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Minds at War: Poetry and Experience of the First World War Pdf, Epub, Ebook MINDS AT WAR: POETRY AND EXPERIENCE OF THE FIRST WORLD WAR PDF, EPUB, EBOOK Gavin Roberts, Etc.,David Roberts | 410 pages | 11 Nov 1996 | Saxon Books | 9780952896906 | English | West Sussex, United Kingdom The Poetry of World War I by The Editors | Poetry Foundation However, once those words attached to the reader's brain, it can create a connection, never to be set apart. As from a subjective point of view, these poems drag you into those words and those pages will seem as if a few pages and those long hours of reading will only be a few minutes. Also, because the book gives detailed explanations of the context of the poems, readers unfamiliar with the topic may still enjoy and touch the thoughts of the people during the time. Jun 03, William Lee rated it it was amazing. First of all, I am a big fan of poetry. Additionally, I love history. So, what can I say more? I felt like this book was released for me. Because I learned about it in history class, I was able to understand the emotion that each poetry had in this book. Most of them were related to Pathos. During World War I, soldiers went through severe mental illness after witnessing many deaths. I think those historical contents are related to this book First of all, I am a big fan of poetry. I think those historical contents are related to this book "Minds at War". Jul 23, Randhir rated it it was amazing. I have read plenty of anthologies on War Poetry; with World War 1 being my favourite subject. The scale of tragedy and the pathos gives a greater depth to the poems, some of them from the trenches and by poets, a large number of whom, died in the carnage. Where this present volume stands out is that it covers issues from the causes of War right upto the final denouement. It becomes clearer why some poets wrote what they did. All the favourite poems are covered and some I had not read before, I have read plenty of anthologies on War Poetry; with World War 1 being my favourite subject. All the favourite poems are covered and some I had not read before, like Masefield's 'August ' and Muriel Stuart's 'Forgotten Dead, I Salute You,' which reminds me of our own soldiers who died and are forgotten. Sometimes reading these chapters gets too much and one either has to take a long break or take a deep sigh and tremulously carry on. As Wilfred Owen, the greatest poet produced by the War said, "All a poet can do today is warn. That is why the true Poets must be truthful. Despite the horrific carnage, which was cleverly hidden, the youth were persuaded to enlist in large numbers to ultimately sacrifice themselves in the meat grinder an average of killed per day. A book recommended for every ones book shelf Rosa rated it liked it Jul 01, Silmarwen rated it really liked it Aug 08, Joanna rated it it was amazing Apr 03, Samantha rated it really liked it May 28, John rated it really liked it Mar 27, Laura Freed rated it really liked it Jun 20, Jim Williams rated it really liked it Nov 02, Abbie Bennett rated it it was amazing Dec 08, Gail Mitchell rated it really liked it Sep 13, Shania Mingo rated it liked it Nov 04, Jarren Williams rated it it was amazing Feb 02, Miriam rated it really liked it Aug 23, Gemma rated it liked it Aug 19, Steve rated it really liked it Apr 20, Roger rated it really liked it Nov 16, Charlotte Katie rated it really liked it Oct 22, Soldiers morality. Siegfried Sassoon deserts war hero turned protester. A soldiers job is to kill. Friendship love and sex Friendship love and. Preparing to die. Your country needs you. The engaged imaginations. How the press reported the war. Not everyone said yes mutinies strikes peace demands. What had been achieved? Poets who died in the war. Edward Thomas, Rupert Brooke and Thomas Hardy, just three of the poets that you can find biographical information about on this website. Wilfred Owen. Dulce et Decorum Est. Remembrance Poems. The key Remembrance Poems are here together with some outstanding new poems by contemporary writers. Links at the top of the page. Minds at War - major anthology of First World War poetry In many of the photographs, the scene is a moment before such as with the gas sentries ringing their bells or a moment after—the Battle of Somme, for instance, is represented by a group of at-ready soldiers, their masks firmly in place, standing to attention and ready to engage, and most of the photographs of the trenches are of men lined up and prepared to fight. The photographs cannot give us the reality of the war for several reasons. The most predominant is that they are only able to capture the outside physical moment, disconnecting it from context and the internality of the soldiers involved, but also that many of the photographs do not capture the true heat of battle where most of this brutality was happening—they could only capture the prelude or aftermath. There is a similar problem with video and audio resources—like photographs, they capture moments of rest between battles. There are several videos that show the tragedy of the Great War, such as scenes of the wounded being evacuated, but most of the videos have been staged or put together as a vehicle for propaganda. However, though the official censorship was not as severe, that does not mean that journalists were resisting its boundaries anyway. Out of a sort of patriotic duty, many journalists ended up censoring themselves. We were our own censors. There is a practical element in this kind of censorship; information on army movements could give the enemy an advantage, for instance. But it was not just the objective data of war movements that were fudged; war correspondents were unable to talk about the brutality of war, in part because of their own horror, but also because they were worried it would ruin national morale. Journalists write about events on a public scale —they are required, unlike novelists or poets, to consider the national good and public morale, especially during wartime. So even though war correspondents might have been on the front lines, seeing and experiencing the same thing as the rest of the soldiers, they are unable to put their experienced horrors into language because the language they need to use is too brutal or horrific for the public—it would upset the national morale. Like the photographs and videos, they must be altered from both the factual and emotional truth of the war in order to protect the civilian mind- frame. When newspapers downplay the amount of casualties in battle or force a positive spin on horrific events, it makes it even harder for the civilian to envision or understand the true events or emotions in the trenches or on the front lines. Soldiers were killed; bodies vanished in the mud, later memorialized at mass cenotaphs. A gap persisted between war and home. This decision to self-censor letters home was not pervasive amongst all soldiers—Wilfred Owen, for instance, seemed to be as open about details of trench-life with his mother as he possibly could be. However, for most soldiers, censoring letters is a more personal version of what newspapers chose to do when talking about the war. What possible good could result from telling the truth? So with journalists unwilling to dish out details and soldiers unable to discuss them, there is a huge discrepancy between what the home front understands of war and what the reality is. Multimedia evidence is all outward-focused, unable to contextualize the internal self. That leaves literature—more specifically, poetry. And, unlike their letters, most war poetry was read among other soldiers instead of civilians, allowing a greater honesty and variety of topic. Poetry fulfills the needs of the soldiers for other reasons as well. Finally, poetry, out of all the forms available, is the most adaptable. The modernist poets at the beginning of the century are proof enough of that, and evidence of their influence is visible in most war poetry. Poetry becomes a tool of choice for soldiers precisely because it is so flexible. Modernists changed poetry to suit them, stripping away or adapting traditional forms depending on how they want to portray a subject. War poets use poetry in a similar way; it is more intimate than photography, more honest than video, and infinitely more capable of portraying the brutality of the war that soldiers could not express in letters home or prose, which loses the heat and vivacity of language. My favorite poem is On Passing the New Menin Gate — partly because it was written in , in retrospect, and attacks the still ongoing attempt to paint over a sordid crime with a veneer of heroism. More than 50 years ago, after our Latin class, in Washington, D. Gives a true insight to life on the frontline and resonated with me at school on a level that most poems failed to. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Dec 30, David Hollywood rated it it was amazing. Quite simply a brilliant collection of poems and descriptions, and utterly essential for anyone with a heart, soul and mind. Aug 03, Christina Bouwens rated it liked it.
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