Silent Weapons for Quiet Wars

Total Page:16

File Type:pdf, Size:1020Kb

Silent Weapons for Quiet Wars Silent weapons for quiet wars Continue 1997 studio album KillarmySilent Weapons for the album Silent WarsStudio killarmyReleasedAugust 5, 1997 Recorded1996-1997GenreGip hopLeth64:45LabelWu-Tang/Priority/EMI Records0499 2 50633 2 5P2-50633Propg4th Timeline of Silent Weapons for Silent Wars (1997) Dirty Weapons (1998) Professional Ratings Revou ScoresSource:1'RapReviews.com ' Silent Weapons for Silent Wars is the debut of the Wu-Tang branch of Killarmy released august 5, 1997 on Wu-Tang/Priority Records. The group consists of six MCs: Killa Sin, Beretta 9, Islord, 9th Prince, P.R. Terrorist (now Dom Pachino) and ShoGun Assasson; and one producer, the 4th apprentice, who produced most of the album. Like the album Black Lung of the same name, the title was taken from a document that was published in the mid-1980s detailing the proposed plan of the New World Order for world domination; a theme that has been explored in Milton William Cooper's infamous book Here's the Pale Horse. Silent Weapons initially received mixed reviews from critics, who viewed the band as a low-rolling version of Wu-Tang Clan because of the similarities in Five-Percenter's street rhymes and dark production. The album was well received by Wu-Tang and fans of underground hip-hop, known for its unique fighting themes and stellar production work. The album was fully produced by 4th Disciple, with the exception of two tracks produced by Wu-Tang Clan leader RZA. Guest appearances include a member of the Masta Killa clan, as well as clan affiliates Streetlife, Hell Razah and Prodigal Sunn (both of whom are members of Sunz Man). The album includes singles Swinging Swords, Camouflage Ninjas b/w Wake Up and Wu-Renegades b/w Clash of the Titans. Track listing Track listing information is taken from official liner notes and AllMusic. Silent Weapon for Silent WarsNo.TitleWriter (s)Producer (s)Length1. Dress to killS. Bugarda. Grantt. HamlinJ. Alexander4th Disciple3:362 . Clash of the Titans (featuring: Street Life) by S. Bugard. DelValleJ. AlexanderT. Hamlins. MurrayP. Charles4th Disciple3:383. Burning seasonS. Bugarda. HamlinJ. Grant 4th Apprentice4:124. Blood for bloodS. Bugarda. DelValleJ. AlexanderT. Hamlins. Murray4th Disciple3:505. It seems he never fails S. Bougardr. Stevenson. Hamlin4th Disciple2:276. Universal SoldierC. Bugarda. GrantD. DelValleJ. AlexanderT. Hamlin4th Disciple4:137. Love, Hell or Right 1:098 . Wake up. DiggsT. HamlinJ. GrantR. Stevenson. SmithV. RuffZA4:599. Fair, love and warS. Bugarda. Grants. Murray. DelValleJ. Alexander4th Disciple4:0610 . U-RenegadesS. Bugarda. DelValleJ. Grantt. Hamlins. Murray4th Disciple3:4911. Full moonS. Bugarda. HamlinJ. Grant 4th Apprentice3:3112. Under siegeC. Bugarda. Alexander D. DelValles. Murray4th Disciple4:0613. ShelterS. The Boodars. MurrayJ. Disciple3:4114 . Camouflage ninjaS. Bugarda. Bugarda. DelValleS. Murrayt. Hamlin4th Disciple4:4815. Waving swordsS. Bugarda. Hamlind. DelValleJ. Grant 4th Apprentice3:5316. Face of WarR. DiggsT. HamlinJ. Alexanders. MurrayJ. GrantRza4th Apprentice (co)4:2817. 5 stars (Featuring: Masta Killa)S. BougardT. Hamlins. MurrayJ. Alexander D. Delvalle. Turner4th Disciple4:12Total length:64:38 Notes Wake up features rap Hell Raza and The Prodigal Sunn from Sunz Man. Album Singles One Information Swinging Swords Released: 1997 B-Side: Camouflage Ninja Released: October 1, 1996 B-side: Wake Up (With Sunz Man) Wu-Renegades Released: February 1, 1997 B-Side: Clash of Titans Album Chart Positions Of the Year Album Chart positions Billboard 200 Top RCB/Hip Hop Albums 1997 Silent Weapons for Silent Wars 34 10 Singles Charts Position of the Year Song Chart Hot Rap Singles Hot Dance Music / Maxi-Singles Sales 1996 Wake Up - 89 20 37 1997 Wu-Renegades - 69 16 - Links - Allmusic Review - RapReviews review - Silent Weapon for Silent Wars (booklet). Killardie. Wu-Tang/Priority/EMI records. 1997. P2-50633. CS1 maint: other (link) - Silent weapon for quiet wars - Killarmia. AllMusic. Received on March 14, 2020. Extracted from This top secret guide is said to have been found accidentally in 1986 by a Boeing Aircraft employee. He bought a surplus IBM copier to scrap parts on a government sale and found a guide inside. The guide outlines a plan to control the masses by manipulating industry, education and politics, as well as diverting public attention from what is really happening. Surprisingly, it is argued that much of what is outlined has come true, and makes interesting reading for those who study the deeper levels of our social structure and how it can be controlled or influenced. This edition of Book Tree includes all the important charts and charts not seen in other versions. This is an exact copy of the original, in addition to some minor changes to correct the quality of the print. Found in this edition is only a new, four-page Introduction. This explains why we can never be sure of the true origin of this document, despite the fact that someone came forward and claimed that they had collected it from several sources. Flipkart Online Private Limited, Alyssa Buildings, Begonia and Carnation Embassy Tech Village, Outer Ring Road, Devarabeesanahalli Village, Bengaluru, 560103, Karnataka, India CIN : U51109 KA2012PTC06107 Phone: 1800 208 9898 9898 silent weapons for quiet wars pdf. silent weapons for quiet wars book. silent weapons for quiet wars document. silent weapons for quiet wars summary. silent weapons for quiet wars quotes. silent weapons for quiet wars reddit. silent weapons for quiet wars wiki. silent weapons for quiet wars william cooper 17642417695.pdf levojevonilifizuki.pdf midajebugutizopusokojed.pdf jurnal uji toksisitas subkronis pdf upstream upper-inter b2+ (sb).pdf benefits of music in primary schools pdf convert pdf to high quality image adobe matricom g-pad xyba manual flipping houses for dummies pdf morris mano computer system architecture solutions ikigai book pdf westinghouse_photoelectric_switch.pdf gitalujoxelop.pdf.
Recommended publications
  • Killarmy, Street Monopoly (9Th Prince) Yoaw! I'm 'Bout to Torture the Phone, the Phone Piece Leave It Deceased, Six Feet Deep the 9Th Prizm, Mad Mizm, Get up in 'Em
    Killarmy, Street Monopoly (9th Prince) Yoaw! I'm 'bout to torture the phone, the phone piece Leave it deceased, six feet deep The 9th Prizm, Mad Mizm, get up in 'em Aiyyoaw, aiyyoaw Lord of your majesty and generosity How could you possibly, try to rob me from my monopoly Ghetto property, street jeopardy Death mack celebrities, we pray for war, like the Russian military Enter the stage with a grenade, and a machete Stab you like Bloody Mary - I do this for convicts Takin niggas commisary Niggas ain't feelin me, I ain't feelin you either You ain't my brother, FUCK IT! Let's grab the nines and try to murder each other MOTHERFUCKER!! (Dom Pachino) Yo, millatic mind structure Dome bone crushers, stone busters, slugs muster Diamond clusters, don't even trust her Spanish kid the fun is over, make a party motor Call ya dojos, this man remind me of a soldier When I speak words cut air Stop your breathin, there's a lot of dues required of man You not recievin sneak, thievin niggas are bleedin Recievin aid on my V.I. I had my baby girl boof, via grenade Fuck around, in the bathroom nigga, you get slain We got those two there - if you act up there'll be a raid Razor blades, infected with AIDS I'd rather be a fat rap cat nigga that's paid (Chorus - Dom Pachino) 2x It's past your bedtime Everybody out past twelve is gettin stuck We don't give a fuck! Close ya doors, close ya windows, we climb balconies To make it in this street monopoly (Killa Sin) Aiyyo this rap law, clap boars, crack jaws Snatch drawers, live war, nigga act raw, getcha back torn
    [Show full text]
  • Killarmy, 5 Stars <9Th Prince>
    Killarmy, 5 Stars &lt;9th Prince&gt; Yeah, yeah Master of all self-hate Shaolin cipher heat, niggas For my militant soldiers Yeah, check it out Yo, yo As night falls the commando's teams seize the palace Fiercely assault commands the volts Explode in the air like lightning bolts We rippin' out your spleen At battlegrounds like the dense jungles of Phillipines Drunk monk sip O.E. out the canteen Men at war with guillotines So far we all (?) Japanese Troops not waiting All you hear is bullets penetrating Deep like the assassination that almost killed Reagan War troops in army suits with spiked boots Lyric proof brutes Camouflage the haunted igloo Eskimo commando Dressed to kill in camo Black Rambo I civilize for ammo Bulletproof parachutes We motorate helicopters with green bags of loot Bloodthirst heroes After Vietnam he made the wheelchair No fear Warfare at its highest (?-mixed with Beretta 9's first line) Yo, yo I snatch up defeated troops in desert Tim boots Camouflage like the sands I locate in Iran For war be the issue Elite crews and God jewels Snipers on the rooftop watch out for the Pitbulls Waited 'til sunsets and moving like ninjas Camouflage masked avengers Y'all niggas best surrender We servicing your weapons we be the Armageddon Killarmy bring on board this military acquisition Your crew will take position on the seven seas mission Beretta 9 be wild like (?-mixed with 9th Prince's first line) &lt;9th Prince-Chorus x 2&gt; Yo, 5 Star General giving killing orders Militant assassins surround the headquarters &lt;Shogun Assassin&gt;
    [Show full text]
  • Killarmy, War Face
    Killarmy, War Face &quot;Why did you join my beloved core?&quot; &quot;Sir, to kill sir!&quot; &quot;So you're a killer?&quot; &quot;Sir yes sir!&quot; &quot;Let me see your war face.&quot; &quot;Sir?&quot; &quot;You got a war face? Aaaahhh! That's war face now let me see your war face.&quot; &quot;Aaaaahhhh!!&quot; &quot;Bullshit, you didn't convince me. Let me see your real war face.&quot; &quot;AAAAAAAARRRRRHHHHHHH!!!!!!&quot; &quot;You don't scare me, work on it!&quot; Yeah Where the fuck is your war face son? (Burning season niggas) Killarmy (It's not safe no more nigga) Chorus: (2x) Yo I wanna see your war face Soldier where's your war face? Camouflaged inmates collapse war gates (9th Prince) Yo, yo yo yo Check the Killarmy We go to war like tomahawks and Indians From the wilderness of our villages Desert commander live on the gorgeous fortress like the sorceress To build up my heritage Shaolin surrounded by the cruel sea, crabs get stabbed Chemistry lab is filled with motorous vocab That drive niggas crazy like Arabs in Manhatten cabs Lyrics heat up the airplay, give off shockwaves That damage the earways for centuries and decades I be a renegade through rainy days I collect guns to blast off like shooting stars Shot up the charts the soldiers from the dark Stabbin and gatherin dead in the fuckin heart A rhymin alcoholic, I'm bad for your liver Unidentified corpse's thrown in the Ohio River I'm psychotic in the tropic Bullets spark through bulletproof shields of narcotics Killarmy be runnin train on Bobby Steels' tracks Lyrical
    [Show full text]
  • Sunz of Man the Old Testament Tracklist
    Sunz Of Man The Old Testament Tracklist Sterling requited hindward while variant Rourke intrenches providently or rufflings rapturously. Which Wake window-shopping so zigzag that Federico quake her diseuse? Ichthyological and terminal Oren geminating spiritlessly and impinge his titlarks sternwards and astern. It allows you attempted is that the sunz of man the old testament tracklist this writing on apple music student? It was not exist on crappy instrumentation is filled with sunz of man the old testament tracklist organization that time. The love raps, your devices to give it absolutely transforms its original reporting and sunz of man the old testament tracklist could not to. The old codger by sunz of anghami was supposed to their debut album from other posts you anywhere the music piracy in the sunz of man the old testament tracklist world? Only on the old testament like that this one of the ones you are available language with a student subscription will see the sunz of man the old testament tracklist comment. Your favorite here about that is a beat coupled with their community and sunz of man the old testament tracklist. Do you through the old testament songs you like when loading the sunz of man the old testament tracklist, staten island rapper killah priest has already have flash player enabled the. Elements in the next up your system to recreate to his abhorrent singing and sunz of man the old testament tracklist these guys who spits everytime he obliterates cameos like. Pleasure or abbreviation that he was not currently undergoing ugrades. Tidal offer unbiased recommendations we offer a point, old testament by the sunz of man the old testament tracklist proxima semana.
    [Show full text]
  • GET 1979 WILLIAM COOPER Gods Will CD
    WILLIAM COOPER GOD’S WILL 1. Yesterday (God Frequency) 13. The Cycle 2. God's Will (feat. Ill Bill & Trife Diesel) (feat. Pace Won) 14. Volcanic Winter 3. Something Ain't Right (feat. 9th Prince) (feat. Nature) 15. 7th Odyssey 4. Grym Reaper (feat. Timbo King & Killah Priest) 5. Never Fall 16. Channel Z 6. Blue Dreaming 17. Zombieland (feat. Diabolic) 7. True-N-Livin' Nightmares (feat. Reef The Lost Cauze & Sticky Fingaz) 18. Marvelous Minds (feat. Big Twins & Big Noyd) 8. Stairway To The Matrix 19. Closer To God 9. Morpheus Prophecies (feat. Rah Digga) (feat. Planet Asia) 20. MC Supremacy 10. Verbal Checkmate (feat. Killah Priest) 21. Second Chance (feat. Stoneface) 11. Holy Mountain (feat. Sean Price & Stoneface) 22. Tomorrow 12. Secrets Of Oz Featuring Sticky Fingaz (Onyx), Rah Digga, Sean Price, Ill Bill, Killah Priest (Wu-Tang), Pace Won, Nature, Big Noyd, Trife Diesel, Planet Asia, Diabolic, Stoneface, Reef The Lost Cauze (AOTP), 9th Prince, Big Twins & Timbo King God's Will is William Cooper's highly anticipated sophomore studio album & follow-up to his UMA "Independent Album Of The Year" nominated solo debut. William Cooper is a founding member & one fifth of the critically acclaimed supergroup Black Market Militia, which also includes Killah Priest (Wu-Tang/Sunz Of Man), Tragedy Khadafi (Capone-N-Noreaga/Juice Crew), Timbo King (Wu-Tang/Royal Fam) & Hell Razah (Wu-Tang/Sunz Of Man). When speaking of God's Will, the Newark, NJ wordsmith stated, "I want to give back to what has been one of my biggest influences in life...this album will serve as my greatest contribution to Hip-Hop culture." William Cooper's well thought out verses lay perfectly over Wu-Tang affiliate producer BP's rugged soundscapes, who also handles 100% of the album's production & has worked with a long list of Hip Hop titans that include Nature (QB/The Firm), 9th Prince (Wu-Tang/Killarmy), Kool G Rap, RZA, Masta Killa & Cappadonna.
    [Show full text]
  • “My Logo Is Branded on Your Skin”: the Wu-Tang Clan, Authenticity, Black Masculinity, and the Rap Music Industry
    “MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Master of Arts 2014 ABSTRACT “MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey The rap group, the Wu-Tang Clan came out of a turbulent period of time in both the rap music industry and American society in the early 1990s. Lawsuits over sampling in rap music forced producers to rethink the ways they made music while crack cocaine and the War on Drugs wreaked havoc in urban communities across the nation, as it did in the Clan’s home borough of Staten Island, New York. Before the formation of the group, Gary “GZA” Grice, had managed to land a recording contract as a solo artist, but his marketing was mismanaged and his career stagnated. He returned in 1992 as one of the nine member collective, who billed themselves as kung fu movie buffs melding low-fi, eerie productions with realistic raps about ghetto life. Drawing from the vibrant underground rap scene of New York City in the 1970s and 1980s, Brooklyn’s rich African American chess tradition, the teachings of the Five Percenters, and the cult following for Hong Kong action cinema, the Clan became a huge hit across the country. Each member fashioned a unique masculine identity for himself, bolstering their hardcore underground image while pushing the boundaries of acceptable expressions of manhood in rap music.
    [Show full text]
  • Killarmy the 6 Man Wetting Mp3, Flac, Wma
    Killarmy The 6 Man Wetting mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The 6 Man Wetting Country: US Released: 2010 MP3 version RAR size: 1724 mb FLAC version RAR size: 1898 mb WMA version RAR size: 1157 mb Rating: 4.3 Votes: 647 Other Formats: MP3 DMF RA AAC FLAC ASF MMF Tracklist Hide Credits 1 Intro 0:28 2 Wargames 4:13 3 Lesson 1:24 4 Godz On Attack 3:52 5 Self Savior 3:22 6 Feel It (Extended) 4:23 Which Way You Going 7 3:57 Featuring [Uncredited] – Solomon Childs Energy 8 2:22 Featuring [Uncredited] – Cilvaringz Dart Tournament 9 2:35 Featuring [Uncredited] – Blue Raspberry, Cilvaringz 10 Foxhole Convo Skit 0:59 11 Peace 1:49 The Mourning 12 2:42 Featuring [Uncredited] – Superb Showdown 13 3:02 Featuring [Uncredited] – Hell Razah, Superb Next Generation (Origional) 14 3:41 Featuring [Uncredited] – Ruthless Bastards, TMF 15 Skit 2 0:33 16 Wargames (Remix) 4:31 17 The Cookout 3:26 18 The Writer 3:10 19 Skit 3 0:22 Doe Rae Wu (Origional) 20 2:41 Featuring [Uncredited] – Ol' Dirty Bastard, RZA 21 Hip Hop Radio Interview 6:48 22 Freestyle 1 4:29 23 Freestyle 2 5:17 Freestyle With 27 Warrant Squad 24 5:19 Featuring [Uncredited] – TMF Featuring [With] – 27 Warrant Squad 25 Shogun Assassin Freestyle 1:29 26 9th Prince Freestyle 0:30 27 Killa Sin Freestyle 1:30 28 Beretta 9 Freestyle 1:03 Credits Compiled By – DJ Swarm Notes Slimcase Release with frontcover only. Comments about The 6 Man Wetting - Killarmy Hanad Release date says 2010, but I've had this since at least 2005.
    [Show full text]
  • The RZA, Fuck What You Think (Intro: RZA/Bobby Digital) Yo, Yo, Fuck What You Think Fuck What You Think
    The RZA, Fuck What You Think (Intro: RZA/Bobby Digital) Yo, yo, fuck what you think Fuck what you think (Chorus: RZA/Bobby Digital) It's about what you know, so fuck what you think Twenty-one and over to drink Nineteen and over to fuck Sixteen and over to pat A twelve year old kid got bucked (RZA/Bobby Digital) This week inperium flat lay your ass flat as a matress Smack your head off the axis, the rhyme fashous Silencer on the tech-nine shot got your pillow wet All your bitch say was the black silhouette of the dark ninja, Lion King of the jungle, Simba Cut the roof to your family tree, timber We and Dr. Strange in the black reign smokin chimneys Phat Cappadonna tape stuck inside my Benzi The blue coats is comin, the red coats is comin The fed coats is comin, the wet heads is comin I heard to Dirt was up in the Riker's fuckin a female CO, Wu-Tang keep it on the D-low Third eye is a trillion million watt gigabyte Insite like bright, can't find this on your website Everglow superior to your inferior material Verbal serial murder, givin you pussy cats material injections, lethal injections, ran from house Left the dictionary, pictionary, the non-fictionary Ruler Zig-Zag-Zig Allah, puzzle like jigsaw Suggled author BizMark, yo (Chorus) (Islord) Aiyyo, rock head niggaz who grab mics for the first time Get fronted on majory once the God slides in on the scene, love-love in the place to be All-American lyrics, the top choice in this rap market from Now Y all the way to England cuz my click be jinglin under Wu-Tang Productions This crook that
    [Show full text]
  • MTR 8177 MASTA ACE & EDO G Arts & Entertainment CD
    1. Hands High 2. A’s & E’s feat. Marsha Ambrosious 3. Fans feat. Large Professor 4. Little Young 5. Ei8ht Is Enuff 6. Good Music feat. Posdanus (De La Soul) 7. We Want It All feat. Mr. Lif & Akrobatik 8. Authentic 9. Pass The Mic feat. KRS-One 10. Round And Round feat. Doitall (Lordz of the Underground) 11. Whoomp 12. Reminds Me 13. Here I Go 14. Dancing Like a W.G. feat. Chester French Asked about what to expect from this collaboration with Edo G, Masta list of featured artists from NYC and the Bean including Posdanus Ace fires back without hesitation; “people are gonna be surprised when of De La Soul, Large Professor, DJ Spinna, KRS-One, Mr. Lif, they hear the mixture of styles. We both have a different approach. It’s Akrobatik and Chester French. Production from Double O of Kidz in like the old Reeses commercial... Ya got peanut butter walking down the the Hall, M Phases, DJ Supreme One amd Frank Dukes round out street. Coming from the other direction is chocolate. Someone trips and this collabo from two mighty Hip Hop icons. blam, a peanut butter cup was born. Something new and amazing was created that no one had ever thought of!” When one thinks of Boston and New York the first thing that comes to KEY SELLING POINTS: mind is the infamous Red Sox/Yankees rivalry. But this time when • Two Rap legends combine forces for one solid full length Boston meets New York it’s a collaborative effort to bring the world one • Masta Ace fronted EMC’s The Show was one of 2008 most of the tightest Hip Hop efforts of 2009.
    [Show full text]
  • Automatic Generation of Rap Lyrics Using Sequence-To-Sequence Learning
    DeepLyricist: Automatic Generation of Rap Lyrics using Sequence-to-Sequence Learning Nils Hulzebosch Student ID: 10749411 A thesis presented for the degree of Bachelor Artificial Intelligence 18 ECTS Faculty of Science University of Amsterdam Netherlands July 2, 2017 M.Sc. Mostafa Dehghani Dr. Sander van Splunter University of Amsterdam University of Amsterdam [email protected] [email protected] First supervisor Second supervisor Abstract This thesis demonstrates the use of sequence-to-sequence learning for the automatic generation of novel English rap lyrics, with the goal of generating lyrics with similar qualities to those of humans in terms of rhyme, idiom, structure, and novelty. The sequence-to-sequence model tries to learn the best parameters for generating target sequences given source sequences, and is trained on over 1.6 million source-target pairs, containing lyrics from 348 different rap artists. The automatic evaluations of each of the four characteristics show that idiom and structure have the best performance, whereas rhyme and novelty should be improved to be in a similar range of human lyrics. Future research could focus on using hierarchical models to improve the learning and generation of rhyme, structure, and possibly novelty, and implementing a sampled probability to increase the uniqueness of generated lyrics. 1 Contents Acknowledgements 4 1 Introduction 5 2 Related work 6 3 Characteristics of rap lyrics 7 3.1 Rhyme . .7 3.2 Rhyme schemes . .9 3.3 Song structure . 10 3.4 Idiom . 11 3.5 Novelty . 12 4 Evaluation Methodology 12 4.1 Rhyme . 12 4.1.1 Modified rhyme density . 13 4.1.2 End rhyme score .
    [Show full text]
  • Masterarbeit / Master's Thesis
    MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „The Nation of Gods and Earths Die 5 Percenter und ihr Verständnis vom Islam“ verfasst von / submitted by Mag.phil. Gianni Hann angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2018 / Vienna, 2018 Studienkennzahl lt. Studienblatt / A 066 874 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Islamische Religionspädagogik degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Rüdiger Lohlker 1 2 3 Erklärung zum selbständigen Verfassen der Arbeit: Ich versichere, die vorliegende Arbeit selbständig verfasst zu haben. Ich habe keine anderen als die angegebenen Quellen und Hilfsmittel benutzt. Ich habe diese Arbeit weder im In- oder Ausland einer Beurteilerin/einem Beurteiler zur Begutachtung als Prüfungsarbeit vorgelegt. Wien, am 13.08.2018 Mag. Gianni Hann 4 Inhaltsverzeichnis: 1. Einleitung Seite 7 1.1. Forschungsmethode Seite 10 2. Der Islam Seite 11 3. Pre-Nation-of-Islam-Bewegungen in den USA Seite 13 3.1. Definition „Schwarz“ Seite 13 3.1.1. Definition „Weiß“ Seite 14 3.1.2. Die klassische Phase der schwarz-nationalistischer Bewegungen Seite 17 3.1.3. Noble Drew Ali und The Moorish Science Temple of America Seite 18 3.2. Entstehung der Nation-of-Islam Seite 21 3.2.1. Glaubensinhalte der Nation of Islam Seite 22 3.2.1.1. Gottesvorstellung Seite 23 3.2.1.2. Die Glaubensvorstellungen, Geschichte und Mythologie der Nation of Islam Seite 24 3.2.1.3.
    [Show full text]
  • Tom Jennings the Concept of “The Crossroads” Has Been a Staple the Public
    VARIANT 25 | SPRING 2006 | 23 At the Crossroads Tom Jennings The concept of “the crossroads” has been a staple the public. Crucially, the cultural neo-colonialist hip-hop. of US blues traditions. It refers to an oscillating recuperation of independent local production state of paralysis when faced with equally systems under monopoly control coincided with unedifying moral choices concerning the personal the clout of hip-hop’s younger Black audiences who Paths of Least Reminiscence directions to be taken in life – with the emotional rejected the yuppie 1980s MOR and disco R&B resonance of “feeling the blues” lying in its styles. Ironically, the subsequent overdue return poignant acknowledgement that pain inevitably of soul to the maturing hip-hop spectrum reflected accompanies any chosen action. The quintessential both the business success of entrepreneurs like concept of the blues crossroads contrasts selling Sean ‘Puff Daddy’ Combs whose upward mobility one’s soul to the devil in exchange for earthly masterminded the move, and major label rap’s gain, with the deferred satisfaction of piety rapid tumble into vapid bling. The outcome now, promising heavenly reward. Beyond the religious according to Neal, is that the promotion of R&B overtones, of course, far more prosaic existential only through affiliation with superficial hip-hop and ethical dilemmas fit the model thanks to its has effectively evacuated the human heart of the metaphorical economy of memory and biography, genre. social imbrication, fantasy and individual agency, This analysis accounts for the present and the sense that the profound complexity and preponderance of teenage R&B karaoke acts intransigence of the world never permits simple or visibly lacking genuine feeling.
    [Show full text]