DOCSLIB.ORG

VULCAN HISTORICAL REVIEW 04 LETTER from the EDITORS Volume 22 // 2018 ARTICLES

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

VULCAN 22 VOLUME HISTORICAL REVIEW Chi Omicron Chapter - Phi Alpha Theta History Honor Society | University of Alabama at Birmingham TABLE OF CONTENTS TABLE THE VULCAN HISTORICAL REVIEW 04 LETTER FROM THE EDITORS Volume 22 // 2018 ARTICLES ROOMS OF THEIR OWN: FEMALE VOICES IN HISTORY 2018 EDITORIAL STAFF CO-SPONSORS 05 A Feminist Mirror: Reflections of the 1960’s in Betty Friedan Lance Ledbetter The Linney Family Endowment by Alice Grissom Head Editor for The Vulcan Historical Review A Woman Must Soar: Florence Nightingale as an Tierra Andrews Journal 11 Inspiration to Southern Nurses Graphic Designer Dr. Linda Lucas, Provost, UAB by Katharine Armbrester EDITORIAL BOARD Dr. Suzanne Austin, Vice Provost for LASTING LEGACIES: CULTURAL HISTORY IN AMERICA Alice Grissom Student & Faculty Success, UAB 23 Divided We Revise Laura Michaela King Dr. Robert Palazzo, Dean of the College by Alice Grissom Eric Greer of Arts and Sciences, UAB 31 T’Challa, the Black Panther: The Historical Accuracy FACULTY ADVISOR The Department of History, UAB of Institutionalized Racism and the Black Power Dr. Andrew Baer Movement on the Pages of Marvel Comics by Grace Larkin CROSSING BORDERS: HISTORY ABROAD Ascendancy of the Vanquished: A Story 38 The Vulcan Historical Review is published annually Cover art courtesy of the Birmingham Public Library of Dixie and the Boer Republics by the Chi Omicron Chapter (UAB) of Phi Alpha and the Library of Congress. by Sammy Jane-akson Theta National History Honor Society. The journal All students at the University of Alabama at 51 Burke and Hare: The Ghoulish Duo that is completely student-edited by undergraduate and Birmingham, including recent alumni, are encouraged Advanced the Study of Human Anatomy graduate students at the University of Alabama at to submit research articles, book reviews, film reviews, by Jennifer Wells Birmingham. essays, oral histories, historical fictions, or other BEHIND THE MAGIC: BIRMINGHAM HISTORY works of historical interest to be considered for ©2018 Chi Omicron Chapter of Phi Alpha Theta publication. Submissions by any currently-enrolled 62 Nigel Harlan Slaying: The Birmingham Murder National History Honor Society, the University of history undergraduate or graduate student from other That Halted Old Town Uptown Revitalization Alabama at Birmingham. All rights reserved. No institutions are also welcome. Please send inquiries to: by Laura King material may be duplicated or quoted without 73 The Unknown Truth: Police Brutality in Birmingham the express written permission of the author. Phi Alpha Theta Advisor by Demetric Mitchell The University of Alabama at Birmingham, its History Department HHB 360 departments, and its organizations disclaim any University of Alabama at Birmingham BOOK REVIEW responsibility for statements in fact or opinion, made 1401 University Boulevard 80 Invisible No More: Police Violence Against Black Women by contributors herein. Birmingham, Alabama 35294 and Women of Color Reviewed by Ajanet Rountree 83 ABOUT THE AUTHORS AND EDITORS 2 3 LETTER FROM THE EDITORS A FEMINIST MIRROR: REFLECTIONS OF THE 1960’S IN BETTY FRIEDAN by Alice Grissom he Vulcan Historical Review is one of the most contacts for publication. Our deepest gratitude goes T useful and important traditions for the humanities to the History Department of UAB for nurturing young thought that to remain a housewife one cannot at the University of Alabama at Birmingham and we scholars, teaching them and instilling within them a simultaneously be a feminist. Much like the apparent would all like to express our thanks for the privilege of passion for history and a curiosity that will stay with contradictions found in the Sixties as a whole, this working on this year’s issue. This journal affords the them long after they leave the department. We would supposed paradox is born in the assumption that opportunity for both graduate and undergraduate like to thank our faculty advisor, Dr. Andrew Baer, for radicalism cannot coexist with plebian concerns. students to gain vital experience and exposure during his guidance, support, and kindness. Our gratitude Though lauded as an instrumental “founding mother” their formal education. Our individual passions and goes to Dr. John Van Sant, our Department Chair, of second-wave feminism and an irreplaceable asset dedication to the craft of history propels new research for supporting our publication and student research. to the women’s movement, Friedan’s homophobia and helps us ask new questions of the past. The We would also like to thank Michele Foreman for her and racism, inherent in her publications starting answers to these questions, hopefully, can not only assistance in finding a graphic designer. Thank you with the groundbreaking bestseller The Feminine help us better understand how and why we arrived to all faculty who helped recruit more authors in their Mystique, imply the progressive façade of the Sixties.1 at our current situation but also uncover solutions to classes and encouraged their students to submit More recent scholarship sheds light on Friedan’s change the world for the better. This is the goal of papers for publication. Our special thanks must pre- Feminine Mystique past as a leftist activist all scholarly history research and our current editors, be extended to our administrative staff, Alisa Dick, and radical, demonstrating second-wave feminism’s authors, and faculty have taken up the mantle of this our Office Service Specialist, and Melanie Daily, our foundation in the radicalism of labor movements of serious and vital scholarship which constitutes not Administrative Associate, without whom we could not the 1930’s and 1940’s and thereby the continuity only this issue of The Vulcan Historical Review but the be sucessful. Timothy Granger, Stephanie Womack, of the activist Left. Regardless of these illuminating legacy of the former issues as well. Grace Larkin, and Nadejda Bontcheva-Loyaga each connections, her motives in abandoning some of the Betty Freidan Courtesy of the Library of chief causes she championed earlier in life to promote Our current issue contains papers and research deserve special mention for their example and help as Congress those of upper-middle-class white heterosexual dealing with historical issues in places ranging from previous members of The Vulcan Historical Review’s women must be questioned. here in Birmingham to across the pond in England and editorial staff. Our academic journal depends on onsidered by popular culture to be the turning even South Africa. We have chosen to continue our the efforts of our students, both undergraduate and C point in radicalism, activism, and sexual liberty, Raised in a middle-class Jewish family in Peoria, use of the Vulcan statue for our cover as it is not only graduate alike, and to them, we extend our thanks. the notorious Sixties clamor for attention in the Illinois, Friedan (or Bettye Goldstein, as she was the namesake of the journal but also the best physical Our efforts would have proven fruitless if it had not collective memory of America as a decade that then known) faced anti-Semitism from a young age representation of the wonderful city this university been for the financial support of all of our sponsors, shaped the nation, freeing it from the conformist and, as a reclusive and brainy book-lover, didn’t calls home. This twenty-second edition of the journal especially the Linney Family Endowment, Dr. Pam stranglehold of the 1950’s. While this narrative truly “bloom” until her days at Smith College. During explores various types of history in the hopes to Benoit (Provost), Dr. Suzanne Austin (Vice Provost) certainly holds the appeal of a redemptive plot with her years there, Friedan not only developed the expand scholarly consideration of the past as stated and Dr. Robert Palazzo (Dean of the College of Arts clear winners and losers, it fails to encompass the school’s newspaper into a formidable advocate for above. Our featured sections include highlighting and Sciences). There are a bevy of people that we actual complexity of the 1960’s, a time marked as workers’ rights, but also underwent a period of Leftist female perspectives and feminist history in America, could thank and for anyone we might have left out much by conservatism and violence as by liberalism radicalization typical of college students.2 In the time cultural histories in America and their legacies, a look a special thanks to you as well. Though this edition and the peace movement. Of the many major after graduating and before publishing The Feminine at some foreign subjects in history, as well as local faced many hardships throughout the process of its characters of the Sixties, Betty Friedan: writer, Mystique, Friedan wrote extensively for several radical history in Birmingham. The journal concludes with a publication we hope the work within speaks for itself feminist, and housewife, conclusively demonstrates unionist newspapers and magazines, including the book review by an outstanding graduate student. as serious works of scholarship that everyone at the this duality through the narrative of her activism in the Federated Press and the UE News.3 United Electric university can be proud of. Again, thank you all so 1960's, the influences of her life beforehand, and her forced Friedan out of her job at the UE News after This journal could not have been possible without much for everything you do every day. Ever faithful. legacy after. Indeed, in her contrasting appellations of her second pregnancy, and from that point on she the support and advice of several faculty and staff Go Blazers. “feminist” and “housewife” she embodies an apparent continued work solely as a freelance writer and who helped recruit authors as well as give advice and duality, in that it is commonly, albeit incorrectly, journalist. While she initially took time off work to 4 5 concentrate her efforts on wrangling a now three- of disappointments, prompting Friedan to begin child family, Friedan regretted leaving her profession investigating “The Problem that has No Name” Mystique, middle-class women began taking part.
Recommended publications
  • Introduction: Borderlines: Contemporary Scottish Gothic

    Introduction: Borderlines: Contemporary Scottish Gothic

    Notes Introduction: Borderlines: Contemporary Scottish Gothic 1. Caroline McCracken-Flesher, writing shortly before the latter film’s release, argues that it is, like the former, ‘still an outsider tale’; despite the emphasis on ‘Scottishness’ within these films, they could only emerge from outside Scotland. Caroline McCracken-Flesher (2012) The Doctor Dissected: A Cultural Autopsy of the Burke and Hare Murders (Oxford: Oxford University Press), p. 20. 2. Kirsty A. MacDonald (2009) ‘Scottish Gothic: Towards a Definition’, The Bottle Imp, 6, 1–2, p. 1. 3. Andrew Payne and Mark Lewis (1989) ‘The Ghost Dance: An Interview with Jacques Derrida’, Public, 2, 60–73, p. 61. 4. Nicholas Royle (2003) The Uncanny (Manchester: Manchester University Press), p. 12. 5. Allan Massie (1992) The Hanging Tree (London: Mandarin), p. 61. 6. See Luke Gibbons (2004) Gaelic Gothic: Race, Colonization, and Irish Culture (Galway: Arlen House), p. 20. As Coral Ann Howells argues in a discussion of Radcliffe, Mrs Kelly, Horsley-Curteis, Francis Lathom, and Jane Porter, Scott’s novels ‘were enthusiastically received by a reading public who had become accustomed by a long literary tradition to associate Scotland with mystery and adventure’. Coral Ann Howells (1978) Love, Mystery, and Misery: Feeling in Gothic Fiction (London: Athlone Press), p. 19. 7. Ann Radcliffe (1995) The Castles of Athlin and Dunbayne, ed. Alison Milbank (Oxford: Oxford University Press), p. 3. 8. As James Watt notes, however, Castles of Athlin and Dunbayne remains a ‘derivative and virtually unnoticed experiment’, heavily indebted to Clara Reeves’s The Old English Baron. James Watt (1999) Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764–1832 (Cambridge: Cambridge University Press), p.
  • 1 the Life of Anne Braden, Part

    1 the Life of Anne Braden, Part

    The Life of Anne Braden, Part Two: a Life in the Movement By Lynn Burnett As Anne Braden crisscrossed the nation raising support to free her husband, the love of her life was unbeknownst to her locked away in solitary confinement. Although they wrote to each other often, Carl worried that Anne already had far too many burdens to bear, and therefore didn’t reveal how difficult his circumstances truly were. Carl used his time in solitary to develop an ascetic quality in himself, composing and reflecting on ethical goals. Anne meanwhile cultivated a large, national network of supporters through her travels, writings and journalistic connections. Civil rights activists and labor organizers across the country understood that if the Bradens could be charged with being part of a Communist conspiracy simply for helping a Black family move into a White neighborhood, that they could be charged with subversion for their activities as well. Freeing Carl Braden thus became a major cause: although his bail was the highest in Kentucky’s history, it was raised in seven months. Carl was released in the summer of 1955. Eight months later, the Supreme Court ruled that the state sedition laws that had been used to target the Bradens were unconstitutional. All charges were dropped. The prosecutor of the Bradens, Scott Hamilton, had hoped to rise to fame through building a sensational anti-Communist case. He instead found his career discredited. A few years later, he put a gun to his head and pulled the trigger. Anne and Carl could not, however, simply return to their old lives.
  • Eg Phd, Mphil, Dclinpsychol

    Eg Phd, Mphil, Dclinpsychol

    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton.
  • The Wall Between by Anne Braden

    The Wall Between by Anne Braden

    University of Louisville ANNE BRADEN INSTITUTE FOR SOCIAL JUSTICE RESEARCH BOOK DISCUSSION KIT: The Wall Between By Anne Braden ABI Book Discussion Kit – The Wall Between INTRODUCTION Dear Readers: The Wall Between was first published in 1958, four years after the events that thrust Anne Braden into a life of social justice activism had transpired. It is Anne’s first-person account of her and her husband Carl’s decision in 1954 to purchase a home in an all-white neighborhood for Andrew and Charlotte Wade, who were black, and of the explosive consequences. Eloquently written; filled with equal parts drama, intriguing characters, and psycho-social analysis; and packed with a sense of journalistic integrity, the book was a finalist for the 1958 National Book Award in Nonfiction. This book discussion kit is based on the edition republished in 1999, which includes a foreword by Julian Bond and a new epilogue by Anne Braden. When The Wall Between was published in 1958, the U.S. was embattled in the African American Civil Rights Movement, a war against white supremacy and for human dignity that forced every citizen of the country to ask him or herself, consciously or subconsciously, “What kind of America do I want to live in?” It is with this question in mind that we hope you approach The Wall Between now, in the 21st century. As of the publication of this book discussion kit, the President of the United States is African American. The days of bus boycotts, restaurant sit-ins, angry mobs throwing stones at black children trying to enroll in all-white schools and black men being prosecuted or mob- lynched for looking at a white woman with intent to rape seem light years past.
  • Bissonette on Rosner, 'The Anatomy Murders: Being The

    Bissonette on Rosner, 'The Anatomy Murders: Being The

    H-Law Bissonette on Rosner, 'The Anatomy Murders: Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes' Review published on Friday, January 28, 2011 Lisa Rosner. The Anatomy Murders: Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes. Philadelphia: University of Pennsylvania Press, 2010. vi + 328 pp. $29.95 (cloth), ISBN 978-0-8122-4191-4. Reviewed by Melissa Bissonette (St. John Fisher College)Published on H-Law (January, 2011) Commissioned by Christopher R. Waldrep The Creepy and Bloodless Crime Spree: Science and Murder in Edinburgh In 1818, Mary Shelley wrote of Victor Frankenstein, a man of pure reason, becoming a star pupil in the study of natural philosophy and physiology. She has her hero bluntly acknowledge that “to examine the causes of life, we must first have recourse to death,” which is found only in “vaults and charnel houses” and amid the “unhallowed damps of the grave” (pp. 79, 82). Though without “superstition” himself, Victor is fully aware of the popular prejudice against the use of corpses; he works at night and in secret. Thus Shelley articulated what was an awkward yoking of knowledge and fear, humanity’s advance and its criminal underbelly, throughout the Enlightenment. Lisa Rosner’s The Anatomy Murders explores that yoking as exemplified by William Burke and William Hare, serial killers of 1828, whose string of murders were motivated by the constant demand, from the schools of anatomy and surgery in Edinburgh, for bodies to study.
  • Anne Braden- Southern Patriot Research Bibliography

    Anne Braden- Southern Patriot Research Bibliography

    Anne Braden: Southern Patriot Research Bibliography Primary Sources Adams, Frank T. James A. Dombrowski: An American Heretic, 1897-1983. Knoxville: University of Tennessee Press, 1992. Braden, Anne. The Wall Between. New York: Monthly Review Press, 1958; reprint, Knoxville: University of Tennessee, 1999. ------. editor, et al. The Southern Patriot newsletter 1957-1975. New Orleans & Louisville: SCEF Publications ------. House Un-American Activities Committee: Bulwark of Segregation. Los Angeles: National Committee to Abolish the House Un-American Activities Committee, 1963. ------. “The Southern Freedom Movement in Perspective.” Monthly Review 17, no. 3 (July-August 1965), Special Issue ------. Free Thomas Wansley :A Letter to White Southern Women. Louisville: SCEF Publications, 1972. ------. “A Second Open Letter to Southern White Women.” Southern Exposure 4, no. 4 (July 1977): 50-53 ------. “Lessons from a History of Struggle.” Southern Exposure 8, no. 2 (Summer 1980): 56- 61 ------. “A View from the Fringes.” Southern Exposure 9, no.2 (Spring 1981): 68-73. ------. “American Inquisition Part Two: Political Repression in the 1960s.” Southern Exposure 11, no. 5 (September-October 1983): 20-27. ------. “Those Who Were Not There: The Cold War Against the Civil Rights Movement.” Fellowship, June 1989 ------. “The Cry was Unity.” Southern Exposure (Fall 1991) “Behind the Bars for the First Amendment.” Louisville: SCEF Publications. March 1960 pamphlet. Curry, Constance, et al. Deep in Our Hearts: Nine White Women in the Southern Freedom Movement. Athens: University of Georgia Press, 2000. Evans, Sara. Personal Politics: The Roots of Women’s Liberation in the Civil Rights Movement and the New Left. New York: Vintage, 1979. Fosl, Catherine. Southern Subversive: Anne Braden and the Struggle for Racial Justice in the Cold War South: New York, Palgrave Macmillian, 2002, reissued 2006, University Press of Kentucky -------.

  • Those Who Were Not There: the Cold War Against the Civil Rights Movement, Fellowship, June 1989

    Those Who Were Not There THE COLD WAR AGAINST THE CIVIL RIGHTS MOVEMENT Anne Braden The famous billboard that appeared throughout the south in the late '50s and early '60s. Photo said to be taken by an undercover agent at the 25th anniversary celebration of the Highlander Folk School. To Martin Luther King's right are Aubrey Williams, president of SCEF, and Myles Horton, Highlander director. In left foreground, head down, is Abner Berry, reporter for Communist Party paper The Daily Work~. When photo appeared in newspapers, Horton said he hadn't known who Berry was. Photo: Dale Ernsberger, The Nashville rennessean. here is a subplot to the 1964 Mis­ we didn't set foot in Mississippi that sissippi Summer-and indeed to sununer. We were labeled communists Tthe entire civil rights movement of and subversives. Those who were the 1950s and '60s-that is rarely men­ putting their lives on the line had tioned in its recorded history. It's the enough problems in 1964; they didn't story of those of us who were not there. need the added burden that our pres­ We were missing, not because we ence would bring. weren't committed to the movement, It was certainly no great loss to the but because the people on the front Mississippi movement that I was not lines, people we respected deeply, felt it there during the Summer Project. was wiser for us to stay away. There's nothing I could have done that My late husband, Carl, and I were others weren't doing. Thus, Carl and I among those people.
  • Dead and Buried... for Now the Misdiagnosis of Death In

    Dead and Buried... for Now the Misdiagnosis of Death In

    Southern New Hampshire University Dead and Buried… For Now The Misdiagnosis of Death in Enlightenment England A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Nicole Salomone Collingswood, NJ December, 2018 Copyright © 2018 by Nicole Salomone All Rights Reserved ii Student: Nicole Salomone I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. Student: [Student’s full name] I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. April 23, 2019 __________________________________________ _______________ Capstone Instructor Date April 23, 2019 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract While the concept of the misdiagnosis of death resulting in premature burial sounds like a theme from Hollywood, it was a real circumstance that took place in Western Europe from antiquity through the nineteenth century. Specifically focusing on the England in the eighteenth and early nineteenth centuries, stories of people who had been prematurely diagnosed as dead, prematurely set into their coffin for viewing, and prematurely committed to the grave have been well documented within medical texts, academic books, art, and newspapers articles from the time. These sorts of publications showcased societies awareness of people were being misdiagnosed as dead committed to the earth alive. In response, scholarly physicians began to identify the stages of death with the intent of properly diagnosing people, and only committing those who were absolutely dead to their final resting places.
  • Organize Your Own: the Politics and Poetics of Self-Determination Movements © 2016 Soberscove Press and Contributing Authors and Artists

    Organize Your Own: the Politics and Poetics of Self-Determination Movements © 2016 Soberscove Press and Contributing Authors and Artists

    1 2 The Politics and Poetics of Self-determination Movements Curated by Daniel Tucker Catalog edited by Anthony Romero Soberscove Press Chicago 2016 Contents Acknowledgements 5 Gathering OURSELVES: A NOTE FROM THE Editor Anthony Romero 7 1 REFLECTIONS OYO: A Conclusion Daniel Tucker 10 Panthers, Patriots, and Poetries in Revolution Mark Nowak 26 Organize Your Own Temporality Rasheedah Phillips 48 Categorical Meditations Mariam Williams 55 On Amber Art Bettina Escauriza 59 Conditions Jen Hofer 64 Bobby Lee’s Hands Fred Moten 69 2 PANELS Organize Your Own? Asian Arts Initiative, Philadelphia 74 Organize Your Own? The Museum of Contemporary Art, Chicago 93 Original Rainbow Coalition Slought Foundation, Philadelphia 107 Original Rainbow Coalition Columbia College, Chicago 129 Artists Talk The Leviton Gallery at Columbia College, Chicago 152 3 PROJECTS and CONTRIBUTIONS Amber Art and Design 170 Anne Braden Institute for Social Justice Research 172 Dan S. Wang 174 Dave Pabellon 178 Frank Sherlock 182 Irina Contreras 185 Keep Strong Magazine 188 Marissa Johnson-Valenzuela 192 Mary Patten 200 Matt Neff 204 Rashayla Marie Brown 206 Red76, Society Editions, and Hy Thurman 208 Robby Herbst 210 Rosten Woo 214 Salem Collo-Julin 218 The R. F. Kampfer Revolutionary Literature Archive 223 Thomas Graves and Jennifer Kidwell 225 Thread Makes Blanket 228 Works Progress with Jayanthi Kyle 230 4 CONTRIBUTORS, STAFF, ADVISORS 234 Acknowledgements Major support for Organize Your Own has been provided by The Pew Center for Arts & Heritage, with additional support from collaborating venues, including: the Averill and Bernard Leviton Gallery at Columbia College Chicago, Kelly Writers House’s Brodsky Gallery at the University of Pennsylvania, the Slought Foundation, the Asian Arts Initiative, the Museum of Contemporary Art Chicago, and others.
  • Contributors to SSL 43:2

    Contributors to SSL 43:2

    Studies in Scottish Literature Volume 43 | Issue 2 Article 35 12-15-2017 Contributors to SSL 43:2 Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation (2017) "Contributors to SSL 43:2," Studies in Scottish Literature: Vol. 43: Iss. 2, 364–370. Available at: https://scholarcommons.sc.edu/ssl/vol43/iss2/35 This Back Matter is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. NOTES ON CONTRIBUTORS TO SSL 43:2 Timothy C. Baker is Senior Lecturer in Scottish and Contemporary Literature at the University of Aberdeen. He is the author of George Mackay Brown and the Philosophy of Community (2009) and Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition (2014). Forthcoming projects include a study of the relation between animality, suffering, and language in contemporary fiction and another on gender and space in mid-twentieth-century women’s fiction. Jamie Reid Baxter has long been active in scholarship on, and performance of, Renaissance Scottish drama, poetry and music, with a principal research focus is the interaction of religion, politics and culture in Scotland from the 1540s to the 1640s. He is currently completing an edition of the writings of Elizabeth Melville, Lady Culross. Iain Beavan is Keeper of Rare Books, emeritus, University of Aberdeen, and honorary research fellow, School of Critical Studies, University of Glasgow. He contributed to the Edinburgh History of the Book in Scotland, vols.
  • UNIVERSITY of CALIFORNIA, SAN DIEGO the Value of a Body

    UNIVERSITY of CALIFORNIA, SAN DIEGO the Value of a Body

    UNIVERSITY OF CALIFORNIA, SAN DIEGO The Value of a Body: Anatomy Lessons in Nineteenth-Century British Literature and Visual Culture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Lisa Beth Vernoy Committee in charge: Professor Stephanie Jed, Chair Professor Cathy Gere Professor Margaret Loose Professor Kathryn Shevelow Professor Pasquale Verdicchio 2012 The Dissertation of Lisa Beth Vernoy is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION My parents have loved, supported, and believed in me for as long as I can remember. This dissertation is dedicated to them with gratitude and love. iv TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Dedication Page……………………………………………………………………. iv Table of Contents………………………………………………………………….. v List of Tables………………………………………………………………………. vi List of Figures……………………………………………………………………… vii Acknowledgments…………………………………………………………………. ix Vita………………………………………………………………………………… xi Abstract of the Dissertation .………………………………………………………. xii Introduction……………………………………………………………………….. 1 Chapter 1: Regulating Dissection An Introduction to the Anatomy Bills and Act……………………………. 5 Chapter 2: Dissecting Collections Illustrated Bodies and Medical Emotional Detachment in the Eighteenth and Nineteenth Centuries……………………………………………………… 57 Chapter 3: Monstrous Dissection Class Consciousness and the Creation of Monsters in Mary Shelley’s
  • Transcript, Anne Braden: Southern Patriot Exterior of University Of

    Transcript, Anne Braden: Southern Patriot Exterior of University Of

    Transcript, Anne Braden: Southern Patriot Exterior of University of Louisville building and students. SUBTITLE: University of Louisville 2006 ANNE BRADEN (in class): You do not have to agree with me. I don't want you to agree with me. It's much more interesting if you don't and it does not affect your grade whatsoever. And if you do get involved in things and you go out and get arrested or something, I'll do everything I can to get you out of jail, but I'm not going to give you a better grade for it so [laughter] just so we're clear on that. And they're doing this documentary on me, which embarrasses me highly, but really what they're trying to do is look at the movements that I've been a part of for the last 50 years through the lens of my life. And I know enough about the way people respond now that I know that that is valid, if it just weren't me. That people are more interested in people than ideas initially, but once they get interested in the people they'll move on to what the ideas are. BARBARA RANSBY (giving a speech): SUBTITLE: Barbara Ransby, Historian, University of Illinois at Chicago They were people who were labeled the rebels, the renegades, the outliers. People who weren't afraid to be called crazy or in Ella Baker's case difficult, in Anne Braden's case red. Dreamers that catapult us into a different place. She was born at a time in the Jim Crow south in which there was a very rigid script about what a middle class white woman could be and do.