AU Receives National Exposure Four Times Inspired By, Demonstrates
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Front Line Assembly Vanished Mp3, Flac, Wma
Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs. -
Paradise Lost – Live at Rockpalast 1995
Paradise Lost – Live at Rockpalast 1995 (62:27, CD+DVD, MiG-Music, 2019) Beim Rockpalast handelt es sich um eine Fernsehsendung des Westdeutschen Rundfunks, welche mit Unterbrechungen seit 1974 existiert. Im Rahmen des Formates wurden in der Vergangenheit auch immer wieder Festivals produziert, um später die Auftritte der verschiedenen Bands im Fernsehen zu übertragen. Der Titel „Live at Rockpalast 1995“ für dieses Album ist daher erst einmal ein wenig irreführend, da es sich bei vorliegendem Ton- und Bilddokument um den Auftritt von Paradise Lost beim Bizarre Festival 1995 handelt. Das Bizarre existierte zu diesem Zeitpunkt schon seit acht Jahren und war gerade auf dem Weg, sich zu Deutschlands Festival Nummer Eins für alternative Musik jeglicher Couleur zu mausern. Bis zu diesem Zeitpunkt waren u.a. so namhafte Bands wie Siouxsie and the Banshees, New Model Army, Iggy Pop, Einstürzende Neubauten, Ramones, The Pogues, Pixies, Sonic Youth, Bad Religion, Die Ärzte und Biohazard beim Bizarre Festival aufgetreten. Dabei hatte das Festival über die Jahre hinweg immer wieder seinen Veranstaltungsort gewechselt. Nach mehreren Gastspielen in Berlin und auf dem Loreleyfelsen in Sankt Goarshausen sowie Gastspielen in Gießen und Alsfeld, fand das Bizarre 1994 zum ersten Mal in Köln statt. 1995 kehrten die Veranstalter in die Domstadt zurück. Allerdings wählten sie dieses Mal nicht den Kölner Jugendpark als Location, sondern stattdessen einen staubigen und herzlosen Deutzer Parkplatz namens P23 – jenen Ort, an dem schon im Folgejahr mit dem Beginn der Kölnarena (heute Lanxess Arena) begonnen werden sollte. Paradise Lost waren 1995 im Zenit ihres Erfolges angekommen. Die Band aus dem englischen Halifax war Anfang der 90er neben Anathema und My Dying Bride zu den „Big Three“ des Gothic Metal gerechnet worden. -
DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
Various Organism 02 Mp3, Flac, Wma
Various Organism 02 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Organism 02 Country: Germany Released: 1995 Style: Trance, Abstract, Ambient MP3 version RAR size: 1804 mb FLAC version RAR size: 1926 mb WMA version RAR size: 1246 mb Rating: 4.6 Votes: 535 Other Formats: MP2 RA VOX ASF TTA DXD FLAC Tracklist Hide Credits Infra-Stellar 1 –Delerium 8:16 Written-By – Leeb*, Fulber* Anemone 2 –Nigel 9:09 Written-By – D. James P.D. 3 –Keith Arem 3:30 Written-By – Keith Arem Exitrance 4 –DVR8* 6:32 Written-By – R. Lakovic* Alpha-Coma 5 –Sect 11:46 Written-By – McEvoy*, Victory* Paramedilia 6 –Pilgrims Of The Mind 6:34 Written-By – S. Novak* Trans-Humanaist 7 –Delerium 10:09 Written-By – Leeb*, Fulber* Equilibrium 8 –Adham Shaikh 7:10 Written-By – Shaikh* Relativity 9 –Adham Shaikh 6:34 Written-By – Shaikh* Companies, etc. Published By – Esoteric Music Distributed By – EFA – 08464-2 Pressed By – BOD Berlin Optical Disc Credits Compiled By [Construction By] – Bill Leeb, Rhys Fulber Cover – Techno Grafix Van. B.C.* Notes [On back sleeve:] Published by Esoteric Music 1994 Vancouver Canada. Cryogenic Studio Contact: 1250 West 6th Ave. Vancouver B. C. Canada VGH 1A3 Dossier Records · Koloniestr. 25 A · D-13359 Berlin · Published 1995 · Made in Germany [On label:] Made in Germany 1995 Barcode and Other Identifiers Barcode (Text): 0 718750 846426 Barcode (Scanned): 0718750846426 Matrix / Runout: BOD EFA 08464 Rights Society: GEMA Label Code: LC 8603 Related Music albums to Organism 02 by Various Adham Shaikh - Resonance (Selected Ambient Works) Various - Organism 03 Front Line Assembly, Bill Leeb, Friends And Company - Cryogenic Studios Delerium - Syrophenikan Delerium - Nuages Du Monde Delerium - Euphoria (Firefly) Rabbit In The Moon Mixes Delerium - Chimera Front Line Assembly - The Initial Command Adham Shaikh - Essence Michel Leeb - Dis Lui. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Paranoia Metal Show
CRITICAS DE CDS Paradise Lost Título One Second Sello Music for Nations “Y por un segundo perdí el aliento. Y por un segundo desee que Paradise Lost estuvieran muertos. Y por un segundo me pareció estar solo ante el dilema...” Esto es lo que ocurre cuando un se re-escucha “One Second” desde una perspectiva más madura y abierta, opuesta a una anterior visión de este trabajo, encasillada y simple. Si Paradise Lost dicen que desde el principio se juntaron para hacer música “INNOVADORA” no se podía esperar ni una segunda parte de “Draconian Times”, ni la repetición de “Lost Paradise” porque iría en contra de los principios de un grupo que jamás se ha puesto ninguna etiqueta, se las han puesto los demás. Así que los que dijeron que con “Gothic” Paradise Lost eran un grupo de Death Gótico, como los que les clasificaron de Metal Gótico a la salida del “Icon” se han tenido que callar, aunque la mayoría han preferido hacer una burda crítica de “One Second” totalmente falta de argumentos. Para que se enteren, se define a la música, no a los músicos. A diferencia de grupos como Metallica, que SÏ han perdido su identidad vendiéndole el alma a Dios, después de comprársela al Diablo, Paradise Lost siguen con las melodias tristes y melancólicas de toda la vida y, a decir verdad, más agradables de escuchar que las de “Shades Of God”, por ejemplo. Y nada hay q u e decir las letras más que remarcar su madurez y casi perfección. Es la elección (no poco dura) del preciosismo en detracción de la corrosión y la muerte de la brutalidad en pro de la melodía lo que la gente no llega a asimilar, metidos todos ellos en su celda de oportunismo, que sólo dan a abrir en sus intentos de degollar, de oreja a oreja, a todo aquel que no cumpla con sus expectativas. -
A DICTIONARY of SYMBOLS, Second Edition
A DICTIONARY OF SYMBOLS A DICTIONARY OF SYMBOLS Second Edition by J. E. CIRLOT Translated from the Spanish by JACK SAGE Foreword by Herbert Read LONDON Translated from the Spanish DICCIONARIO DE SIMBOLOS TRADICIONALES This edition published in the Taylor & Francis e-Library, 2001. English translation © Routledge & Kegan Paul Ltd 1962 Second edition 1971 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data available. ISBN 0–415–03649–6 (Print Edition) ISBN 0-203-13375-7 Master e-book ISBN ISBN 0-203-18928-0 (Glassbook Format) CONTENTS FOREWORD page ix INTRODUCTION xi DICTIONARY 1 BIBLIOGRAPHY OF PRINCIPAL SOURCES 387 ADDITIONAL BIBLIOGRAPHY 389 INDEX 401 PLATES Between pages 104 and 105 I. Roman sculpture incorporating symbolic motifs II. Modesto Cuixart. Painting, 1958 III. Portal of the church of San Pablo del Campo, Barcelona IV. Silver chalice, from Ardagh, Co. Longford V. Tenth-century monument at Clonmacnois VI. Chinese version of the cosmic dragon VII. A renaissance relief, from the Doge’s Palace at Venice VIII. Capitals, monastery of Santo Domingo de Silos IX. Early Christian Symbol—thirteenth-century gravestone X. Gothic fountain—Casa del Arcediano, Barcelona XI. Giorgione, The Storm XII. Roman statue of the Twins XIII. Gothic Miniature of The Apparition of the Holy Grail XIV. Bosch, Garden of Delights XV. Portal of the Romanesque cathedral at Clonfert, Co. -
Front Line Assembly - Bio
FRONT LINE ASSEMBLY - BIO Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released the classic album, Tactical Neural Implant, which has become for many, the genre's crowning moment. To this day, TNI still defines the best of industrial music. FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial's perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. -
The New Soul of an Old Machine | 80S Essentials, Industrial Revolution
80s Essentials, Industrial Revolution [Because the decade was a formative time for so much more than just our beloved heavy metal, today we're pleased to present you with a look at fifteen essential industrial albums from the 1980s.] I’m neither historian nor sociologist enough to speak to the politico- economic milieu that shaped industrial music’s formative clatterings, but a few general observations may suffice. The advanced industrial world was hardly being ground in the same way as by the ravenous gears of the late- eighteenth/early-nineteenth century Industrial Revolution (cf. Friedrich Engels on The Condition of the Working Class in England), but the 1970s and ‘80s saw an increasingly aggressive attack on the social welfare state that had so flourished in the three or four decades since the end of World War II. The elections of Margaret Thatcher, Ronald Reagan, and Helmut Kohl (in Britain, the U.S., and West Germany, respectively) ushered in an era of neoliberal government retrenchment that would largely define the domestic political debate in the years to follow, while throwing the (often uneasy) balance between capital and labor into disrepair throughout the rich world. Reagan’s tough-talking rhetoric meant that many of the signs of rapprochement and detente that had offered brief glimmers of, if not hope, then perhaps bleakly muted optimism in the 1970s gave way to a renewed era of Cold War stridency and military hand-wringing. In many ways, then, the same social, political, economic, and cultural context that led to the development of punk’s disaffected worldview and heavy metal’s increasingly doom-saying weightiness would also provide grist for the eternally wending mill of nascent musical experimentalism that gradually coalesced into industrial music. -
Nachtplan-2017 01 02
Nr. 83 01/02 2017 über 210 Ausflugsziele! Parties & Konzerte in der Region Ruhrgebiet-Düsseldorf-Köln-Krefeld-Leverkusen-Münster-Wuppertal-Aachen-Bonn www.nachtplan.info 1 | np Hallo zusammen, die Jahresrückblicke und Bestenlisten sind nun hoffentlich alle durch und aus- gewertet. Also auf ein Neues. 2017 wird ein spannendes Jahr, wenn man sich die Geschehnisse in der Welt ansieht. Doch mit diesem „Neustart“ gibt es wieder neue Chancen, neue Ziele und wohl ebenso neue Herausforderungen und Aben- teuer zu bestehen. Es kann sicher auch alles bleiben wie es ist und nur eine neue Wiederholung mit neuer Jahreszahl werden im Hamsterrad. Auf jeden Fall wird es hier mit den vielen anstehenden Festivals, den Clubabenden und den vielen Konzerten auch im neuen Jahr nicht wirklich langweilig. Viel Vergnügen bei allem, was ihr macht, wünschen Andreas und das nachtplan-Team Inhalt Impressum Charts 9 Termine, Redaktion & Anzeigenschaltung: Dem Doktor seine Seite 23 Andreas Behnke Musik-Tipp 24 [email protected] DJ – Mixe 25 Mobil: 0170 – 2 83 82 16 Der tote Winkel 27 deadline – FilmTipp 29 Coverphoto © RomanKasperski.de Planlos durch die Nacht 31 Model: Amok Pika Bodystyler – Interview 32 Kalender 13, 15, 17, 19, 21, 35, 37, 39, 41, 43 Layout: Brigitta Settels Adressen 45, 46 Druckerei: www.color-offset-waelter.de 3 | np KILLPOP EVENTS & MATRIX BOCHUM PRÄSENTIEREN: FR. 06.01.2017 | BOCHUM ROCKPALAST SA. 04.03.2017 | BOCHUM ROCKPALAST MELOTRON | KNIGHT$ NACHTGESCHREI FR. 13.01.2017 | BOCHUM ROCKPALAST SA. 04.03.2017 | BOCHUM CHRISTUSKIRCHE DIE KAMMER | PAULINE PARIS SOLAR FAKE FR. 13.01.2017 | OBERHAUSEN TURBINENHALLE SA. 18.03.2017 | BOCHUM ROCKPALAST FIDDLER‘S GREEN | MAINFELT ORGY | DEATH VALLEY HIGH SA. -
Paradise Lost – Obsidian
Paradise Lost – Obsidian (45:18, LP / CD / Digital, Nuclear Blast, 2020) Platz zwei in den deutschen Albumcharts! Kaum zu glauben, aber mit „Obsidian“ haben Paradise Lost gerade die beste Chartsplatzierung ihrer Bandgeschichte in Deutschland geschafft. Dies ist nicht wirklich verwunderlich, denn auf ihrem neuen Album klingen die Briten wieder weitaus zugänglicher als noch auf ihren letzten beiden Veröffentlichungen. Dies war kaum zu erwarten, denn auf „The Plague Within“ (2015) und „Medusa“ (2017) hatten Paradise Lost den Weg zurück zu ihren Wurzeln im Death Doom gefunden. Beide Alben waren stilistisch am ehesten mit ihrem 1990er Debütalbum „Lost Paradise“ vergleichbar, was unter anderem anNick Holmes‚ wiedergefunder Liebe zu seinen Growls lag. Für viele Fans der ersten Stunde war dies eine Offenbarung, doch Musikliebhaber, welche die Briten erst Mitte oder gar Ende der 90er kennengelernt hatten, konnten mit dieser Entwicklung nur wenig anfangen. Mit „Obsidian“ dürfte sich dies nun ändern, denn Paradise Lost ist das Kunststück gelungen, mit ihrem neuen Album eine Brücke über ihre gesamte 32 Jahre andauernde Musikkarriere zu spannen. Für alle jene, welche die Band bisher nicht kannten: auf ihr Debütalbum „Lost Paradise“ folgte mit „Gothic“ nur ein Jahr später ein Werk, welches ein ganzes Musikgenre prägen sollte: den Gothic Metal. Zu jener Zeit bildeten sie mit ihren Peaceville-Labelkollegen Anathema und My Dying Bride das Triumvirat des Doom Metal. Mit „Shades of God“ (1992) und „Icon“ (1993) wandten sich Paradise Lost von den Growls der Anfangstage ab und erreichten ein breiteres Publikum, wonach ihnen mit „Draconian Times“ (1995) und „One Second“ (1997) der endgültige Durchbruch gelingen sollte. Musikalisch bildeten sie zu dieser Zeit das Bindeglied zwischen Metallica und den Sisters of Mercy. -
Nightlife Albums
THURSDAY, JULY 12, 2007 19 [email protected] comedy music film on line radio pop culture live downloads television DIVE DIVE DIVE: Sam Walsh, foreground, and Adam McKay nightlife captains of The Yellow Submarine. PICTURE: Bruce Mercer waikato Hannah Curwood and Simon Comber at La Commune. TONIGHT Ric Rush and Kellyn with a new The Big Pay Back at Sekure, with monthly event at The Loft Kellyn and Ric Rush. showcasing new and old house grooves, electro-funk and assorted Rubix Cuba (Australia), Dynamo beats. Go plus guests at Yellow Submarine (see main story). out of town TOMORROW (internationals) Evil, the new project from The 3Ds’ David Mitchell, at Ward SUNDAY Lane. Local support from Skelitor Bobby Brown, American R&B and Yokel Ono, door charge $15. singer, Energy Events Centre, Yellow Submarine Benefit Show Rotorua, tickets from Ticketek. (see main story). Kimbra solo acoustic show at La WEDNESDAY Commune. Regina Spektor, Russian-born Sophie serving up house classics, singer-songwriter, Bruce Mason rolling beats and funk at Sekure. Centre, Takapuna. Tickets from Ticketek. SATURDAY Unearth, Boston metalcore The Bleeders at Yellow Submarine exponents, The Studio. Tickets (see main story). from Ticketek. Paul Orion (Auckland) lashing Bobby Brown, TelstraClear Events out house, breaks and electro- Centre, Manukau. Tickets from styled tunes at Sekure. Ticket Direct. Email event info to [email protected] The submarine surfaces The Mole Music chaps are making a new stand for The Yellow Submarine. make it a nice environment to be in.” local music. “The scene relies on people coming to shows — even With a maximum capacity of more than 300 people Sam Walsh and Adam McKay, the 23-year-olds who when there is not 150 or 200 people there, even when — the bunker-like bar is deceptively large once you formed Hamilton’s fledgling Mole Music label, have it’s quite small,” says McKay.