A Composer Creates His Dream Symphony
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Evolución Estilística De La Obra De Leonardo Balada
DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL, DOCUMENTACIÓN E HISTORIA DEL ARTE PROGRAMA DE DOCTORADO EN MÚSICA EVOLUCIÓN ESTILÍSTICA DE LA OBRA DE LEONARDO BALADA. TESIS DOCTORAL Presentada por Idoia Uribarri Berrojalbiz Dirigida por el Dr. Jorge Sastre Martínez Valencia, Mayo de 2017. A mis aitas i ii ÍNDICE Agradecimientos ................................................................................................. v Resumen / Abstract / Resum .............................................................. vii, viii y ix 1. INTRODUCCIÓN. 1.1 Justificación y objetivos .................................................................... 1 1.2 Generalidades y particularidades ....................................................... 6 1.3 Metodología ...................................................................................... 9 2. LEONARDO BALADA Y SU TIEMPO. 2.1 Biografía .......................................................................................... 13 2.2 Contexto artístico ............................................................................ 36 3. PERIODOS ESTILÍSTICOS. 3.1 Primer periodo. 3.1.1 Características del periodo ............................................... 49 3.1.2 Introducción a Concert for Cello and 9 players .............. 52 3.1.3 Análisis ............................................................................. 55 3.1.4 Conclusiones ..................................................................... 97 3.2 Segundo periodo. 3.2.1 Características del periodo ............................................ -
Table of Contents
Table of Contents Acknowledgements Recommendations Oakland Strategic Visioning Process 1 i Past Planning Efforts ii The Future of Oakland: A Community Investment Strategy Summary of Issues 7 Urban Design Analysis 12 i Existing Conditions ii Institutional Master Plans iii Other Master Plans and Studies iv Concurrences, Conflicts, and Gaps v Areas of Opportunity Transportation Analysis 47 i Transportation Issues ii Transportation Guiding Principles iii Transportation Alternatives Benchmarking Summary 67 i Lessons from Benchmarking Trips ii Conclusions from Quantitative Benchmarking Recommended Projects 77 Introduction a Create a Sense of Place in Oakland b Make it Easier to Get Into and Around In Oakland c Stimulate Neighborhood Revitalization d Foster Technology Development Project Charts The Future of Oakland Acknowledgements Mayor Oakland Task Force Member Organizations Tom Murphy Carlow College Carnegie Mellon University Pittsburgh City Council Carnegie Museums of Pittsburgh Gene Ricciardi President Carnegie Library of Pittsburgh Barbara Burns Children's Hospital Twanda Carlisle City of Pittsburgh Jim Ferlo Magee Womens Hospital Alan Hertzberg Oakland Business Improvement District Jim Motznik Oakland Community Council Bob O'Connor Oakland Planning and Development Corporation Bill Peduto Oakland Transportation Management Sala Udin Association Phipps Conservatory and Botanical Gardens Pittsburgh Board of Public Education Pittsburgh Parks Conservancy Pittsburgh Playhouse of Point Park College Port Authority of Allegheny County Public -
National Register of Historic Places Registration Form This Form Is for Use in Nominating Or Requesting Determinations for Individual Properties and Districts
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __ Frick Park ____________________________________________ Other names/site number: ______________________________________ Name of related multiple property listing: ________N/A___________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _1981 Beechwood Blvd. ____________________ City or town: _Pittsburgh___________ State: __PA__________ County: _Allegheny______ Not For Publication: N/A Vicinity: N/A ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties -
579056 Itunes Balada
Leonardo BALADA Works for Clarinet Caprichos Nos. 6 and 7 • Double Concerto Ivan Ivanov, Clarinet Leta Chin, Greta Mutlu, Violin Sarah Lee, Cello Annie Gordon, Kristine Rominski, Flute Rebecca Bush, Percussion Jacob Polaczyk, Erberk Eryılmaz , Piano Geoffrey Larson Leonardo Leonardo Balada (b. 1933) Caprichos Nos. 6 and 7 • Double Concerto BA(bL. 1A933D) A A native of Spain, composer Leonardo Balada (b. 1933) Balada’s creative style has been labeled ‘Dali’s graduated from Barcelona’s Conservatorio del Liceu and Surrealism in music’, yet historically the link between The Juilliard School. He has been on the faculty of the surrealist aesthetics and musical composition has been Carnegie Mellon School of Music since 1970, where he is poorly understood. When I realised the deep importance of Works for Clarinet university professor of composition. He has been Dalí to Balada, suddenly everything in his compositions commissioned by the Aspen Music Festival, the San become logical and meaningful to me, and I recorded his Caprichos No. 7 ‘Fantasies of La Tarara’ Diego Opera, the orchestras of Pittsburgh, Cincinnati and music with passion. To understand Balada as a surrealist Chamber concerto for clarinet and instrumental ensemble Lausanne, the Spanish National Orchestra, Berlin Radio composer, it is best to begin with his Caprichos , two of which Symphony Orchestra and other organisations, and has are included on this recording. The term ‘ caprichos ’ has a 1 (2009) 23:03 received several awards from the National Endowment for special place in Spanish history and culture. Far from being the Arts. Balada’s works have been performed by the the lighthearted cultural fantasy implied by other composers 2 I. -
An Asphalt-Level View of the Parking Lot Across from the University of Pittsburgh’S Cathedral of Learning
An asphalt-level view of the parking lot across from the University of Pittsburgh’s Cathedral of Learning. The lot is at the center of an intense public debate over the merits of turning it into an amenities-filled town square that also serves as an entrance to sprawling Schenley Park. Photo by David Aschkenas PARKJOINING A REVITALIZATION EFFORT IN LOT A KEY PITTSBURGH DISTRICT, TWO LOCAL FOUNDATIONS TAKE LESSONS FROM THE ROUGH-AND-TUMBLE OF PUBLIC PROCESS. BY DOUGLAS ROOT AND C.M. SCHMIDLAPP 23 At both ends of Pittsburgh’s One wields beams for what will be activity validates the high stakes as Oakland district, where prestigious the Collaborative Innovation Center, government officials, and academic, medical centers, top-line universities a high-tech workplace for Carnegie foundation and civic leaders are and museums, trendy boutiques and Mellon University. Less than one betting that the region’s future flavorful ethnic restaurants bump up mile south of that site, two more economy depends on the fortunes against tony estates, working-class cranes hoist loads for the University of what is arguably the city’s most homes and dumpy student housing, of Pittsburgh’s Biomedical Science complex neighborhood. construction cranes are plying the air. Tower 3. The flurry of construction 24 Certainly, Oakland is a place of contrasts. Even as Pittsburgh’s plaza project as a key symbolic move that will have tremendous downtown skyline is visible from any high perch, Oakland is impact on Oakland’s future revitalization. a metro center unto itself — Pennsylvania’s third largest — and, Indeed, symbolism was all over the unveiling of the founda- unlike downtown Pittsburgh, has a strong residential base of 20,000. -
WESTERN PENNSYLVANIA HISTORICAL MAGAZINE Vol
WESTERN PENNSYLVANIA HISTORICAL MAGAZINE Vol. 9; No. 4 OCTOBER, 1926 Price 75 Cents One Hundredth Anniversary of the Birth of Mrs. Mary E. Schenley. * Mrs. S. Kussart On April27, 1826, there was born to Wm. Croghan, Jr., and his wife, Mary (O'Hara) Croghan, at their home, Lo- cust Grove, near Louisville, Kentucky, a little daughter, whom they named Mary Elizabeth. This child was the late Mrs. Mary E. Schenley, the one hundredth anniversary of whose birth we commemorate this evening, a woman whose magnificent gifts to Pittsburgh are appreciated more and more as time passes. What she has done for Pittsburgh willnever be forgotten, and itis most appropriate that we do honor to her memory. Her maternal grandfather, Gen. James O'Hara, from whom Mrs. Schenley* mainly inherited her vast estates in Pittsburgh and vicinity, was Pittsburgh's first captain of industry, a man who, in conception, execution and daring in this line has never been surpassed. The O'Hara family were of proud and ancient stock, and lived in the western part of Ireland. Born about 1753, James O'Hara is said to have been educated in France, and before emigrating to America in 1772, he had been an ensign in the famous Cold- stream Guards of the British army. He landed at Philadel- phia, and in 1773, was at Fort Pitt, engaged in the Indian trade. On the outbreak of the Revolutionary War, he en- tered the Virginia service as a private, and soon was cap- tain of the Ninth VirginiaRegiment. He raised and equip- ped, at his own expense, a company of volunteers for Vir- ginia. -
Schenley Plaza Event Rentals
Schenley Plaza Event Rentals The Schenley Plaza Oval with Tent (Maximum Capacity: 400 standing / 250 seated / 4,275 ft2) This large paved space is located directly across the street from the Mary Schenley Fountain and offers a grand view of the impressive 46-story Cathedral of Learning on the University of Pittsburgh’s campus. The space is ideal for weddings, receptions, fundraising dinners and concerts. A permanent oval tent (68’ x 80’) with clear sides provides protection from the elements. The side panels may be opened or closed based on the needs of the event. The Emerald Lawn (Maximum Capacity: 5,000 standing / 41,100 ft2) Taking up the foremost space in the Plaza, this one-acre lawn is a great location for large-scale events, such as concerts, graduations or large festivals. The Garden along Forbes Avenue provides a decorative border and buffer from the street. As the most popular and highly trafficked area in the Plaza, the availability of the Lawn is limited depending on its condition. Weather conditions on the day of and prior to an event may also limit its availability. The Garden (Maximum Capacity: 125 standing / 22,500 ft2) Bordering the Lawn, the Ornamental Garden is an ideal gathering spot for smaller groups that want a more intimate setting. The Garden can fit approximately 40 people on the unique hand-carved cedar benches. It also provides an elegant backdrop for wedding photos. PNC Carousel (Maximum Capacity: 17 seated) The PNC Carousel is an exciting destination in the Plaza. Its colorful menagerie of animals ranges from a triceratops to a tiger. -
660198-99 Bk Mayr EU
572176 bk Balada US 20/10/10 13:31 Page 12 Leonardo Balada Leonardo Nació en Barcelona el 22 de Septiembre de 1933. Tras cursar sus estudios de piano y teoría en el Conservatorio del Liceu de Barcelona, se trasladó a Nueva York en donde concluyó sus estudios de composición en la Juilliard School en 1960. Entre sus maestros figuran Aaron Copland, Vincent Percichetti y Igor Markevitch. En la actualidad es BALADA catedrático de Composición en la Universidad Carnegie Mellon de Pittsburgh, EE.UU. Algunas de sus obras más conocidas fueron compuestas en un estilo de gran drama dentro de la vanguardia de los años sesenta (Guernica, María Sabina, Steel Symphony, No-res etc.). Posteriormente se le reconoce como pionero en la simbiosis de música étnica con las técnicas vanguardistas, con lo que ha creado un estilo personal e influyente, Caprichos Nos. 2, 3 and 4 estilo iniciado con Sinfonía en Negro- Homenaje a Martin L.King(1968) y Homenajes a Casals y Sarasate(1975). Ha recibido varios premios internacionales y una distinción de la American Academy of Arts and Letters por su relevante carrera y en reconocimiento a su personalidad artística. Andrés Cárdenes, Violin / Conductor Su extensa lista de obras se interpretan regularmente en Europa y América por las principales orquestas y solistas. Entre las primeras figuran las Filarmónicas de Nueva York, Los Ángeles, Israel; la Orquesta de Filadelfia; las Sinfónicas de Pittsburgh, Dallas, Cincinnati, Detroit, New Orleans, Praga, México, Sao Paulo, Barcelona, Jeffrey Turner, Double bass Düsseldorf; Orquestas Nacionales de Washington, Irlanda, España, Colombia, Lima, Lyon, Toulouse, Jerusalén; Philarmonia de Londres; orquestas de las radios de Luxemburgo, BBC(Manchester), Berlín, Leipzig, Helsinki, Pittsburgh Sinfonietta Lawrence Loh Hannover, RTV Española, Moscú, Orq. -
Video Interview – Tom Murphy
VIDEO INTERVIEW – TOM MURPHY Tom Murphy: …my first as a legislator. Paul G. Wiegman: Oh, as a legislator. Okay. Tom Murphy: I was a legislator and that came available and then the legislators in that area opposed the state taking it. Paul G. Wiegman: Yes. Tom Murphy: They’re Republican – very property rights-oriented. Paul G. Wiegman: Yeah. Tom Murphy: This is before property rights probably was an issue. Paul G. Wiegman: Well, there was a lot of opposition for The Great Allegheny Passage, too. Tom Murphy: Yeah, there is on all these trails. Paul G. Wiegman: Originally. Tom Murphy: And, I’m on the board of Rails-to-Trails Conservancy nationally, so I’ve been involved. Paul G. Wiegman: And, you were involved with ATA for a while, also. Tom Murphy: I was involved really early on and I think before Linda was involved, I was involved with it. I went to some of their openings. Paul G. Wiegman: Back when they talked about the Spine Line? Those… Tom Murphy: Right, right. And… Paul G. Wiegman: Okay, well, what I’m looking for is just a… Tom Murphy: It’s so hard to put, I mean, the timing. I don’t remember the timing well. Paul G. Wiegman: Yeah, don’t worry about the times so much because it’s really to take yourself, and I’ve talked to Josh Whetzel and a lot of other people that were involved in this whole thing. So, we have a record and… Tom Murphy: That’s good, as you’re doing it. -
Pittsburgh Regional Parks Master Plan Is Estimated to Cost $113.5 Million of Public and Private Funds
PITTSBURGH’S REGIONAL PARKS MASTER PLAN A New Ethic of Stewardship "The beauty of the park . should be the beauty of the fields, the meadow, the prairie, of the green pastures, and the still waters. What we want to gain is tran- quility and rest to the mind . A great object of all that is done in a park, of all the art of the park, is to influence the mind of men through their imagination." Frederick Law Olmsted (Public Parks and the Enlargement of Towns, 1870) PITTSBURGH’S REGIONAL PARKS MASTER PLAN A New Ethic of Stewardship PREPARED FOR: CITY OF PITTSBURGH - DEPARTMENT OF CITY PLANNING PITTSBURGH PARKS CONSERVANCY PREPARED BY: LAQUATRA BONCI ASSOCIATES / MICHAEL A. STERN BIOHABITATS,INC. TAI +LEE ARCHITECTS LANDSCAPES • LA • PLANNING • HP EARTHWARE / LANDBASE SYSTEMS Acknowledgements The Pittsburgh Regional Parks Master City of Pittsburgh Consultants Plan relied heavily on Task Force Eloise Hirsh, Director LaQuatra Bonci Associates and members from Frick, Highland, Department of City Planning Michael A. Stern, Landscape Riverview and Schenley Parks. They (1994 - 2000) Architects and Lead Consultants were from every walk of life, were full Susan Golomb, Director LANDSCAPES•LA•Planning•HP, of passion for and knowledge about Department of City Planning with Barry Hannegan, PHLF and their parks, and contributed many vol- (current, 2000 - ) Eliza Brown, Historic Preservation unteer hours and invaluable ideas to Duane Ashley, Director Biohabitats, Inc., Ecology this document. These same Task Force Department of Parks and Recreation Tai + Lee Architects, Architecture members will help guide and imple- Guy Costa, Director Earthware / Landbase Systems, ment the Plan for years to follow. -
March 1993 O What a "Landmark" May Be a Revisiting Oid St
PITTSBURGH HISTORY & LANDMARKS FOTJNDATION ONE STATION SQUARE, SUITE45O PITTSBURGH, PA I52I9-II7O Address Correction Requested Published for the members of the Pittsburgh History & l¿ndmarks Foundation No. 128 March 1993 o What a "Landmark" May Be a Revisiting OId St. Luke's a Pittsburgh Architecture: Civilized Engineering Airy Engineering Getting Acquainted with Hornbostel Lartdmarks' Pre servation Fund As we usere going ta press with this isstq Sta.nlq Landmarks'loan will allow NLC to prepare its meeting. Neighborhood revitalization, community preservation goals include: I-owe antwunced. his resignatian as dírecør of 1992 year-end annual report, establish and reorganize development, and historic its executive committee, prepare incorporation and 501 Fund,, as During the First 100 Days: I-øndmarks' Preseruatian øprelimínnry ø (c) (3) documentation, adopt an annual operating runningfor Pítæburgh Cíty CowrcíL. Th.ese reports, budget, and continue to work with its partners such as . Proposing legislation to restore the Historic Rehabili- writænþr publicøtian hcrq describe recen initin- Allegheny General Hospital, Northside Civic Develop- tation Tax Credit. ment Council, Pittsburgh Community Reinvestment ¡ Directing the Council on Environmental Quality to tíaes wíth th.e, Prese¡vati.on Fund. Alæ Kønuth, usha Group, Northside businesses, and others. study subsidies that support suburban sprawl. hasbeen seruíng as an assßta,nr ø Stnnlq, uill hclp NLC executive director Nancy Schaefer expressed r Establishing a structure within each federal agency to us in thß trarcítiana.l periad,. gratitude and stated, "NLC was able to convene the facilitate the delivery of services to neighborhood annual retreat which allowed over 100 people to attend groups. and identify issues and problems affecting the North- o Protecting the discretionary fund within the Health Manchester's Section I Housing Development side. -
Remaking Hazelwood, Remaking Pittsburgh: a Background Study
Remaking Hazelwood, i Remaking Pittsburgh a background study ii iii Remaking Hazelwood, Remaking Pittsburgh was prepared by For more information, please contact: Research Associates Elise Gatti and Kim Kinder, under the direction of Luis Rico-Gutierrez, Director of the Remaking Luis Rico-Gutierrez Cities Institute. Director, Remaking Cities Institute/ Associate Dean, College of Fine Arts The RCI would like to thank the Heinz Endowments for their Carnegie Mellon, School of Architecture generous financial support. Additional appreciation is owed College of Fine Arts 201 to Bob Gradeck, Director of Community Projects, Carnegie Pittsburgh, PA Mellon Center for Economic Development and Jim Richter, 15213-3890 USA Executive Director, Hazelwood Initiative, Inc. [p]: 001 (412) 412-268-2349 [e]: [email protected] [w]: http://www.arc.cmu.edu/cmu/rci Copyright © August 2007 Carnegie Mellon School of Architecture [CONTENts] 1 Introduction: Remaking Hazelwood RCI and the Urban Lab: Community-University Collaboration iv 5 Pittsburgh, Pennsylvania The Hard Facts ... and the Reasons for Hope 13 Project Stakeholders Owners, Institutions, Community Organizations, and Research Groups 31 Pittsburgh Socio-Geography Regional Context and Development History 41 Hazelwood: Current Conditions Site Overview and Community Context 59 Hazelwood Planning Initiatives Recent Plans and Future Developments 71 Sustainable Development Initiatives Sustainable Development and Eco-Urban Planning [CONTENts] 87 Neighborhood Energy Generation Local and Renewable Urban Energy