CRM Journal Vol. 1, No. 2 (Summer 2004)
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Memories of the Freestyle Music Scene (1 980S-90S)
Memories of the Old School Freestyle Music Scene (1980s-90s) Musical Expressions Embraced by Chicana10 Youth in San Antonio BBL 3023 .901 April 28, 2009 Final - Oral History Project Music Interview Transcript Interviewer: Melissa Casarez Interviewee: Crirtina Casarez Date: April 16, 2009 Page 1 2 Melissa: My name is Melissa Casarez and this is Cristina Casarez and we are gonna talk about freestyle. Q. 1 What were your earliest memories of Freestyle music? Cristina: Um... that would be .... l would say around .... l know I said twelve earlier but it's more like fourteen ...p robably fourteen or fifteen years old. Um... and I believe the first time I heard about it was like in school with my friends. That's usually where you hear everything from when you're young...y ou kinda pick it up from your peers and what's going on during that time ...what's popular Melissa: Q.2 What drew your attention to freestyle? Like, why Freestyle? Cristina: Um..... l guess the beat. Because it's got a Latin, like a Latin kick to it and that ....come being Hispanic or Mexican descent um that's just something that really caught my attention and I just love music in general. Um but when you have something you can move to and it's got a good rhythm um.... that usually attracts my attention. Melissa: Among the teens in your High School, who listened to the music? Who was its prime audience? Cristina: Um .... l would say .... it was probably more the Hispanic um background. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Margaret Moffette Lea (Wife of General Sam Houston)
Margaret Moffette Lea (Wife of General Sam Houston) Margaret Moffette Lea was born 11 April 1819 in Marion (Perry County), Alabama, one of four daughters born to Temple Lea and Nancy Moffette. She was a granddaughter of George Lea and Lucy Tolbert (Talbert) and a great granddaughter of Captain William (South Hico) Lea of Caswell County, North Carolina. Captain William Lea was a brother of James (Kilgore’s Branch) Lea of Caswell County, North Carolina. These two brothers, William and James Lea were among the founding families of Caswell County. Margaret Mofette Lea was a first cousin to Thomas Lee. Their father's (Temple Lea and Ransom Lea) were brothers. Temple Lea and Ransom Lea moved from Georgia to Alabama. Margaret's genealogical line leads to the Lea family of Virginia. In Star of Destiny: The Private Life of Sam and Margaret Houston, Madge Thornall Roberts (Foreword by Ralph B. Campbell) (1993)1 at pages two and eight the following is found: Margaret Moffett Lea came from an Alabama family of distinguished men that included soldiers, lawyers, and laymen active in the state government, so it would not seem impossible that she could be introduced to so famous a man as Sam Houston. Margaret carried the name of one of the most distinguished families of the south. Her father, 1 "Much is known about Sam Houston's political and military career, but until Star of Destiny the influence of his wife and children on his life have been overlooked. Written by the great-great-grandaughter of Sam Houston and Margaret Lea, who draws upon previously unpublished family letters between husband and wife to reveal a deep interdependency between the two. -
Tslac Displays Rare Houston Quilt During Talk by Expert Marcia Kaylakie
REVISED NEWS RELEASE Contact: Derick Hackett FOR IMMEDIATE RELEASE Communications Officer March 11, 2011 (512) 463-5514 [email protected] ATTENTION: This release corrects name of spread donor. TSLAC DISPLAYS RARE HOUSTON QUILT DURING TALK BY EXPERT MARCIA KAYLAKIE AUSTIN –The Texas State Library and Archives Commission will display the summer coverlet made by Margaret Lea Houston, wife of Gen. Sam Houston, for the first time at the Lorenzo de Zavala State Archives and Library Building during a talk by quilt expert Marcia Kaylakie at 6:30 p.m. March 17. Certified appraiser Kaylakie, author of “Texas Quilts and Quilters: A Lone Star Legacy,” will discuss the historically significant summer spread as part of the fourth event in the TSLAC Speaker Series. The evening will begin with a showing of the award-winning 30-minute documentary, “Quilts in Women’s Lives,” by filmmaker Pat Ferrero. The event, co-sponsored by the Friends of Libraries & Archives of Texas, is free and open to the public, but reservations are necessary and may be made by calling (512) 463-5460 or e-mailing [email protected]. “We’re especially pleased to showcase the creativity and art of these women during Women’s History Month,” says TSLAC Director and Librarian Peggy D. Rudd. Crafted by Houston’s third wife, the spread is technically not a quilt, according to Kaylakie, because it contains no batting. It does, however, contain richly colored, heavy- gauge cotton appliqués, including some Masonic imagery and other design elements of still-undetermined origin. The fragile spread, which will be shown only for this event, was donated to TSLAC’s Sam Houston Regional Library and Research Center by Elizabeth Houston Paulus Henderson, Margaret and Sam Houston’s great-granddaughter. -
Lana Del Rey - Born to Die: the Paradise Edition Pdf
FREE LANA DEL REY - BORN TO DIE: THE PARADISE EDITION PDF Lana Del Rey | 136 pages | 01 Mar 2013 | Hal Leonard Publishing Corporation | 9781458448620 | English | United States Born to Die - Paradise Edition - Rolling Stone Paradise is the third extended play and second major release by American singer and songwriter Lana Del Rey ; it was released on November 9, by Universal Music. It was additionally packaged with the reissue of her second studio albumBorn to Dietitled Born to Die: The Paradise Edition. The EP's sound has been described as baroque pop [1] and trip hop. Upon its release, Paradise received generally favorable reviews from music critics. The extended play debuted at No. It also debuted at No. That same month, an EP of the same name was made available for digital purchase, containing the film along with the three aforementioned songs. In an interview with RTVE on June 15,Del Rey announced that she had Lana del Rey - Born to Die: The Paradise Edition working on a new album due in November, and that five tracks had already been written, [3] two of them being " Young and Beautiful " [ citation needed ] and "Gods and Monsters", [ citation needed ] and another track titled "Body Electric", which was performed and announced as one of her songs at BBC Radio 1's Hackney Weekend. The prior album's re-release, titled Born to Die: The Paradise Editionwas available for pre-order offering an immediate download of "Burning Desire" in some countries. The song served as the soundtrack for a short film called Desire[8] directed by Ridley Scott and starring Damian Lewis. -
Rumba Rhythms, Salsa Sound
MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A THE SALSA SOUND MATT DOEDEN This Page Left Blank Intentionally MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A HE SALSA SOUND T MATT DOEDEN TWENTY-FIRST CENTURY BOOKS MINNEAPOLIS NOTE TO READERS: some songs and music videos by artists discussed in this book contain language and images that readers may consider offensive. Copyright © 2013 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. Twenty-First Century Books A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 U.S.A. Website address: www.lernerbooks.com Library of Congress Cataloging-in-Publication Data Doeden, Matt. American Latin music : rumba rhythms, bossa nova, and the salsa sound / by Matt Doeden. p. cm. — (American music milestones) Includes bibliographical references and index. ISBN 978–0–7613–4505–3 (lib. bdg. : alk. paper) 1. Popular music—United States—Latin American influences. 2. Dance music—Latin America—History and criticism. 3. Music— Latin America—History and criticism. 4. Musicians—Latin America. 5. Salsa (Music)—History and criticism. I. Title. ML3477.D64 2013 781.64089’68073—dc23 2012002074 Manufactured in the United States of America 1 – CG – 7/15/12 Building the Latin Sound www 5 Latin Fusions www 21 Sensations www 33 www The Latin Explosion 43 Glossary w 56 Source Notes w 61 Timeline w 57 Selected Bibliography w 61 Mini Bios w 58 Further Reading, w Websites, Latin Must-Haves 59 and Films w 62 w Major Awards 60 Index w 63 BUILDING THE Pitbull L E F T, Rodrigo y Gabriela R IG H T, and Shakira FAR RIGHT are some of the big gest names in modern Latin music. -
Sam Houston State University a Member of the Texas State University System Procurement and Business Services
Sam Houston State University A Member of The Texas State University System Procurement and Business Services REQUEST FOR PROPOSAL RFP NUMBER: 753-SHSU-2019-RFP-174-600000 CUSTODIAL SERVICES CONTRACT FOR SAM HOUSTON STATE UNIVERSITY ALL PROPOSALS MUST BE RECEIVED BY: May 7, 2019 @ 10:00 a.m. CT (Central Time) Note: Proposal must be submitted in BearKatBuy Sourcing Director at https://bids.sciquest.com/apps/Router/PublicEvent?CustomerOrg=SamHoustonState on or before the hour and date specified for the Request for Proposal opening. After receipt, only the names of offerors will be made public. Prices and other proposal details will only be divulged after the contract award, if one is made. Refer Inquiries To: Sam Houston State University Procurement and Business Services care of the BearKatBuy Sourcing Director Q & A Board at the web address shown above under RFP number: 753-SHSU-2019-RFP-174-600000 1 TABLE OF CONTENTS SECTION PAGE Cover Page 1 Table of Contents 2 A Introduction: Scope of Proposal 4 B Proposal Instructions and Requirements 4 B-1 Delivery Methods/Documentation 4 B-1a BearKatBuy Sourcing Director 4 B-1b Unacceptable Proposal Delivery Methods 4 B-1c Samples, Bid Bonds and additional documentation 4 B-1d Proposer’s Response 4 B-2 RFP Methodology/Process 5 B-2a Proposer's Acceptance of Evaluation Methodology 5 B-2b Selection Process 5 B-2c Criteria for Award 5 B-2d Public Information 5 B-2e Cost of Preparing Proposals 5 B-2f Negotiations or Discussions 6 B-2g Presentations and Product Demonstrations 6 B-2h Pricing 6 B-2i Property -
Military History Anniversaries 0701 Thru 0731
Military History Anniversaries 01 thru 31 July Events in History over the next 30 day period that had U.S. military involvement or impacted in some way on U.S military operations or American interests Jul 01 1862 – Civil War: The Battle of Malvern Hill - The final battle in the Seven Days Campaign, part of George B. McClellan's Peninsula Campaign. Casualties and losses: US 2,100 - CSA 5,650 Jul 01 1863 – Civil War: Battle of Gettysburg - Gen. Lee's northward advance is halted. Jul 01 1898 – Spanish American War: Battle of San Juan Hill is fought in Santiago de Cuba. Casualties and losses: US/RoC 3,180 - SP 809 Gatling guns hauled by mules arrive to turn the tide at San Juan Hill Jul 01 1907 – World's first air force established (U.S. Army). Jul 01 1948 – The United States Air Force accepts its first female recruits into a program called Women in the Air Force (WAF). Jul 01 1968 – Cold War: The Nuclear non-proliferation treaty is signed in Washington, D.C., London and Moscow by sixty-two countries. Jul 01 1970 – Vietnam: Beginning of the 23 day Siege of Fire Base Ripcord. Jul 02 1776 – The Continental Congress adopts a resolution severing ties with the Kingdom of Great Britain although the wording of the formal Declaration of Independence is not approved until July 4. Jul 02 1926 – Congress enacted a bill that established the U.S. Army Air Corps and placed it in control of all Army aviation activities, including those of the National Guard. -
Mary Jones: Last First Lady of the Republic of Texas
MARY JONES: LAST FIRST LADY OF THE REPUBLIC OF TEXAS Birney Mark Fish, B.A., M.Div. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: Elizabeth Hayes Turner, Major Professor Richard B. McCaslin, Committee Member and Chair of the Department of History D. Harland Hagler, Committee Member Denis Paz, Committee Member Sandra L. Spencer, Committee Member and Director of the Women’s Studies Program James D. Meernik, Acting Dean of the Toulouse Graduate School Fish, Birney Mark. Mary Jones: Last First Lady of the Republic of Texas. Doctor of Philosophy (History), December 2011, 275 pp., 3 tables, 2 illustrations, bibliography, 327 titles. This dissertation uses archival and interpretive methods to examine the life and contributions of Mary Smith McCrory Jones in Texas. Specifically, this project investigates the ways in which Mary Jones emerged into the public sphere, utilized myth and memory, and managed her life as a widow. Each of these larger areas is examined in relation to historiographicaly accepted patterns and in the larger context of women in Texas, the South, and the nation during this period. Mary Jones, 1819-1907, experienced many of the key early periods in Anglo Texas history. The research traces her family’s immigration to Austin’s Colony and their early years under Mexican sovereignty. The Texas Revolution resulted in her move to Houston and her first brief marriage. Following the death of her husband she met and married Anson Jones, a physician who served in public posts throughout the period of the Texas Republic. Over time Anson was politically and personally rejected to the point that he committed suicide. -
LCGFT for Music Library of Congress Genre/Form Terms for Music
LCGFT for Music Library of Congress Genre/Form Terms for Music Nancy Lorimer, Stanford University ACIG meeting, ALA Annual, 2015 Examples Score of The Four Seasons Recording of The Four Seasons Book about The Four Seasons Music g/f terms in LCSH “Older headings” Form/genre term Subject heading Operas Opera Sacred music Church music Suites Suite (Music) “Newer headings” Genre/form term Subject heading Rock music Rock music $x History and criticism Folk songs Folk songs $x History and criticism Music g/f terms in LCSH Form/genre term Children’s songs Combined with demographic term Buddhist chants Combined with religion term Ramadan hymns Combined with event term Form/genre term $v Scores and parts $a is a genre/form or a medium of performance $v Hymns $a is a religious group $v Methods (Bluegrass) $a is an instrument; $v combines 2 g/f terms Genre/form + medium of performance in LCSH Bass clarinet music (Jazz) Concertos (Bassoon) Concertos (Bassoon, clarinet, flute, horn, oboe with band) Overtures Overtures (Flute, guitar, violin) What’s wrong with this? Variations in practice (old vs new) Genre/form in different parts of the string ($a or $v or as a qualifier) Demographic terms combined with genre/form terms Medium of performance combined with genre/form terms Endless combinations available All combinations are not provided with authority records in LCSH The Solution: LCGFT + LCMPT Collaboration between the Library of Congress and the Music Library Association, Bibliographic Control Committee (now Cataloging and Metadata Committee) Genre/Form Task Force Began in 2009 LCMPT published February, 2014 LCGFT terms published February 15, 2015 567 published in initial phase Structure Thesaurus structure Top term is “Music” All terms have at least one BT, except top term May have more than one BT (Polyhierarchy) The relationship between a term and multiple BTs is “and” not “or” (e.g., you cannot have a term whose BTs are “Cat” and “Dog”) Avoid terms that simply combine two BTs (e.g. -
Download Europe Full Album the Final Countdown (Expanded Edition) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
download europe full album The Final Countdown (Expanded Edition) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £10.49. One of the most glorious launches in history, the title track for the thrice-platinum The Final Countdown is so bombastically brilliant, such glorious garbage, that this nuclear hair assault could only spew from the vacuous '80s. But the full-tilt follow-up "Rock the Night" rules also: "You know it ain't easy/Running out of thrills." "Carrie" comes off a consummate butane ballad. Meanwhile, the rest of the disc packs so much power that Swedish superheroes Europe get away with all the processed pretension. In fact, the lofty ambition of "Danger on the Track," "Ninja," and "Cherokee" (each as tasty as its title) combines with heated drive and hot delivery to meld The Final Countdown into a unique portrait of propulsive prog and a worthy addition to any hard rock collection. This is the story; this is the legend told by Teutonic guitars and predictable keyboards ringing pure and hurtling through each and every convention perfectly. The quintet's big-boy Epic inaugural, The Final Countdown deftly combines the Valhalla victory of Europe's heroic debut with the American poodle pomposity that devoured the band. You could live without The Final Countdown, but why? © Doug Stone /TiVo. Europe (2) Hair / Glam Metal (Heavy Metal) band from Upplands Väsby, Stockholm, (Sweden). Europe formed in 1979. The band rose to international fame in the 1980s with its third album, 1986's The Final Countdown, which sold over three million copies in the United States.