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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
725 19 - 25 September 2014 20 Pages Rs 50
#725 19 - 25 September 2014 20 pages Rs 50 BIKRAM RAI Taking power into our own hands ut of reach of national transmission lines, rural Nepalis have stopped waiting for the government to come to them. They are Oharnessing small streams and generating their own electricity from micro-hydro plants managed by local cooperatives. More than 2,500 micro-hydro plants are in operation throughout the country RED supplying 40 MW of electricity to local grids. This winter when the capital suffers 14 hours of power cuts daily, many parts of rural Nepal will be lit up at night. Shyam Nakarmi (above) makes turbines to power PANDA small hydropower plants at his workshop in Banepa. BY SUNIR PANDEY ALERT Nepal is home to one-tenth of the 10,000 endangered red pandas left in the wild in Asia. A successful conservation effort in eastern Nepal shows Thinking small how local communities can help protect a species that is threatened by Improving the efficiency of the estimated 35,000 traditional habitat loss and hunting. September 20 is Red Panda Day, and will be water mills across the country could empower rural Nepal. marked with the slogan, ‘Conserve Locally, Educate Globally’. BY KUNDA DIXIT IN KAVRE PAGE 16-17 BY SONAM TASHI LAMA IN TAPLEJUNG PAGE 10-11 2 EDITORIAL 19 - 25 SEPTEMBER 2014 #725 POLITICS IN A VACUUME he sight of the country’s prime minister on a mobile An all-party consensus would be ideal, of course, but phone publicly beseeching the leader of an outcast failing that the NC-UML should show that they have what Tpolitical party to come for negotiations sums up the it takes to push it to a vote. -
The Aaj Ka Dhamaka Edition November 1, 2014
MONSOON The Aaj Ka Dhamaka Edition November 1, 2014 00000 MONSOON ISSUE 1 OUR SPONSORS Carolina Asia Center with the support of the U.S. Department of Edu- cation Center for Global Initiatives UNC Sangam YFund through the Campus Y OUR TEAM Editors: Anisha Padma and Parth Shah Writers: Snigdha Das, Debanjali Kundu, Alekhya Mallavarapu, Dinesh McCoy, Pranati Panuganti, Hinal Patel, Maitreyee Singh, Nikhil Umesh, Soumya Vishwanath, and Naintara Viswanath Photographers: Hamid Ali, Amanda Betner, Arpan Bhandari, Snigdha Das, Aribah Shah, Megha Singh, and Soumya Vishwanath Website Design: Sara Khan Publicity: Ranjitha Ananthan and Iti Madan Magazine Design: Sara Khan and Shruti Patel Contributors: Andrew Ashley, Kane Borders, Mr. John Caldwell, Sarvani Gandhavadi, Dr. Iqbal Sevea, and Dr. Afroz Taj 1 LETTER FROM THE EDITORS Social media has sparked a renaissance of new ideas. Facebook news feeds and Twitter timelines are constantly flooded with photos, videos and articles concerning both local and global issues. UNC Monsoon aims to ride this wave and produce marketable online and print content that brings South Asian voices to the forefront. Prior to Monsoon, UNC Sangam sponsored Diaspora, a campus magazine devoted to South Asian affairs. However, we felt that Diaspora was in need of a rebranding in its mission and name. Monsoon’s mission is to creatively foster dialogue about all eight South Asian countries: Ban- gladesh, India, Sri Lanka, Pakistan, Nepal, Maldives, Afghanistan, and Bhutan. It seeks to fight both the misrepresentation and underrepresentation of South Asia in mainstream media by producing original content that informs, entertains, and also fosters discussion. The problem UNC Monsoon addresses is the symbolic annihilation of South Asians by the mainstream media. -
The Romance Between Bollywood and Digital Media a Study on the Implementation of Digital Promotional Activities in Bollywood
The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood Student Name: Dinesh Koendjbiharie Student Number: 357429 Supervisor: Payal Arora PhD MA Media Studies – Media and Business Erasmus School of History, Culture and Communication Erasmus University Rotterdam MA Thesis July 2015 0 Version 2.0. - July 2015 The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood ABSTRACT The Indian cinema, often referred to as Bollywood, is when it comes to production scale the largest movie industry in the world. The media and creative industries have been facing a new challenge in the past decade such as, but not limited to, the implementation of new digital media technologies in their digital promotional strategies. This research looks into the promotional activities in contemporary Bollywood that are visible to the consumer. The research question: “How does Bollywood use social media for promotional activities to reach the domestic and global market and possibly strengthen their current promotional strategies?” will be answered through two in-depth case studies on Bollywood blockbuster movie ‘Happy New Year’ and a movie that did exceptionally well ‘Queen’. This research firstly touches upon the changes and the development the industry went through, followed by creating an understanding of the industry’s contemporary position. The first step of the analysis is based on creating an in-depth understanding of the cases and the corresponding data from among others Facebook and Twitter. The following step of the analysis is solely focussed on the adjoining film music industry, in which the attention is paid to the promotion of the film music and also the promotion through the official social media channels of the cases. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Sakshi Punjabi Vs Mrs Shobha Kapoor &
KPP 1 NMSL 416 OF 2014 IN THE HIGH COURT OF JUDICATURE AT BOMBAY ORDINARY ORIGINAL CIVIL JURISDICTION NOTICE OF MOTION (L) NO. 416 OF 2014 IN SUIT NO. 177 OF 2014 Smt. Sakshi Punjabi ¼ Applicant In the matter between: Smt. Sakshi Punjabi ...Plaintiff vs. Mrs. Shobha Kapoor and others ...Defendants Mr. D.D. Madon, Senior Advocate, instructed by Mr. Vijay D. Dhingreja, for the Plaintiff. Mr. Virag Tulzapurkar, Senior Advocate, along with Mr. Mahesh Mahadgut and Ms. Ankita Kanojia, for Defendant Nos. 4 to 6 and 8. Dr. B.B. Saraf, along with Mr. Ameet Naik, Ms. Madhu Gadodia and Ms. Anshika Mishra, instructed by M/s. Naik Naik & Company, for Defendant Nos. 1 to 3 and 7. Mr. Sameer Pandit for Defendant No. 10. CORAM: S.J. KATHAWALLA, J. DATE: 27 th February, 2014 P.C.: Bombay1. The Plaintiff claims to have High a flair for writing and over Courtthe years has written several books on Information Technology which have been adopted by various ICSE Schools in their syllabus. According to the Plaintiff, she has written and/or authored several scripts and stories for Hindi movies and is registered as a Member with the Film Writers Association. Defendant No. 3 ± Balaji Motion Pictures and ::: Downloaded on - 13/03/2014 10:34:55 ::: KPP 2 NMSL 416 OF 2014 Defendant No. 6 ± Pritish Nandy Communications Limited are the Companies engaged in the business of production and distribution of cinematographic films and have acquired rights in the film ªShaadi Ke Side Effectsº (ªthe suit filmº), scheduled for theatrical release on 28th February, 2014. -
Finding Fanny
SUNDAY, SEPTEMBER 14, 2014 (PAGE-4) MOVIE REVIEW HEALTHLINES Finding Fanny Obesity, Fertility and Life Style Dr Richa Sharma Obesity is a major public health problem throughout the world and most difficult and frustrating disorders to manage successfully Incidence-India in the forefront of an obesity epi- demic. Statistics point to an increase in overweight or obese citizens by 20% between 1998 and 2005. Presently, one in 6 women and one in 5 men are over- weight in India. Initiation and maintenance of reproductive functions are related to an optimal body weight in women. Underweight [body mass index (BMI) <18.5 kg/m2], as well as over- weight (BMI ?25 kg/m2) and ry dysfunction, Sleep apnoea, reflux esophagitis, obesity (BMI ?30 kg/m2) are associated with an increased osteoarthritis. Increased breast cancer, uterine risk of anovulatory infertility cancer,ovarian cancer ,colon cancer, renal and esopha- What is obesity? gial cancer. Pocolim, a quaint, fictitious village in Goa symbolizes [Arjun Kapoor] post making love, that "there'll be many more Obesity means accumulation of excess fat, which may Preventive measures- Prevention is better than cure what FINDING FANNY is all about. Far away from the mad- times and he could get better ..." For someone who has have many serious long-term consequences on 1st line treatment is lifestyle modification-diet and exer- dening crowd, unhurried languid pace, the meaning of 'com- never 'experienced' sex before, to tell the man that he could health.Overweight is body weight in excess of ideal cise petition' doesn't exist in their dictionary and the inhabitants get 'better', sounds presumptuous. -
DEFINATION the Capacity and Willingness to Develop, Organize
DEFINATION The capacity and willingness to develop, organize and manage a business venture along with any of its risks in order to make a profit. The most obvious example of entrepreneurship is the starting of new businesses. In economics, entrepreneurship combined with land, labor, natural resources and capital can produce profit. Entrepreneurial spirit is characterized by innovation and risk-taking, and is an essential part of a nation's ability to succeed in an ever changing and increasingly competitive global marketplace. Differences Between Women and Men Entrepreneurs When men and women start companies, do they approach the process the same way? Are there key differences? And how do those differences affect the success of the business venture? As a woman in the start-up community, I am frequently asked about women entrepreneurs. A popular question is: How are they different from men? There have been many studies of entrepreneurs and start-ups, and I’ve read a number of them. Many of them seem to me to fall short, because the researchers, not being entrepreneurs themselves, lack an in-depth understanding of the entrepreneurial mind. The result is often a lot of statistics that fail to enlighten readers about entrepreneurial behavior and motivation. So what follows are my personal opinions. They are not based on formal research, but on my own observations and interactions with other women entrepreneurs. 1. Women tend to be natural multitaskers, which can be a great advantage in start-ups. While founders typically have one core skill, they also need to be involved in many different aspects of their business. -
Bibliography Service
BIBLIOGRAPHY SERVICE Vol. 39 (2) 2015 Cinema - 2014 This service meant primarily for the use of the Ministry of Information & Broadcasting and its media units gives an annotated index to select articles on Cinema published in various periodicals and newspapers received by the Centre. NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH REFERENCE AND TRAINING DIVISION) (MINISTRY OF INFORMATION AND BROADCASTING) Room No.437-442, Phase IV, Soochna Bhavan, CGO Complex, New Delhi-110003 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur Sub Editor Sushma Gautam How to read at page 28 CONTENTS Film, Acting 1 Film, Actors 2 Film and Hindi 2 Film and Literature 2 Film and Minorities 3 Film and Women 3-4 Film, Animation 4 Film, Artistes 5 Film, Awards 5-6 Film, Certification 6 Film, Children 6 Film, Dialogue 7 Film, Distribution 7 Film, Documentary 8-10 Film, Dubbing 10 Film, Festival 11-14 Film, Finance 14 Film, Industry 14-15 Film, Industry Regional 15-16 Film, Marketing 16-18 Film, Music 18 Film, Posters 18 Film, Preservation 18 Film, Production 19 Film, Regional 20-21 Film, Remake 21 Film, Revenue 22 Film, Shooting 22 Film, Small Budget 22-23 Film, Sound 23 Film, Technology 23-24 Film, Theme 24-27 Film, Villains 27 FILM, ACTING BHADANI (Priyanka). The new wave. Screen. 63 (2); 3 October 2014; 34-45. Chalks out a list of the young and emerging superstars who in the last five to seven years have proved themselves to be the best talents in the industry to take the torch forward. -
The Past; Preparing for the Future
Vol. 5 No. 08 New York August 2020 Sanya Madalsa Malhotra Sharma breakout Angel face with talent a spunky spirit Janhvi Priyanka Kapoor Abhishek chopra Jonas Navigating troubled Desi girl turns Bollywood Bachchan global icon Learning thefrom past Volume 5 - August 2020 Inside Copyright 2020 Bollywood Insider 50 Dhaval Roy Deepali Singh 56 18 www.instagram.com/BollywoodInsiderNY/ Scoops 12 SRK’s plastic act 40 leaves fans curious “I had a deeper connection with Kangana’s grading Exclusives Sushant” system returns to bite 50 Sanjana Sanghi 64 her Learning from past; preparing for future 06 Abhishek Bachchan “I feel like a newcomer” 56 Sushmita Sen From desi girl to a truly global icon 12 Priyanka Chopra Jonas Perspective Angel face with spunky spirit happy 18 Madalsa Sharma 32 Patriotic Films independence day “I couldn’t talk in front of Vidya Balan” 26 Sanya Malhotra 62 Actors on OTT 15TH AUGUST The privileged one 41 44 Janhvi Kapoor PREVIOUS ISSUES FOR ADVERTISEMENT July June May (516) 680-8037 [email protected] CLICK For FREE Subscription Bollywood Insider August 2020 LOWER YOUR PROPERTY TAXES Our fee 40 35%; others charge 50% NO REDUCTION NO FEE A. SINGH, Hicksville sign up for 2021 Serving Homeowners in Nassau County Varinder K Bhalla PropertyTax Former Commissioner, Nassau County ReductionGuru Assessment Review Commission CALL or whatsApp [email protected] 3 Patriotic Fervor Of Bollywood Stars iti Sunshine Bhalla, a young TV host in Williams during 2008 to 2011. In 2012, Shah New York, anchored India Independence Rukh Khan, Anushka Sharma and Sanjay Dutt R Day celebrations which were televised appeared on her show and shared their patriotic in India and 23 countries in Europe. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
The Balaji Telefilms Advantage
Investor Presentation Unique, Distinctive, Disruptive Private and Confidential Unique, Distinctive, Disruptive Contents 1 About Balaji Telefilms 2 Growth Strategy 3 Television Production 4 ALT Digital 5 Movies Business 6 Financials 2 Private and Confidential Unique, Distinctive, Disruptive Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation.