Hopscotch: a Memoir Free

Total Page:16

File Type:pdf, Size:1020Kb

Hopscotch: a Memoir Free FREE HOPSCOTCH: A MEMOIR PDF Hilary Fannin | 240 pages | 22 Oct 2015 | Transworld Publishers Ireland Ltd | 9781781620311 | English | Dublin, Ireland hopscotch a memoir - PDF Free Download Poignant, funny memoir of an unconventional family in suburban Dublin, written by Irish Times columnist. Hilary is four, not yet five, and she has a mother and a father and an older brother and sisters. She even has a name at home - Billy - that is different from her written-down name. But now that she is in Low Babies in the local convent school, it seems Hopscotch: A Memoir has something else called responsibilities. The world is a changing place. Hilary's parents, themselves products of a country bathed in sanctifying grace, and presided over by leather- strapped Christian Brothers, wimpled nuns, and a strictly ingrained moral code, start to question their own life choices. As she begins to mature, Hilary's perspective shifts from a confusing mosaic of half-understood conversations, bizarre rules and surreal religious symbolism, to a growing awareness of the eccentricities of the adult world around her, where money is tight, ideas are unorthodox and where living life to the full is the goal. As her parents' unconventional lifestyle rubs against the grain of a pervasive Catholic society, the cracks begin to appear: siblings are expelled from school; final demands litter the hallway; and Hilary discovers the truth about the always-present but never-to-be-mentioned golden-haired lady. Hopscotch is a funny, poignant and beautifully written memoir, a spellbinding meditation on innocence, love and memory itself. Hilary Fannin. Born in Dublin, where she still lives, she was writer in association at the Abbey Theatre in its centenary year. Her memoir, Hopscotchwas published to critical acclaim in The Weight of Love is her first novel. Brilliantly written and absolutely hilarious. Hilary is an extraordinary writer and Hopscotch is destined to become a classic of the form. Hilary Fannin carries the reader deep into the mind of a little girl baffled by the world around in her candid, intoxicating memoir. Hopscotch tells a private story with candour and exactitude, Hopscotch: A Memoir and understanding, artfulness and wit. It is written with a deft sleight of hand that makes Hopscotch: A Memoir wonderfully funny and moving. A mesmeric, evocative tour de force. Truly extraordinary and lyrical prose. Consistently funny, frequently touching and full of passages studded with sharp observation, impressive psychological insight and surreal invention. Search books and authors. Buy from…. View all online retailers. Also by Hilary Fannin. Hopscotch: A Memoir for Hopscotch. Quite brilliant; beautifully, cleverly observed; funny, heart-breaking. Roddy Doyle Quite brilliant; beautifully, cleverly observed; funny, heart-breaking. Roddy Hopscotch: A Memoir Brilliantly Hopscotch: A Memoir and absolutely hilarious. Donal Ryan Brilliantly written and absolutely hilarious. Donal Ryan The best book I read last year. A heartbreaking story masterfully written. Paul Howard Hilary Fannin carries the reader deep into the mind of a little girl baffled by the world around in her candid, intoxicating memoir. Carlo Gebler, Irish Times Hilary Fannin carries the reader deep Hopscotch: A Memoir the mind of a little girl baffled by the world around in her candid, intoxicating memoir. Dermot Bolger, Sunday Independent Completely enthralling; poignant, vivid, laugh-out-loud moments. Catherine Dunne Completely enthralling; poignant, vivid, laugh-out-loud moments. Joe Duffy Hopscotch: A Memoir extraordinary and lyrical prose. Brenda Power, Sunday Times Truly extraordinary and lyrical prose. Brenda Power, Sunday Times Hopscotch is searingly honest, hilariously funny and utterly memorable. Mary Shine Thompson, Irish Independent Hopscotch is searingly honest, hilariously funny and utterly memorable. Mary Shine Thompson, Irish Independent Consistently funny, frequently touching and full of passages studded with sharp observation, impressive psychological insight and surreal invention. Enda O'Doherty, Dublin Review of Books Consistently funny, frequently touching and full of passages studded with sharp observation, impressive psychological insight and surreal invention. Related titles. Happy and Hopscotch: A Memoir ridiculous aspirations. The Resilience Project. Islands of Mercy. More Than a Woman. The Choice. Is the Moon Hopscotch: A Memoir Down? Against All Odds. Craig ChallenRichard Harris. When Breath Becomes Air. Everything I Know About Love. In Order To Live. The Wild Silence. Eat A Peach. Last Stop Auschwitz. The Cut Out Girl. Solutions and Other Problems. The Diary of a Young Girl. Our top books, exclusive content and competitions. Straight to your inbox. Sign up to our newsletter using your email. Enter your email to sign up. Thank you! Your subscription to Read More was successful. To help us recommend your next book, tell us what you enjoy reading. Add your interests. Hopscotch (film) - Wikipedia The lowest-priced brand-new, unused, unopened, undamaged item Hopscotch: A Memoir its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to Hopscotch: A Memoir content. About this product. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. She even has a name at home - Billy - that is different from her written-down name. But now that she is in Low Babies in the local convent school, it seems Hilary has something else called responsibilities. See all 3 brand new listings. Buy It Now. Add to cart. About this product Product Information Quite brilliant; beautifully, cleverly observed; funny, heart-breaking. Roddy Doyle. Hilary is four, t yet five, and she has a mother and a father and an older brother and sisters. But w that she is in Low Babies in the local convent school, it seems Hilary has something else called responsibilities. The world is a changing place. Hilary's parents, themselves products of a country bathed in sanctifying grace, and presided over by leather- strapped Christian Brothers, wimpled nuns, and a strictly ingrained moral code, start to question their own life choices. As she begins to mature, Hilary's perspective Hopscotch: A Memoir from a confusing mosaic of half-understood conversations, bizarre rules and surreal religious symbolism, to a growing awareness of the eccentricities of the adult world around her, where money is tight, ideas are urthodox and where living life to the full is the goal. As her parents' unconventional lifestyle rubs against the grain of a pervasive Catholic society, the cracks begin to appear: siblings are expelled from school; final demands litter the hallway; and Hilary discovers the truth about the always-present but never-to-be-mentioned golden-haired lady. Hopscotch is a funny, poignant and beautifully written memoir, a spellbinding meditation on incence, love and memory itself. Hilary Fannin is a playwright and columnist. She was writer in association at the Abbey Theatre in its centenary year, As a journalist, she wrote the TV review for The Irish Times for almost five years, passing on the baton when her eyes turned square. She now writes an occasionally humorous weekly Hopscotch: A Memoir for Hopscotch: A Memoir paper. Hilary lives in Dublin with her husband and two sons, Peter and Jake. Hopscotch is her first full-length Hopscotch: A Memoir work. Show more Show less. Any condition Any condition. See all 5 - All listings for this product. No ratings or reviews yet. Be the first to write a review. Peterson Paperback 4. Van der Kolk Paperback, 4. Save on Non-Fiction Books Trending price is based on prices over last 90 days. You may also like. Memoirs Hopscotch: A Memoir Books. World Memoirs Books. Love Memoirs Books. Family Memoirs Books. Hopscotch: A Memoir item doesn't belong on this page. Hopscotch: A Memoir by Hilary Fannin (Paperback, ) for sale online | eBay The screenplay was written by Bryan Forbes Hopscotch: A Memoir Brian Garfieldbased on Garfield's novel of the same name. Former CIA field officer Miles Kendig is intent on publishing an explosive memoir that will also expose the dirty tricks of Myerson, his obnoxious, incompetent, and profane former boss. Hopscotch: A Memoir cleverly stays one step ahead of his pursuers as the chase hopscotches around America and Western Europe. Kendig explains to Myerson that he knows how Hopscotch: A Memoir thinks, and it would take time and resources to identify and learn about a new replacement. Kendig's good friend and protege, Joe Cutter Waterstonis nevertheless assigned to take over his mentor's old job. Instead of accepting this situation, Kendig takes action. He shreds his personnel file and flies to Salzburg to visit former lover Isobel Von Schoenenberg Jacksonwhom he has not seen in a while. Yaskov, guessing what has happened, meets Kendig and invites him to defect to the KGB; when Kendig refuses, Yaskov asks sarcastically if Kendig will be retiring and writing his memoirs. On the spot, Kendig decides to do exactly that: write and publish a memoir exposing the dirty tricks and general incompetence of Myerson's CIA. Isobel is horrified, saying that Myerson will send agents to kill him. She nevertheless helps by mailing copies of Kendig's first chapter to spy chiefs in the U. Myerson assigns Cutter to stop Kendig, and Yaskov, not wanting his own agency's follies exposed, also pursues his old adversary. Kendig baits his pursuers by sending them explosive chapters and by periodically informing them of his location. Leaving Europe, he returns to the U. After purposely leaking his address, Kendig maneuvers the FBI which has jurisdiction into shooting up Myerson's home with both bullets and tear gas, to Myerson's great dismay.
Recommended publications
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]
  • Index to Academy Oral Histories Ronald Neame
    Index to Academy Oral Histories Ronald Neame Ronald Neame (Director) Call number: OH159 Abbott, John, 906 Academy Award nominations, 314, 321, 511, 517, 935, 969, 971 Academy Awards, 314, 511, 950-951, 1002 Academy of Motion Picture Arts and Science, 20, 27, 44, 76, 110, 241, 328, 333, 339, 400, 444, 476, 482-483, 495, 498, 517, 552-556, 559, 624, 686, 709, 733-734, 951, 1019, 1055-1056, 1083-1084, 1086 Academy Board of Governors, 1083 ADAM BEDE, 37 ADAM’S APPLE, 79-80, 100, 103, 135 AGAINST THE TIDE, 184, 225-227, 229 Aimee, Anouk, 611-612, 959 Alcott, Arthur, 648, 674, 725, 784 Allen, Irwin, 391, 508, 986-990, 997, 1002, 1006-1007, 1009, 1012, 1013 Allen, Jay Presson, 925, 927 Allenberg, Bert, 713 Allgood, Sara, 239 Alwyn, William, 692 Amalgamated Studios, 209 Ambiphone, 126-127 Ambler, Eric, 166, 201, 525, 577, 588, 595, 598, 602, 604, 626, 635, 645, 709 Ambler, Joss, 265 American Film Institute, 95, 766, 1019, 1084 American Society of Cinematogaphers (ASC), 118, 481 Ames, Gerald, 37 Anderson, Mickey, 366 Anderson, Robin, 893 Anderson, Rona, 929 Angel, Heather, 193 Ankers, Evelyn, 261-263 anti-Semitism, 562, 572-574, 576 Arnold, Malcolm, 773, 864, 876, 907 Arnold, Norman, 88 Arnold, Wilfred, 88 Asher, Irving, 1026 Asquith, Anthony, 127, 292, 404 Associated British Cinemas, 108, 152, 857 Associated British Pictures, 150 Association of Cine-Technicians (ACT), 90-92, 105, 107, 109, 111-112, 115-118, 164-166, 180, 200, 209-210, 272, 469-470 Attenborough, Richard, 277, 340, 353, 387, 554, 632 Aylmer, Felix, 185, 271, 278 Bagnold, Edin, 862 Baker, Carroll, 680, 883-884 Balchin, Nigel, 683, 684 Balcon, Michael, 127, 198, 212-214, 238, 240, 243-244, 251, 265-266, 275, 281-282, 285, 451-453, 456, 552, 637, 767, 855, 878 Balcon, S.
    [Show full text]
  • Read PDF < Straight from the Horses Mouth: Ronald Neame
    JCHB9GRXNYCN < eBook # Straight from the Horses Mouth: Ronald Neame, an Autobiography Straigh t from th e Horses Mouth : Ronald Neame, an A utobiograph y Filesize: 1.17 MB Reviews This is actually the finest pdf i have got study right up until now. It can be full of wisdom and knowledge Once you begin to read the book, it is extremely difficult to leave it before concluding. (Reese Morissette II) DISCLAIMER | DMCA R8BUZZDIPL8R // Doc Straight from the Horses Mouth: Ronald Neame, an Autobiography STRAIGHT FROM THE HORSES MOUTH: RONALD NEAME, AN AUTOBIOGRAPHY Scarecrow Press. Paperback. Book Condition: New. Paperback. 328 pages. Dimensions: 8.5in. x 5.5in. x 0.9in.Now in Paperback! Ronald Neames autobiography takes its title from one of his best-loved films, The Horses Mouth (1958), starring Alec Guinness. In an informative and entertaining style, Neame discusses the making of that film, along with several others, including In Which We Serve, Blithe Spirit, Brief Encounter, Great Expectations, Tunes of Glory, I Could Go on Singing, The Prime of Miss Jean Brodie, Scrooge, The Poseidon Adventure, and Hopscotch. Straight from the Horses Mouth provides a fascinating, first-hand account of a unique filmmaker, who began his career as assistant cameraman on Hitchcocks first talkie, Blackmail, and went on to direct Maggie Smith, Judy Garland, Walter Matthau, and many other prominent performers. The book includes tales of the on-and-o-the-set antics of comedian George Formby, and original accounts of his experiences working with Noel Coward and David Lean. This is not simply an autobiography, but rather a history of British cinema from the 1920s through the 1960s, and Hollywood cinema from the 1960s through the present.
    [Show full text]
  • The Representation of Suicide in the Cinema
    The Representation of Suicide in the Cinema John Saddington Submitted for the degree of PhD University of York Department of Sociology September 2010 Abstract This study examines representations of suicide in film. Based upon original research cataloguing 350 films it considers the ways in which suicide is portrayed and considers this in relation to gender conventions and cinematic traditions. The thesis is split into two sections, one which considers wider themes relating to suicide and film and a second which considers a number of exemplary films. Part I discusses the wider literature associated with scholarly approaches to the study of both suicide and gender. This is followed by quantitative analysis of the representation of suicide in films, allowing important trends to be identified, especially in relation to gender, changes over time and the method of suicide. In Part II, themes identified within the literature review and the data are explored further in relation to detailed exemplary film analyses. Six films have been chosen: Le Feu Fol/et (1963), Leaving Las Vegas (1995), The Killers (1946 and 1964), The Hustler (1961) and The Virgin Suicides (1999). These films are considered in three chapters which exemplify different ways that suicide is constructed. Chapters 4 and 5 explore the two categories that I have developed to differentiate the reasons why film characters commit suicide. These are Melancholic Suicide, which focuses on a fundamentally "internal" and often iII­ understood motivation, for example depression or long term illness; and Occasioned Suicide, where there is an "external" motivation for which the narrative provides apparently intelligible explanations, for instance where a character is seen to be in danger or to be suffering from feelings of guilt.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • British Film Institute Report & Financial Statements 2006
    British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.
    [Show full text]
  • David Lean: DR. ZHIVAGO (1965, 197 Min.)
    March 12, 2019 (XXXVIII:7) David Lean: DR. ZHIVAGO (1965, 197 min.) DIRECTOR David Lean WRITING Robert Bolt screenplay adapted from the Boris Pasternak novel PRODUCER Carlo Ponti MUSIC Maurice Jarre CINEMATOGRAPHY Freddie Young EDITING Norman Savage PRODUCTION DESIGN John Box ART DIRECTION Terence Marsh SET DECORATION Dario Simoni COSTUME DESIGN Phyllis Dalton The film permeated the 1966 Academy Awards, winning Oscars for Best Writing, Screenplay Based on Material from Another Medium (Robert Bolt), Best Cinematography, Color (Freddie Young), Best Art Direction-Set Decoration, Color (John Box, Terence Marsh, and Dario Simoni), Best Costume Design, Color (Phyllis Dalton), and Best Music, Score (Maurice Jarre). The Mark Eden...Engineer at Dam film also received Oscar nominations for Best Picture (Carlo Erik Chitty...Old Soldier Ponti), Best Actor in a Supporting Role (Tom Courtenay), Best Roger Maxwell...Beef-Faced Colonel Director (David Lean), Best Sound (A.W. Watkins, Franklin Wolf Frees...Delegate Milton), and Best Film Editing (Norman Savage). The film was Gwen Nelson...Female Janitor also nominated for the Cannes Palm d’Or. Lucy Westmore...Katya Lili Muráti...The Train Jumper (as Lili Murati) CAST Peter Madden...Political Officer Omar Sharif...Yuri Julie Christie...Lara DAVID LEAN (b. March 25, 1908 in Croydon, Surrey, England, Geraldine Chaplin...Tonya UK—d. April 16, 1991 (age 83) in London, England, UK) was Rod Steiger...Komarovsky an English film director (19 credits), producer, screenwriter (10 Alec Guinness...Yevgraf credits)
    [Show full text]
  • Winter 2011 Full Review the .SU
    Naval War College Review Volume 64 Article 22 Number 1 Winter 2011 Winter 2011 Full Review The .SU . Naval War College Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation War College, The .SU . Naval (2011) "Winter 2011 Full Review," Naval War College Review: Vol. 64 : No. 1 , Article 22. Available at: https://digital-commons.usnwc.edu/nwc-review/vol64/iss1/22 This Full Issue is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. War College: Winter 2011 Full Review NAVAL WAR C OLLEGE REVIEW NAVAL WAR COLLEGE REVIEW Winter 2011 Volume 64, Number 1 Winter 2011 Winter Published by U.S. Naval War College Digital Commons, 2011 1 5716_Cover.indd 1 11/23/2010 8:19:09 AM Naval War College Review, Vol. 64 [2011], No. 1, Art. 22 Cover Wilma Parker’s The Amazing Grace, an oil painting that hung in an exhibi- tion of a selection of the artist’s work at the Naval War College Museum from August to November 2010 and has since been donated by the artist to the Naval War College Foundation. The painting commemorates the commissioning of USS Hopper (DDG 70) on 6 September 1997, to which the artist was invited. She found the ceremony an especially “joyous occasion,” she writes, as the ship had been named for Grace Hopper (1906–92), a pioneering computer scientist and “the incredible Rear Admiral .
    [Show full text]
  • Ethics and the Twenty-First-Century Military Professional
    U.S. Naval War College U.S. Naval War College Digital Commons The van Beuren Leadership and Ethics Series Special Collections 11-1-2018 Ethics and the Twenty-First-Century Military Professional Timothy J. Demy Follow this and additional works at: https://digital-commons.usnwc.edu/usnwc-van-beuren-les Recommended Citation Demy, Timothy J., "Ethics and the Twenty-First-Century Military Professional" (2018). The van Beuren Leadership and Ethics Series. 5. https://digital-commons.usnwc.edu/usnwc-van-beuren-les/5 This Book is brought to you for free and open access by the Special Collections at U.S. Naval War College Digital Commons. It has been accepted for inclusion in The van Beuren Leadership and Ethics Series by an authorized administrator of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. N AVAL W AR C OLLEGE THE JOHN A. VAN BEUREN STUDIES IN P LEADERSHIP AND ETHICS RESS T W O THOUSA N D EIGHTEE N • N UMBER 2 T HE J OHN A. VAN B EUREN S TUDIES IN LEADERSHIP Ethics and the Twenty-First-Century AND Military Professional ETHICS Timothy J. Demy General Editor Selected articles from the Naval War College Press ISBN 978-1-935352-68-6 F asro el t yb eh S epu ir tn e edn tn fo D co mu e tn s , .U S G . evo r emn tn P ublishing eciffO I tn re en :t skoob t ro e . opg enohPvog. : lot l f eer ( 668 215) - 0081 ; D C a er ( a 202 215) - 0081 90000 aF :x ( 202 215) 2018 aM4012- :li S t Ipo CCD W , ihsa gn t no D , C 20402 - 1000 ISBN 978-1-935352-68-6 N UMBER NAVAL WAR COLLEGE PRESS 9 781935 352686 2 Newport, Rhode Island Credits: Front cover: “Aristotle Greek Philosopher and Scientist Portrait” (Grafissimo / DigitalVision Vectors / Getty Images) Back cover: “Compass Discovery Back- ground” (filo / DigitalVision Vectors / Getty Images) Ethics and the Twenty-First-Century Military Professional LES2 - Demy.indb 1 11/29/18 9:10 AM U.S.
    [Show full text]