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Imagining Indian Literature: Towards a Historiography of Translation
Imagining Indian Literature: Towards a Historiography of Translation MRINMOY PRAMANICK Research question what this paper tries to address is the role of translation in imagining nation and national literature in Indian context from a bhasha perspective. This paper argues that a partial history of literary translation can be proposed from the act of imagining national literature in a certain language. Research in this subject concerns on the history of literary translation by the government and non-government publishing houses, academic disciplines and academic activities like seminar, conferences, symposium, workshops etc. as the stepping stones for imagining nation through translation. This paper took quite a few examples of above mentioned literary activities to propose a history of translation as well as the history of Indian literature in a bhasha context. Keywords: Indian literature, nation, national literature, historiography, bangla translation, ecology of translation. ... the major modern Indian languages have developed not only through ‘vertical’ translations from the languages of power and knowledge - English and Sanskrit - but also by engaging in ‘horizontal’ translations of one another, ultimately contributing to the creation of an inherently pluralistic body of literature in India. (Translation as Growth: Towards a Theory of Language Development, Uday Narayan Singh). Imagining Indian Literature in Bangla can be traced back from 19th century with the translation of Indian literary texts from West Indian languages by Jyotindranath Tagore and also with the translation of Rabindranath Tagore’s translations of Indian poetry. This paper traced the history of translation and imagination of National literature from early 20th century as theoretically Indian Literature were assumed to be studied. -
Missing the Jobs for the Data Improvements
8 ISSUES AND INSIGHTS MUMBAI | THURSDAY 24 JANUARY 2019 > ister Sheila Dikshit to say, “I don’t want required to bring in a radical change and > CHINESE WHISPERS the ugly box in my drawing room”. to stimulate the market to provide choice 2003 redux The CAS politics was unfolding too of viewing”, Trai had said in 2004. close to the upcoming 2004 Lok Sabha The latest Trai order may not meet Trai's latest intervention in the cable and DTH market has created more elections and it had to end. The best the vision with which it started regulat- All in the family option before the government was to roll ing the broadcasting industry. For Nakul Nath's confusion than it has solved it back. It did that, while getting Trai to instance, growth and competition of (pictured) expand its role so that it could manage businesses could be stifled through the appearance the mess after the government-ordered way a broadcasting company would like broadcasting along with telecom. The diktat on à la carte pricing, as packaging in the social conditional access system or CAS went to do business, all hell has broken loose, first thing that Trai did was to cap prices holds the key to success in the broad- media and completely out of hand in 2003, this time threatening a blackout if the companies at the existing level, while saying it was casting industry where content offered with state the regulator itself has triggered a situa- in question don’t comply by February 1. a temporary measure. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 The Refugee Settlements in ‘Calcutta’ and the Changes in the Refugee Colonies of ‘Kolkata’ Arunita Samaddar Research Scholar, Jadavpur University. Abstract: The partition of the Indian subcontinent not only killed thousands of people, but also uprooted and displaced millions from their traditional homeland – their ‘desher maati’. The severance of India’s unity, which has been described as the ground-breaking incident of reconfiguration of this nation, did not simply break the bonds between people or create territorial splits, but also partition of neighbourhoods, villages and cities. Gradually it caused rift between communitiesand families who had lived in harmony. In Bengal, the trauma of this divide reshaped the entire outlook. This paper traces how along with strong economic implications the act of Partition had a deep psychological impact on the settlers in an out of Bengal. Keywords: partition, Indian subcontinent, Bengal, economic implications. “the geography of partition is not that of a mountain amid plains, but of a thousand plateaus.”1 The recapturing of that schizophrenic moment of the partition of India is a daunting task, fraught with complexity, given the much-contested nature of ‘post-colonial’ subject. Thus the formation, rather the transformation of any city, especially Calcutta (now Kolkata), is mirrored in the multifaceted activities that surrounded the brink of colonialism and the onset of post-colonial era.2 The city of Calcutta was admittedly a social product and an economic construct, and as such it was brought into being by forces external to it. -
Sunil Gangopadhyay Wikipedia Sunil Gangopadhyay from Wikipedia, the Free Encyclopedia
6/8/2017 Sunil Gangopadhyay Wikipedia Sunil Gangopadhyay From Wikipedia, the free encyclopedia Sunil Gangopadhyay or Sunil Ganguly (Bengali: সুনীল গেЀাপাধᘃায় Shunil Gônggopaddhae), (7 September 1934 – 23 Sunil Gangopadhyay October 2012)[2] was an Indian Bengali poet and novelist based in the Indian city of Kolkata.[4] Born in Faridpur, in what is now Bangladesh, Gangopadhyay obtained his master's degree in Bengali from the University of Calcutta. In 1953 he and a few of his friends started a Bengali poetry magazine, Krittibas. Later he wrote for many different publications. Ganguly created the Bengali fictional character Kakababu and wrote a series of novels on this character which became significant in Indian children's literature. He received Sahitya Akademi award in 1985 for his novel Those Days (Sei Samaya).[5] Gangopadhyay used the pen names Nil Lohit, Sanatan Pathak, and Nil Upadhyay.[2] Contents Born 7 September 1934 Faridpur, Bengal Presidency, British 1 Early life India (Now Bangladesh)[1] 2 Literary career Died 23 October 2012 (aged 78) 2.1 Krittibas Kolkata, India 2.2 Other works 3 Works Pen name Nil Lohit, Sanatan Pathak, and Nil 3.1 Film based on his literary works Upadhyay[2] 4 Death Occupation Writer 5 Controversies 6 List of major works Language Bengali 6.1 Poetry Nationality Indian 6.2 Novels Ethnicity Bengali 6.3 Autobiography 6.3.1 Kakababu series Education Master of Arts (Bengali) 6.4 Translated books Alma mater University of Calcutta (1954) 7 Awards and honours Period 1953–2012 7.1 Awards 7.2 Honors Notable First Light (Prathama Alo), Those 8 See also works Days (Sei Somoy), East and West 9 Notes (Poorba Pashchim) 10 External links Notable Ananda Puraskar (1972, 1989) awards Sahitya Akademi Award (1985) Spouse Swati Bandopadhyay (m. -
The Hungryalist Movement in Bengal: a Conversation with Malay Roychoudhury Zinia Mitra and Jaydeep Sarangi
The Hungryalist Movement in Bengal: A Conversation with Malay Roychoudhury Zinia Mitra and Jaydeep Sarangi It is not an overstatement to say that the poetry of the 1960s is characterised by counterculture. The Beat poetry of America became an international influence by the end of 1950s. Young Californian poets rebelled against the norms and mores of society under the leadership of Allen Ginsberg. Ginsberg’s ‘Howl’ is a passionate critique of the sordid life of post- World War II America. Thousands of miles away, a poet from India, was giving similar leadership to a generation of Bengali poets. Malay Roychoudhuri and his Hungryalist Movement came to be recognised as one of the most culturally influential poetic movements which overruled standards of conventional literature, spurned mercenaries of culture, introduced new models. The lives of the artists spanned extraordinary frames changing the poetic landscape forever Malay Roychoudhury (1939) is an Indian Bengali poet, playwright, short story writer, essayist and novelist who founded the Hungryalist movement in the 1960s which changed the course of avant-garde Bengali literature and painting. He was born in Patna, Bihar, India, into the Sabarna Roy Choudhury clan, which owned the villages that became Kolkata. He grew up in Patna's Imlitala ghetto, which was mainly inhabited by poor lower caste Hindus and Shia Muslims. His was the only Bengali family. His father, Ranjit (1909–1991) was a professional photographer; his mother, Amita (1916–1982), was from a progressive family of the nineteenth- century Bengali renaissance. At the age of three, he was admitted to a local Catholic school, The Hungryalist Movement in Bengal: A Conversation with Malay Roychoudhury. -
Samir Roychoudhury - Poems
Classic Poetry Series Samir Roychoudhury - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Samir Roychoudhury(1 November 1933 -) Samir Roychoudhury (Bengali: ???? ??????????) is considered as one of the founding fathers of the Hungry Generation Movement. <b> Birth and Early Life </b> Samir Roy Choudhury was born at Panihati in West Bengal on November 1st 1933, in a family of artists, sculptors, photographers and musicians. His grandfather Lakshminarayan, doyen of the Sabarna Roy Choudhury clan of Uttarpara, heard learned drawing and bromide-paper photography from John Lockwood Kipling, father of Rudyard Kipling, who was Curator at the Lahore Museum (now in Pakistan), and thereafter established the first mobile photography-cum-painting company in India in the mid-1880s. The company was later taken over by Samir's father Ranjit (1909–1991). Samir's mother Amita (1916–1982) was from a progressive family of 19th century renaissance. He studied at City College, Kolkata. Here he saw his classmates Dipak Majumdar, Sunil Gangopadhyay and Ananda Bagchi who were planning to start a poetry magazine known as Krittibas (1953). He was an active member of Krittibas group. Samir became an active member of the group. Eka Ebong Koyekjan, the first collection of poems by Sunil Gangopadhyay was funded and published by Samir. When Dipak Majumdar left Krittibas group, Samir along with others were eased out of the group. He had edited the Phanishwarnath Renu issue of the magazine. Thereafter he took up a job of marine fisheries expert in a ship. His first poetry collection was known as Jharnar Pashey Shuye Aachhi that was based on his experience in the ship. -
The Hungry Generation and Poetics Author: Rindon Kundu, Senior Research Fellow, Department of Comparative Literature, Jadavpur University
MHRD UGC ePG Pathshala Subject: ENGLISH Principal Investigator: Prof. Tutun Mukherjee, University of Hyderabad Paper No 11: Indian Literary Criticism and Theory Paper Coordinator: Dr. Bhandaram Vani, S. N. Vanita Mahavidalaya, Hyderabad Module No 31: The Hungry Generation and Poetics Author: Rindon Kundu, Senior Research Fellow, Department of Comparative Literature, Jadavpur University Content Reviewer: Dr. Bhandaram Vani, S. N. Vanita Mahavidalaya, Hyderabad Language Editor: Dr. Mrinmoy Pramanick, University of Calcutta The Hungry Generation and Poetics Contents 1. Objectives of the Module 2. Introduction to the History of Bengali Poetry from 1920-1950 3. Modernity and Adhunikata 4. History of the Hungry Generation 5. Objectives and Impact of the Hungryalist Movement: 6. Summary of the Module 1 1. Objectives of the Module: This module starts with a history of the Hungry Generation, a literary movement in the Bengali language in general and then moves towards the issue of the Hungry Generation Poetics – what does this particular phase in Bengali literature symbolize in terms of impact on the Bengali literature and evolution of the Bengali language and will try to problematize the whole issue. The following unit will concentrate on the socio political history of the contemporary time in Bengal and different perspectives pertaining to it. The last section will attempt to show the paradigm shifts at the outdated model of looking literature and art according to a city-centric, western educated, bourgeois sense of taste. 2. Introduction to the History of Bengali Poetry from 1920-1950 Before starting discussion about the Hungryalist poetry, we have to understand the background of Bengali poetry during and after-independence in general.