AU Receives National Exposure Four Times Inspired By, Demonstrates

Total Page:16

File Type:pdf, Size:1020Kb

AU Receives National Exposure Four Times Inspired By, Demonstrates Fiat LuxFebruary 4, 2003 The Student Newspaper of Alfred University New business seminar AU receives national exposure to explore current issues BY JIM KRYSIAK cussed the integration of elec- “The Mac interface is friendly, STAFF WRITER tronic arts with more traditional and once students understand BY BRANDON THURNER weekly seminar. The American arts. the conceptual framework of the NEWS EDITOR Marketing Association, which The astronomy and electronic “We’re expanding the working interface, it becomes a kind of Howard advises, will also be host- arts programs at Alfred strategies of video art, print- metaphor for an idea,” Shefrin Starting this spring, College of ing a few of the speakers. University received press in the making, sonic art, digital art and said in the article. Business students will have a The requirements of the course New York Times and on Apple design. And, at the same time, AU’s recent seven-week elec- fresh course to take with the semi- are quite simple: the lecturers are Computer’s Web site during the investigating the interrelation- tronic media workshop held in nar in current business issues. to submit an assignment for stu- last two months. ships among these art forms,” China at the behest of the “We hope these speakers will dents before his or her given night The astronomy program was Shefrin was quoted in the article Central Academy of Fine Arts in tell how they’ve been successful,” as well as an outside assignment to featured in an educational sup- as saying. Beijing was also mentioned. said Professor of Marketing John be completed after he or she plement to the Jan. 12 Times, According to Shefrin, the The article can be found by Howard, “and students will hope- speaks, said Howard. If no outside titled “Is That Andromeda or a usage of Macintosh computers is searching for “Alfred fully use speakers as workplace assignment is given, then students Truck Stop on the Turnpike? an important part of these University” on the apple.com role models.” are asked to critique the speaker Finally, Focus,” by Stephanie endeavors. Web site. ❍ Howard explained that the for content and style, he added. Gutmann. main purpose of the course is to The course came to be out of The article, which discussed Kardinal Offishall give students a window on some of mutual desires from University the changing face of undergrad- the most current issues business Relations and Interim Dean of the uate astronomy studies, men- people face everyday. Experience College of Business Frank tioned AU as one of several and time have already solved Duserick, stated Vice President schools updating their astrono- problems presently in textbooks, for University Relations Michael my programs. however, more remains to be Hyde. “We are now able to see taught. “We hope that students will get objects you used to have the “Problems explained now will candid, personal reports from biggest telescopes on Earth to be written about in books five business leaders about life in the see,” said G. David Toot, associ- years from now,” said Howard, real world of business,” said Hyde. ate professor of physics, as quot- noting that this is simply too late. The ultimate goal with seminar ed in the article. Ryan Chavoustie, a sophomore additions such as this is to foster Toot went on to explain how double major in business adminis- new relationships with the outside current automated telescopes tration and economics, believes community that may eventually reduce tasks that used to take this course will give students an lead to expanded internship and up to an hour down to five min- edge in learning what being in job opportunities for students, utes. business is actually like. Speakers stated Hyde. According to Toot, there are will be able to network with stu- One issue with a university like plans underway via grant money dents and possibly be able to pick Alfred is its isolation, said to augment the Stull up some new recruits, he added. Howard. AU is constantly devis- Observatory with an additional Chavoustie had a number of ing ways to get faculty and stu- automated telescope. reasons for taking the course, dents in touch with business man- Toot said that this telescope however, the professor teaching it agers and this is just the latest of will be opened up to the Buffalo played no small role. the programs to emerge with this school system for remote access “Dr. Howard’s a very open- goal in mind, he added. as a teaching aid for high school minded professor who is more Howard has noticed that stu- classes. than willing to be more than just a dents are more excited to attend a In December, Apple faculty member, but goes out of his seminar-style class due to contact Computer posted an article way to try and be your friend as with people in the trenches of titled “Where technology and well,” said Chavoustie. business. art collide,” by Nancy Eaton, Both Howard and Chavoustie Chavoustie could not agree focusing on AU’s School of Art cite the seminar style of the class more. and Design, in particular the and rotating speakers as reasons “The most exciting part is the electronic arts program. PHOTO BY HEATHER MUCKLEY for the more than 80 students fact that it’s not the same person Jessie Shefrin, chair of enrolled in the course. speaking every week,” said expanded media at the School of Canadian hip-hop artist Kardinall Offishall performs Jan. 24 in Howard added that the open- Chavoustie. “We get to find out Art and Design, was inter- Holmes Auditorium. Opening acts included the Alfred Steppas invitation given to the rest of the many angles on how businesses viewed for the article, which dis- and a freestyle rap competition. See story p. 6. Alfred campus and community are run.” ❍ will increase attendance at the Four Times inspired by, demonstrates dedication BY EMILY WADE displayed in this act inspired the permanently trapped inside. STAFF WRITER artist, who has characterized his Besides the more prominent quest for perfection as “powerful wheel-sculptures, there are also a Anyone who has poked their head and fulfilling.” variety of smaller thrown (shaped into the Schein-Joseph Museum of Leuthold’s commitment to his on a potter’s wheel) pieces that are Ceramic Art lately may have craft is very evident in his work. papery and fragile. These small noticed the dramatic wheel and His pieces are primarily circular, and smooth pieces are striking in trumpet forms of artist Marc radiating forms that resemble Leuthold. large, spoked wheels. The sculp- SEE FOUR TIMES, PAGE 4 The sculptures are part of the tures vary greatly in tone and size. artist’s solo exhibition titled Four Some of the pieces are done in Times, which opened Jan. 14. shades of bronze and appear Index The title of Leuthold’s exhibition almost industrial, while others are Issue 8 Volume 96 comes from a passage in Booker T. decidedly bright and colorful. Washington’s autobiography, Up Though the variety of color is A & E ...................................... 4, 5, 6 From Slavery. The passage, which appealing, it is the actual texture Features...................................... 4, 5 is displayed along with the sculp- of the pieces that holds the most News ........................................... 3, 4 tures, describes Washington’s interest. The ridges that Leuthold Op/Ed ........................................ 2, 3 famous “sweeping examination.” has meticulously carved on his Sports .......................................... 7,8 Washington claimed that he was pieces give them a tactile allure. It required to clean a recitation room is difficult to restrain the urge from Our Roving Reporter gauges stu- four times so that no speck of dust running a finger across the ridges dent reaction to Super Bowl com- was found. It was only after he and hollows on the sculpture itself. mercials. See p. 5. passed this test that he was One of these circular pieces, PHOTO BY BRIAN TIBBENS allowed to enroll in the prestigious which is made of cast glass, has Catch up on what our Saxon ath- Marc Leuthold’s Four Times exhibit is on display at the Schein-Joseph Hampton Institute. even deeper layers of texture in letes have been up to since last Museum of Ceramic Art. A slide lecture will be held Feb. 7. The dedication that Washington the form of hundreds of air bubbles semester. See Saxon Scores p. 7. February 4, 2003 Editorial / Opinions — Page 2 Fiat Lux Fiat Lux COLUMN Questions of student Predictions make sports fun BY BRYAN SICK how absurd they may be, for the to the Lakers for Mark Madsen, MANAGING EDITOR year ahead. the supposed savior of the Cavs privacy raised I realize the likeliness of even who turns out to make even less Another year has half of these predictions coming of an impact than he did in Los When should information be considered private? started and I’m true is minimal, but being able Angeles. With New York State Attorney General Eliot Spitzer’s recent already one for two in to brag about picking 11-seed And now, the most outra- actions against the Student Marketing Group, based out of Long the area of sports pre- Southern Illinois into the Sweet geous prediction a person can Island, compounded with Alfred University’s inquiry to determine dictions. 16 is half the fun of being a make. Bud Selig will not screw the future format of the student directory, the question has been Way back in August, I made sports fan. up anything this year in Major raised, what is considered public and private knowledge? the outrageous prediction that I’ll start things off with League Baseball.
Recommended publications
  • Front Line Assembly Vanished Mp3, Flac, Wma
    Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs.
    [Show full text]
  • Paradise Lost – Live at Rockpalast 1995
    Paradise Lost – Live at Rockpalast 1995 (62:27, CD+DVD, MiG-Music, 2019) Beim Rockpalast handelt es sich um eine Fernsehsendung des Westdeutschen Rundfunks, welche mit Unterbrechungen seit 1974 existiert. Im Rahmen des Formates wurden in der Vergangenheit auch immer wieder Festivals produziert, um später die Auftritte der verschiedenen Bands im Fernsehen zu übertragen. Der Titel „Live at Rockpalast 1995“ für dieses Album ist daher erst einmal ein wenig irreführend, da es sich bei vorliegendem Ton- und Bilddokument um den Auftritt von Paradise Lost beim Bizarre Festival 1995 handelt. Das Bizarre existierte zu diesem Zeitpunkt schon seit acht Jahren und war gerade auf dem Weg, sich zu Deutschlands Festival Nummer Eins für alternative Musik jeglicher Couleur zu mausern. Bis zu diesem Zeitpunkt waren u.a. so namhafte Bands wie Siouxsie and the Banshees, New Model Army, Iggy Pop, Einstürzende Neubauten, Ramones, The Pogues, Pixies, Sonic Youth, Bad Religion, Die Ärzte und Biohazard beim Bizarre Festival aufgetreten. Dabei hatte das Festival über die Jahre hinweg immer wieder seinen Veranstaltungsort gewechselt. Nach mehreren Gastspielen in Berlin und auf dem Loreleyfelsen in Sankt Goarshausen sowie Gastspielen in Gießen und Alsfeld, fand das Bizarre 1994 zum ersten Mal in Köln statt. 1995 kehrten die Veranstalter in die Domstadt zurück. Allerdings wählten sie dieses Mal nicht den Kölner Jugendpark als Location, sondern stattdessen einen staubigen und herzlosen Deutzer Parkplatz namens P23 – jenen Ort, an dem schon im Folgejahr mit dem Beginn der Kölnarena (heute Lanxess Arena) begonnen werden sollte. Paradise Lost waren 1995 im Zenit ihres Erfolges angekommen. Die Band aus dem englischen Halifax war Anfang der 90er neben Anathema und My Dying Bride zu den „Big Three“ des Gothic Metal gerechnet worden.
    [Show full text]
  • DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
    DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes.
    [Show full text]
  • Various Organism 02 Mp3, Flac, Wma
    Various Organism 02 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Organism 02 Country: Germany Released: 1995 Style: Trance, Abstract, Ambient MP3 version RAR size: 1804 mb FLAC version RAR size: 1926 mb WMA version RAR size: 1246 mb Rating: 4.6 Votes: 535 Other Formats: MP2 RA VOX ASF TTA DXD FLAC Tracklist Hide Credits Infra-Stellar 1 –Delerium 8:16 Written-By – Leeb*, Fulber* Anemone 2 –Nigel 9:09 Written-By – D. James P.D. 3 –Keith Arem 3:30 Written-By – Keith Arem Exitrance 4 –DVR8* 6:32 Written-By – R. Lakovic* Alpha-Coma 5 –Sect 11:46 Written-By – McEvoy*, Victory* Paramedilia 6 –Pilgrims Of The Mind 6:34 Written-By – S. Novak* Trans-Humanaist 7 –Delerium 10:09 Written-By – Leeb*, Fulber* Equilibrium 8 –Adham Shaikh 7:10 Written-By – Shaikh* Relativity 9 –Adham Shaikh 6:34 Written-By – Shaikh* Companies, etc. Published By – Esoteric Music Distributed By – EFA – 08464-2 Pressed By – BOD Berlin Optical Disc Credits Compiled By [Construction By] – Bill Leeb, Rhys Fulber Cover – Techno Grafix Van. B.C.* Notes [On back sleeve:] Published by Esoteric Music 1994 Vancouver Canada. Cryogenic Studio Contact: 1250 West 6th Ave. Vancouver B. C. Canada VGH 1A3 Dossier Records · Koloniestr. 25 A · D-13359 Berlin · Published 1995 · Made in Germany [On label:] Made in Germany 1995 Barcode and Other Identifiers Barcode (Text): 0 718750 846426 Barcode (Scanned): 0718750846426 Matrix / Runout: BOD EFA 08464 Rights Society: GEMA Label Code: LC 8603 Related Music albums to Organism 02 by Various Adham Shaikh - Resonance (Selected Ambient Works) Various - Organism 03 Front Line Assembly, Bill Leeb, Friends And Company - Cryogenic Studios Delerium - Syrophenikan Delerium - Nuages Du Monde Delerium - Euphoria (Firefly) Rabbit In The Moon Mixes Delerium - Chimera Front Line Assembly - The Initial Command Adham Shaikh - Essence Michel Leeb - Dis Lui.
    [Show full text]
  • Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
    db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.
    [Show full text]
  • Paranoia Metal Show
    CRITICAS DE CDS Paradise Lost Título One Second Sello Music for Nations “Y por un segundo perdí el aliento. Y por un segundo desee que Paradise Lost estuvieran muertos. Y por un segundo me pareció estar solo ante el dilema...” Esto es lo que ocurre cuando un se re-escucha “One Second” desde una perspectiva más madura y abierta, opuesta a una anterior visión de este trabajo, encasillada y simple. Si Paradise Lost dicen que desde el principio se juntaron para hacer música “INNOVADORA” no se podía esperar ni una segunda parte de “Draconian Times”, ni la repetición de “Lost Paradise” porque iría en contra de los principios de un grupo que jamás se ha puesto ninguna etiqueta, se las han puesto los demás. Así que los que dijeron que con “Gothic” Paradise Lost eran un grupo de Death Gótico, como los que les clasificaron de Metal Gótico a la salida del “Icon” se han tenido que callar, aunque la mayoría han preferido hacer una burda crítica de “One Second” totalmente falta de argumentos. Para que se enteren, se define a la música, no a los músicos. A diferencia de grupos como Metallica, que SÏ han perdido su identidad vendiéndole el alma a Dios, después de comprársela al Diablo, Paradise Lost siguen con las melodias tristes y melancólicas de toda la vida y, a decir verdad, más agradables de escuchar que las de “Shades Of God”, por ejemplo. Y nada hay q u e decir las letras más que remarcar su madurez y casi perfección. Es la elección (no poco dura) del preciosismo en detracción de la corrosión y la muerte de la brutalidad en pro de la melodía lo que la gente no llega a asimilar, metidos todos ellos en su celda de oportunismo, que sólo dan a abrir en sus intentos de degollar, de oreja a oreja, a todo aquel que no cumpla con sus expectativas.
    [Show full text]
  • A DICTIONARY of SYMBOLS, Second Edition
    A DICTIONARY OF SYMBOLS A DICTIONARY OF SYMBOLS Second Edition by J. E. CIRLOT Translated from the Spanish by JACK SAGE Foreword by Herbert Read LONDON Translated from the Spanish DICCIONARIO DE SIMBOLOS TRADICIONALES This edition published in the Taylor & Francis e-Library, 2001. English translation © Routledge & Kegan Paul Ltd 1962 Second edition 1971 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data available. ISBN 0–415–03649–6 (Print Edition) ISBN 0-203-13375-7 Master e-book ISBN ISBN 0-203-18928-0 (Glassbook Format) CONTENTS FOREWORD page ix INTRODUCTION xi DICTIONARY 1 BIBLIOGRAPHY OF PRINCIPAL SOURCES 387 ADDITIONAL BIBLIOGRAPHY 389 INDEX 401 PLATES Between pages 104 and 105 I. Roman sculpture incorporating symbolic motifs II. Modesto Cuixart. Painting, 1958 III. Portal of the church of San Pablo del Campo, Barcelona IV. Silver chalice, from Ardagh, Co. Longford V. Tenth-century monument at Clonmacnois VI. Chinese version of the cosmic dragon VII. A renaissance relief, from the Doge’s Palace at Venice VIII. Capitals, monastery of Santo Domingo de Silos IX. Early Christian Symbol—thirteenth-century gravestone X. Gothic fountain—Casa del Arcediano, Barcelona XI. Giorgione, The Storm XII. Roman statue of the Twins XIII. Gothic Miniature of The Apparition of the Holy Grail XIV. Bosch, Garden of Delights XV. Portal of the Romanesque cathedral at Clonfert, Co.
    [Show full text]
  • Front Line Assembly - Bio
    FRONT LINE ASSEMBLY - BIO Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released the classic album, Tactical Neural Implant, which has become for many, the genre's crowning moment. To this day, TNI still defines the best of industrial music. FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial's perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever.
    [Show full text]
  • The New Soul of an Old Machine | 80S Essentials, Industrial Revolution
    80s Essentials, Industrial Revolution [Because the decade was a formative time for so much more than just our beloved heavy metal, today we're pleased to present you with a look at fifteen essential industrial albums from the 1980s.] I’m neither historian nor sociologist enough to speak to the politico- economic milieu that shaped industrial music’s formative clatterings, but a few general observations may suffice. The advanced industrial world was hardly being ground in the same way as by the ravenous gears of the late- eighteenth/early-nineteenth century Industrial Revolution (cf. Friedrich Engels on The Condition of the Working Class in England), but the 1970s and ‘80s saw an increasingly aggressive attack on the social welfare state that had so flourished in the three or four decades since the end of World War II. The elections of Margaret Thatcher, Ronald Reagan, and Helmut Kohl (in Britain, the U.S., and West Germany, respectively) ushered in an era of neoliberal government retrenchment that would largely define the domestic political debate in the years to follow, while throwing the (often uneasy) balance between capital and labor into disrepair throughout the rich world. Reagan’s tough-talking rhetoric meant that many of the signs of rapprochement and detente that had offered brief glimmers of, if not hope, then perhaps bleakly muted optimism in the 1970s gave way to a renewed era of Cold War stridency and military hand-wringing. In many ways, then, the same social, political, economic, and cultural context that led to the development of punk’s disaffected worldview and heavy metal’s increasingly doom-saying weightiness would also provide grist for the eternally wending mill of nascent musical experimentalism that gradually coalesced into industrial music.
    [Show full text]
  • Nachtplan-2017 01 02
    Nr. 83 01/02 2017 über 210 Ausflugsziele! Parties & Konzerte in der Region Ruhrgebiet-Düsseldorf-Köln-Krefeld-Leverkusen-Münster-Wuppertal-Aachen-Bonn www.nachtplan.info 1 | np Hallo zusammen, die Jahresrückblicke und Bestenlisten sind nun hoffentlich alle durch und aus- gewertet. Also auf ein Neues. 2017 wird ein spannendes Jahr, wenn man sich die Geschehnisse in der Welt ansieht. Doch mit diesem „Neustart“ gibt es wieder neue Chancen, neue Ziele und wohl ebenso neue Herausforderungen und Aben- teuer zu bestehen. Es kann sicher auch alles bleiben wie es ist und nur eine neue Wiederholung mit neuer Jahreszahl werden im Hamsterrad. Auf jeden Fall wird es hier mit den vielen anstehenden Festivals, den Clubabenden und den vielen Konzerten auch im neuen Jahr nicht wirklich langweilig. Viel Vergnügen bei allem, was ihr macht, wünschen Andreas und das nachtplan-Team Inhalt Impressum Charts 9 Termine, Redaktion & Anzeigenschaltung: Dem Doktor seine Seite 23 Andreas Behnke Musik-Tipp 24 [email protected] DJ – Mixe 25 Mobil: 0170 – 2 83 82 16 Der tote Winkel 27 deadline – FilmTipp 29 Coverphoto © RomanKasperski.de Planlos durch die Nacht 31 Model: Amok Pika Bodystyler – Interview 32 Kalender 13, 15, 17, 19, 21, 35, 37, 39, 41, 43 Layout: Brigitta Settels Adressen 45, 46 Druckerei: www.color-offset-waelter.de 3 | np KILLPOP EVENTS & MATRIX BOCHUM PRÄSENTIEREN: FR. 06.01.2017 | BOCHUM ROCKPALAST SA. 04.03.2017 | BOCHUM ROCKPALAST MELOTRON | KNIGHT$ NACHTGESCHREI FR. 13.01.2017 | BOCHUM ROCKPALAST SA. 04.03.2017 | BOCHUM CHRISTUSKIRCHE DIE KAMMER | PAULINE PARIS SOLAR FAKE FR. 13.01.2017 | OBERHAUSEN TURBINENHALLE SA. 18.03.2017 | BOCHUM ROCKPALAST FIDDLER‘S GREEN | MAINFELT ORGY | DEATH VALLEY HIGH SA.
    [Show full text]
  • Paradise Lost – Obsidian
    Paradise Lost – Obsidian (45:18, LP / CD / Digital, Nuclear Blast, 2020) Platz zwei in den deutschen Albumcharts! Kaum zu glauben, aber mit „Obsidian“ haben Paradise Lost gerade die beste Chartsplatzierung ihrer Bandgeschichte in Deutschland geschafft. Dies ist nicht wirklich verwunderlich, denn auf ihrem neuen Album klingen die Briten wieder weitaus zugänglicher als noch auf ihren letzten beiden Veröffentlichungen. Dies war kaum zu erwarten, denn auf „The Plague Within“ (2015) und „Medusa“ (2017) hatten Paradise Lost den Weg zurück zu ihren Wurzeln im Death Doom gefunden. Beide Alben waren stilistisch am ehesten mit ihrem 1990er Debütalbum „Lost Paradise“ vergleichbar, was unter anderem anNick Holmes‚ wiedergefunder Liebe zu seinen Growls lag. Für viele Fans der ersten Stunde war dies eine Offenbarung, doch Musikliebhaber, welche die Briten erst Mitte oder gar Ende der 90er kennengelernt hatten, konnten mit dieser Entwicklung nur wenig anfangen. Mit „Obsidian“ dürfte sich dies nun ändern, denn Paradise Lost ist das Kunststück gelungen, mit ihrem neuen Album eine Brücke über ihre gesamte 32 Jahre andauernde Musikkarriere zu spannen. Für alle jene, welche die Band bisher nicht kannten: auf ihr Debütalbum „Lost Paradise“ folgte mit „Gothic“ nur ein Jahr später ein Werk, welches ein ganzes Musikgenre prägen sollte: den Gothic Metal. Zu jener Zeit bildeten sie mit ihren Peaceville-Labelkollegen Anathema und My Dying Bride das Triumvirat des Doom Metal. Mit „Shades of God“ (1992) und „Icon“ (1993) wandten sich Paradise Lost von den Growls der Anfangstage ab und erreichten ein breiteres Publikum, wonach ihnen mit „Draconian Times“ (1995) und „One Second“ (1997) der endgültige Durchbruch gelingen sollte. Musikalisch bildeten sie zu dieser Zeit das Bindeglied zwischen Metallica und den Sisters of Mercy.
    [Show full text]
  • Nightlife Albums
    THURSDAY, JULY 12, 2007 19 [email protected] comedy music film on line radio pop culture live downloads television DIVE DIVE DIVE: Sam Walsh, foreground, and Adam McKay nightlife captains of The Yellow Submarine. PICTURE: Bruce Mercer waikato Hannah Curwood and Simon Comber at La Commune. TONIGHT Ric Rush and Kellyn with a new The Big Pay Back at Sekure, with monthly event at The Loft Kellyn and Ric Rush. showcasing new and old house grooves, electro-funk and assorted Rubix Cuba (Australia), Dynamo beats. Go plus guests at Yellow Submarine (see main story). out of town TOMORROW (internationals) Evil, the new project from The 3Ds’ David Mitchell, at Ward SUNDAY Lane. Local support from Skelitor Bobby Brown, American R&B and Yokel Ono, door charge $15. singer, Energy Events Centre, Yellow Submarine Benefit Show Rotorua, tickets from Ticketek. (see main story). Kimbra solo acoustic show at La WEDNESDAY Commune. Regina Spektor, Russian-born Sophie serving up house classics, singer-songwriter, Bruce Mason rolling beats and funk at Sekure. Centre, Takapuna. Tickets from Ticketek. SATURDAY Unearth, Boston metalcore The Bleeders at Yellow Submarine exponents, The Studio. Tickets (see main story). from Ticketek. Paul Orion (Auckland) lashing Bobby Brown, TelstraClear Events out house, breaks and electro- Centre, Manukau. Tickets from styled tunes at Sekure. Ticket Direct. Email event info to [email protected] The submarine surfaces The Mole Music chaps are making a new stand for The Yellow Submarine. make it a nice environment to be in.” local music. “The scene relies on people coming to shows — even With a maximum capacity of more than 300 people Sam Walsh and Adam McKay, the 23-year-olds who when there is not 150 or 200 people there, even when — the bunker-like bar is deceptively large once you formed Hamilton’s fledgling Mole Music label, have it’s quite small,” says McKay.
    [Show full text]