Manifesta 12 Palermo Biennial Concept Unveiled: the Planetary Garden

Total Page:16

File Type:pdf, Size:1020Kb

Manifesta 12 Palermo Biennial Concept Unveiled: the Planetary Garden Manifesta 12 Palermo biennial concept unveiled: The Planetary Garden. Cultivating Coexistence. Rome, 27 November 2017 | Under embargo until 27 November 2017 Manifesta 12 Creative Mediators Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli and Mirjam Varadinis have unveiled the concept for the upcoming Manifesta 12 biennial in Palermo, opening on 16 June 2018 until 4 November 2018. The concept was announced during a press conference in Rome on 27 November, with introductions by the Italian Minister of Cultural Heritage and Tourism Dario Franceschini, the Director and Founder of Manifesta Hedwig Fijen, the Mayor of Palermo Leoluca Orlando, and Palermo’s Councilor of Culture Andrea Cusumano. Manifesta 12, taking place in Palermo in 2018, is the latest installment of the world’s only nomadic biennial of contemporary art and culture. Throughout its 11 editions, Manifesta has always been politically and socially engaged, beyond producing an experimental and emerging art experience. From Ljubljana in 2000, Trentino and South Tyrol in 2008 and Saint-Petersburg in 2014 to Manifesta 12 Palermo in 2018 and Manifesta 13 Marseille in 2020, Manifesta has consistently chosen unexpected host locations that reflect the changing DNA of Europe and shed new light on its key issues and transformations. Palermo is an excellent host city in this context, allowing Manifesta 12 to continue its story of decoding Europe. On the one hand, Manifesta 12 will investigate contemporary challenges from Palermo’s perspective as the Mediterranean hub. On the other, it will attempt to mobilise the existing energy of the city through intensive education programmes, Manifesta’s international network and long-term projects that will kick-off during the biennial but, hopefully, create a sustainable impact after Manifesta. 1 “Today biennials should be more than the sum of a series of exhibitions. The added value of Manifesta 12 is the fact that the biennial programme takes place in 2018 in the Sicilian city of Palermo, where important geopolitical, social and ecological realities of our times are arising. For Manifesta 12, Palermo constitutes the deep complexities that people worldwide are facing. We hope that Manifesta 12 creates new perspectives in terms of staging the immaterial and material legacy for the future of the city.” Director and Founder of Manifesta, Hedwig Fijen “Palermo is currently taking on the role of a cultural model, where culture does not only connect people with each other, but also to other communities. In Palermo’s history, coexistence has always been an everyday practice, more than just an idea or an intention. This is the reason why Manifesta 12 will be an integral and fundamental part of the programme of Palermo Capitale della Cultura Italiana, because Palermo, as we say, is the capital of "cultures": cultures that have found in our city the place for their own coexistence, dialogue and mutual enrichment. Mayor of Palermo, Leoluca Orlando “As a widespread and participatory event, Manifesta 12 will provide a great opportunity to deeply engage with the social realm of Palermo, its different neighbourhoods and all its citizens. It will undeniably contribute to making Palermo not only a capital of Italian culture, but also a capital of European culture at large.” Councilor of Culture of the City of Palermo, Andrea Cusumano "Palermo is in itself a capital at the heart of the Mediterranean. It has managed to gain new importance, because of its growth in the fields of culture and tourism. I am sure that such an excellent cultural event as Manifesta 12, along with the many activities, which are part of the programme of Palermo Capitale della Cultura Italiana 2018, will make Palermo and Sicily even more vibrant and attractive to the entire world. " Italian Minister of Cultural Heritage and Tourism, Dario Franceschini 2 Manifesta 12 Palermo Concept For a full overview of the concept and its components, please see the curatorial text by Manifesta 12 Creative Mediators in the annex 1 (page 17). Veduta di Palermo, Francesco Lojacono, 1875, Palermo Atlas, courtesy OMA Titled “The Planetary Garden. Cultivating Coexistence”, the concept explores coexistence in a world moved by invisible networks, transnational private interests, algorithmic intelligence and ever-increasing inequalities through the unique lens of Palermo – a crossroads of three continents in the heart of the Mediterranean. Closely collaborating with Palermitan partners, Manifesta 12 will co-inhabit Palermo as a laboratory to investigate the challenges of our time and look for traces of possible futures. Throughout history, the City of Palermo has been a laboratory for diversity and cross- pollination, shaped by continuous migration. In the 1875 painting by Francesco Lojacono, View of Palermo (in the collection of the GAM Museum in Palermo), nothing was indigenous. Olive trees came from Asia, aspen from the Middle East and eucalyptus from Australia. Citrus trees – the symbol of Sicily - were introduced under Arab sovereignty. 3 The botanical garden of Palermo, Orto Botanico, was founded in 1789 as a laboratory to nurture, test, mix and gather diverse species. Inspired by Palermo’s Orto Botanico, Manifesta 12 will look at the idea of the “garden”, exploring its capacity to aggregate difference and to compose life out of movement and migration. Gardens are places where diverse forms of life mix and adapt to co-exist. They allow for cross-pollination based on encounter. In 1997, French Botanist Gilles Clément described the world as a “planetary garden” with humanity in charge of being its gardener. Twenty years later, Manifesta 12 will revisit the metaphor of the “garden”, not as a space for humans to take control, but rather as a site where “gardeners” recognise their dependency on other species, and respond to climate, time, or an array of social factors, in a shared responsibility. “The Planetary Garden. Cultivating Coexistence” will host 4 main sections, each touching on key topics of the concept: Garden of Flows, Out of Control Room, City on Stage and Teatro Garibaldi as the main center of Manifesta 12 (currently hosting a pre-biennial programme “Aspettando Manifesta 12” – Waiting for Maniefsta 12). Palermo Atlas by OMA (Office for Metropolitan Architecture) The Manifesta 12 concept was extracted from the city itself through a preliminary phase of investigation by OMA, Palermo Atlas. It was the first time that Manifesta had kicked- off the biennial with a research by an architecture office. The goal was to have a deeper understanding of social, cultural and geographical textures of the city; highlight its existing opportunities; and provide a source for audiences to understand contemporary transformations through “the eyes” of Palermo. “Palermo Atlas is a study of the past and present city, a collection of patterns, perceptions, stories and testimonies gathered on the ground and supported by data. On the one hand, the Atlas uses the city of Palermo as a point of departure to tell the story of the Mediterranean and Europe at large; on the other it is a reflection on characteristics that are specific to Palermo. Together with artists and other practitioners, we walked the city with dozens of individual ‘Palermitani’ who toured us through samples and sections of their city, visiting over 100 sites ranging in character, history, cultural, civic and social relevance. The collection of journeys, stories and encounters has allowed us to approach the many milieus existing within Palermo and to start ascertaining its complexity. Out of this engagement, Manifesta 12 is partnering with Palermo to mobilise those who live there and to leave a lasting legacy.” Ippolito Pestellini Laparelli on Palermo Atlas, Manifesta 12 Creative Mediator and Partner at OMA (Office for Metropolitan Architecture) 4 Palermo Atlas will be published in print and e-book formats in 2018. In addition, it will be represented in the main Manifesta 12 biennial programme. Currently, the Atlas can be viewed at Manifesta 12 headquarter in Palermo, Teatro Garibaldi. Parcours Along with the biennial programme itself, Manifesta 12 parcours will invite local and international audiences to discover the material and immaterial heritage of Palermo. Visitors will have a choice of enjoying an accessible and walkable parcours or venturing further into the city to explore some of the long-term projects designed to create a tangible legacy for Palermitans. “Manifesta 12’s thematic and geographic organisation are intertwined, triggering a journey through the city like a section through its anatomy: from the abandoned and derelict heritage of the historical centre, to the failed utopia of the periphery; from the glorious history of its gardens to its neglected and toxic coast.” Manifesta 12 Creative Mediators Further parcours details will be released in the coming months as the programme evolves. Interdisciplinary approach One of the key characteristics of “The Planetary Garden” concept and Manifesta 12 at large is an interdisciplinary approach. Manifesta 12 is the first edition to include not only traditional art curators, but an interdisciplinary group of specialists in the curatorial team. Bregtje van der Haak is a renowned Dutch journalist and filmmaker; Andrés Jaque is a Spanish architect, founder of the Office for Political Innovation and professor at Columbia University; Ippolito Pestellini Laparelli is a Sicilian-born architect and partner at OMA/AMO, and Mirjam Varadinis is a Swiss contemporary art curator at Kunsthaus Zurich. This curatorial model was necessary to understand how to decode Palermo in all its complexities and amplify the already existing energy of the city in experimental ways. Each of the Manifesta 12 Creative Mediators have used their respective expertise and background to contribute to the biennial programme. This will be evident through the diversity of projects in Manifesta 12 that will extend beyond contemporary art into 5 architecture, public space, science, geography, agronomy, literature, food, cinema, anthropology, social design, storytelling and more. Further details on the Manifesta 12 participants and projects will be unveiled as the biennial approaches its opening.
Recommended publications
  • Francesco Lojacono (1838-1915) E Il Suo Rapporto Con L’Orto Botanico Di Palermo
    Quad. Bot. Ambientale Appl., 27 (2016): 43-49. Pubblicato online: 09.10.2019 http://www.quadernibotanicambientaleappl.it Francesco Lojacono (1838-1915) e il suo rapporto con l’Orto Botanico di Palermo V. Magro1, F. La Sorte1 & F.M. raiMondo2 1Società cooperativa Cultura Botanica, via Lincoln 13-15, i - 90123 Palermo. 2dipartimento SteBiCeF/Sezione di Botanica ed ecologia vegetale, Via archirafi 38, i - 90123 Palermo. aBStraCt.–Francesco Lojacono (1838-1915) and his relationship with the Botanical Garden of Palermo – the figure of the painter Francesco Lojacono (1838-1915), defined as the most famous Sicilian landscape painter of the 1800’s, and in particular his paintings inspired by the Botanical garden of Palermo are here analyzed and commented. after brief biographic references of the famous artist, the authors analyze the works inspired to the Botanical garden placed in Public institutions and private collections. they are five works for each of which synthetic description cards with their own pictures are presented. Finally, the evaluation of places and subjects is offered. Key words: botany and art, painting, Sicilian ‘800, landscape painting, Verismo. introduzione note BiograFiChe e artiStiChe Su FranCeSCo LojaCono non tutti gli orti botanici offrono valori estetici suscettibili Francesco Lojacono nasce a Palermo il 16 maggio 1838 da attrarre l’attenzione di artisti sensibilizzati dalle piante che dove muore il 27 febbraio 1915. il padre, Luigi, pittore ospitano o dal paesaggio che esprimono per farne oggetto di anche lui, lo istrada nell’arte dallo stesso praticata. Luigi soggetti della loro arte. in realtà, quello di Palermo comincia Lojacono dipingeva scenari di battaglia soprattutto.
    [Show full text]
  • The Duchess Guide
    DISCOVER ITALIA! The Duchess Guide In his quest for the ultimate Sicily itinerary, James Miller decided to consult one of the island’s noble ambassadors, Nicoletta Polo, the Duchess of Palma isiting somewhere as special as Sicily can present a dilemma as there are so many guide books and television programmes covering the Mediterranean’s most majestic island. You can either find yourself spoilt for choice or totally bewildered when Vconsidering what to see and do. And no trip to Sicily should be squandered by not having prepared an amazing itinerary of activities to enjoy. An enviable problem I’ll confess, but one I intended to solve nevertheless, so I met with one of the island’s most prominent and cultured ambassadors; a lady who can offer the ‘discerning’ visitor an insight into the true Sicily and its captivating appeal, the Duchess of Palma, Nicoletta Polo. Nicoletta and I are old friends from my previous adventures in 1. Ortigia First on the list was Ortigia. Nicoletta Polo Lanza Tomasi, Duchess Sicily and whenever I return to see her I’m welcomed with such “I adore Ortigia,” Nicoletta of Palma di Montechiaro warmth it’s like visiting a kind and benevolent aunt, although warmly expressed her I don’t boast such lofty connections with my own family as sentiments about this small Nicoletta is an Italian noblewoman. Her husband is the heir of and charming island that is Giuseppe Tomasi di Lampedusa, the author of one of the most the beating heart of ancient important works in Italian literary culture, Il Gattopardo (The Syracuse.
    [Show full text]
  • Traits D'union.S, Le Tiers Programme, Les Parallèles Du
    Under the High Patronage of Mr Emmanuel MACRON President of the French Republic Manifesta 13 Marseille in 2020 One Biennale, Three Programmes: Traits d’union.s, Le Tiers Programme, Les Parallèles du Sud Press release — 1 Over the course of the past 12 editions - starting in Rotterdam in 1996 Marseille and travelling to Marseille in 2020, via Ljubljana in 2000, Saint-Petersburg 27th of February 2020 in 2014 and Palermo in 2018 and before going to Prishtina in 2022 - Manifesta has consistently chosen unexpected host cities to reflect upon the pressing issues and transformations that Europe is facing today. Given its nomadic nature, and the need to adapt to a different location and context for each edition, Manifesta is in constant transformation, investigating the current and specific geopolitical challenges within each host city, with new commissioning partners every two years. For Manifesta 13 Marseille, which takes place this year from the 7th of June until the 1st of November 2020, the ambition is to experiment with collaborative forms of knowledge production and where renewed models of collectivity, diversity and co-existence can be tested. The question of Manifesta’s very identity, balanced between an art biennial of symbolic artistic practices and a civic instrument of social change, was specifically felt upon arriving in Palermo and Marseille, and prompted Manifesta to reinvent its research model, linking the biennial to the issues of each city. Hedwig Fijen, director of Manifesta, said: “In line with our long-term, experimental and democratic collective knowledge production, Manifesta 13 Marseille introduces an alternative mediation model in which a series of trans-disciplinary programmes now function next to each other.
    [Show full text]
  • Manifesta 13 Marseille New Artistic Team Announced for Edition in 2020 MARSEILLE
    MANIFESTA 13 Manifesta 13 Marseille new artistic team announced for edition in 2020 MARSEILLE Press Release — 1/5 Following the August 2018 appointment by Manifesta 13 of Dutch architect Winy Maas and urban practice MVRDV to conduct the pre-biennial research study for the Marseille city of Marseille, a new artistic team has been selected for Manifesta 13 Marseille in 17 October 2018 2020 by Director of Manifesta, Hedwig Fijen. Manifesta 13 Marseille will apply the same innovative approach introduced in Manifesta 12 Palermo, where an in-depth urban study preceded the appointment of 4 trans-disciplinary Creative Mediators who collaborated to genuinely integrate the biennial into the social, cultural, and political fabric of the city of Palermo. This model will now be continued for Manifesta 13 taking place in 2020 in Marseille with the intention to unlock the city and leave a tangible legacy as was accomplished in Palermo. This is the first time that Manifesta will hold a biennial edition in France. Acutely mirroring the current geo-political challenges both Europe and France are facing, and specifically Marseille as a city of many contradictions, this Mediterranean metropole provides an apt location to hold the European Nomadic Biennial in 2020. Manifesta is announcing the artistic team of its 13th edition: Moroccan Alya Sebti is today the director of Berlin’s ifa Gallery, has recently been the guest curator of the 13th Dak’Art, Biennial of Contemporary African Art (2018), and was Artistic Director of the 5th Marrakech Biennial; Spanish architect Marina Otero Verzier is the Director of Research and Development at Het Nieuwe Instituut in Rotterdam, The Netherlands; Moscow-based, Russian Katerina Chuchalina, is chief curator at the V-A-C Foundation in both Moscow and Venice; German Stefan Kalmár is currently the director of the ICA in London, formerly director of Artists Space New York City, and Kunstverein München, and former resident of Marseille having lived in the city for 12 years.
    [Show full text]
  • Vernon H. Heywood the Cultural Heritage Of
    Bocconea 28: 161-172 https://doi.org/10.7320/Bocc28.161 Version of Record published online on 22 November 2019 Vernon H. Heywood The cultural heritage of Mediterranean botanic gardens* Abstract Heywood, V. H.: The cultural heritage of Mediterranean botanic gardens. — Bocconea 28: 161- 172. 2019. — ISSN: 1120-4060 printed, 2280-3882 online. Mediterranean botanic gardens represent a rich and diverse cultural heritage, both tangible and intangible. They include spectacular landscapes and the plantings include many important intro- ductions of both ornamental and economically important species. The gardens also contain many buildings of great architectural merit, some historic, some modern. Also important are the historic glasshouses and shade houses. Many of these gardens contain important herbarium collections that have served a key role in the preparation of Floras and major botanical libraries containing historical works of great value as well as works of art, sculptures paintings, drawings, and other illustrations and invaluable historic archives. The intangible cultural heritage of these gardens is represented by the impact that they have had the inhabitants of the cities and towns in which they are located and on generations of visitors – students, professionals and the public. With the decline of teaching and research in botany as a university discipline, some of these collections are at risk of dispersal or an even worse fate. In the face of these uncertainties a series of proposals to help safeguard this invaluable heritage is given, including the compilation of an inventory of these his- torically important buildings, libraries, works of art and archives and the use of the latest scanning and imaging techniques so that a visual record is prepared.
    [Show full text]
  • National Report for Italy Period Covered: 2009 & 1St Semester 2010
    European Botanic Gardens Consortium Supporting and linking botanic gardens throughout Europe National Report for Italy Period covered: 2009 & 1st semester 2010 1. Name of the national network of botanical gardens and its website address: Gruppo Orti Botanici e Giardini Storici della Società Botanica Italiana Working group for Botanic and Historical Gardens of the Italian Botanical Society. http://www.societabotanicaitaliana.it/laygruppo.asp?IDSezione=20 2. Name and address (with e-mail and telephone/fax) of the national representatives in EBGC: Temporary delegates: Costantino Bonomi, Trento Botanic Gardens, c/o Trento Natural History Museum, Via Calepina 14, I-38100 Trento, Italy. URL www.mtsn.tn.it, tel. +390461 270381, mobile +39348 3044940, fax +390461 270376, e-mail [email protected], skype: cosbon Gianni Bedini, Horti Praefectus, Pisa Botanic Garden, Department of Bio logy, Pisa University, via Luca Ghini 5, I-56126 Pisa, Italy. Tel.: +39 050 2211314, fax: +39 050 2211309, e-mail [email protected], skype: gbedini 3. Total number of current members of the national network of botanical gardens: Approx. 70 members on a total of approx. 110 Gardens (the actual number and membership status of all gardens is currently being reviewed and re-assessed. An update will be available shortly). 4. The names of new members of the national network since last meeting: No new members in the last reporting period. 5. Meetings, workshops and/or conferences organized by the national network or by the members in reported period (title, date and place, organizers, homepage): 16-18.2.2009 - Workshop “Study and determination of critical groups of Vascular Flora from Presila Catanzaresi (Calabria)”, organised by Calabria Botanic Garden on the exsiccata from the annual excursion of the floristic group of the Italian Botanical Society.
    [Show full text]
  • 9.6.–9.9.2018 Press
    9.6.–9.9.2018 Press Kit The Berlin Biennale is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and organized by KUNST-WERKE BERLIN e. V. CONTENT • Factsheet • 7.3.2018 10th Berlin Biennale Announces Venues • 14.2.2018 First Iteration of School of Anxiety in Johannesburg and Upcoming Event in Nairobi • 30.6.2017 Launch of the Public Program I’m Not Who You Think I’m Not • 29.4.2017 Berlin Biennale for Contemporary Art Announces Curatorial Team • 29.11.2016 German Federal Cultural Foundation Increases Funding • 24.11.2016 Gabi Ngcobo Appointed as Curator of the 10th Berlin Biennale for Contemporary Art As of March 20, 2018/subject to change FACTSHEET Title We don’t need another hero Curator Gabi Ngcobo Curatorial Team Nomaduma Rosa Masilela Serubiri Moses Thiago de Paula Souza Yvette Mutumba Director Gabriele Horn Duration of the Exhibition 9.6.–9.9.2018 Press Conference and Press Preview Press conference: 7.6.2018, 11 am, Akademie der Künste Press preview: 7.–8.6.2018, 10 am–6 pm, all venues (press accreditation necessary) Opening 8.6.2018, 7–10 pm, all venues (open to the public) First Day Open to the Public 9.6.2018, 11 am–7 pm Venues Akademie der Künste Hanseatenweg 10, 10557 Berlin-Tiergarten KW Institute for Contemporary Art Auguststraße 69, 10117 Berlin-Mitte ZK/U – Center for Art and Urbanistics Siemensstraße 27, 10551 Berlin-Moabit Volksbühne Pavilion Rosa-Luxemburg-Platz, 10178 Berlin-Mitte Opening Hours Wed–Mon 11 am–7 pm, Thu 11 am–9 pm All venues are closed on Tuesdays Press Accreditation Accreditation for the press preview will take place in spring 2018 via an online form.
    [Show full text]
  • Theatre/Dance
    Grants awarded in March 2008 PRODUCTION NAME AMOUNT Dance Theatre of Ireland performing a three week tour in Korea and a four week collarorative residency with the Korean theatre company “Now Dance”,from the 16th August to 6th October 2008 €40,000 Ballymun Arts and Community Resourse Centre Axis Arts Centre presenting a one night show and conducting workshops from 14th - 29th June 2008 at Barrow Street Theatre €7,000 The Gate Theatre presenting its Beckett Season at the 2008 Lincoln Center Festival, New York from the 10th - 28th July 2008 €50,000 Rough Magic Theatre Company performing their award winning production of “Improbable Frequency” by Arthur Riordan at the 59E59 Theatre, New York from the 8th December 2008 - 4th January 2009 €80,000 Geoff Gould Blood in the Alley performing “Catalpa” at The London Fringe Festival, Ontario, Angigonish Festival, Nova Scotia and Festival Gros Morne, Newfoundland, Canada from the 31st July - 20th August 2008 €4,000 The Irish Repertory Theatre Frank McGuinness’ adaptation of Henrik Ibsen’s”The Master Builder” being performed at the Irish Repertory Theatre, 132 West 22nd Street, New York, USA in summer 2008 €5,000 Fishamble Theatre Company performing “The Pride of Parnell Street” by Sebastian Barry at the New Plays from Europe theatre Biennale, Wiesbaden, Germany 13th - 16th June 2008 €7,000 Greek - Irish Society Declan Hughes speaking about his work “Shiver” at the Athens Centre, Greece on the 12th June 2008 €750 The Montana Repertory Theatre performing Anaconda Ashes at the Mother Lode Theatre, in
    [Show full text]
  • Download an Explorer Guide +
    PORTOVENERE ITALY he ancient town of Portovenere looks T as if a brilliant impressionist painting has come to life. This romantic sentiment may not have been shared by those defending or assaulting the town over the past 1,000 years. However, today it can be said with relative cer- tainty that there is little chance of an attack by the Republic of Pisa, Saracen pirates, barbaric hordes or French Emperors. In other words, relax, have fun and enjoy your day in lovely, peaceful Portovenere. HISTORY With a population a little over 4,000, Portovenere is a small, Portovenere was founded by the Romans in the 1st century medieval town. It was built and defended by the Republic of Ge- BC. Known as Portus Veneris, it was built upon a promon- noa for nearly 800 years. This hilly point of land stretches north tory which juts out into the sea. As the empire slowly disinte- along the coast of the famous “Cinque Terre”. The town’s near- grated, Portovenere came under the eventual control of the est neighbor is the city of La Spezia, just east, around the cor- Byzantines. King Rothari of the Germanic Lombards took ner of the “Gulf of Poets”. So named for the great writers who the town, along with much of rest of Italy, the in the mid- praised, loved, lived and died in this beautiful region of Liguria, 600s. if they are somehow lost in time, Petrarch and Dante, Percy The struggle between the great Maritime Republics of Ge- Shelley and Lord Byron will forever be remembered here.
    [Show full text]
  • Popular Fiction 1814-1939: Selections from the Anthony Tino Collection
    POPULAR FICTION, 1814-1939 SELECTIONS FROM THE ANTHONY TINO COLLECTION L.W. Currey, Inc. John W. Knott, Jr., Bookseller POPULAR FICTION, 1814-1939 SELECTIONS FROM THE THE ANTHONY TINO COLLECTION WINTER - SPRING 2017 TERMS OF SALE & PAYMENT: ALL ITEMS subject to prior sale, reservations accepted, items held seven days pending payment or credit card details. Prices are net to all with the exception of booksellers with have previous reciprocal arrangements or are members of the ABAA/ILAB. (1). Checks and money orders drawn on U.S. banks in U.S. dollars. (2). Paypal (3). Credit Card: Mastercard, VISA and American Express. For credit cards please provide: (1) the name of the cardholder exactly as it appears on your card, (2) the billing address of your card, (3) your card number, (4) the expiration date of your card and (5) for MC and Visa the three digit code on the rear, for Amex the for digit code on the front. SALES TAX: Appropriate sales tax for NY and MD added. SHIPPING: Shipment cost additional on all orders. All shipments via U.S. Postal service. UNITED STATES: Priority mail, $12.00 first item, $8.00 each additional or Media mail (book rate) at $4.00 for the first item, $2.00 each additional. (Heavy or oversized books may incur additional charges). CANADA: (1) Priority Mail International (boxed) $36.00, each additional item $8.00 (Rates based on a books approximately 2 lb., heavier books will be price adjusted) or (2) First Class International $16.00, each additional item $10.00. (This rate is good up to 4 lb., over that amount must be shipped Priority Mail International).
    [Show full text]
  • Revision of the Genus Ficus L. (Moraceae) in Ethiopia (Primitiae Africanae Xi)
    582.635.34(63) MEDEDELINGEN LANDBOUWHOGESCHOOL WAGENINGEN • NEDERLAND • 79-3 (1979) REVISION OF THE GENUS FICUS L. (MORACEAE) IN ETHIOPIA (PRIMITIAE AFRICANAE XI) G. AWEKE Laboratory of Plant Taxonomy and Plant Geography, Agricultural University, Wageningen, The Netherlands Received l-IX-1978 Date of publication 27-4-1979 H. VEENMAN & ZONEN B.V.-WAGENINGEN-1979 BIBLIOTHEEK T)V'. CONTENTS page INTRODUCTION 1 General remarks 1 Uses, actual andpossible , of Ficus 1 Method andarrangemen t ofth e revision 2 FICUS L 4 KEY TOTH E FICUS SPECIES IN ETHIOPIA 6 ALPHABETICAL TREATMENT OFETHIOPIA N FICUS SPECIES 9 Ficus abutilifolia (MIQUEL)MIQUEL 9 capreaefolia DELILE 11 carica LINNAEUS 15 dicranostyla MILDBRAED ' 18 exasperata VAHL 21 glumosu DELILE 25 gnaphalocarpa (MIQUEL) A. RICHARD 29 hochstetteri (MIQUEL) A. RICHARD 33 lutea VAHL 37 mallotocarpa WARBURG 41 ovata VAHL 45 palmata FORSKÀL 48 platyphylla DELILE 54 populifolia VAHL 56 ruspolii WARBURG 60 salicifolia VAHL 62 sur FORSKÂL 66 sycomorus LINNAEUS 72 thonningi BLUME 78 vallis-choudae DELILE 84 vasta FORSKÂL 88 vogelii (MIQ.) MIQ 93 SOME NOTES ON FIGS AND FIG-WASPS IN ETHIOPIA 97 Infrageneric classification of Hewsaccordin gt o HUTCHINSON, related to wasp-genera ... 99 Fig-wasp species collected from Ethiopian figs (Agaonid associations known from extra- limitalsample sadde d inparentheses ) 99 REJECTED NAMES ORTAX A 103 SUMMARY 105 ACKNOWLEDGEMENTS 106 LITERATURE REFERENCES 108 INDEX 112 INTRODUCTION GENERAL REMARKS Ethiopia is as regards its wild and cultivated plants, a recognized centre of genetically important taxa. Among its economic resources, agriculture takes first place. For this reason, a thorough knowledge of the Ethiopian plant cover - its constituent taxa, their morphology, life-cycle, cytogenetics etc.
    [Show full text]
  • The Pamphilj and the Arts
    The Pamphilj and the Arts Patronage and Consumption in Baroque Rome aniè C. Leone Contents Preface 7 Acknoweedgments 9 Introduction 11 Stephanie C. Leone The Four Rivers Fountain: Art and Buieding Technoeogy in Pamphiei Rome 23 Maria Grazia D Amelio and Tod A. Marder The Aedobrandini Lunettes: from Earey Baroque Chapee Decoration to Pamphiej Art Treasures 37 Catherine Pnglisi Cannocchiaei Pamphiej per ee steeee, per i quadri e per tutto ie resto 47 Andrea G. De Marchi Committenze artistiche per ie matrimonio di Anna Pamphiej e Giovanni Andrea III Doria Landi (1671) 55 Lanra Stagno Notes on Aeessandro Stradeeea, L’avviso al Terrò giunto 77 Carolyn Giantnrco and Eleanor F. McCrickard L’avviso al Terrò giunto (Onge Tirer had reen apprised) 78 Alessandro Stradella The Jesuit Education of Benedetto Pamphiej at the Coeeegio Romano 85 Pani F. Grendler Too Much a Prince to be but a Cardinae: Benedetto Pamphiej and the Coeeege of Cardinaes in the Age of the Late Baroque 95 James M. Weiss Cardinae Benedetto Pamphiej’s Art Coeeection: Stiee-eife Painting and the Cost of Coeeecting 113 Stephanie C. Leone Cardinae Benedetto Pamphiej and Roman Society: Pestivaes, Peases, and More 139 Daria Borghese Benedetto Pamphiej’s Suneeower Carriage and the Designer Giovanni Paoeo Schor 151 Stefanie Walker Le conversazioni in musica: Cargo Prancesco Cesarini, virtuoso di Sua Ecceeeenza Padrone 161 Alexandra Nigito Pamphiej as Phoenix: Themes of Resurrection in Handee’s Itaeian Works 189 Ellen T. Harris The Power of the Word in Papae Rome: Pasquinades and Other Voices of Dissent 199 Lanrie Shepard “PlORlSCONO Dl SPEENDORE EE DUE COSPICUE LIBRARIE DEE SIGNOR CARDINAEE BENEDETTO PaMEIEIO”: STUDI E RICERCHE SUGEI INVENTARI INEDITI Dl UNA PERDUTA BiBEIOTECA 211 Alessandra Mercantini Appendice.
    [Show full text]