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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
H.I.V.E. 4: Dreadnought Download Free
H.I.V.E. 4: DREADNOUGHT Author: Mark Walden Number of Pages: 304 pages Published Date: 01 Aug 2011 Publisher: Bloomsbury Publishing PLC Publication Country: London, United Kingdom Language: English ISBN: 9781408815939 DOWNLOAD: H.I.V.E. 4: DREADNOUGHT H.I.V.E. 4: Dreadnought PDF Book She and the H. Students Rock , Paper , and Scissors. Author : Clarence H. E in order to reclaim Nero, but are captured and sent into space, to Number One's hideout. Unfortunately for them, Nigel Darkdoom and Franz also happen to be Otto's friends. As they finish their tour of the Dreadnaught, it is attacked by Jason Drake, a rouge member of G. The Teen Titans journeyed to the H. Episodes Season 1 2 3 4 5 Characters Red X. In this 4th installment of the H. Each stream is associated with a color, and their uniforms reflect this. Master gathered seven unnamed criminal scientists to assist him in taking over the world and eliminating Superman and the Teen Titans. Reviews 0 Top Tips 0. Mark Waldens novel, H. The mind-controlled citizens then start building psionic amplifiers that will allow the Queen to expand her powers across the whole of the U. It becomes clear that the Disciples are not all they appear and in a desperate race against time Otto must work out who his real friends are to prevent the Disciples from completing their true objective. When the school takes a field trip to the north pole Nigel, the son of the leader of G. I guess that's how to politely address a clone of a super computer with an evil mind who can enter human's mind. -
Batman Miniature Game Teams
TEAMS IN Gotham MAY 2020 v1.2 Teams represent an exciting new addition to the Batman Miniature Game, and are a way of creating themed crews that represent the more famous (and infamous) groups of heroes and villains in the DC universe. Teams are custom crews that are created using their own rules instead of those found in the Configuring Your Crew section of the Batman Miniature Game rulebook. In addition, Teams have some unique special rules, like exclusive Strategies, Equipment or characters to hire. CONFIGURING A TEAM First, you must choose which team you wish to create. On the following pages, you will find rules for several new teams: the Suicide Squad, Bat-Family, The Society, and Team Arrow. Models from a team often don’t have a particular affiliation, or don’t seem to have affiliations that work with other members, but don’t worry! The following guidelines, combined with the list of playable characters in appropriate Recruitment Tables, will make it clear which models you may include in your custom crew. Once you have chosen your team, use the following rules to configure it: • You must select a model to be the Team’s Boss. This model doesn’t need to have the Leader or Sidekick Rank – s/he can also be a Free Agent. See your team’s Recruitment Table for the full list of characters who can be recruited as your team’s Boss. • Who is the Boss in a Team? 1. If there is a model with Boss? Always present, they MUST be the Boss, regardless of a rank. -
Watch Cartoons Online Teen Titans Judas Contract
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Teen Titans Vol 03 Ebook Free Download
TEEN TITANS VOL 03 PDF, EPUB, EBOOK Geoff Johns | 168 pages | 01 Jun 2005 | DC Comics | 9781401204594 | English | New York, NY, United States Teen Titans Vol 03 PDF Book Morrissey team up in this fun story about game night with the Titans! Gemini Gemini De Mille. Batman Detective Comics Vol. Namespaces Article Talk. That being said, don't let that deter you from reading! Haiku summary. His first comics assignments led to a critically acclaimed five-year run on the The Flash. Learn how to enable JavaScript on your browser. Just as Cassie reveals herself to be the superheroine known as Wonder Girl , Kiran creates a golden costume for herself and tells Cassie to call her "Solstice". Search results matches ANY words Nov 21, Ercsi91 rated it it was amazing. It gives us spot-on Gar Logan characterization that is, sadly, often presented in trite comic-book-character-expository-dialogue. It will take everything these heroes have to save themselves-but the ruthless Harvest won't give up easily! Lists with This Book. Their hunt brings them face-to-face with the Church of Blood, forcing them to fight for their lives! Amazon Kindle 0 editions. Story of garr again, which is still boring, but we get alot of cool moments with Tim and Connor, raven and the girls, and Cassie. The extent of Solstice's abilities are currently unknown, but she has displayed the ability to generate bright, golden blasts of light from her hands, as well as generate concussive blasts of light energy. Add to Your books Add to wishlist Quick Links. -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
Doom Patrol Vol. 2: Nada by Gerard Way
Doom Patrol Vol. 2: Nada by Gerard Way Ebook Doom Patrol Vol. 2: Nada currently available for review only, if you need complete ebook Doom Patrol Vol. 2: Nada please fill out registration form to access in our databases Download here >> Series:::: Doom Patrol (Book 2)+++Paperback:::: 168 pages+++Publisher:::: DC Comics (December 24, 2018)+++Language:::: English+++ISBN-10:::: 1401275001+++ISBN-13:::: 978-1401275006+++Product Dimensions::::5.9 x 0.9 x 8.3 inches++++++ ISBN10 1401275001 ISBN13 978-1401275 Download here >> Description: Gerard Ways Young Animal flagship title continues its monumental run here with DOOM PATROL VOL. 2!Flex Mentallo, Robotman, Rebis, Crazy Jane and more are back to twist minds and take control. The most prevailing question in Vol. 2? What is S**t, and why is everyone eating it? Cliff doesnt like it, but Casey cant get enough. Sure, Cliff doesnt like a lot of stuff, but that doesnt mean hes wrong to be suspicious this time around. Meanwhile, we find out where Lotion the cat got off to, and how his journey has changed him. Life on the streets has made him an entirely different animal!The spirit of Grant Morrisons groundbreaking DOOM PATROL is captured in this debut series starring the cult-favorite misfits as a part of Gerard Ways new Young Animal imprint. Collects issues #7-12.DOOM PATROL is the flagship title of Young Animal--a four-book grassroots mature reader imprint, creatively spearheaded by Gerard Way, bridging the gap between the DCU and Vertigo, and focusing on the juxtaposition between visual and thematic storytelling. -
The Milk Crisis in India: the Story Behind the Numbers the Milk Crisis in India: the Story Behind the Numbers
The Milk Crisis in India: The story behind the numbers The milk crisis in India: The story behind the numbers The Dairy Working Group of the Food Sovereignty Alliance, India Reclaiming Diversi T Y & CiT izens H ipi RelatedThe Milk Crisis publications in India: The story behind the numbers Democratising Agricultural Research for Food Sovereignty in West Africa Michel Pimbert, Boukary Barry, Anne Berson and Khanh Tran-Thanh This multimedia book reports on an initiative in West Africa that seeks to create safe spaces in which food providers and consumers can discuss how to build an agri-food research system that is democratic and accountable to wider society. An explicit aim of the entire process is to strengthen the voices and effectiveness of small-scale producers and other citizens in the governance of agricultural research as well as in setting strategic research priorities and validating knowledge. The book combines text, photos, video and audio recordings to describe the methodologies used in processes of deliberation and inclusion that involved small scale producers (farmers, pastoralists, fishermen and food processors) and holders of specialist knowledge on agricultural research. The policy recommendations that emerged out of two citizens’ juries and farmer led assessments of agricultural research are presented here along with some critical reflections on the process so far. The outcomes of these citizen deliberations have significant implications for current debates on the future of food and farming in West Africa. Sowing Autonomy. Gender and Seed Politics in Semi Arid India Carine Pionetti Women, through their multiple roles as farmers, livestock herders, cooks, gardeners, keepers of cu- linary traditions, custodians and healers, have played a major role in shaping biodiversity important for food and agriculture.