The Spring 2021 Co-Curricular Guide Is Now Available!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shrill: Notes from a Loud Woman Pdf, Epub, Ebook
SHRILL: NOTES FROM A LOUD WOMAN PDF, EPUB, EBOOK Lindy West | 272 pages | 19 May 2016 | Quercus Publishing | 9781784295530 | English | London, United Kingdom Shrill: Notes from a Loud Woman PDF Book We use cookies to enhance your visit to us. I did for a while the other day but popped back in since I have so many authors and friends I met on online communities there. It's really effective. Still, I do recommend this book to anyone who's even remotely curious about it. The writing that feels truest to life describes Valenti feeling sapped of it. West also goes into debating Jim Norton on Totally Biased about rape jokes in comedy. But it's in the more serious parts of the book that its true value is revealed. Find a Library. Loading comments… Trouble loading? West is a proud outspoken feminist. Yet, in between some of this almost-startling-for-her-age-wisdom, there is also name-dropping, name-dropping, name- dropping, my Volvo my Volvo, my Volvo Her Volvo is mentioned frequently. I once spent a tearful eight-hour flight from Oslo to Seattle convinced I could feel my femurs splintering like candy canes. I'm ready to donate. The fetus didn't have bodily autonomy; the POC to whom you refer do. This is another thing that took me time to understand. View 1 comment. I have seen news clips about fat people flying and the argument whether they should buy two tickets, etc. What's Inside. With patience, humor and a wildly generous attitude toward her audience [West] meets readers at their point of prejudice so that she may, with little visible effort, shepherd them toward a more humane point of view. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
Muslim Women's Pilgrimage to Mecca and Beyond
Muslim Women’s Pilgrimage to Mecca and Beyond This book investigates female Muslims pilgrimage practices and how these relate to women’s mobility, social relations, identities, and the power struc- tures that shape women’s lives. Bringing together scholars from different disciplines and regional expertise, it offers in-depth investigation of the gendered dimensions of Muslim pilgrimage and the life-worlds of female pilgrims. With a variety of case studies, the contributors explore the expe- riences of female pilgrims to Mecca and other pilgrimage sites, and how these are embedded in historical and current contexts of globalisation and transnational mobility. This volume will be relevant to a broad audience of researchers across pilgrimage, gender, religious, and Islamic studies. Marjo Buitelaar is an anthropologist and Professor of Contemporary Islam at the University of Groningen, The Netherlands. She is programme-leader of the research project ‘Modern Articulations of Pilgrimage to Mecca’, funded by the Netherlands Organisation for Scientific Research (NWO). Manja Stephan-Emmrich is Professor of Transregional Central Asian Stud- ies, with a special focus on Islam and migration, at the Institute for Asian and African Studies at Humboldt-Universität zu Berlin, Germany, and a socio-cultural anthropologist. She is a Principal Investigator at the Berlin Graduate School Muslim Cultures and Societies (BGSMCS) and co-leader of the research project ‘Women’s Pathways to Professionalization in Mus- lim Asia. Reconfiguring religious knowledge, gender, and connectivity’, which is part of the Shaping Asia network initiative (2020–2023, funded by the German Research Foundation, DFG). Viola Thimm is Professorial Candidate (Habilitandin) at the Institute of Anthropology, University of Heidelberg, Germany. -
Zahalování V Současných Muslimských Zemích Hana Měřínská
Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce Zahalování v současných muslimských zemích Hana Měřínská Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra blízkovýchodních studií Studijní program Mezinárodní teritoriální studia Studijní obor Blízkovýchodní studia Bakalářská práce Zahalování v současných muslimských zemích Hana Měřínská Vedoucí práce: Mgr. Sobotková Veronika, Ph. D. Katedra blízkovýchodních studií Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… Obsah 1 ÚVOD .......................................................................................................................................... 1 2 HISTORIE ZAHALOVÁNÍ .............................................................................................................. 3 3 TÉMATIKA ZAHALOVÁNÍ V KORÁNU A SUNNĚ .......................................................................... 6 4 VÝZNAM ZAHALOVÁNÍ PRO MUSLIMSKOU ŽENU ..................................................................... 8 5 MÍRA MUSLIMSKÉHO ŽENSKÉHO ZAHALENÍ ............................................................................ 12 6 ZAHALOVÁNÍ V SOUČASNÝCH MUSLIMSKÝCH ZEMÍCH ........................................................... 22 6. 1 Saúdská Arábie ................................................................................................................. 22 6. 2 Afghánistán ..................................................................................................................... -
Ella Phd October 24, 2017
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ WORDS, WIGS AND VEILS MODEST RELIGIOUS DRESS AND GENDERED ONLINE IDENTITIES Fitzsimmons, Eleonora Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 WORDS, WIGS AND VEILS: MODEST RELIGIOUS DRESS AND GENDERED ONLINE IDENTITIES Eleonora Fitzsimmons Theology and Religious Studies King's College London, University of London Submitted for the degree of Doctor of Philosophy in Religious Studies, September 2016 !1 Abstract Words, Wigs and Veils: Modest Religious Dress and Gendered Online Identities In this thesis, I explore how Muslim and Jewish women in a predominantly North American cultural context use online public spaces to blog about their religious dress practices. -
Adult Fiction
Adult Fiction Heroes of the Frontier The Woman in Cabin 10 Dave Eggers Ruth Ware When travel journalist Lo Blacklock is Josie is on the run with her invited on a boutique luxury cruise children. She's left her husband, around the Norwegian fjords, it seems her failing dental practice, and the like a dream job. But the trip takes a rest of her Ohio town to explore nightmarish turn when she wakes in Alaska in a rickety RV. the middle of the night to hear a body being thrown overboard. With his trademark insight, humor, and pathos, Dave Eggers explores Brit Ruth Ware has crafted her second this woman's truly heroic gripping, dark thriller in the Christie adventure, all the while exploring tradition. This page-turner toys with the concept of heroism in general. the classic plot of "the woman no one Brilliant, unpretentious, and highly would believe" with incredible language readable. and fun twists. Also a terrific, ~Alan’s and Leslie’s pick unabridged audiobook. ~Alan’s pick They May Not Mean To, But Barkskins They Do Annie Proulx Cathleen Schine Spanning hundreds of years, this When Joy Bergman's husband dies, ambitious work tells the often brutal her children are shocked that she story of the Canadian and New doesn't agree with their ideas for England lumber industry and all her. The book's title is from a those whom it enriched or displaced. Philip Larkin poem, and this funny and compassionate look at the Annie Proulx’s writing never ceases Bergman family brings Larkin's to thrill me. -
The Veiling Issue in 20Th Century Iran in Fashion and Society, Religion, and Government
Article The Veiling Issue in 20th Century Iran in Fashion and Society, Religion, and Government Faegheh Shirazi Department of Middle Eastern Studies, The University of Texas at Austin, Austin, TX 78712, USA; [email protected] Received: 7 May 2019; Accepted: 30 July 2019; Published: 1 August 2019 Abstract: This essay focuses on the Iranian woman’s veil from various perspectives including cultural, social, religious, aesthetic, as well as political to better understand this object of clothing with multiple interpretive meanings. The veil and veiling are uniquely imbued with layers of meanings serving multiple agendas. Sometimes the function of veiling is contradictory in that it can serve equally opposing political agendas. Keywords: Iran; women’s right; veiling; veiling fashion; Iranian politics Iran has a long history of imposing rules about what women can and cannot wear, in addition to so many other forms of discriminatory laws against women that violate human rights. One of the most recent protests (at Tehran University) against the compulsory hijab1 was also meant to unite Iranians of diverse backgrounds to show their dissatisfaction with the government. For the most part, the demonstration was only a hopeful attempt for change. In one tweet from Iran [at Tehran University] we read in Persian: When Basijis [who receive their orders from the Islamic Revolutionary Guard Corps (IRGC) and the Supreme Leader of Iran] did not give permission to the students to present a talk against compulsory hijab, the students started to sing together the iconic poem of yar e ,my school friend2. “Basij members became helpless and nervous/ﻳﺎﺭ ﺩﺑﺴﺘﺎﻧﯽ ﻣﻦ dabestani man but the students sang louder and louder. -
Live Wire Radio Pacific Northwest Friends: $2,500 to $4,999
LIVE WIRE SPONSORSHIP DECK 2020 AN INCREDIBLE PARTNERSHIP ON-THE-AIR WITH LIVE WIRE High-Quality, Engaged, Clutter-Free & National & Distinctive Influential & Trusted Multi-Channel Programming Culturally-Minded Messaging Opportunities Audience Platform LIVE WIRE IT’S LATE NIGHT FOR RADIO Hosted by Luke Burbank, Live Wire combines the prestige of national radio broadcasting with its own outstanding reputation as an independently-produced Portland production. Over the last 16 years, Live Wire has brought audiences together to spark moments of human connectedness through performance, humor, and unpredictable moments of discovery. Live Wire is music, comedy, and conversation. Our show stands out as one of the fastest growing entertainment radio programs on air today. Listeners turn to Live Wire every week to laugh, learn, and feel the nation’s cultural pulse. It’s Late Night for Radio. THE VOICES OF LIVE WIRE FEATURED GUESTS MUSIC: Jeff Tweedy, Pink Martini, Melissa Etheridge, Little Freddie King, Patterson Hood, Kishi Bashi, Mandy Moore, Thundercat, Shakey Graves, Neko Case, Shovels & Rope, Thao and the Get Down Stay Down, Loudon Wainwright III, Waxahatchee, Blitzen Trapper, Amythyst Kiah, and Reggie Watts HOST LUKE COMEDY: Abbi Jacobson, Janeane Garofalo, Marc BURBANK Maron, Phoebe Robinson, John Hodgman, Hari Kondabolu, Paula Poundstone, Thomas Middleditch, Luke Burbank grew up one of seven Ben Schwartz, Reggie Watts, Mo Rocca, Kristen kids, learning early on how to vie for Schaal, Carrie Brownstein, and Fred Armisen attention. Those profound childhood issues have propelled him to contribute to and create various media projects, CONVERSATION: Salman Rushdie, W. Kamau Bell, including Wait Wait...Don’t Tell Me, This Lindy West, Jesse Eisenberg, Ijeoma Oluo, John Irving, American Life, CBS Sunday Morning, Diana Nyad, Eileen Myles, Jonathan Safran Foer, Luis and the daily podcast Too Beautiful to Live. -
Casting Women, Fat Stigma, and Broadway Bodies
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu "Must Be Heavyset": Casting Women, Fat Stigma, and Broadway Bodies by Ryan Donovan The Journal of American Drama and Theatre Volume 31, Number 3 (Spring 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center “We need a young girl who is—what shall we say—chubby/fat/big. But a healthy version of a fat girl, because she is dancing her ass off for two hours.” —Bernard Telsey, casting director[1] Introduction Casting director Craig Burns worked on Broadway’s Hairspray (2002) from its first workshops, and it remains his favorite production because of the opportunity to cast people who “weren’t normally considered for leads in a show, and now all of a sudden these girls are getting a chance because we need a fat girl. There was so much joy in that.”[2] Katrina Rose Dideriksen was one such woman given the chance to play Hairspray’s Tracy Turnblad on Broadway and on tour. She remembered feeling excited to play Tracy because she “is the ingénue, she wins the guy, she saves the day . she’s funny and she’s lovable and all those things, but in this very real-girl way.” Dideriksen then noticed a “weight clause” in her contract: “It was really this underlying pinch to realize that subconsciously I was being told I was still wrong for it, that there was something I had to fix. I don’t think they realized how hurtful, and how anti-Hairspray it really was for them to be like, ‘Lose 20 pounds.’”[3] Apart from a few roles (including Tracy), fat women are almost never cast in roles beyond the comedic sidekick or best friend in commercial theatre. -
Is the First Amendment Obsolete?
Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2018 Is the First Amendment Obsolete? Tim Wu Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Commercial Law Commons, Environmental Law Commons, First Amendment Commons, and the Science and Technology Law Commons Recommended Citation Tim Wu, Is the First Amendment Obsolete?, 117 MICH. L. REV. 547 (2018). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2079 This Article is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. IS THE FIRST AMENDMENT OBSOLETE? Tim Wu* The First Amendment was brought to life in a period, the twentieth century, when the political speech environment was markedly differently than today’s. With respect to any given issue, speech was scarce, and limited to a few newspapers, pamphlets or magazines. The law was embedded, therefore, with the presumption that the greatest threat to free speech was direct punishment of speakers by government. Today, in the internet and social media age, it is no longer speech that is scarce—rather, it is the attention of listeners. And those who seek to control speech use new methods that rely on the weaponization of speech itself, such as the deployment of “troll armies,” the fabrication of news, or “flooding” tac- tics. This Essay identifies the core assumptions that proceeded from the founding era of First Amendment jurisprudence, argues that many of those assumptions no longer hold, and details the new techniques of speech control that are used by governmental and nongovernmental actors to censor and degrade speech. -
Saudi Leadership
Saudi leadership has recognized that empowering women in STEM has proven to be highly beneficial for any nation, and designed programs and initiatives to drive opportunities in these fields.” About the MWL The Muslim World League is a non-governmental international organization based in Makkah. Its goal is to clarify the true message of Islam. Crown Prince Faisal, the third son of King Abdulaziz Al Saud, founded the Muslim World League during the meeting of the general Islamic Conference on May 18, 1962, in order to fulfill his dream for an Islamic Ummah. The establishment of the MWL continued the vision of the Crown Prince to enlighten and educate the international Muslim community, which began with the founding of the Islamic University of Madi- nah in 1961. The Muslim World League has grown into a worldwide charity to which the Saudi Royal Family remain active donors. Ascending to the throne as King Faisal in November 1964, the Saudi leader remained steadfast in his faith, proclaiming: “I beg of you, brothers, to look upon me as both brother and servant. ‘Majesty’ is reserved to God alone and ‘the throne’ is the throne of the Heavens and Earth.” Contents Volume 49 | Issue 6 1. Activities in Review Key Events for the Muslim World League ................................................4 2. Letter from the Editor ................................................................6 3. Editorial Leaders The Rise of Saudi Women in Tech .......................................................7 Reciting the Quran Empowers Women, Opens Minds and Changes Perspectives ........ 12 4. Feature Essays For Women Wearing Hijabs, Power Persists ............................................ 15 Muslim Women in Public Diplomacy .................................................. 18 5. Cultural Essay Women Continue to Shine in Positions of Leadership at the MWL ..................... -
This Is a Witch Hunt. We're Witches, and We're
THIS IS A WITCH HUNT. WE’RE WITCHES, AND WE’RE HUNTING YOU. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging listeners to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics— and that delivered us to this precarious, disorienting moment in history. West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.” We cannot understand how we got here—how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other.