Origami for Fun, Science Uses, and Spacecraft Applications
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PAPER CRAFT Assembly Instructions
PAPER CRAFT Assembly Instructions Thank you for downloading the "SR400"paper craft model. By simply following this manual while referring to the names and numbers shown on the parts sheets, you can assemble an authentic-looking replica of the SR400. Assembly instructions: Fifteen A4-sized sheets. Paper craft: Seventeen A4-sized sheets with 223 parts in all These instructions apply only to the "SR400." These Paper Craft parts are easier to work with when printed out on strong, thick paper (like postcard stock). In creating these Paper Craft models we use 135kg Kent paper stock (0.18mm). 2003.4.25 Note TO BEGIN Basic working method and markings Tools and materials needed Solid lines -Ruler -Scissors - Blade cutter or "Exacto-knife" - Awl or Fold along these lines. The printed other pointed tool (for making a folding crease) - Felt surface should be on the outside of pen - Pin set - Glue - Hand towel ( for cleaning your the folded shape. fingers) - Dictionary or other heavy book ( to press the papers flat) Broken lines Items of Caution Fold along these lines. The printed *Take care when using sharp or pointed objects or when surface should be on the inside of using bladed cutting tools. Place a heavy sheet of paper the folded shape. under the paper you want to cut. *Use glue and other adhesives only in well-ventilated areas. Dotted line *When printing, use a slightly reduced font size as there are many differences in dimensions depending on the Cut along these lines type of printer used. HOW TO ASSEMBLE Do not fold or cut the parts *Follow the working method and markings carefully. -
The JABBERWOCKY and to Be Dis- Member-At-Large: PR Played During the Annual Meeting in June 2020
Sunrise Senior College University of Maine at Machias Vol. 23 Issue 2 WINTER 2019 From the Desk of the Chair We Heard You! Exciting things are happen- ing here at SSC. Thank you for your won- derful feedback in the SSC Survey. Your board has listened and you have already seen results. We have advertised more and now have weekly articles in the MVNO. Thank you to Joan Miller and Marci Gaglione for all your efforts. We have had over 20 new to SCC members try our Fall Semester. Our Fall Semester was a great success with over 240 seats filled in 15 different classes. As you will see in this publication, our Winter Warmups is em- barking in a whole new direction and our Spring Semester will be just as exciting as our Fall Semester. Remember - SSC is still not charging any membership fee for this session so, if you did not have a chance to attend last fall won’t you do so this spring. Change is very hard, but sometimes change is necessary or eventually you may cease to exist. Your survey results showed us that you very much want SSC to grow and to be a strong force in our community. You also made it clear that if this means we have to change our business model to help us survive, then you are willing to help us make these changes. SSC Program at UMM Some of these changes will come with this summer’s pro- 116 O’Brien Avenue gram. At that time, you will have your first opportunity to pay Machias, ME 04654 your 2020 Membership dues (they will run from June 1st 2020 (207) 255-1384 to May 31st 2021) and sign up for our Summer programs On the web at: // through Sunrise Senior College’s new website. -
P4vor 6-44S Ana' P4por Cuase
P4vor 6-44s Ana' P4por Cuase Ashley Machum With information constantly shifting to online water. "The fibers from trees were discovered to formats it seems that a paperless society is quite be an ideal and cheap source" and are *hat the possible. However, the online format can never majority of today's papers are made froin (Garner, deliver the tactile experience that holding a piece 2006, p. 7). There are specialty papers made to of paper can. Those who seek the solace of paper satisfy any individual's needs. should consider paper crafts as a means to reconnect with the real thing. Making paper crafts involves using any type of paper, they "mix any form of paper or card stock The human connection with paper has existed for to create interesting and innovative craft projects" thousands of years. It began in Egypt when, "the (Garner, 2006, p. 8). It is not necessary to exceed first form of paper was invented over 5,000 years the budget when offering a craft progrgn. Paper ago." This type of paper is known as papyrus. for programs can be sourced "in fine art supply The name is derived from the "plant called and craft stores, as well as in home improvement Cyperus papyrus" of which the paper is made of stores, party and office supply stores, and from its thin slices layered (Garber, 2006, p. 6). Today's online suppliers. Recycled magazines and catalogs method for making paper is "attributed to the are another excellent source of paper" (Le Van, Chinese inventor T'sai Lun in the years around 2006, p.8). -
Christmas Crafts
Christmas C rafts Copyright Presbyterian Church of Aotearoa New Zealand ©20122008 CONTENTS: CONTENTS: Christmas Crafts INTRODUCTION: Christmas lends itself to craft making, baking and all those nostalgic and traditional activities. How many of us still have those macaroni spray painted angels made by our preschool children in our decoration box? They tell a story and hold memories of special times. Making crafts together also creates opportunity to chat about the Christmas story as we go and unpack the true meaning of Christmas and what it means to give and not just receive. This resource is a compilation of crafts taken from the web. Many of them come from www.dltk.com/holidays/xmascrafts . I hope you enjoy them and this resource enables you to put more time into ministering and less time into surfing the web (as we know how time consuming that can be!) And remember, if you have resources to help others minister to children, send them to Kids Friendly – [email protected] . Other Kids Friendly resources for the Christmas season include: A Kids Friendly Advent Christmas Games and Quizzes Christmas Kids Club – Connecting with Community Children To order these email Kids Friendly. CONTACT ::: Jill Kayser Kids Friendly Coach Presbyterian Church of Aotearoa New Zealand Tel: 09-5850959, 027-2103784 Email: [email protected] Mail: 100 St Heliers Bay Road, Auckland 1071 Website: www.kidsfriendly.org.nz Copyright Presbyterian Church of Aotearoa New Zealand ©20122008 Angels Boy Christmas Angel Materials: printer paper scissors glue something to colour with (if using B&W template) Directions: Print template of choice. -
Design Procedure on a Newly Developed Paper Craft
Journal for Geometry and Graphics Volume 4 (2000), No. 1, 99{107. Design Procedure on a Newly Developed Paper Craft Takahiro Yonemura, Sadahiko Nagae Department of Electronic System and Information Engineering, Faculty of Biology-Oriented Science and Technology, Kinki University Nishimitani 930, Uchida-cho, Naga-Gun, Wakayama, 649-6439 Japan email: [email protected] Abstract. Personal computers are now rapidly di®using into public facilities as well as educational organizations and common families. To let variety of user groups handle software with ease, it is an urgent business and an essential factor to develop a digital society as well as to construct a human-friendly environment for operation. This article describes a method to e®ectively fabricate various formative models by means of paper craft and suggests an example of educational tools with which everybody can explore the environment to be acquainted with computer and joy of creation during enjoyment. Key Words: Paper craft, paper folding, modelling software, gesture interface MSC 1994: 51N05, 00A35, 68N99. 1. Introduction It is not too much to say that Japanese culture has progressed along with its use of paper. It is obvious when we see from examples that fusumas and shojis have frequently been used for Japanese architectures and are still in use. Such paper culture has not only made use of paper in practical applications but also has created various articles of folk craft with entertaining factors. What can be regarded as a representative class of Japanese paper use is origami as this is familiar to people without distinction of age or sex for many years. -
The 2018 Undergraduate Experience in Communicating Their Research
The Undergraduate Exhibition is co-sponsored by the Office of Undergraduate Education and the Schreyer Honors College in partnership with the University Libraries and Phi Kappa Phi Honorary Society. Undergraduate research would not be possible without the mentorship of dedicated faculty. We sincerely thank those individuals who dedicate their time and expertise to shape the future of student research. As you visit the presentations today, please take intentional care to observe who made each project possible. We also thank those who are making today’s Undergraduate Exhibition possible by taking on the essential role of volunteer judge, both evaluating projects and giving our students invaluable The 2018 Undergraduate experience in communicating their research. EXHIBITION HUB-Robeson Center Wednesday, April 18 University Park Campus 5:00–8:00 p.m. Oral Presentations | Flex Theatre & Room 131 Performances | Flex Theatre Poster Presentations | Alumni & Heritage Halls 1 The 2018 Undergraduate Exhibition Wednesday, April 18, 2018 5:00–8:00 p.m. HUB-Robeson Center Oral Presentations | Flex Theatre and Room 131 .................................Page 8 Performances | Flex Theatre ................................................................Page 12 Poster Presentations | Alumni and Heritage Halls Arts and Humanities ......................................................................Page 13 Course-based (all disciplines) .......................................................Page 14 Engineering ...................................................................................Page -
Spring 2019 Extension Catalog
Spring 2019 Extension Catalog Courses 2D Animation I: Toon Boom Conquer the basics of animation and make your very own cartoon. While learning the techniques and principles of 2D animation, students in this course create a short film (10 seconds to one minute) by acting out their own scene and animating it themselves. Working with industry-standard equipment such as Wacom tablets or Cintiqs, students also get to know the tools used by professionals. Prerequisite: Introduction to Digital Design; Digital Imaging I; Digital Drawing and Illustration I: Illustrator First class materials: USB Flash Drive Code: XDMA9146 Meetings: 10 Credit Hours: 1 Optional Lab Offered: No Minimum Age: 18 Disciplines: Digital Media Section 1 Meeting Dates: February 7, 2019 - April 18, 2019 Meeting Skips: No mtg: 3/21 Class size: 16 Room: Day: Thursday Person: Lenord Robinson Instructor: Lenord Robinson Non-Credit CRN: 15135 Fee: $820 Credit CRN: 15136 Fee: $820 2D Character Design Workshop Have your own idea for a cartoon? A little character design goes a long way. In this workshop, learn to create believable, interesting characters with human traits for cartoons and animation. Code: XILU6300 Meetings: 1 Credit Hours: NC Optional Lab Offered: No Minimum Age: 18 Disciplines: 1-Day Workshops Section 1 Meeting Dates: January 20, 2019 Meeting Skips: Class size: 16 Room: Day: Sunday Person: Mike Cedeno Instructor: Mike Cedeno Non-Credit CRN: 15367 Fee: $100 Advanced Furniture Design Lab Build upon your existing skills to construct beautiful and functional furniture. Advanced students explore furniture construction using multiple materials, from wood to metal to fabrics. Issues professionals face in the real world—production requirements, trade requirements, and consumer requirements—are also covered. -
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz. -
Paper Crafting by Tammie Strawser, Assistant Superintendent, 4-H Creative Arts Days, Ohio State Fair; Franklin County 4-H Volunteer and Alumnus
4-H 365.20 OHIO STATE UNIVERSITY EXTENSION PROJECT IDEA STARTER Paper Crafting By Tammie Strawser, Assistant Superintendent, 4-H Creative Arts Days, Ohio State Fair; Franklin County 4-H Volunteer and Alumnus. Reviewed by Tracy Nider, Extension Program Coordinator, 4-H Youth Development, Ohio State University Extension Paper crafting offers a variety of ways to express yourself with fascinating crafting opportunities. This art form is very popular and can be used in various situations including educational, therapeutic, or recreational. Paper crafting comes in many forms but the main Card making is currently the most popular form of supply, as the name implies, is paper. Many of the paper crafting, but many other crafts are included other supplies can be found around the house, in this fun and expressive hobby. Some forms making this an inexpensive hobby. Since its growth can be traced back to the historical and cultural in popularity—especially in greeting-card making— roots of other countries. Many paper crafting craft stores have entire departments designed to forms began because of the easy availability and help beginners join in the fun and experienced low cost of paper. Piñatas, Day of the Dead dolls, crafters improve. and masks are examples of paper crafts used in When purchasing supplies, do some research holiday celebrations. Some cultures have taken a first. Determine how you will use the item and how craft form from another country and incorporated often you will use it. This is especially true when it into their own. The origin of the piñata can be purchasing more expensive items such as die cut traced to China, where paper was first made. -
Freeform Quad-Based Kirigami
Freeform quad-based kirigami CAIGUI JIANG, KAUST FLORIAN RIST, KAUST, TU Wien HELMUT POTTMANN, KAUST, TU Wien JOHANNES WALLNER, TU Graz Kirigami, the traditional Japanese art of paper cutting and folding generalizes origami and has initiated new research in material science as well as graph- ics. In this paper we use its capabilities to perform geometric modeling with corrugated surface representations possessing an isometric unfolding into a planar domain after appropriate cuts are made. We initialize our box-based kirigami structures from orthogonal networks of curves, compute a irst approximation of their unfolding via mappings between meshes, and com- plete the process by global optimization. Besides the modeling capabilities we also study the interesting geometry of special kirigami structures from the theoretical side. This experimental paper strives to relate unfoldable checkerboard arrangements of boxes to principal meshes, to the transforma- tion theory of discrete diferential geometry, and to a version of the Gauss theorema egregium. CCS Concepts: · Computing methodologies → Shape modeling; Opti- mization algorithms. Additional Key Words and Phrases: Kirigami, discrete diferential geometry, quad meshes, digital fabrication, computational origami ACM Reference Format: Fig. 1. Closing all star-shaped holes in a 2D domain by folding along pre- Caigui Jiang, Florian Rist, Helmut Pottmann, and Johannes Wallner. 2020. scribed edges produces a corrugated watertight box kirigami surface repre- Freeform quad-based kirigami. ACM Trans. Graph. 39, 6, Article 209 (Decem- sentation. It is initialized from an orthogonal network of curves on a smooth ber 2020), 11 pages. https://doi.org/10.1145/3414685.3417844 design surface, and is computed by global optimization. -
Hobbies & Crafts
Hobbies & Crafts Chairman– Marie Dunne and Eileen Travis ITEMS ARE TO BE BROUGHT TO THE EXHIBIT BUILDING “E” SATURDAY, AUGUST 15TH BETWEEN 10:00 AM AND 3:00 PM. RULES - Entries Close August 1st 1. All general rules apply to Hobbies & Crafts. Please read them. 2. All entries MUST be made by the exhibitors. 3. No hobby kits are to be used unless designated. 4. Items entered in any other category will risk being disqualified if the item should have been entered into a listed category. 5. Exhibitors may “age up” and enter in classes above their age range. Exhibitors MAY NOT “age down” into age groups below their age range. 6. One entry per class will be enforced. 7 Projects need to be completely dry or they will not be excepted. 8. Children and Juniors—Your age must be indicated on the Entry Form. Entry Fee: Children 11 and under—no entry fee. Age 12 and up—$1.00 per class Awards for Each Class 1st—$10.00 2nd—$5.00 3rd—$3.00 Hobbies & Crafts Class List 2020 For on-line entires Department = Arts & Crafts, Division = Hobbies & Crafts Class and Class Description 001 - Age 5 & under, Simple machine dinosaur See page 6 for instructions 002 - Age 5 & under, From field to fork See page 6 for instructions 003 - Age 5 & under, Counting Caterpillar 004 - Age 6-8 years, Bee on a flower See page 7-8 for instructions 005 - Age 6-8 years, Clothes pin fish puppet See page 7-8 for instructions 006 - Age 6-8 years,Fingerprint monsters See page 7-8 for instructions 010 - Age 6-8 years, Decorative apparel, t-shirt 011 - Age 6-8 years, Decorative apparel, hat -
Origami and Kirigami Approaches RESEARCH: Review Sebastien J.P
Materials Today d Volume xx, Number xx d xxxx xxxx RESEARCH From flat sheets to curved geometries: Origami and kirigami approaches RESEARCH: Review Sebastien J.P. Callens ⇑, Amir A. Zadpoor Department of Biomechanical Engineering, Delft University of Technology (TU Delft), Mekelweg 2, Delft 2628CD, The Netherlands Transforming flat sheets into three-dimensional structures has emerged as an exciting manufacturing paradigm on a broad range of length scales. Among other advantages, this technique permits the use of functionality-inducing planar processes on flat starting materials, which after shape-shifting, result in a unique combination of macro-scale geometry and surface topography. Fabricating arbitrarily complex three-dimensional geometries requires the ability to change the intrinsic curvature of initially flat structures, while simultaneously limiting material distortion to not disturb the surface features. The centuries-old art forms of origami and kirigami could offer elegant solutions, involving only folding and cutting to transform flat papers into complex geometries. Although such techniques are limited by an inherent developability constraint, the rational design of the crease and cut patterns enables the shape-shifting of (nearly) inextensible sheets into geometries with apparent intrinsic curvature. Here, we review recent origami and kirigami techniques that can be used for this purpose, discuss their underlying mechanisms, and create physical models to demonstrate and compare their feasibility. Moreover, we highlight practical aspects that are relevant in the development of advanced materials with these techniques. Finally, we provide an outlook on future applications that could benefit from origami and kirigami to create intrinsically curved surfaces. Introduction enable development of advanced materials with an unprece- The many developments in additive manufacturing (AM) over dented set of functionalities.