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Gogebic Courts Receive High Marks
Call (906) 932-4449 Ironwood, MI Badger brothers Hurley grads Mark and Jacob Redsautosales.com reflect on Wisconsin season SPORTS • 6 DAILY GLOBE Friday, February 1, 2019 Mostly cloudy yourdailyglobe.com | High: 15 | Low: 7 | Details, page 2 Gogebic courts receive high marks BESSEMER – The pub- ing us make decisions on and focused on improving users said they were: treat- agement decisions that tiative of the Michigan lic continues to be satisfied how to improve court oper- service to the public.” ed with respect, the judge help better serve the pub- Supreme Court and State with Gogebic County’s ations,” Chief Judge The survey was part of a or magistrate handled their lic,” Court Administrator Court Administrative court system, awarding it Michael Pope said in a statewide effort and asked case fairly, able to get their Susan Mitchem said in the Office has included more high marks for the fifth news release. “I am very court users such as parties business done in a reason- release. “Our goal is for than 120,000 surveys year in a row in a survey proud of the hard work put to cases, attorneys and able amount of time and every person who comes throughout the state regarding user experience. in by our teams in all of our jurors whether the courts understood the proceed- through the courthouse between 2013 and 2018. “Our courts serve the courts in Gogebic County, were accessible, timely, fair ings as they left the courts. doors to be satisfied and Visit courts.mi.gov for people, so their views are and we are committed to and how they were treated. -
Extensions of Remarks E387 EXTENSIONS of REMARKS
March 19, 2001 CONGRESSIONAL RECORD — Extensions of Remarks E387 EXTENSIONS OF REMARKS IN HONOR OF WOODIE KING, JR.’S, nation, with his work appearing in Atlanta, De- press upon all young volunteers that their con- NEW FEDERAL THEATRE ON ITS troit, St. Louis, Brooklyn, and Bermuda. tributions are critically important and highly 30TH ANNIVERSARY For 30 years, Woodie King Jr.’s New Fed- valued. Over the past six years, the program eral Theatre has provided enormously talented has become the nation’s largest youth effort HON. CAROLYN B. MALONEY imaginative, and creative minorities with the based on community service, with an esti- chance to present their work in an established mated 100,000 youngsters participating since OF NEW YORK and professional theatrical venue. Without the its inception. IN THE HOUSE OF REPRESENTATIVES opportunity to perform at Woodie King’s New We are extremely proud that Ms. Wise has Monday, March 19, 2001 Federal Theatre, encouraged by Woodie King been singled out from such a large group of Mrs. MALONEY of New York. Mr. Speaker, himself, many of today’s most successful and dedicated volunteers. I applaud Ms. Wise for I rise today to pay tribute to Woodie King, promising theater professionals would have her initiative in seeking to make her commu- Jr.’s, New Federal Theatre, which will be hon- perhaps never achieved their current suc- nity a better place to live, and for the positive ored at a celebration of its 30th anniversary on cesses. impact she has had on the lives of others. March 25, 2001. For 30 years, Woodie King, Mr. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Australian Found-Footage Horror Film
Finders Keepers AUSTRALIAN FOUND-FOOTAGE HORROR FILM Alexandra Heller-Nicholas looks at how two Australian films,The Tunnel and Lake Mungo, fit into the hugely popular found-footage horror trend, and what they can reveal about this often critically disregarded subgenre. 66 • Metro Magazine 176 | © ATOM FACING PAGE, FROM TOP: MATHEW (MARTIN SHARPE) USES TECHNOLOGY TO TRY TO CONTROL HIS DEAD SISTER IN LAKE MUNGO; STEVE (STEVE MILLER) EXPLORES WHAT LURKS BELOW IN THE TUNNEL THIS PAGE, TOP ROW: THE TUNNEL BOTTOM ROW AND INSET BELOW: LAKE MUNGO When horror academic Mark Jancovich Ghostwatch. Looking beyond film, television dismissed The Blair Witch Project (Daniel and radio, there are numerous significant Myrick & Eduardo Sánchez, 1999) as ‘a media hoaxes such as the New York Sun’s one-off gimmick rather than the start of a ‘Great Moon Hoax’ in 1835 that suggest a new cycle of horror production’ in 2002, few broader history behind the current found- suspected how premature this prediction footage horror phenomenon. would be.1 The extraordinarily successful Paranormal Activity franchise (2007–2012) While the diversity of this subgenre’s history left Blair Witch in its dust, and found footage has been simplified, the broader areas from – or faux found footage – has become the which found-footage horror has drawn its horror format du jour. Horror fans and critics inspiration have also been largely under- now discuss found footage as an overused stated. Documentary is the most obvious, cliché that is past its use-by date, and even but found-footage horror’s relationship to horror directors themselves go to consid- amateur filmmaking traditions is arguably erable lengths to clarify how their found- to a number of screen trends and events, just as important. -
Congratulations Susan & Joost Ueffing!
CONGRATULATIONS SUSAN & JOOST UEFFING! The Staff of the CQ would like to congratulate Jaguar CO Susan and STARFLEET Chief of Operations Joost Ueffi ng on their September wedding! 1 2 5 The beautiful ceremony was performed OCT/NOV in Kingsport, Tennessee on September 2004 18th, with many of the couple’s “extended Fleet family” in attendance! Left: The smiling faces of all the STARFLEET members celebrating the Fugate-Ueffi ng wedding. Photo submitted by Wade Olsen. Additional photos on back cover. R4 SUMMIT LIVES IT UP IN LAS VEGAS! Right: Saturday evening banquet highlight — commissioning the USS Gallant NCC 4890. (l-r): Jerry Tien (Chief, STARFLEET Shuttle Ops), Ed Nowlin (R4 RC), Chrissy Killian (Vice Chief, Fleet Ops), Larry Barnes (Gallant CO) and Joe Martin (Gallant XO). Photo submitted by Wendy Fillmore. - Story on p. 3 WHAT IS THE “RODDENBERRY EFFECT”? “Gene Roddenberry’s dream affects different people in different ways, and inspires different thoughts... that’s the Roddenberry Effect, and Eugene Roddenberry, Jr., Gene’s son and co-founder of Roddenberry Productions, wants to capture his father’s spirit — and how it has touched fans around the world — in a book of photographs.” - For more info, read Mark H. Anbinder’s VCS report on p. 7 USPS 017-671 125 125 Table Of Contents............................2 STARFLEET Communiqué After Action Report: R4 Conference..3 Volume I, No. 125 Spies By Night: a SF Novel.............4 A Letter to the Fleet........................4 Published by: Borg Assimilator Media Day..............5 STARFLEET, The International Mystic Realms Fantasy Festival.......6 Star Trek Fan Association, Inc. -
Examensarbete
EXAMENSARBETE Jesus - världens första rocker? En jämförande studie mellan kristen och sekulär metal Daniel Berg 2014 Filosofie kandidatexamen Musik Luleå tekniska universitet Institutionen för konst, kommunikation och lärande JESUS - världens första rocker? En jämförande studie av kristen och sekulär metal Daniel Berg Handledare: Harri Ihanus Luleå Tekniska Universitet C-uppsats Musik Institutionen för Konst, kommunikation och Lärande (KKL) 1 ABSTRAKT Kristen metal? Kan man verkligen kalla något kristen metal? Heavy metal är ju en rebellisk reaktion mot en samhällsstruktur av människor som inte känner sig hemma där. Och kristendomen är ju en religiös rörelse som står för ordning, reda, renhet och kärlek. Eller? Syftet med denna studie är har varit att studera likheter och skillnader i låtstruktur, dynamik och klangfärg mellan kristna och sekulära metalband och se om de används på samma sätt i förhållande till texten. Jag har gjort en komparativ analys av låtar av kristna och sekulära metalband och tittat på möjliga likheter och skillnader. Detta innefattar även en konstnärlig del där jag, i relation till det analyserade materialet, skrivit två låtar själv och dokumenterat dessa i klingande form. Som material till denna studie har jag använt mig av vetenskapliga artiklar, låtmaterial samt intervjuat pastor Bob Beeman från Nashville, som är en av pionjärerna bakom kristen metal. Nyckelord Kristen, hårdrock, heavy metal 2 INNEHÅLLSFÖRTECKNING 1. Inledning 4 2. Syfte, material och metod 5 3. Bakgrund 6 3.1 Tidigare forskning 6 3.2 Vad är metal? 6 3.3 Vad är kristen metal? 8 3.4 Kristen metals historia 10 3.5 Klangfärg, struktur och dynamik 14 4 Analys 16 5 Jämförelse 37 6 Mina egna kompositioner 39 7 Diskussion 41 8 Referenser 43 Bilagor 46 1 Intervju med Bob Beeman 46 2 Leadsheets 48 3 1. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
Seattle Symphony
SEPTEMBER 2017 LUDOVIC MORLOT, MUSIC DIRECTOR OPENING NIGHT WITH LU D OV I C MORLOT & RENÉE FLEMING MAHLER RESURRECTION SYMPHONY JOHN WILLIAMS MARC-ANDRÉ HAMELIN CHRIS BOTTI CONTENTS My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM CONTENTS SEPTEMBER 2017 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / THE VIVALDI PROJECT 14 / WELCOME NEW MUSICIANS! CONCERTS 15 / September 13 STAR TREK BEYOND LIVE IN CONCERT 17 / September 16 OPENING NIGHT CONCERT & GALA WITH LUDOVIC MORLOT & RENÉE FLEMING 20 / September 21, 23 & 24 MAHLER RESURRECTION SYMPHONY 25 / September 27 JOHN WILLIAMS CONDUCTS WILLIAMS 27 / September 28 MARC-ANDRÉ HAMELIN IN RECITAL 30 / September 29–October 1 CHRIS BOTTI WITH THE SEATTLE SYMPHONY 17 / RENÉE FLEMING Photo: Andrew Eccles, Decca Eccles, Andrew Photo: 42 / GUIDE TO THE SEATTLE SYMPHONY 43 / THE LIS(Z)T 27 / MARC-ANDRÉ HAMELIN 30 / CHRIS BOTTI Photo courtesyPhoto of the artist Photo: Sim Canetty-Clarke Sim Photo: ON THE COVER: Ludovic Morlot by Brandon Patoc COVER DESIGN: Helen Hodges EDITOR: Heidi Staub © 2017 Seattle Symphony. -
First Ray of Sun Newsletter of the Uss Aarushi Ncc-1642, Starfleet, Inc
2016 AUGUST EDITION FIRST RAY OF SUN NEWSLETTER OF THE USS AARUSHI NCC-1642, STARFLEET, INC. CORRESPONDENCE SHIP MOTTO OF THE USS AARUSHI / NCC-1642 Sarek: The question you face is: which path will you choose? As the USS Aarushi moves forward, this newsletter will highlight some of the crew as well as tell the take of the Rise of the You can now Aarushi, a continuing saga written by the purchase through iTunes. CO with contributions by the crew. USS Aarushi Charities Operation Paperback Pink Slipper Project Sub for Santa Some Goings On Please forgive me for being late. It’s been a year since my hubby went on hospice and September and October were months that I thought I’d loose him, so this year the memories came back and I wasn’t expecting the resulting emotions. In the event you’ve been looking for the ISS, if the sightings have been in the wee hours of the morning I haven’t posted them on Facebook, however, if you are an early riser and would like the times let me know. Monthly To the left is a photo of Maximus, the newest addition to the Activities crew of the Aarushi. Alyssa Clawson has brought her Goldendoodle into our home and I fear he’ll grow up to be a shetland pony. We started out hot but we’ve dropped off on our donations to the Pink Slipper Project. Presently we have one “pet Pink Slipper donation cozy” to donate. Shelters are more frequently accepting women’s pets into the shelters because women fear if they leave the abusive home their pet will suffer the wrath. -
TODD TUCKER Special Make-Up Effects Illusion Industries
TODD TUCKER Special Make-Up Effects Illusion Industries FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS COOTIES Honest Glacier Films / Universal 2nd Unit Director / 2nd Unit Makeup Artist SMURFS 2 Raja Gosnell Columbia Pictures Special Make-Up Effects Department Head Hank Azaria Personal GI JOE 2: RETALLIATION Jon Chu Paramount Pictures Special Make-Up Effects Department Head THE SMURFS Raja Gosnell Columbia Pictures Special Make-Up Effects / Creative Director TRANSFORMERS 3: DARK OF THE MOON Michael Bay Paramount Pictures Special Make-Up Effects Supervisor NIGHT OF THE DEMONS Adam Gierasch 7 Arts Pictures Special Make-Up Effects Supervisor DYLAN DOG: DEAD OF NIGHT Kevin Munroe Hyde Park Films Special Make-Up Effects Supervisor WATCHMEN Zack Snyder Warner Brothers Special Make-Up Effects / Creative Director THE CURIOUS CASE OF BENJAMIN BUTTON David Fincher Paramount Pictures Special Make-Up Effects / Prosthetics Shop Supervisor LEONIE Hisako Matsui Overture Films / Hyde Park Films Special Make-Up Effects / Creative Director SAAT KHOON MAAF Vishal Bhardwaj Vishal Bhardwaj Pictures Special Make-Up Effects / Creative Director MOSTLY GHOSTLY Richard Correll Universal Pictures Special Make-Up Effects Supervisor / Creative Director SOCCER MOM Gregory McClatchy Anchorbay Entertainment Special Make-Up Effects Supervisor Producer / 2nd Unit Dir. TRAILER PARK OF TERROR Steven Goldmann Summit Entertainment Special Make-Up Effects Supervisor / 2nd Unit Dir. Producer / Creative Director CREATURE PEOPLE Scott Essman Visionary Cinema APOCALYPTO Mel Gibson Icon / Buena Vista Pictures Special Make-Up Effects Supervisor BIG BAD WOLF Lance W. Dreesen Screen Media Ventures Stunt Performer LITTLE MAN Keenan Ivory Wayans Revolution Studios Special Make-Up Effects Supervisor SCARY MOVIE 4 David Zucker The Weinstein Company THE EXORCISM OF EMILY ROSE Scott Derrickson Screen Gems FARM HOUSE George Bessudo Alliance Group Ent. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................