Manifesta 12 Palermo Biennial Concept Unveiled: the Planetary Garden
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Francesco Lojacono (1838-1915) E Il Suo Rapporto Con L’Orto Botanico Di Palermo
Quad. Bot. Ambientale Appl., 27 (2016): 43-49. Pubblicato online: 09.10.2019 http://www.quadernibotanicambientaleappl.it Francesco Lojacono (1838-1915) e il suo rapporto con l’Orto Botanico di Palermo V. Magro1, F. La Sorte1 & F.M. raiMondo2 1Società cooperativa Cultura Botanica, via Lincoln 13-15, i - 90123 Palermo. 2dipartimento SteBiCeF/Sezione di Botanica ed ecologia vegetale, Via archirafi 38, i - 90123 Palermo. aBStraCt.–Francesco Lojacono (1838-1915) and his relationship with the Botanical Garden of Palermo – the figure of the painter Francesco Lojacono (1838-1915), defined as the most famous Sicilian landscape painter of the 1800’s, and in particular his paintings inspired by the Botanical garden of Palermo are here analyzed and commented. after brief biographic references of the famous artist, the authors analyze the works inspired to the Botanical garden placed in Public institutions and private collections. they are five works for each of which synthetic description cards with their own pictures are presented. Finally, the evaluation of places and subjects is offered. Key words: botany and art, painting, Sicilian ‘800, landscape painting, Verismo. introduzione note BiograFiChe e artiStiChe Su FranCeSCo LojaCono non tutti gli orti botanici offrono valori estetici suscettibili Francesco Lojacono nasce a Palermo il 16 maggio 1838 da attrarre l’attenzione di artisti sensibilizzati dalle piante che dove muore il 27 febbraio 1915. il padre, Luigi, pittore ospitano o dal paesaggio che esprimono per farne oggetto di anche lui, lo istrada nell’arte dallo stesso praticata. Luigi soggetti della loro arte. in realtà, quello di Palermo comincia Lojacono dipingeva scenari di battaglia soprattutto. -
The Duchess Guide
DISCOVER ITALIA! The Duchess Guide In his quest for the ultimate Sicily itinerary, James Miller decided to consult one of the island’s noble ambassadors, Nicoletta Polo, the Duchess of Palma isiting somewhere as special as Sicily can present a dilemma as there are so many guide books and television programmes covering the Mediterranean’s most majestic island. You can either find yourself spoilt for choice or totally bewildered when Vconsidering what to see and do. And no trip to Sicily should be squandered by not having prepared an amazing itinerary of activities to enjoy. An enviable problem I’ll confess, but one I intended to solve nevertheless, so I met with one of the island’s most prominent and cultured ambassadors; a lady who can offer the ‘discerning’ visitor an insight into the true Sicily and its captivating appeal, the Duchess of Palma, Nicoletta Polo. Nicoletta and I are old friends from my previous adventures in 1. Ortigia First on the list was Ortigia. Nicoletta Polo Lanza Tomasi, Duchess Sicily and whenever I return to see her I’m welcomed with such “I adore Ortigia,” Nicoletta of Palma di Montechiaro warmth it’s like visiting a kind and benevolent aunt, although warmly expressed her I don’t boast such lofty connections with my own family as sentiments about this small Nicoletta is an Italian noblewoman. Her husband is the heir of and charming island that is Giuseppe Tomasi di Lampedusa, the author of one of the most the beating heart of ancient important works in Italian literary culture, Il Gattopardo (The Syracuse. -
Traits D'union.S, Le Tiers Programme, Les Parallèles Du
Under the High Patronage of Mr Emmanuel MACRON President of the French Republic Manifesta 13 Marseille in 2020 One Biennale, Three Programmes: Traits d’union.s, Le Tiers Programme, Les Parallèles du Sud Press release — 1 Over the course of the past 12 editions - starting in Rotterdam in 1996 Marseille and travelling to Marseille in 2020, via Ljubljana in 2000, Saint-Petersburg 27th of February 2020 in 2014 and Palermo in 2018 and before going to Prishtina in 2022 - Manifesta has consistently chosen unexpected host cities to reflect upon the pressing issues and transformations that Europe is facing today. Given its nomadic nature, and the need to adapt to a different location and context for each edition, Manifesta is in constant transformation, investigating the current and specific geopolitical challenges within each host city, with new commissioning partners every two years. For Manifesta 13 Marseille, which takes place this year from the 7th of June until the 1st of November 2020, the ambition is to experiment with collaborative forms of knowledge production and where renewed models of collectivity, diversity and co-existence can be tested. The question of Manifesta’s very identity, balanced between an art biennial of symbolic artistic practices and a civic instrument of social change, was specifically felt upon arriving in Palermo and Marseille, and prompted Manifesta to reinvent its research model, linking the biennial to the issues of each city. Hedwig Fijen, director of Manifesta, said: “In line with our long-term, experimental and democratic collective knowledge production, Manifesta 13 Marseille introduces an alternative mediation model in which a series of trans-disciplinary programmes now function next to each other. -
Manifesta 13 Marseille New Artistic Team Announced for Edition in 2020 MARSEILLE
MANIFESTA 13 Manifesta 13 Marseille new artistic team announced for edition in 2020 MARSEILLE Press Release — 1/5 Following the August 2018 appointment by Manifesta 13 of Dutch architect Winy Maas and urban practice MVRDV to conduct the pre-biennial research study for the Marseille city of Marseille, a new artistic team has been selected for Manifesta 13 Marseille in 17 October 2018 2020 by Director of Manifesta, Hedwig Fijen. Manifesta 13 Marseille will apply the same innovative approach introduced in Manifesta 12 Palermo, where an in-depth urban study preceded the appointment of 4 trans-disciplinary Creative Mediators who collaborated to genuinely integrate the biennial into the social, cultural, and political fabric of the city of Palermo. This model will now be continued for Manifesta 13 taking place in 2020 in Marseille with the intention to unlock the city and leave a tangible legacy as was accomplished in Palermo. This is the first time that Manifesta will hold a biennial edition in France. Acutely mirroring the current geo-political challenges both Europe and France are facing, and specifically Marseille as a city of many contradictions, this Mediterranean metropole provides an apt location to hold the European Nomadic Biennial in 2020. Manifesta is announcing the artistic team of its 13th edition: Moroccan Alya Sebti is today the director of Berlin’s ifa Gallery, has recently been the guest curator of the 13th Dak’Art, Biennial of Contemporary African Art (2018), and was Artistic Director of the 5th Marrakech Biennial; Spanish architect Marina Otero Verzier is the Director of Research and Development at Het Nieuwe Instituut in Rotterdam, The Netherlands; Moscow-based, Russian Katerina Chuchalina, is chief curator at the V-A-C Foundation in both Moscow and Venice; German Stefan Kalmár is currently the director of the ICA in London, formerly director of Artists Space New York City, and Kunstverein München, and former resident of Marseille having lived in the city for 12 years. -
Vernon H. Heywood the Cultural Heritage Of
Bocconea 28: 161-172 https://doi.org/10.7320/Bocc28.161 Version of Record published online on 22 November 2019 Vernon H. Heywood The cultural heritage of Mediterranean botanic gardens* Abstract Heywood, V. H.: The cultural heritage of Mediterranean botanic gardens. — Bocconea 28: 161- 172. 2019. — ISSN: 1120-4060 printed, 2280-3882 online. Mediterranean botanic gardens represent a rich and diverse cultural heritage, both tangible and intangible. They include spectacular landscapes and the plantings include many important intro- ductions of both ornamental and economically important species. The gardens also contain many buildings of great architectural merit, some historic, some modern. Also important are the historic glasshouses and shade houses. Many of these gardens contain important herbarium collections that have served a key role in the preparation of Floras and major botanical libraries containing historical works of great value as well as works of art, sculptures paintings, drawings, and other illustrations and invaluable historic archives. The intangible cultural heritage of these gardens is represented by the impact that they have had the inhabitants of the cities and towns in which they are located and on generations of visitors – students, professionals and the public. With the decline of teaching and research in botany as a university discipline, some of these collections are at risk of dispersal or an even worse fate. In the face of these uncertainties a series of proposals to help safeguard this invaluable heritage is given, including the compilation of an inventory of these his- torically important buildings, libraries, works of art and archives and the use of the latest scanning and imaging techniques so that a visual record is prepared. -
National Report for Italy Period Covered: 2009 & 1St Semester 2010
European Botanic Gardens Consortium Supporting and linking botanic gardens throughout Europe National Report for Italy Period covered: 2009 & 1st semester 2010 1. Name of the national network of botanical gardens and its website address: Gruppo Orti Botanici e Giardini Storici della Società Botanica Italiana Working group for Botanic and Historical Gardens of the Italian Botanical Society. http://www.societabotanicaitaliana.it/laygruppo.asp?IDSezione=20 2. Name and address (with e-mail and telephone/fax) of the national representatives in EBGC: Temporary delegates: Costantino Bonomi, Trento Botanic Gardens, c/o Trento Natural History Museum, Via Calepina 14, I-38100 Trento, Italy. URL www.mtsn.tn.it, tel. +390461 270381, mobile +39348 3044940, fax +390461 270376, e-mail [email protected], skype: cosbon Gianni Bedini, Horti Praefectus, Pisa Botanic Garden, Department of Bio logy, Pisa University, via Luca Ghini 5, I-56126 Pisa, Italy. Tel.: +39 050 2211314, fax: +39 050 2211309, e-mail [email protected], skype: gbedini 3. Total number of current members of the national network of botanical gardens: Approx. 70 members on a total of approx. 110 Gardens (the actual number and membership status of all gardens is currently being reviewed and re-assessed. An update will be available shortly). 4. The names of new members of the national network since last meeting: No new members in the last reporting period. 5. Meetings, workshops and/or conferences organized by the national network or by the members in reported period (title, date and place, organizers, homepage): 16-18.2.2009 - Workshop “Study and determination of critical groups of Vascular Flora from Presila Catanzaresi (Calabria)”, organised by Calabria Botanic Garden on the exsiccata from the annual excursion of the floristic group of the Italian Botanical Society. -
9.6.–9.9.2018 Press
9.6.–9.9.2018 Press Kit The Berlin Biennale is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and organized by KUNST-WERKE BERLIN e. V. CONTENT • Factsheet • 7.3.2018 10th Berlin Biennale Announces Venues • 14.2.2018 First Iteration of School of Anxiety in Johannesburg and Upcoming Event in Nairobi • 30.6.2017 Launch of the Public Program I’m Not Who You Think I’m Not • 29.4.2017 Berlin Biennale for Contemporary Art Announces Curatorial Team • 29.11.2016 German Federal Cultural Foundation Increases Funding • 24.11.2016 Gabi Ngcobo Appointed as Curator of the 10th Berlin Biennale for Contemporary Art As of March 20, 2018/subject to change FACTSHEET Title We don’t need another hero Curator Gabi Ngcobo Curatorial Team Nomaduma Rosa Masilela Serubiri Moses Thiago de Paula Souza Yvette Mutumba Director Gabriele Horn Duration of the Exhibition 9.6.–9.9.2018 Press Conference and Press Preview Press conference: 7.6.2018, 11 am, Akademie der Künste Press preview: 7.–8.6.2018, 10 am–6 pm, all venues (press accreditation necessary) Opening 8.6.2018, 7–10 pm, all venues (open to the public) First Day Open to the Public 9.6.2018, 11 am–7 pm Venues Akademie der Künste Hanseatenweg 10, 10557 Berlin-Tiergarten KW Institute for Contemporary Art Auguststraße 69, 10117 Berlin-Mitte ZK/U – Center for Art and Urbanistics Siemensstraße 27, 10551 Berlin-Moabit Volksbühne Pavilion Rosa-Luxemburg-Platz, 10178 Berlin-Mitte Opening Hours Wed–Mon 11 am–7 pm, Thu 11 am–9 pm All venues are closed on Tuesdays Press Accreditation Accreditation for the press preview will take place in spring 2018 via an online form. -
Theatre/Dance
Grants awarded in March 2008 PRODUCTION NAME AMOUNT Dance Theatre of Ireland performing a three week tour in Korea and a four week collarorative residency with the Korean theatre company “Now Dance”,from the 16th August to 6th October 2008 €40,000 Ballymun Arts and Community Resourse Centre Axis Arts Centre presenting a one night show and conducting workshops from 14th - 29th June 2008 at Barrow Street Theatre €7,000 The Gate Theatre presenting its Beckett Season at the 2008 Lincoln Center Festival, New York from the 10th - 28th July 2008 €50,000 Rough Magic Theatre Company performing their award winning production of “Improbable Frequency” by Arthur Riordan at the 59E59 Theatre, New York from the 8th December 2008 - 4th January 2009 €80,000 Geoff Gould Blood in the Alley performing “Catalpa” at The London Fringe Festival, Ontario, Angigonish Festival, Nova Scotia and Festival Gros Morne, Newfoundland, Canada from the 31st July - 20th August 2008 €4,000 The Irish Repertory Theatre Frank McGuinness’ adaptation of Henrik Ibsen’s”The Master Builder” being performed at the Irish Repertory Theatre, 132 West 22nd Street, New York, USA in summer 2008 €5,000 Fishamble Theatre Company performing “The Pride of Parnell Street” by Sebastian Barry at the New Plays from Europe theatre Biennale, Wiesbaden, Germany 13th - 16th June 2008 €7,000 Greek - Irish Society Declan Hughes speaking about his work “Shiver” at the Athens Centre, Greece on the 12th June 2008 €750 The Montana Repertory Theatre performing Anaconda Ashes at the Mother Lode Theatre, in -
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PORTOVENERE ITALY he ancient town of Portovenere looks T as if a brilliant impressionist painting has come to life. This romantic sentiment may not have been shared by those defending or assaulting the town over the past 1,000 years. However, today it can be said with relative cer- tainty that there is little chance of an attack by the Republic of Pisa, Saracen pirates, barbaric hordes or French Emperors. In other words, relax, have fun and enjoy your day in lovely, peaceful Portovenere. HISTORY With a population a little over 4,000, Portovenere is a small, Portovenere was founded by the Romans in the 1st century medieval town. It was built and defended by the Republic of Ge- BC. Known as Portus Veneris, it was built upon a promon- noa for nearly 800 years. This hilly point of land stretches north tory which juts out into the sea. As the empire slowly disinte- along the coast of the famous “Cinque Terre”. The town’s near- grated, Portovenere came under the eventual control of the est neighbor is the city of La Spezia, just east, around the cor- Byzantines. King Rothari of the Germanic Lombards took ner of the “Gulf of Poets”. So named for the great writers who the town, along with much of rest of Italy, the in the mid- praised, loved, lived and died in this beautiful region of Liguria, 600s. if they are somehow lost in time, Petrarch and Dante, Percy The struggle between the great Maritime Republics of Ge- Shelley and Lord Byron will forever be remembered here. -
Popular Fiction 1814-1939: Selections from the Anthony Tino Collection
POPULAR FICTION, 1814-1939 SELECTIONS FROM THE ANTHONY TINO COLLECTION L.W. Currey, Inc. John W. Knott, Jr., Bookseller POPULAR FICTION, 1814-1939 SELECTIONS FROM THE THE ANTHONY TINO COLLECTION WINTER - SPRING 2017 TERMS OF SALE & PAYMENT: ALL ITEMS subject to prior sale, reservations accepted, items held seven days pending payment or credit card details. Prices are net to all with the exception of booksellers with have previous reciprocal arrangements or are members of the ABAA/ILAB. (1). Checks and money orders drawn on U.S. banks in U.S. dollars. (2). Paypal (3). Credit Card: Mastercard, VISA and American Express. For credit cards please provide: (1) the name of the cardholder exactly as it appears on your card, (2) the billing address of your card, (3) your card number, (4) the expiration date of your card and (5) for MC and Visa the three digit code on the rear, for Amex the for digit code on the front. SALES TAX: Appropriate sales tax for NY and MD added. SHIPPING: Shipment cost additional on all orders. All shipments via U.S. Postal service. UNITED STATES: Priority mail, $12.00 first item, $8.00 each additional or Media mail (book rate) at $4.00 for the first item, $2.00 each additional. (Heavy or oversized books may incur additional charges). CANADA: (1) Priority Mail International (boxed) $36.00, each additional item $8.00 (Rates based on a books approximately 2 lb., heavier books will be price adjusted) or (2) First Class International $16.00, each additional item $10.00. (This rate is good up to 4 lb., over that amount must be shipped Priority Mail International). -
Revision of the Genus Ficus L. (Moraceae) in Ethiopia (Primitiae Africanae Xi)
582.635.34(63) MEDEDELINGEN LANDBOUWHOGESCHOOL WAGENINGEN • NEDERLAND • 79-3 (1979) REVISION OF THE GENUS FICUS L. (MORACEAE) IN ETHIOPIA (PRIMITIAE AFRICANAE XI) G. AWEKE Laboratory of Plant Taxonomy and Plant Geography, Agricultural University, Wageningen, The Netherlands Received l-IX-1978 Date of publication 27-4-1979 H. VEENMAN & ZONEN B.V.-WAGENINGEN-1979 BIBLIOTHEEK T)V'. CONTENTS page INTRODUCTION 1 General remarks 1 Uses, actual andpossible , of Ficus 1 Method andarrangemen t ofth e revision 2 FICUS L 4 KEY TOTH E FICUS SPECIES IN ETHIOPIA 6 ALPHABETICAL TREATMENT OFETHIOPIA N FICUS SPECIES 9 Ficus abutilifolia (MIQUEL)MIQUEL 9 capreaefolia DELILE 11 carica LINNAEUS 15 dicranostyla MILDBRAED ' 18 exasperata VAHL 21 glumosu DELILE 25 gnaphalocarpa (MIQUEL) A. RICHARD 29 hochstetteri (MIQUEL) A. RICHARD 33 lutea VAHL 37 mallotocarpa WARBURG 41 ovata VAHL 45 palmata FORSKÀL 48 platyphylla DELILE 54 populifolia VAHL 56 ruspolii WARBURG 60 salicifolia VAHL 62 sur FORSKÂL 66 sycomorus LINNAEUS 72 thonningi BLUME 78 vallis-choudae DELILE 84 vasta FORSKÂL 88 vogelii (MIQ.) MIQ 93 SOME NOTES ON FIGS AND FIG-WASPS IN ETHIOPIA 97 Infrageneric classification of Hewsaccordin gt o HUTCHINSON, related to wasp-genera ... 99 Fig-wasp species collected from Ethiopian figs (Agaonid associations known from extra- limitalsample sadde d inparentheses ) 99 REJECTED NAMES ORTAX A 103 SUMMARY 105 ACKNOWLEDGEMENTS 106 LITERATURE REFERENCES 108 INDEX 112 INTRODUCTION GENERAL REMARKS Ethiopia is as regards its wild and cultivated plants, a recognized centre of genetically important taxa. Among its economic resources, agriculture takes first place. For this reason, a thorough knowledge of the Ethiopian plant cover - its constituent taxa, their morphology, life-cycle, cytogenetics etc. -
The Pamphilj and the Arts
The Pamphilj and the Arts Patronage and Consumption in Baroque Rome aniè C. Leone Contents Preface 7 Acknoweedgments 9 Introduction 11 Stephanie C. Leone The Four Rivers Fountain: Art and Buieding Technoeogy in Pamphiei Rome 23 Maria Grazia D Amelio and Tod A. Marder The Aedobrandini Lunettes: from Earey Baroque Chapee Decoration to Pamphiej Art Treasures 37 Catherine Pnglisi Cannocchiaei Pamphiej per ee steeee, per i quadri e per tutto ie resto 47 Andrea G. De Marchi Committenze artistiche per ie matrimonio di Anna Pamphiej e Giovanni Andrea III Doria Landi (1671) 55 Lanra Stagno Notes on Aeessandro Stradeeea, L’avviso al Terrò giunto 77 Carolyn Giantnrco and Eleanor F. McCrickard L’avviso al Terrò giunto (Onge Tirer had reen apprised) 78 Alessandro Stradella The Jesuit Education of Benedetto Pamphiej at the Coeeegio Romano 85 Pani F. Grendler Too Much a Prince to be but a Cardinae: Benedetto Pamphiej and the Coeeege of Cardinaes in the Age of the Late Baroque 95 James M. Weiss Cardinae Benedetto Pamphiej’s Art Coeeection: Stiee-eife Painting and the Cost of Coeeecting 113 Stephanie C. Leone Cardinae Benedetto Pamphiej and Roman Society: Pestivaes, Peases, and More 139 Daria Borghese Benedetto Pamphiej’s Suneeower Carriage and the Designer Giovanni Paoeo Schor 151 Stefanie Walker Le conversazioni in musica: Cargo Prancesco Cesarini, virtuoso di Sua Ecceeeenza Padrone 161 Alexandra Nigito Pamphiej as Phoenix: Themes of Resurrection in Handee’s Itaeian Works 189 Ellen T. Harris The Power of the Word in Papae Rome: Pasquinades and Other Voices of Dissent 199 Lanrie Shepard “PlORlSCONO Dl SPEENDORE EE DUE COSPICUE LIBRARIE DEE SIGNOR CARDINAEE BENEDETTO PaMEIEIO”: STUDI E RICERCHE SUGEI INVENTARI INEDITI Dl UNA PERDUTA BiBEIOTECA 211 Alessandra Mercantini Appendice.