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Griffith University – Tony Fitzgerald Lecture and Scholarship Program
Griffith University – Tony Fitzgerald Lecture and Scholarship Program THE FITZGERALD COLLECTION An Exhibition of artwork and memorabilia Queensland College of Art College Gallery, Tribune Street, South Bank 29 July 2009 – 9 August 2009 Recollections and Stories The Griffith University – Tony Fitzgerald Lecture and Scholarship Program looks forward, with a biennial public lecture and scholarship program aimed at building skills and awareness in future practitioners and researchers who will carry the responsibility for protecting our future system of parliamentary democracy. For this inaugural year, it is useful to glance backwards, to explore how those now acknowledging this 20th anniversary year, remember this period of our history and how it contributed to the experiences of academics and researchers, artists and public expression. The exhibition focuses on Mr Fitzgerald’s personal collection of memorabilia and the influence that the Inquiry had upon Griffith University’s staff and alumni. The stories and commentary in the pages that follow have been provided by those associated in some way with Mr Fitzgerald’s items, or with Griffith University. They represent only a small sample of Queensland’s collective memory. The additional pages following include recollections and stories to accompany the exhibits and, during the exhibition period, can be found on the Key Centre for Ethics, Law, Justice and Governance website: http://www.griffith.edu.au/tonyfitzgeraldlecture We know that there are other recollections and memorabilia not included in this collection, but which are a vital contribution to our social history. The State Library of Queensland is starting a specific collection to capture materials and stories from this period and we urge Queenslanders to make contact with SLQ to ensure that their items and memories can be included for future generations. -
7–11 September 2016 Uplit.Com.Au BRISBANE WRITERS FESTIVAL BRISBANE WRITERS FESTIVAL
7–11 September 2016 uplit.com.au BRISBANE WRITERS FESTIVAL BRISBANE WRITERS FESTIVAL Contents Our story continues Brisbane Writers Festival UPLIT is a cultural champion of curiosity and creativity across Queensland. OPENING ADDRESS SPECIAL EVENTS PHILOSOPHERS-IN-RESIDENCE returns for the 54th time to explore ideas, identity Brisbane Writers Festival will continue 5 6 12 to thrive as the centrepiece to UPLIT’s and imagination through program. But fifty years of organic and conversation and debate significant growth means we now exist well powered by the year’s beyond these five days and encompass a year-long suite of events and bespoke GOOD THINKING best writing. community programs and projects. INSPIRE @ BWF IN CONVERSATION You’ll notice we look a little different. LECTURES UPLIT enriches and connects Queensland CONTINUES OUR STORY 13 14 23 For the very first time, BWF will be brought communities through stories and ideas. to you by UPLIT. As of July 2016, this will Come with us as we write our next chapter. be the new name of the organisation. FIND OUT MORE AT UPLIT.COM.AU RE[a]D BOX CALENDAR OF EVENTS PANEL DISCUSSIONS AMPERS&ND THANK YOU TO OUR SUPPORTERS BWF TEAM Julie Beveridge, Festival Director / CEO 24 26 33 READERS CIRCLE Tanya Cooling, Administration Manager Mrs Kay Bryan, Dominic and Dr Mary Rita Michelle Grant-Iramu, Producer McGann, Wendy Nichols, Manny and Lara Shprem, Program Coordinator Gail Pohl, Paul and Sue Taylor, Anonymous. Kate Bartlett, Development Manager CHAPTER ONE FOUNDING AMBASSADORS Emily Kinny, Development -
ISSUE 269 Alison Whittaker on AI in Poetry Jun 2020 – Aug 2020 Gary Crew Reflects CEO 1994-97
D CAR something to get your teeth into ISSUE 269 Alison Whittaker on AI in poetry Jun 2020 – Aug 2020 Gary Crew reflects CEO 1994-97 WQ Cover illustration.indd 1 29/05/2020 5:21 PM CALL FOR MANUSCRIPTS Looking for a Publisher? he Melbourne-based Sid Harta Team appreciates that Tit is a brave step to hand over one’s work to a stranger. Our editors bear this in mind with an assessment that is sensitive while critical, encouraging, and realistic. Sid Harta Publishers is offering writers the opportunity to receive specialised editorial advice on their manuscripts with a view to having their stories published. Contact SHP at: Sid Harta Publishers specialises [email protected] in new and emerging authors, Phone: (03) 9560 9920 and offers a full range of Mobile: 0408 537 792 publishing options. Web: http://sidharta.com.au We publish: SID HARTA PUBLISHERS: • print editions & print- 23 Stirling Crescent, Glen Waverley Vic 3150. on-demand via Amazon / Lightning Source I’ve now had four books published by Sid Harta. The fact that I have kept on • ebooks for all platforms. coming back indicates that I have been very happy with the services provided, Call us to discuss our service. from the initial manuscript assessment, to editing, book design and distribution. I have enjoyed the collaboration, particularly in editing and design, the final outcome a fusion of my ideas and suggestions made. Many thanks! — Noel Braun author of The Day Was Made for Walking, I Guess I’ll Keep on Walking, Whistler Street, Friend and Philosopher RECENT TITLES… Writers -
MSSGNN77C21A028K-Messina Giovanni
PLATE I Mt Etna Dreaming Billy Doolan Contents Acknowledgements v Abbreviations vi Introduction 1 1. The uncanny mirror of Whiteness 1.1. Almost Australian, but not quite 7 1.2. Uncanny W(hole)ness 22 1.3. The migrancy of the uncanny and the uncanny of migrancy 29 1.4. There is no ethnic relationship 38 1.5. (In)visible blackness 47 1.6. Hoaxing jokes or the ‘truth’ of hoaks: John O’Grady and Helen Demidenko 61 2. The cracked mirror or the phantom of ‘authenticity’ 2.1. Abject texts 74 2.2. The phantom of authenticity: the nostalgia for ‘orality’ 81 2.3. The phantom of authenticity: “an identikit of markers” 89 2.4. Ethnic minority writing: ‘defining’ boundaries 94 2.5. Acquiring visibility: the literature of the arrivant 98 2.6. Re(orient)ing the Gothic: monstrosities and intertextuality 103 2.7. Postmodern nostalgic ‘creatures’ 112 2.8. Uncanny intertextualities: dreams, memories and metaphors 119 3. The sublime experience of living “on leased land” 3.1. The comic/Gothic rituals of ‘polyphonic’ identities 132 3.2. Realised absences: silences and darkness 145 3.3. “On the sharp edge of…[metaphor]” 147 3.4. A paraxial text 160 3.5. Sicilyan textual ‘spaces’ 164 3.6. Polluting memories of colonial ‘roses’ 170 3.7. Unsettling ‘Whiteness’: homosexuality and miscegenation 178 3.8. A polyphonic jouissance 187 4. Searching for home or the uncomfortable halfway 4.1 A weird melancholy 195 4.2 “This is my explanation” 201 4.3 Framing metaphors: “a patruni” 207 4.4 Framing metaphors: the ‘Cloudland Ballroom’ and the ‘mousetrap’ 215 4.5 De-realising -
ACIS Brochure.Indd
Third Biennial ACIS Conference L’Italia globale: le altre italie e l’Italia altrove An International Conference of Italian Studies 30 June - 2 July 2005 Casa dei Carraresi Centro Convegni ed Esposizioni della Fondazione Cassamarca Vicolo Palestro 33/35 31100 Treviso Office of Development 2005 ACIS Management Committee and Conference Convenors Chair: Loretta Baldassar (University of Western Australia) Gabriella Brussino (University of Auckland), Gary Ianziti (Queensland University of Technology), Claire Kennedy (Griffith University), Bill Kent (Monash University), Gino Moliterno (Australian National University), David Moss (Università degli studi di Milano), Nerida Newbigin (University of Sydney), Desmond O’Connor (Flinders University), Australasian Centre Tony Pagliaro (La Trobe University), Ros Pesman (University of Sydney), Andrea Rizzi (University of Melbourne) and Vincenzo Savini (University of Western Australia). for Italian Studies 1 Foreword from the Chair, 2005 ACIS Management Committee Welcome to Treviso and the Australasian Centre for Italian Studies’ third biennial conference, L’Italia globale: le altre Italie e l’Italia altrove. Following two successful conferences in Canberra and Perth respectively, ACIS is holding its third international conference in Treviso in honour of the Cassamarca Foundation and its outstanding support of Italian Studies. Many of the participants at this conference have been direct beneficiaries of the Foundation’s “Australia Project”, whether as lecturers or as recipients of research and workshop grants and scholarships. Most importantly, we have all benefited from the growth, development and invigoration of the field that has flowed from the Foundation’s contribution. The Treviso conference brings together many facets of Italian studies – language teaching, linguistics, migration studies, history, literature, film studies, visual arts, business – and is an excellent opportunity both to showcase the fruits of research taking place in Australasia and to strengthen new and existing contacts with researchers from Italy and elsewhere. -
Lara Cain Thesis
Reading Culture: the translation and transfer of Australianness in contemporary fiction Lara Cain B.A. (Hons) School of Humanities and Social Sciences Centre for Community and Cross-cultural Studies Queensland University of Technology Submitted in full requirement for the degree of Doctor of Philosophy 2001 Key words: Culture, translation, identity, language, belonging, fiction, marketing, publishing, myth, Australia, France, United Kingdom. Abstract The dual usage of ‘reading’ in the title evokes the nature of this study. This thesis will analyse the ways in which people ‘read’ (make sense of/produce) images of culture as they approach translated novels. Part of this analysis is the examination of what informs the ‘reading culture’ of a given community; that is, the conditions in which readers and texts exist, or the ways in which readers are able to access texts. Understanding of the depictions of culture found in a novel is influenced by publicity and promotion, educational institutions, book stores, funding bodies and other links between the reading public and the production and sale of books. All of these parties act as ‘translators’ of the text, making it available and comprehensible to readers. This thesis will make use of a set of contemporary Australian novels, each of which makes extensive use of Australianness and Australianisms throughout its narrative. The movement of these texts from their cultures of origin towards wider Australia, the United Kingdom and France will provide the major case studies. The thesis will assert that no text is accessed without some form of translation and that the reading positions established by translators are a powerful influence on the interpretations arrived at by readers. -
Queensland Literary Culture in the Long Decade After Joh Queensland Literary Culture in the Long Decade After Joh: Institutional Development and Narratives of Change
Queensland Literary Culture in the Long Decade After Joh Queensland Literary Culture in the Long Decade After Joh: Institutional Development and Narratives of Change Stuart Glover The apparent resuscitation of Queensland print and literary culture in the decade after the fall of Premier Joh Bjelke-Petersen in 1987 and the National Party in 1989 can be seen to be the product of three factors: an over-statement of the dereliction of literary life in Queensland under Bjelke-Petersen, and perhaps a corresponding overstated case for its contemporary recovery; the effectiveness of government and institutional mechanisms of support; and the professional development and networking of writers and other print culture agents. Together, [ literary activity in Queensland and to a renegotiation of the place of Queensland literature in the national context. Over the past two decades, Queensland literary culture has done much to recover from the impact of the premiership of Joh Bjelke-Petersen (1968–87) and of the Country Party and National Party governments of 1957–89. Most accounts of Bjelke-Petersen’s premiership characterise the period as marked by the evacuation of writers and the ‘literary’ from the state. The accuracy of these accounts is open to debate, but the period since 1990 is often presented as a time of cultural resuscitation, marked by the revival of Queensland literary culture locally and a renegotiation of its place in the national literature. This change has been so complete – or at least so exciting to the locals – that by 5 September 2002, the following news item could appear on page eight of the giveaway weekly City News: Nick on Move: Top Brissie author and tourism icon Nick Earls had [ The writer was spotted walking across the Victoria Bridge about an hour before the start. -
MAKING a GOOD FIST of WRITING Q Weekend CM, 12/3/2016
12/3/2016 MAKING A GOOD FIST OF WRITING Q Weekend CM, 12/3/2016 MAKING A GOOD FIST OF WRITING SUSAN JOHNSON Every writer has his bone, the subject he gnaws at his whole life long. Venero Armanno’s is composed of family, migration, the island of Sicily with its dramatic stories of volcanoes, beauty and death, and the flourishing green of the camphor laurel trees lining Abbott St, New Farm, in Brisbane’s inner north, where he grew up. http://enews.smedia.com.au/thecouriermail/PrintArticle.aspx?doc=NCCMQW%2F2016%2F12%2F03&entity=ar01801 1/4 12/3/2016 MAKING A GOOD FIST OF WRITING Q Weekend CM, 12/3/2016 It’s a tasty bone for a writer to chew on. Its marrow has fed Armanno over a career spanning 15 published books and countless unpublished ones, literary prizes, European translations and a university job in creative writing, which he loves. Armanno – known to his friends, family and students as Veny – is now 57, and as hungry as ever. He’s fit, too. Not since the heady days of Hemingway and Mailer, talking up the link between masculinity in the boxing ring and virility on the page, has an Australian author looked this good in boxing gloves. Artist and writer Norman Lindsay ﴾of The Magic Pudding fame﴿, who died in 1969, was possibly the last ﴿Author, academic and ﴾opposite page shadow boxer Venero Armanno. Pictures: Australian writer who was also an accomplished amateur boxer. David Kelly Armanno as a young man ﴾he’d been bullied at school about his Armanno is keen to point out that he is not a ﴿weight and his ethnicity﴿; ﴾right real boxer. -
Chapter Eight
TO MARKET TO MARKET: THE DEVELOPMENT OF THE AUSTRALIAN CHILDREN’S PUBLISHING INDUSTRY Robyn Sheahan-Bright BA, UQ, GradDipLibSc, QUT, Master of Letters (Distinction) UNE Submitted in fulfillment of the requirements of the Degree of Doctor of Philosophy School of Arts, Griffith University December 2004 1 SYNOPSIS If Fools Went Not To Market, Bad Wares Would Not Be Sold Dictionary of Proverbs The aim of this study is to examine the tension between ‘commerce and culture’ in the dynamic development of the Australian children’s publishing industry, within the wider context of international children’s publishing history. It aims to refute a commonly stated ‘truism’ – that the conflict between the cultural value of a book and the need to market it threatens the integrity of the authors, publishers and the books themselves. Instead, it demonstrates that the tension between cultural and commercial definitions of the book publisher’s role lies at the heart of the dynamism which has fuelled the development of a publishing climate, and created really innovative publishing. Publishing has too often been examined as if the sole motive of the publisher should be to produce books of quality, and though this is certainly the primary objective of the publishers which are the focus in this study, it is imperative to recognize that the dissemination of ‘quality’ literature and cultural product has always been dependent upon the recognition of commercial strategies which are often naively dismissed as being opportunistic and even extraneous to the publisher’s purpose. As this thesis endeavours to show, the pioneering efforts of John Newbery, the Religious Tract Society, E.W. -
A Space of Possibles Artistic Directors and Leadership in Australian Theatre
A Space Of Possibles: Artistic Directors and Leadership in Australian Theatre Author Hands, Karen Ruth Published 2015 Thesis Type Thesis (PhD Doctorate) School School of Humanities DOI https://doi.org/10.25904/1912/3296 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366162 Griffith Research Online https://research-repository.griffith.edu.au A Space Of Possibles Artistic Directors and Leadership in Australian Theatre Karen Ruth Hands BA (Drama), MA School of Humanities Arts, Education and Law Griffith University Submitted in fulfillment of the requirements of the degree of Doctor of Philosophy This work has not previously been submitted for a degree or diploma in any university. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. ___________________ Karen Hands, August 2015 Theatre used to be, and still should be, at the centre of the arts and society. That it is not in Australia today is due to broad cultural forces, and also to its own derelictions, comfort-seekings, unyielding habits, and denials. What is to be done? Jack Hibberd, Australian playwright and founding member of Australian Performing Group, in Overland 1999. Acknowledgements It is fitting that I firstly thank the two scholars I was lucky to have as my supervisors. My principal supervisor, Professor Kay Ferres, and associate supervisor Associate Professor Georgina Murray, provided wise, kind and generous support of my research. Without their combined supervision, guidance, patience, sharp observations and knowledge of the arts, culture, sociological theory and Australian economics history this would be a very different thesis. -
“And That's When He Jumps. Jumps for the Urine Stream and Grabs at It With
This is the unedited version of a profile which appeared in Australian Doctor in 2000. The published version may have had minor changes. The Profile: Nick Earls CV Nick Earls, 37 2000: Won Children’s Book Council of Australia Book of the Year (older readers) for 48 Shades of Brown 1996-2000: Published After January, Zigzag Street, Bachelor Kisses, Perfect Skin, Headgames 1994-98: Editor, Continuing Medical Education section, Medical Observer 1992-95: Part time senior medical officer, MBF 1988-92: GP 1987-88: Resident, Greenslopes Repatriation Hospital 1986: MB BS (honours), University of Queensland THE BEST MEDICINE Let’s set the scene. Jon Marshall is a doctor struggling to come to terms with life after the death of his wife left him with a baby to rear and a guilty conscience. He has just had too much to drink, mainly because he doesn’t know how to handle the fact that dinner at this woman’s place is becoming uncomfortably intimate. He escapes to her bathroom, accompanied by her cat, Flag. And now I’ll hand you over to the person who is telling this story, Nick Earls. “And that’s when he jumps. Jumps for the urine stream and grabs at it with both paws, spraying it everywhere. This surprises him. He has no grasp of simple physics and obviously expected a different outcome. “Worse, it makes me recoil backwards, changing the simple physics and directing the stream right at his head before I can stop it. He jumps away, shakes himself, manages to spread it around more.