognizant of their power until the conscious demand for the renewal of Latvia’s independence – those years one cannot forget. So rm was our stubbornness, our resolve, our will – to be free. We would be free. That conviction came from our parents’ and grandparents’ stories, from our ancestral legends, from memories of our childhood and youth, which had taken root in our senses and our conscience so forcibly that even an axe couldn’t excise them, from old photographs or the pages of a book that bear testimony that once there was a Latvia. Day by day it grew in strength, carrying all of us along, and only the rare person could stand aside and not get involved. The window that had been opened a crack to get rid of stagnant air, was ung wide open by a gust of wind and nothing could then delay the bracing tornado, that turned inside out all the lies, the myths, that which had been silenced over the decades under a layer of dust and rubbish to reveal a clean and shining vein of truth.
    [Show full text]
  • A History Untold by Valdis V
    “Tearing Apart the Bear” and British Military Involvement in the Construction of Modern Latvia: A History Untold by Valdis V. Rundāns BASc, Waterloo, 1975 BA, Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER of ARTS in the Department of History © Valdis V. Rundāns, 2014 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee “Tearing Apart the Bear” and British Military Involvement in the Construction of Modern Latvia: A History Untold by Valdis V. Rundāns BASc, Waterloo, 1975 BA, Victoria, 2008 Supervisory Committee Dr. Serhy Yekelchyk (Department of History) Supervisor Dr. Perry Biddiscombe, (Department of History) Departmental Member iii Abstract Supervisory Committee Dr Serhy Yekelchyk (Department of History) Supervisor Dr. Perry Biddiscombe (Department of History) Departmental Member Despite significant evidence to the contrary in the Latvian language, especially the memoirs of General Pēteris Radzinš, Latvians, historians included, and others, have persisted in mythologizing the military events of 8 October to 11 November 1919 in Riga as some sort of national miracle. Since this Latvian army victory, first celebrated as Lāčplēsis Day on 11 November1920, accounts of this battle have been unrepresented, poorly represented or misrepresented. For example, the 2007 historical film Rīgas Sargi (The Defenders of Riga) uses the 1888 poem Lāčplēsis by Andrējs Pumpurs as a template to portray the Latvians successfully defeating the German-Russian force on their own without Allied military aid. Pumpurs’ dream and revolutionary legacy has provided a well used script for Latvian nation building.
    [Show full text]
  • The Churches of Old Riga Mežaparks
    2,5 h riga in olden tiMes 3 h CLASSICAL OLD RIGA and today The House of the Blackheads, Albert’s Square, John’s Town Hall Square, Dome Square, the Three Yard, city wall, St. Peter’s Church, Town Hall Square, Brothers, St. Jacob’s Cathedral, the Swedish Gate, Kalķu Street, Big Guild and Small Guild, Mikhail Saeima, Powder Tower, Bastion Hill, the Freedom Chekhov Riga Russian Theatre, The “Cat’s” House, Monument, the Latvian National Opera, the Dome Square, Riga Cathedral, Jēkaba Street, the University of Latvia. Freedom Monument, Bastion Hill, Powder Tower. THE CHURCHES 2 h 3 h OF OLD RIGA Mežaparks The Anglican Church, Riga Cathedral, St. John’s Wooden buildings and architecture of Mežaparks, Church, St. Jacob’s Cathedral, St. George’s Church, Ķīšezers lake, Mežaparks – the park of culture and St. Mary Magdalene’s Church, St. Peter’s Church, recreation. Reformed Church, Our Lady of Sorrows Church. art nouveau in riga 3 h kalncieMa quarter 2 h Old Riga, Alberta Street, the so-called Buildings and objects (buildings, market, shops) on embassy or silent district. the corner of Kalnciema Street and Melnsila Street. parks and gardens 3 h spīķeri quarter and 2,5 h OF RIGA central Market Bastion Hill, the Esplanade, Kronvalda Park, Arkādijas Market squares and pavilions of Central Market, Park (+ optional tour to Ziedoņdārzs Park, Vērmanes streets of the Spīķeri quarter, take a look at/visit the Garden, Victory Park, Viesturs Garden Park). concert hall, art shops and shops of farm goods. THE CIRCLE 2 h historical wooden 2 h of Boulevards Buildings of ķīpsala The Esplanade, Bastion Hill, the Latvian National Exploratory walk around the streets of Ķīpsala, Opera, the National Theatre, the Art Academy taking a look at its historical wooden building of Latvia, the Riga Latvian Society House, the infrastructure and enjoying the panoramic views University of Latvia, the Freedom Monument.
    [Show full text]