DOCSLIB.ORG

Ernest Deffner Music Catalog August 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ernest Deffner Music Catalog August 2013 Accordion Music Catalog Solo, duet, and ensemble publications from: Alfred Aretta Astier Deffner Highland Hal Leonard Hohner LaCroix Mel Bay Mosti Music Graphics Preissler Santorella Schmuelling Waterloo and others! 0613 Specifications, prices, and availability subject to change. P.O. Box 11663 Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 www.ernestdeffner.com HOHNER PUBLICATIONS MUSIC FOR RECITALS AND CONCERT PERFORMANCES 164 Revised! No. RS70132…..$32.95 INSTRUCTIONAL COURSE ___HOH23 Art of Playing Hohner Diatonic Accordions, C. Irving Valentine……………… $6.95 A complete course of instruction for all types of German and Italian (Vienna) models of diatonic accordions, including original exercises, compositions, and arrangements specially prepared or composed for this book. Prices subject to change without notice. ERNEST DEFFNER PUBLICATIONS P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 2 www.ernestdeffner.com PALMER-HUGHES PREP BAND BOOK $7.99 $8.95 $8.99 $7.95 $5.95 $7.95 $7.95 $7.95 $7.95 $7.95 $6.95 $7.95 $7.95 $7.95 $7.95 $8.95 $7.95 $7.95 $5.95 ………………… $8.50 $8.95 $7.95 $6.95 $6.95 $5.95 $7.95 $6.95 $7.95 $6.50 $5.95 $5.95 $5.95 $9.95 $6.95 $6.95 $7.50 $6.95 $6.50 $7.95 $7.95 $7.50 $6.95 P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 website: www.ernestdeffner.com PRICES SUBJECT TO CHANGE WITHOUT NOTICE 3 email: [email protected] ARETTA MUSIC PUBLICATIONS ACCORDION SOLOS ACCORDION SUPPLEMENTARY ARETTA’S ACCORDION METHOD $5.95 $5.95 $5.95 $6.95 $7.95 $7.95 $9.95 $9.95 $9.95 $9.95 $9.95 GUITAR ARG1 ARG2 ARG3 ARG4 ARG5 $6.95 $10.95 P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 Prices subject to 4 Priceschange subject without to website: www.ernestdeffner.com email: [email protected] change withoutnotice. notice. ARETTA ACCORDION BAND ARRANGEMENTS (in two, three, or four parts) $2.50 $2.50 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.50 $2.50 $4.50 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 $2.50 $4.00 ACCORDION ENSEMBLE SHEET MUSIC $2.50 $4.50 $2.50 $4.00 $2.50 $9.95 $2.50 $4.00 $2.50 $4.00 $2.95 $8.95 $2.50 $5.50 $2.95 $8.00 $2.50 $4.00 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.95 $4.50 $2.50 $4.50 $2.50 $4.95 $2.50 $5.00 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.50 $4.50 $2.50 $5.50 $3.50 $5.95 $2.95 $4.50 $2.95 $7.50 $2.95 $7.50 $2.95 $8.00 $2.50 $5.95 $2.50 $7.95 $2.95 $7.50 $2.95 $6.50 $3.50 $6.95 Eff. 1/08. Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 website: www.ernestdeffner.com email: [email protected] 5 Sheet Music Grades 1-4 MOSTI ACCORDION MUSIC 2 or 3 Titles on most numbered sheets Each Sheet $2.50 Bride And Groom Oberek P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 6 website: www.ernestdeffner.com email: [email protected] CONCERTINA BOOKS CHARLES MAGNANTE FAVORITES ____ 1340 CARNIVAL OF VENICE, Magnante…………………………………………. $5.95 $10.95 $14.95 $14.95 $4.95 $19.95 $14.95 OS10419 THE BOX, by David C. Hanrahan. A beginner’s guide to the two-row button accordion. Contains sections on music reading, technique, and $4.50 selected tunes, in 32 pages. Book…$12.95 Book w/ CD…$14.95 Book w/ Cassette…$13.95 Cassette Only…$3.95 ____ CM20 MIAMI BEACH RUMBA, Fields/Magnante………………………………….. $3.00 John Gart’s Collected Original Works for Accordion Volume I contains PRELUDE, FUGHETTA, and SCHERZO No. 110……$16.95 Volume II contains SHADES OF VELVET, POEME, and VIVO No. 111……$16.95 Volume III contains MELOTUDES: In a Hurry, In Deep Thought, At the Festival, To the Races, On Thin Ice, At Sea in a Storm, and In Thirds and Sixths No. 112……$16.95 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 email: [email protected] 7 Santorella’s Instructional Method Books $12.95 $12.95 $14.95 $14.95 $14.95 $14.95 $14.95 Coming soon! P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 Prices subject to 8 change without website: www.ernestdeffner.com email: [email protected] notice. Add $4 for performance CD $16.95 - includes performance CD Add $5 for performance CD P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 Prices subject to change without 9 website: www.ernestdeffner.com email: [email protected] notice. GREAT COLLECTIONS and BOOKS for ACCORDION from PAGANI PUBLICATIONS $7.95 $14.95 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 10 email: [email protected] GREAT COLLECTIONS and BOOKS for ACCORDION from PAGANI PUBLICATIONS RHYTHMIC PATTERNS FOR THE ACCORDION $7.95 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 email: [email protected] 11 GREAT COLLECTIONS and BOOKS for ACCORDION from PAGANI PUBLICATIONS $12.95 $6.95 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 12 email: [email protected] GREAT COLLECTIONS and BOOKS for ACCORDION from PAGANI PUBLICATIONS Prices subject to change without notice. ERNEST DEFFNER PUBLICATIONS P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 www.ernestdeffner.com 13 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 14 email: [email protected] Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 email: [email protected] 15 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 16 email: [email protected] Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 email: [email protected] 17 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 18 email: [email protected] Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 email: [email protected] 19 __6654 Score Only $7.95 __6654 Score Only $7.95 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 20 email: [email protected] Two sets of reeds are in the tone chamber THE MOST RESPECTED NAME IN ACCORDIONS P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 21 website: www.ernestdeffner.com email: [email protected] 17 lbs. 17 17 THE MOST RESPECTED NAME IN ACCORDIONS PANitalia LIGHTWEIGHT ACCORDION SPECIFICATIONS 4/5 sets of quality reeds 9 treble and 5 bass registers 37 full-size treble keys (F to F) 17-3/4” keyboard 120 bass buttons great treble keyboard action and responsive basses choose dry tuning or any degree of musette (we custom-tune each accordion prior to shipment to the purchaser jet black, white pearl, or red pearl deluxe leather shoulder straps carrying case full 5-year PANcordion guarantee against defects in mechanism or workmanship P.O. Box 11663, Alexandria, VA 22312 USA MUSICAL tel: (703) 941-9300 fax: (703) 941-9301 MERCHANDISE website: www.ernestdeffner.com SINCE 1934 22 email: [email protected] Prices subject to change without notice. ERNEST DEFFNER PUBLICATIONS P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 www.ernestdeffner.com 23 Prices subject to change without notice. P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 24 website: www.ernestdeffner.com email: [email protected] P.O. Box 11663, Alexandria, VA 22312 USA tel: (703) 941-9300 fax: (703) 941-9301 Prices subject to change without 25 website: www.ernestdeffner.com email: [email protected] notice.
Load more

Recommended publications
  • Weltmeister Akkordeon Manufaktur Gmbh the World's Oldest Accordion
    MADE IN GERMANY Weltmeister Akkordeon Manufaktur GmbH The world’s oldest accordion manufacturer | Since 1852 Our “Weltmeister” brand is famous among accordion enthusiasts the world over. At Weltmeister Akkordeon Manufaktur GmbH, we supply the music world with Weltmeister solo, button, piano and folklore accordions, as well as diatonic button accordions. Every day, our expert craftsmen and accordion makers create accordions designed to meet musicians’ needs. And the benchmark in all areas of our shop is, of course, quality. 160 years of instrument making at Weltmeister Akkordeon Manufaktur GmbH in Klingenthal, Germany, are rooted in sound craftsmanship, experience and knowledge, passed down carefully from master to apprentice. Each new generation that learns the trade of accordion making at Weltmeister helps ensure the longevity of the company’s incomparable expertise. History Klingenthal, a centre of music, is a small town in the Saxon Vogtland region, directly bordering on Bohemia. As early as the middle of the 17th century, instrument makers settled down here, starting with violin makers from Bohemia. Later, woodwinds and brasswinds were also made here. In the 19th century, mouth organ ma- king came to town and soon dominated the townscape with a multitude of workshops. By the year 1840 or thereabouts, this boom had turned Klingenthal into Germany’s largest centre for the manufacture of mouth organs. Production consolidation also had its benefits. More than 30 engineers and technicians worked to stre- Accordion production started in 1852, when Adolph amline the instrument making process and improve Herold brought the accordion along from Magdeburg. quality and customer service. A number of inventions At that time the accordion was a much simpler instru- also came about at that time, including the plastic key- ment, very similar to the mouth organ, and so it was board supported on two axes and the plastic and metal easily reproduced.
    [Show full text]
  • Preliminary Pages
    ! ! UNIVERSITY OF CALIFORNIA ! RIVERSIDE! ! ! ! ! Tiny Revolutions: ! Lessons From a Marriage, a Funeral,! and a Trip Around the World! ! ! ! A Thesis submitted in partial satisfaction ! of the requirements! for the degree of ! ! Master of !Fine Arts ! in!! Creative Writing ! and Writing for the! Performing Arts! by!! Margaret! Downs! ! June !2014! ! ! ! ! ! ! ! Thesis Committee: ! ! Professor Emily Rapp, Co-Chairperson! ! Professor Andrew Winer, Co-Chairperson! ! Professor David L. Ulin ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright by ! Margaret Downs! 2014! ! ! The Thesis of Margaret Downs is approved:! ! !!_____________________________________________________! !!! !!_____________________________________________________! ! Committee Co-Chairperson!! !!_____________________________________________________! Committee Co-Chairperson!!! ! ! ! University of California, Riverside!! ! !Acknowledgements ! ! Thank you, coffee and online banking and MacBook Air.! Thank you, professors, for cracking me open and putting me back together again: Elizabeth Crane, Jill Alexander Essbaum, Mary Otis, Emily Rapp, Rob Roberge, Deanne Stillman, David L. Ulin, and Mary Yukari Waters. ! Thank you, Spotify and meditation, sushi and friendship, Rancho Las Palmas and hot running water, Agam Patel and UCR, rejection and grief and that really great tea I always steal at the breakfast buffet. ! Thank you, Joshua Mohr and Paul Tremblay and Mark Haskell Smith and all the other writers who have been exactly where I am and are willing to help. ! And thank you, Tod Goldberg, for never being satisfied with what I write. !Dedication! ! ! For Misty. Because I promised my first book would be for you. ! For my hygges. Because your friendship inspires me and motivates me. ! For Jason. Because every day you give me the world.! For Everest. Because. !Table of Contents! ! ! !You are braver than you think !! ! ! ! ! ! 5! !When you feel defeated, stop to catch your breath !! ! ! 26! !Push yourself until you can’t turn back !! ! ! ! ! 40! !You’re not lost.
    [Show full text]
  • The Migrant Surge and the Border Mess
    EARNING YOUR TRUST, EVERY DAY. 04.24.21 VOLUME 36 NUMBER 8 THE “IT JUST FEELS NICE AFTER A YEAR OF THIS. … WE’RE ALMOST THROUGH.” —EMERGING FROM A PANDEMIC, P. 38 P. PANDEMIC, A FROM —EMERGING THROUGH.” ALMOST WE’RE … THIS. OF AFTER YEAR NICE A FEELS JUST “IT MIGRANT SURGE AND THE BORDER MESS P. 44 FEATURES 04.24.21 VOLUME 36 NUMBER 8 58 REFUGEES’ GAMBIT Top chess players from Iran are seeking asylum elsewhere, following a long history of chess talent using international events to escape persecution at home by Emily Belz 38 44 52 HOPE AFTER A PANDEMIC BORDER BACKTRACKING COURTING CHRISTIANS Following a year of coronavirus The U.S.-Mexico border isn’t open, In Israel’s battle to form a coalition lockdowns, illness, and death, but a migrant surge and a mishmash government, the spotlight turns to Americans rejoice at a vaccine and of messages and policies ethnic Aramean Christians long little steps back to normal living have created another crisis overlooked by Jewish politicians by WORLD reporters by Sophia Lee by Mindy Belz HOLLIE ADAMS/GETTY IMAGES 04.24.21 WORLD DEPARTMENTS 04.24.21 VOLUME 36 NUMBER 8 5 MAILBAG 6 NOTES FROM THE CEO 68 A scene from the Netflix Korean drama series Crash Landing on You Dispatches Culture Notebook 11 NEWS ANALYSIS 21 MOVIES & TV 65 EDUCATION Major League Baseball’s The Falcon and the VIEWERS foray into voting law Winter Soldier, The Map 67 LIFESTYLE debates of Tiny Perfect Things, CONNECT TO Roe v. Wade, Sound of 68 MEDIA 13 BY THE NUMBERS Metal, The Professor K-DRAMA Broadcasting clean, and the Madman romantic fun, K-drama 14 HUMAN RACE EMOTIONALLY grows in popularity in 26 BOOKS EVEN IF the United States 15 QUOTABLES 28 CHILDREN’S BOOKS THEY DON’T 16 QUICK TAKES Voices 30 Q&A UNDERSTAND Ze’ev Chafets 8 Joel Belz IT ALL.
    [Show full text]
  • 名前 アーティスト アルバム ジャンル 分 年 Look at Us Vince Gill
    名前 アーティスト アルバム ジャンル 分 年 Look At Us Vince Gill Welcome To MCM Country Alternative &4.0 Punk Look Both Ways Barry & Holly Tashian Trust in Me Country & Folk2.9 1989 Look Both Ways Barry And Holly Tashian Trust In Me (P) 1988 フォーク 2.9 1988 Look Her In The Eye And Lie Alan Jackson Thirty Miles West Country & Folk3.8 2012 Look Homeward Angel Lari White Stepping Stone カントリー 6.0 1998 Look Left Alison Brown Alison Brown: Best Of The Vanguard Years カントリー 5.0 2000 Look Me Up By the Ocean Door The Cox Family Everybody's Reaching Out for Someone カントリー 3.0 1993 Look Over Me Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 3] Country & Folk3.0 1995 Look What They've Done To My Song Billie Joe Spears Best Of Country Ladies カントリー 2.7 2002 Look Who's Back From Town George Strait Honkytonkville カントリー 4.1 2003 Lookin' At The World Through A Windshield Son Volt Rig Rock Deluxe カントリー 2.6 1996 Lookin' For A Good Time Lady Antebellum Lady Antebellum Country & Folk3.1 2008 Lookin´' For My Mind (Take 6) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.2 Lookin´ For My Mind (Takes 1-2) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.6 Lookin´ For My Mind (Takes 3-5) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk1.6 Looking At The World Through A Windshield Del Reeves & Bobby Goldsboro The Golden Country Hits 17 Radio Land カントリー 2.4 Looking Back To See Justin Tubb & Goldie Hill The Golden Country Hits 07 Fraulein
    [Show full text]
  • Jerzy Wieczorek—AHS Capstone Spring 2006— Final Draft of Deliverable—May 10, 2006
    Jerzy Wieczorek—AHS Capstone Spring 2006— Final Draft of Deliverable—May 10, 2006 Managing the Accordionist’s Identity in America: A Labeling/Interactionist Perspective Although the accordion was one of the best-selling musical instruments in the United States between the 1930s and the 1950s, nowadays it is frequently portrayed as “nerdy” and “cheesy.” In American popular music of the last few decades, the instrument is rarely heard and almost never seen unless to draw a laugh. Nonetheless, there are many accordionists who still choose to play the instrument despite its reputation. If this once-popular instrument, its music, and the musicians who play it are so marginalized in popular culture today, how do accordionists deal with their marginalized status? This paper begins to answer this oft-overlooked question through the labeling/interactionist approach pioneered by sociologists Howard S. Becker and Erving Goffman. The result is an analysis of how accordionists present themselves to others in light of their understandings of the cause and nature of the accordion’s unpopularity. Because attitudes towards the instrument are not uniform throughout American society, even accordionists in the same geographic location can choose to respond to their stigmatized status in different ways. Several interviews with accordion players indicate that these musicians may attempt to Avoid the stigma by playing only in settings where the accordion is accepted; they may attempt to Overcome the stigma by challenging the assumptions that they believe the audience holds about the accordion; or they may attempt to Flaunt the stigma by drawing on stereotypes about the accordion, usually for humorous effect.
    [Show full text]
  • Hundreds of Country Artists Have Graced the New Faces Stage. Some
    314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
    [Show full text]
  • © Jamie Johnson ©
    Jamie Johnson © © Cover by Jamie Johnson, Maynard, Arkansas Silver Quill Society Best Short Fiction 2015 Contest The Euple Riney Memorial Award 3,000 words max 3,000 words max Must be postmarked by September 25, 2015 Must be postmarked by June 30, 2015 Entry fee: $5.00 (may enter as often as you wish, but entry fee must Entry fee: $5.00 (may enter as often as you wish, but entry fee must accompany each entry.) accompany each entry. 1st place: $50.00 1st place: $50.00 2nd place: $25.00 2nd place: 25.00 3rd place: $15.00 3rd place: 15.00 4th Honorable Mention: $10.00 Honorable Mention: $10.00 This is an open genre contest, but send your best and remember There will also be an editor’s choice award. the first place story will be published in The Storyteller (publication not required to win) so remember to check the regular submission Open genre, but must be about family in some way. Can be fiction guidelines at: www.thestorytellermagazine.com or non-fiction. First place only will be published in The Storyteller Include title page with title, author’s name, address, phone num- (publication not required to win). Do not send anything we would not ber and email, along with number of words. If your name appears accept for general submission. Check our guidelines at anywhere else on the manuscript, the entry will be disqualified. For www.thestorytellermagazine.com details on what the judges look for, go to Must include cover page with title, author’s name, address, phone www.thestorytellermagazine.com and click on Silver Quill Contest number and email, along with number of words.
    [Show full text]
  • Shipping Date: May 26, 2008
    SHIPPING DATE: MAY 26, 2008 (estimated) STREET DATE: JUNE 09, 2008 ARTIST BUCK OWENS TITLE Act Naturally The Buck Owens Recordings 1953 – 1964 LABEL Bear Family Records CATALOG # BCD 16850 PRICE-CODE EK EAN-CODE 4000127 168504 ISBN-CODE 978-3-89916-396-4 FORMAT 5-CD Boxed Set (LP-size) with 84-page hardcover book GENRE Country TRACKS 159 PLAYING TIME 383:11 KEY SELLING POINTS • One of the all-time Country Music Hall of Fame greats finally gets the Bear Family treatment! • The birth of the legendary Bakersfield Sound! • Includes Buck's COMPLETE recordings 1953-1964. Demos, singles, LPs, unreleased songs! All his history-making hits ( Under Your Spell Again, Above And Beyond, Act Naturally, Love’s Gonna Live Here…and many, many more) plus the rarities that only Bear Family uncovers! • Includes ultra-rare sessions featuring Buck as a session musician in 1953-54! • Two unreleased performances and 12 alternate takes! • Guitar fans will want to hear legendary Don Rich evolve into one of the greatest Telecaster twangmeisters of all time! Includes Don's solo items recorded for Buck's albums. • Hear Buck and the band in session with legendary producer Ken Nelson! SALES NOTES Before he died in 2006, Buck Owens had wanted Bear Family to chronicle his career as only we can. Now it has happened! This collection brings forth the Big Bang of Bakersfield country music. This is how it happened, record by record, session by session! Bakersfield had a fertile country scene B.B. (before Buck), but he put it on the map with an epochal string of Top Ten and #1 singles from 1959-1988, paving the way for fellow Bakersfielders Merle Haggard, Bonnie Owens and Red Simpson.
    [Show full text]
  • Book Reviews
    Book Reviews Early American Women Critics: Performance, Religion, Race. By Gay Gibson Cima. Reviewed by Amy Cummins. 71 The Male Body at War: American Masculinity during World War II. By Christina Jarvis. Reviewed by Anna Froula. 72 The Heart of Whiteness: Normal Sexuality and Race in America, 1880–1940. By Julian B. Carter. Reviewed by Mason Stokes. 73 Kids Rule! Nickelodeon and Consumer Citizenship. By Sara Banet-Weiser. Reviewed by Gary Cross. 74 Good Girls & Wicked Witches: Women in Disney’s Feature Animation. By Amy M. Davis. Reviewed by Karen Hollinger. 75 Cradle of Liberty: Race, the Child, and National Belonging from Thomas Jefferson to W. E. B. DuBois. By Caroline F. Levander. Reviewed by Steven Mintz. 76 In Pursuit of Liberty: Coming of Age in the American Revolution. By Emmy E. Werner. Reviewed by Steven Mintz. 76 Trust and Power: Consumers, the Modern Corporation, and the Making of the United States Automobile Market. By Sally H. Clarke. Reviewed by David Farber. 78 Historical Atlas of California. By Derek Hayes. Reviewed by James R. Shortridge. 79 Under the Boards: The Cultural Revolution in Basketball. By Jeffrey Lane. Reviewed by Aram Goudsouzian. 80 Pure Beauty: Judging Race in Japanese American Beauty Pageants. By Rebecca Chiyoko King-O’Riain. Reviewed by Naomi Zack. 81 Upifting the People: Three Centuries of Black Baptists in Alabama. By Wilson Fallin Jr. Reviewed by Randal Maurice Jelks. 82 Divine Hierarchies: Class in American Religion and Religious Studies. By Sean McCloud. Reviewed by Peter Kivisto. 83 The Making of Racial Sentiment: Slavery and the Birth of the Frontier Romance.
    [Show full text]
  • Students Rate Faculty, Laud Prof Performance
    THE SOUTH'S LIVELIEST COLLEGE NEWSPAPER Volume JLXII, Number 19 Georgia Institute of Technology Atlanta, Georgia Friday, February 18, 1977 24 pages Students rate faculty, laud prof performance By BOBBY ELDER the courses as at least "very The initial motivation for usi- News Staff Writer good", and considered 83% to ing these forms was to improve Students who were able to "good" or better. the teaching methods of the evaluate their instructors last Students, however, decided various instructors at Tech by quarter gave a favorable grade that the value of all of these providing them with itemized to their professors and their course* was no worse than student assessments of their courses, according to the "adequate, but not teaching techniques, general evaluation results that stimulating." Dr. Robert Pierotti, who has were released this week. In all, Fall Quarter students been vocal against such The results indicate, for in- evaluated 824 classes, over evaluations, of the Chemistry stance, that according to half of which were offered by Department, thinks that this students, 36% of the instruc­ the College of Sciences and method of teacher evaluation tors evaluated possess overall Liberal Studies. will not improve the level of abilities between "very good" Classes at Southern Tech, teaching. and "outstanding," while 88% along with a small sampling He believes instead that it rate betweem "good" and of Industrial Management and might induce faculty members "outstanding." Engineering classes here to teach in a way that provide DR. SAM WEBB, Dean of Graduate Studies, is pleased with Regarding overall course made up the other classes for a higher score on these par­ the results of the faculty surveys conducted last quarter.
    [Show full text]
  • FRONT COVER There We Were in the Middle of Making This Record and a Total Solar Eclipse Darkened Nashville on My Birthday
    GOLDEN HOUR KACEY MUSGRAVES FRONT COVER There we were in the middle of making this record and a total solar eclipse darkened Nashville on my birthday. My 29th year. A golden hour in my young-adult life. There are certain junctures that you can’t think your way through - you just have to feel. I found myself at one making this album. It was like the Universe was majestically saying “this is a time to be present, to witness the beauty of this incredible world you are lucky to be alive in” despite it being more complicated than ever and filled with so much darkness. We all need a little light right now. We all need for compassion and art to flourish. We need to remember that when moving forward feels impossible, somehow new love still finds its way up through the cracks in the sidewalk. The sun still rises and the birds still sing. Inspiration finds its way to you again. There are different masks we all wear that represent different sides of ourselves. None of them are solely us and yet they all are. There’s the lonely girl - the blissful girl - the new wife - the daughter missing her mother - the hopeful girl - the selfish girl - the sarcastic, rhinestoned Texan - the shy girl and the life of the party - the winner and the loser. They are all characters on this record. None of them alone are me and yet they all are. The golden hour is when all the masks come together as one and you can see, in perfect light, the whole picture of me.
    [Show full text]
  • Cajun Revival - Music - New York Times 03/09/2007 03:55 PM
    Cajun Revival - Music - New York Times 03/09/2007 03:55 PM HOME PAGE MY TIMES TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Free 14-Day Trial Log In Register Now Music Arts All NYT WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER MUSIC More Articles in Arts » Cajun Sound, Rock ’n’ Roll Energy TicketWatch - Theater Offers by E-Mail Sign up for ticket offers from Broadway shows and other advertisers. See Sample | Privacy Policy Jillian Johnson Among the bands bringing Cajun music into the 21st century are the Pine Leaf Boys, from left: Cedric Watson, Blake Miller, Drew Simon, Wilson Savoy and Jon Bertrand. By GEOFFREY HIMES Published: March 4, 2007 SIGN IN TO E-MAIL OR LAFAYETTE, La. SAVE THIS PRINT THIS wasn’t a show for Mardi Gras tourists. On Multimedia Lundi Gras, as they call the day before Fat Tuesday in REPRINTS MOST POPULAR south Louisiana, the Pine Leaf Boys were onstage ''Pine Leaf Boy Two Step'' (mp3) SHARE E-MAILED BLOGGED SEARCHED before a crowd of locals at the Grant Street Dancehall here. The five musicians, all in their 20s, played 1. Journey From a Chinese Orphanage to a Jewish Rite of Passage songs by Cajun legends like the 1950s accordionist Iry 2. Dress Codes : Slim Suits: The Attraction Is Physical ''Zydeco Gris Gris'' (mp3) LeJeune and the 1930s fiddler Dennis McGee, but the 3. 36 Hours in Charleston, S.C. dancers who were packed shoulder to shoulder on the 4.
    [Show full text]