The Mousetrap Tour
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The Mousetrap Tour
PRESS RELEASE – Friday 12 April 2019 WWW.MOUSETRAPONTOUR.COM Adam Spiegel and Stephen Waley-Cohen present THE MOUSETRAP TOUR SUSAN PENHALIGON JOINS THE UK TOUR OF AGATHA CHRISTIE’S RECORD-BREAKING MURDER MYSTERY THE MOUSETRAP AS MRS BOYLE FROM 15 JULY 2019 - 16 NOVEMBER 2019 THE LEGENDARY WHODUNNIT CONTINUES ON AN EXTENSIVE TOUR OF THE UK WITH FURTHER DATES TO BE ANNOUNCED THROUGHOUT 2020 THE RECORD-BREAKING RUN CONTINUES IN THE WEST END AT THE ST MARTIN’S THEATRE Television star Susan Penhaligon (Bouquet of Barbed Wire, A Fine Romance, Emmerdale) will join the cast of Agatha Christie’s legendary whodunnit as Mrs Boyle this summer as it continues on a major UK tour. Susan Penhaligon will take over the role from Gwyneth Strong (Only Fools and Horses) from 15 July at Malvern Festival Theatre through to and including Birmingham Alexandra Theatre until 16 November 2019. Directed by Gareth Armstrong, the timeless thriller returned to the road by popular demand in January 2019 and has been earning standout reviews from critics and public alike as it continues to visit more than 40 venues, travelling the length and breadth of the country. The Mousetrap has been delighting audiences for 67 years and the identity of the murderer remains theatre’s best kept secret. This is the second major national tour of the smash hit murder mystery following a record-breaking 60th anniversary debut in 2012. Susan Penhaligon (Mrs Boyle) is well-known for her role in the ITV drama Bouquet of Barbed Wire, and for playing Helen Barker in the ITV sitcom A Fine Romance. -
PROGRAM the TEMPEST Actors from the London Stage
PROGRAM THE TEMPEST Actors From The London Stage Thursday, February 27, 2020; 7 pm Friday, February 28, 2020; 7 pm Saturday, February 29, 2020; 7 pm Media Sponsor The Actors From The London Stage residency at the University of Notre Dame is generously supported by the McMeel Family Endowment for Excellence for Actors From The London Stage, the Paul Eulau Endowment for Excellence for Actors From The London Stage, the Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies, the D & J Smith Endowment for Shakespeare and Performance, and the College of Arts and Letters. THE AFTLS APPROACH For most of his working life, William Shakespeare was a sharer in the King’s Men, London’s leading theatre company. He knew the actors he was writing for and collaborated with them on seeing the plays into performance. All theatre is a collaboration, of course, and while actors can no longer collaborate directly with Shakespeare, the Actors From The London Stage (AFTLS) company always aims to work with him, respectfully and creatively, throughout the rehearsal process. Our company’s aim is to make his words exert their magic and their power in performance, but we do this in a vital, and perhaps unconventional, way. We have no massive sets to tower over the performers and no directorial concept to tower over the text of Shakespeare’s play. In fact, AFTLS does not have a director at all; instead, the play has been rehearsed by the actors, working together to create theatre, cooperating with each other in their imaginative engagement with the play’s words. -
Fern Hill It, Manipulate It, Transport It
Theatre Tours International incorporating guy masterson pro duc tions Patrons: Melvyn Bragg, Robert Hardy, Peter O’Toole, Maggie Smith Theatre Tours International & guy masterson productions “Great theatre should be a tempest of energy illuminated by flashes of blinding communication where the audience are on presents the receiving end of a theatrical thunderbolt. it should be an experience that no other medium can provide.” Guy Masterson Since 1991, Guy Masterson has consistently presented theatre of the highest quality dedicated to this principle. By stripping away all that is unnecessary to create an environment for vibrant theatricality his productions are designed to grab the audience’s attention, hold Fern Hill it, manipulate it, transport it. Through strong writing, clear direction exceptional performance, atmospheric lighting & sound, the audience are drawn into a ‘contract of imagination’ with the artiste/s. They are illuminated and entertained, educated, excited, moved and, above all, transported. Guy Masterson/TTI & Associates* productions since '91: Other Dylan Th o mas 12 ANGRY MEN THE HOUSE OF CORRECTION ADOLF* I KISSED DASH RIPROCK* ALL WORDS FOR SEX INTIMACY* AMERICANA ABSURDUM* IT WAS HENRY FONDA’S FAULT* ANIMAL FARM (x3) KRISHNAN’S DAIRY* BALLAD OF JIMMY COSTELLO* LEVELLAND* a selection of the BARB JUNGR - Every Grain of Sand MOSCOW* BARE* NO. 2* poems and BERKOFF’S WOMEN THE ODD COUPLE short stories of BLOWING IT* OLEANNA THE BOY’S OWN STORY PLAYING BURTON BYE BYE BLACKBIRD RED HAT & TALES* CASTRADIVA RESOLUTION Dylan -
There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844 -
LIVE NATION, INC. (Exact Name of Registrant As Specified in Its Charter) Delaware 20-3247759 (State of Incorporation) (I.R.S
20072007 ANNUALANNUAL REPORTREPORREPO T TO OUR SHAREHOLDERS We continued to demonstrate success in 2007 in executing our strategic plan. We took multiple steps to transform Live Nation into a vertically integrated live music company that directly unites artists, fans and sponsors across all revenue generating products. We are moving ahead to capitalize on our global concert platform as artists look for expanded and new business partners. Reaching an agreement in principle with U2 for a 12-year exclusive partnership is another signifi cant validation that Live Nation is the most attractive option for the biggest artists in the world. Madonna, and now U2, believe in Live Nation and our promising future as a highly innovative music company that is responding quickly to changes in the music business landscape. As a result, we believe Live Nation is a signifi cantly stronger organization, strategically and fi nancially, than only one year ago. Over the next year, we will continue to build on our three core strategies: • Grow our global concert platform internally • Prepare to launch our global ticketing, online business in 2009 • Continue to enter relationships with touring artists for longer and wider product lines centered around our core concert business When we launched Live Nation in December 2005, the company had been declining in overall profi tability for the previous few years. We set out to stop the decline and turn Live Nation into a growth company by running our core business better and by expanding into new revenue streams. In 2007, we set out to do four main things, all of which we achieved – to improve our North American Music operations, grow our International Music platform, launch the Live Nation Artist division and defi ne our Ticketing/ Online future. -
22 November 2013 Page 1 of 9 SATURDAY 16 NOVEMBER 2013 Kate Gets Some Troubling News That May Cut the Journey Short, Mainwaring's Own Battle of Waterloo
Radio 4 Extra Listings for 16 – 22 November 2013 Page 1 of 9 SATURDAY 16 NOVEMBER 2013 Kate gets some troubling news that may cut the journey short, Mainwaring's own Battle of Waterloo. and her mum has a surprise waiting for her. Stars Rebecca Starring Arthur Lowe as Captain Mainwaring, John Le SAT 00:00 HG Wells (b007jzbk) Smart. Mesurier as Sergeant Wilson, Clive Dunn as Corporal Jones, The New Accelerator SAT 04:15 The Charm Factory (b03h849l) John Laurie as Private Frazer, Ian Lavender as Private Pike, In the name of science, HG Wells agrees to sample a new drug Series 2 Arnold Ridley as Godfrey and Bill Pertwee as Hodges. designed to speed up both body and mind. Read by Robert I Still Believe Adapted for radio from Jimmy Perry and David Croft's TV Bathurst. 1950s London, and film star Alex is back from Hollywood, scripts by Harold Snoad and Michael Knowles. SAT 00:30 Jenny Stephens - Jefferson 37 (b007k4s9) missing Irene. News forces him to change direction. With Giles Producer: John Dyas Episode 4 Thomas. First broadcast on BBC Radio 4 in April 1975. Dr Abbotts finds his 'party trick' used against him, and Paul SAT 05:00 Beachcomber... By the Way (b008g29h) SAT 14:30 The Navy Lark (b0084rjj) Smith takes full advantage of the chaos. Stars David Birrell. Series 2 Series 9 SAT 01:00 Detective (b03h828w) Episode 4 Have Been Towing Series 1 JB Morton's whimsies as performed by Richard Ingrams, HMS Troutbridge comes home, dragging vessels from around The Coming Out Present Patricia Routledge, John Sessions and John Wells. -
Completed Acquisition by the Ambassador Theatre
Completed acquisition by The Ambassador Theatre Group Limited (ultimately controlled by Exponent Private Equity LLP) of the theatres formerly owned by Live Nation (Venues) UK Ltd The OFT’s decision on reference under section 22(1) given on 10 February 2010. Full text of decision published 24 February 2010. Please note that the square brackets indicate figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. PARTIES 1. The Ambassador Theatre Group Limited (ATG) (ultimately controlled by funds managed by Exponent Private Equity LLP) (Exponent)1 operates a nationwide portfolio of theatres in the UK.2 It is also a theatre producer and supplies ticketing services to itself and to third parties. 2. The target is the entire issued share capital of Live Nation (Venues) UK Limited (LNT) which owned and operated the UK's largest national portfolio of theatres.3 1 Exponent's activities do not create any substantive horizontal overlap or vertical link with ATG or LNT and, hence its acquisition of a controlling interest over ATG is not considered any further. 2 ATG West End theatres: (i) the Comedy Theatre; (ii) Donmar Warehouse; (iii) Duke of York's Theatre; (iv) Fortune Theatre; (v) Phoenix Theatre; (vi) Piccadilly Theatre; (vii) Playhouse Theatre (50 per cent); (viii) Savoy Theatre (50 per cent); and (ix) Trafalgar Studio 1 and Trafalgar Studio 2; ATG regional theatres: (i) the Ambassadors, Woking (encompassing the New Victoria and Rhoda McGaw theatres); (ii) Theatre Royal Brighton; (iii) the Regent Theatre, Stoke-on-Trent (iv) the Victoria Hall, Stoke-on-Trent; (v) Milton Keynes Theatre; (vi) Churchill Theatre, Bromley; (vii) Richmond Theatre, Surrey; (viii) the King's Theatre, Glasgow; (ix) the Theatre Royal, Glasgow; and (x) New Wimbledon Theatre (and the New Wimbledon Studio). -
What's on April – December 2019 Norwich Theatre Royal
What’s On April – December 2019 Norwich Theatre Royal theatreroyalnorwich.co.uk 01603 630000 Adnams Southwold Advertisement Pre-Theatre dining at Kemp’s Restaurant 2 courses £18 3 courses £23 Available from 5pm on show nights Mon – Sat your table is reserved all evening for you to enjoy dessert and drinks in the interval To book call 01603 598577 Or online go to www.theatreroyalnorwich.co.uk 10% discount for Friends of Theatre Royal 2 Welcome These early weeks of the year are a great time to look ahead to the future and I am filled with excitement and optimism for 2019 at Theatre Royal, Playhouse and Stage Two. While there may be uncertainty in many areas of life right now, what the arts and venues like ours can do at times like these is to provide space for reflection, opportunities to come together and even just simple escapism through entertainment. Two major new announcements in this season have a particular excitement and personal resonance for me. Fresh from the critical acclaim and rapturous reaction following his last visit to us, Acosta Danza with Carlos Acosta returns to us with a brand new programme of work, opening their second European tour in Norwich and including the European premiere of a brand new work. Also making their return after a slightly longer break of 46 years are Welsh National Opera. They are presenting a chamber production of Don Pasquale at the Playhouse before coming to Theatre Royal with their critically-acclaimed production of The Marriage of Figaro in April 2020. My first experience of music and opera was being part of a primary school workshop delivered by WNO when I was seven. -
Gwyneth Strong
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] GWYNETH STRONG THEATRE THE MOUSETRAP ‘Mrs Boyle’ Dir. Gareth Armstrong [Adam Spiegel Productions Ltd / UK Tour] STAND Dir. Chris Goode [Chris Goode & Company/ Oxford Playhouse and Battersea Arts Centre] MONKEY BARS Dir. Chris Goode [Unicorn Theatre / Traverse Edinburgh Festival / Drum Plymouth / The Brewhouse Taunton] A ROUND-HEELED WOMAN ‘Celia /Jane’s Mother’ Dir. Jane Prowse [Aldwych Theatre] VON RIBBENTROP’S WATCH ‘Ruth’ Dir. Brigid Larmour [Oxford Playhouse and Tour] OUR HOUSE ‘Kath Casey’ Dir. Matthew Warchus [Birmingham Rep / UK Tour] CELEBRATING LINDA SMITH – Monologues, Dir Mike McCarthy [UK Tour] GIRLS NIGHT ‘Carol’ Dir. Jack Randle [Goodnights Entertainment / Milton Keynes Theatre] WHEN YOU CURE ME ‘Angela’ Dir. Mike Bradwell [Bush Theatre] TAKE A CHANCE ON ME ‘The Other Woman’ Dir. Justin Greene [New End Theatre] ANCIENT LIGHTS ‘Kitty’ Dir. Ian Brown [Hampstead Theatre] THREE SISTERS ‘Masha’ Dir. Max Stafford Clarke [Out of Joint/Lyric Hammersmith] A PIECE OF MIND Dir. Justin Greene [Nuffield Southampton / Apollo Theatre] CARE Dir. Antonia Bird [Royal Court Theatre] WOYZECK ‘Marisa’ Dir. Peter James [Lyric Hammersmith] SUGAR AND SPICE ‘Sharon/Carol’ Dir. Bill Alexander [Royal Court Theatre] SHOUT ACROSS THE RIVER ‘Christine’ Dir. Bill Alexander [RSC / Warehouse] TELEVISION EASTENDERS [BBC] ‘Geraldine Clough’ Dirs. Rebecca Gatward/ John Howlett/ Thomas Hescott/ Rick Platt & Penelope Shales-Slyne THE GREAT TRAIN ROBBERY – A COPPER’S TALE [World Productions] ‘Dorothy’ Dir. James Strong CASUALTY [BBC] ‘Margaret’ Dir. Richard Platt MIDSOMER MURDERS – The Made-To-Measure Murders [Bentley] ‘Katie Soper’ Dir. Peter Smith NEW TRICKS -God’s Waiting Room ‘Kim Newley’ [Wall to Wall] Dir. -
Daniels__Oldfield__Deborah TF
TRABAJO DE FIN DE MÁSTER EN ESTUDIOS LITERARIOS Y CULTURALES INGLESES Y SU PROYECCIÓN SOCIAL FROM EAST CHEAM TO CHINGFORD VIA PECKHAM: BRITAIN’S JOURNEY FROM THE 1950s TO THE PRESENT DAY, AS SEEN THROUGH HER SITCOMS. DEBORAH DANIELS OLDFIELD TUTORA: DRA. MARÍA LUZ ARROYO VÁZQUEZ FACULTAD DE FILOLOGÍA UNED CONVOCATORIA JUNIO – CURSO ACADÉMICO 2020-21 Trabajo de Fin de Máster en Estudios Literarios y Culturales Ingleses y Su Projección Social Título del Trabajo: From East Cheam To Chingford Via Peckham: Britain’s Journey From the 1950s To the Present Day, As Seen Through Her Sitcoms. Autora: Deborah Daniels Oldfield Tutora: Dra. María Luz Arroyo Vázquez Facultad de Filología UNED Convocatoria: Junio – Curso Académico 2020-21 1 TABLE OF CONTENTS Table of Contents………………………………………………………………………...…2 List of Television Sitcoms Featured………………………………………………………...3 1. Introduction………………………………………………………………………………6 2. Post-war Britain Gives Birth To the Television Sitcom.…………………..…………..12 2.1. Britain in the 1950s – Rebuilding the Nation……………………………………...12 2.2. Television Sitcoms in the 1950s – Class, Conscripts and Competition..………….15 3. The Swinging Sixties and the Striking Seventies Herald the “Golden Age” of the Sitcom…………………………………………………………………………………..21 3.1. Britain in the 1960s – They’d Never Had It So Good……..……………………... 21 3.2. Television Sitcoms in the 1960s – Clergy, Chaos and “Coons”….……....……….26 3.3. Britain in the 1970s – The Nation Crumbles…………………………...………….35 3.4. Television Sitcoms in the 1970s – Insults, Intolerance, and Ire……..…...………..41 4. The Exciting Eighties and Notorious Nineties Initiate the Age of Sitcom “Girl Power”…………………………………………………………………………….53 4.1. Britain in the 1980s – The Ladies Step Forward……………………....…………..53 4.2. Television Sitcoms in the 1980s – Wartime Witticisms, Wheeler-Dealers, and Women…………………………………………………………………………….59 4.3. -
Written Evidence Submitted by the Society of Ticket Agents and Retailers (STAR)
Written evidence submitted by the Society of Ticket Agents and Retailers (STAR) Digital, Culture, Media and Sport Committee Inquiry into the Impact of Covid-19 on DCMS Sectors 1. ABOUT STAR 1.1. STAR, the Society of Ticket Agents and Retailers, is the self-regulatory body for the ticket industry formed in 1997 by companies and organisations within the ticketing industry. Its membership encompasses ticket agents, ticketing system suppliers, arenas, sports bodies, promoters, producers, music venues, most West End theatres and many other theatres and venues in London and across the UK. STAR members subscribe to a Code of Practice covering standards of service and information and we estimate that our ticket agent members represent over 90% of that sector. STAR works to help resolve disputes between its members and ticket buyers and is approved by Government under the Alternative Dispute Resolution for Consumer Disputes (Competent Authorities and Information) Regulations 2015. (See list of members below) 2. EXECUTIVE SUMMARY 2.1. Ticketing is a key element of the delicate eco-system that supports the tremendous UK live entertainment and events industries as well as other significant sectors in the remit of the DCMS which have been devastated as a consequence of the Covid-19 pandemic. 2.2. Ticket agents represent a significant proportion of ticket sales for UK events and are an important factor in the success of marketing shows and achieving successful ticket sales. They also play a significant role in helping build new audiences, creating innovation, developing technical resources, finding new distribution channels, marketing and advertising events to both domestic and overseas markets. -
Annual Report & Financial Statements
ANNUAL REPORT & FINANCIAL STATEMENTS 2016-17 STAR MEMBERS JUNE 2018 | FULL MEMBERS Edinburgh Playhouse St Martin’s Theatre Albemarle of London Empire Theatre, Liverpool Savoy Theatre ATG Tickets FlyDSA Arena, Sheffield Scarborough Spa AXS Fortune Theatre SEC & The SSE Hydro, Glasgow Buzz Tickets Garrick Theatre Shaftesbury Theatre Coras Genting Arena, Birmingham Sheffield City Hall DICE FM Gielgud Theatre Southport Theatre and Convention Centre DHP Family Gillian Lynne Theatre The SSE Arena, Wembley eLondonTickets Grand Opera House, York Stephen Joseph Theatre, Scarborough Encore Tickets Harold Pinter Theatre Sunderland Empire Eventim UK Her Majesty’s Theatre Theatre Royal Brighton Family Tickets King’s Theatre, Glasgow Theatre Royal Drury Lane Flame Concepts Leas Cliff Hall, Folkestone Theatre Royal Glasgow fromtheboxoffice.com London Coliseum Vaudeville Theatre Gigantic Tickets London Palladium Victoria Hall, Stoke-on-Trent Kidadl The Lowry, Salford Victoria Palace KX Tickets Lyceum Theatre Watford Palace Theatre Leicester Square Box Office Lyric Theatre Whitby Pavilion London Theatre Bookings Manchester Opera House Wyndhams Theatre London Theatre Direct Manchester Palace Theatre York Theatre Royal Margo Tickets Milton Keynes Theatre | Minerva Theatre, Chichester PRODUCERS/PROMOTERS neon Cameron Mackintosh Quaytickets Motorpoint Arena, Cardiff Motorpoint Arena, Nottingham Disney Theatrical Productions Ringside World ebp Live See Tickets National Theatre Nederlander Dominion Theatre Kilimanjaro Live SIV Tickets Live Nation Theatre Tickets