Blithe Spirit by Noel Coward
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Sense of HUMOUR
Sense of HUMOUR STEPHEN POTTER HENRY HOLT & COMPANY NEW YORK " College Library 14 ... d1SOn ... hurD V,rglt11a l\~rr1Son 0' First published 1954 Reprinted I954 rR q-) I I . I , F>~) AG 4 '55 Set In Bembo 12 poitlt. aHd pritlted at THE STELLAR PRESS LTD UNION STREBT BARNET HBRTS GREAT BRITAIN Contents P ART I THE THEME PAGE The English Reflex 3 Funniness by Theory 6 The Irrelevance of Laughter 8 The Great Originator 12 Humour in Three Dimensions: Shakespeare 16 The Great Age 20 S.B. and G.B.S. 29 Decline 36 Reaction 40 PART II THE THEME ILLUSTRATED Personal Choice 47 1 The Raw Material , , 8 UNCONSCIOUS HUMOUR 4 Frederick Locker-Lampson. At Her Window 52 Ella Wheeler Wilcox. Answered 53 Shakespeare. From Cymbeline 54 TAKING IT SERIOUSLY From The Isthmian Book of Croquet 57 Footnote on Henry IV, Part 2 59 THE PERFECTION OF PERIOD 60 Samuel Pepys. Pepys at the Theatre 61 Samuel Johnson. A Dissertation on the Art of Flying 62 Horace Walpole. The Frustration of Manfred 63 Horace Walpole. Theodore Revealed 64 Haynes Bayly. From She Wore a Wreath of Roses 66 Charles Mackay. Only a Passing Thought 66 E. S. Turner. The Shocking .!fistory of Advertising 67 VB VUl CONTENTS PAGE CHARACTER ON THE SLEEVE 67 Samuel Johnson. On Warburton on Shakespeare 68 James Boswell. On Goldsmith 68 William Blake. Annotations to Sir Joshua Reynolds's Discourses 69 S. T. Coleridge. To his Wife 70 S. T. Coleridge. Advice to a Son 71 S. T. Coleridge. Thanks for a Loan 71 Arnold Bennett and Hugh Walpole. -
Town Tree Cover in Bridgend County Borough
1 Town Tree Cover in Bridgend County Borough Understanding canopy cover to better plan and manage our urban trees 2 Foreword Introducing a world-first for Wales is a great pleasure, particularly as it relates to greater knowledge about the hugely valuable woodland and tree resource in our towns and cities. We are the first country in the world to have undertaken a country-wide urban canopy cover survey. The resulting evidence base set out in this supplementary county specific study for Bridgend County Borough will help all of us - from community tree interest groups to urban planners and decision-makers in local Emyr Roberts Diane McCrea authorities and our national government - to understand what we need to do to safeguard this powerful and versatile natural asset. Trees are an essential component of our urban ecosystems, delivering a range of services to help sustain life, promote well-being, and support economic benefits. They make our towns and cities more attractive to live in - encouraging inward investment, improving the energy efficiency of buildings – as well as removing air borne pollutants and connecting people with nature. They can also mitigate the extremes of climate change, helping to reduce storm water run-off and the urban heat island. Natural Resources Wales is committed to working with colleagues in the Welsh Government and in public, third and private sector organisations throughout Wales, to build on this work and promote a strategic approach to managing our existing urban trees, and to planting more where they will -
John Nevil Maskelyne's Queen Victoria's Diamond Jubilee
JOHN NEVIL MASKELYNE’S QUEEN VICTORIA’S DIAMOND JUBILEE SPECULATION Courtesy The Magic Circle By Edwin A Dawes © Edwin A Dawes 2020 Dr Dawes first published this in the May, June and August 1992 issues of The Magic Circular, as part of his A Rich Cabinet of Magical Curiosities series. It is published here, with a few additions, on The Davenport Collection website www.davenportcollection.co.uk with the permission of The Magic Circle. 1 JOHN NEVIL MASKELYNE’S QUEEN VICTORIA’S DIAMOND JUBILEE SPECULATION John Nevil Maskelyne was well-known for his readiness, even eagerness, to embark upon litigation. There has always been the tacit assumption that, irrespective of the outcome, the ensuing publicity was considered good for business at the Egyptian Hall, and in later years at St. George’s Hall. In December 1897, however, Maskelyne was openly cited as an example of exploitation of the law of libel when a leader writer in The Times thundered “It was high time that some check should be put upon the recent developments of the law of libel as applied to public comment in the Press”. The paper’s criticism arose from three cases heard in the Queen’s Bench Division of the High Court of Justice on 16th December. One of these appeared under the heading of “MASKELYNE v. DIBBLEE AND OTHERS when Maskelyne sought to recover damages from the publisher and proprietors of the Manchester Guardian for alleged libel contained in an article which had appeared in their issue of 6th April, 1897. It is an interesting story, for which Queen Victoria’s long reign must be held responsible! The year 1897 marked the 60th anniversary of Queen Victoria’s accession, an occasion to be celebrated with full pomp and circumstance on 22nd June with a service of thanksgiving at St. -
George H. Clutsam
GEORGE H. CLUTSAM George Clutsam published his first composition at age nine and in his early twenties toured with various minstrel shows through Australasia and the East. After moving to England in 1887 he established himself as an accompanist and composer of both serious and light music. Among his works were several operas and a number of musical comedies, burlesques and plays. His biggest success was the Shubert-inspired 1922 musical play Lilac Time (later Blossom Time, 1942), for which he arranged Shubert's music and composed additional music. Described by one London critic as being musically one "of the moderns" and "a close student of Strauss and Debussy [whose] work revealed great mastery of orchestral possibilities and many clever touches of instrumental humour," George Howard Clutsam was born in Sydney on 26 September 1866. His early life saw him exposed to and involved in many different styles of music. He is believed to have moved around with his parents quite often during his early years, spending periods of time in Sydney and Victoria before they moved to New Zealand in the late 1870s. It was in that country that Clutsam developed his passion for music through piano lessons and a desire to compose. An Australasian writer records in this respect that "Master G. Clutsam, a native of Victoria, but now of Dunedin… and who is only nine years old, has composed and published a piece for the pianoforte entitled "La Pluie De Printemps" (11 Oct. 1879, 647). Although the writer was incorrect in respect of Clutsam's age (he would have been 13 years old) it is clear that the young pianist/composer was already on the road to a career that would eventually see him accepted as one of the leading popular composers of London around the turn of the century. -
The Blitz and Its Legacy
THE BLITZ AND ITS LEGACY 3 – 4 SEPTEMBER 2010 PORTLAND HALL, LITTLE TITCHFIELD STREET, LONDON W1W 7UW ABSTRACTS Conference organised by Dr Mark Clapson, University of Westminster Professor Peter Larkham, Birmingham City University (Re)planning the Metropolis: Process and Product in the Post-War London David Adams and Peter J Larkham Birmingham City University [email protected] [email protected] London, by far the UK’s largest city, was both its worst-damaged city during the Second World War and also was clearly suffering from significant pre-war social, economic and physical problems. As in many places, the wartime damage was seized upon as the opportunity to replan, sometimes radically, at all scales from the City core to the county and region. The hierarchy of plans thus produced, especially those by Abercrombie, is often celebrated as ‘models’, cited as being highly influential in shaping post-war planning thought and practice, and innovative. But much critical attention has also focused on the proposed physical product, especially the seductively-illustrated but flawed beaux-arts street layouts of the Royal Academy plans. Reconstruction-era replanning has been the focus of much attention over the past two decades, and it is appropriate now to re-consider the London experience in the light of our more detailed knowledge of processes and plans elsewhere in the UK. This paper therefore evaluates the London plan hierarchy in terms of process, using new biographical work on some of the authors together with archival research; product, examining exactly what was proposed, and the extent to which the different plans and different levels in the spatial planning hierarchy were integrated; and impact, particularly in terms of how concepts developed (or perhaps more accurately promoted) in the London plans influenced subsequent plans and planning in the UK. -
Information Pack Dean of International Canterbury Christ Church University - Dean of International
INFORMATION PACK DEAN OF INTERNATIONAL CANTERBURY CHRIST CHURCH UNIVERSITY - DEAN OF INTERNATIONAL CONTENTS Welcome from the Vice Chancellor 3 About Canterbury Christ Church University 4 Strategic Framework 2015-2020 8 Internationalisation at Christ Church 9 Job Description 10 Person Specification 13 Application Process 15 About the City of Canterbury 16 2 CANTERBURY CHRIST CHURCH UNIVERSITY - DEAN OF INTERNATIONAL WELCOME LETTER Dear Applicant, A Message from the Vice-Chancellor The University has enjoyed substantial growth in student numbers over recent years, and we have developed into a broad-based University offering some 17,000 students a wide range of programmes. As Vice-Chancellor it is my intention to create an environment where the University is an inspiring place to work, where every individual feels able to contribute towards the wider educational and societal mission of the University so that higher education has the potential to transform the lives of individuals and communities. We are seeking to appoint to the role of Dean of Internationalisation an exceptional individual who will make a significant contribution to shaping and delivering the University’s strategic vision, and work closely with me and the senior team to achieve our future aspirations, as outlined in the Strategic Framework. This a key appointment, and the successful individual will need to subcribe to our values and culture of being a supportive, inclusive and student-focused institution striving for excellence in education, research and knowledge exchange. I would like to personally thank you for taking an interest in this role and in Canterbury Christ Church University. Yours faithfully Professor Rama Thirunamachandran Vice-Chancellor & Principal of the University 3 CANTERBURY CHRIST CHURCH UNIVERSITY - DEAN OF INTERNATIONAL ABOUT CANTERBURY CHRIST CHURCH UNIVERSITY Canterbury Christ Church University is a friendly Our network of campuses and centres stretch and vibrant community of over 17,000 students across Kent and Medway, offering undergraduate and some 1,700 staff. -
The Seance Free Download
THE SEANCE FREE DOWNLOAD John Harwood | 304 pages | 02 Apr 2009 | Vintage Publishing | 9780099516422 | English | London, United Kingdom The Seance The third point of view character is Eleanor Unwin, a young woman much like Constance with psychic powers that seem to want to destroy her. Sign In. By the end, it all made sense though. And The Seance Constance Langton has inherited this dark place as well The Seance the mysteries surrounding it. Get A Copy. Lucille Ball is actually a Leo. Sign In. External Sites. View Map View Map. Enter the The Seance as shown below:. Oh, how I worshipped at the alter of writers like Lowery Nixon Other editions. Lists with This Book. He came to our rescue many times. John Bosley : Angels. Meet your host, Anthony Host on Airbnb since See the full gallery. Clear your history. Sort order. In addition to communicating with the spirits of people who have a personal relationship to congregants, some Spiritual Churches also deal with spirits who may have a specific relationship to the medium or a historic relationship to the body of the church. The Seance entire novel reads like a prologue better off being cut: "I had hoped that Mama would The Seance content with regular messages from Alma but as the autumn advanced and the days grew shorter, the old haunted look crept back into her eyes The lawyer for the The Seance, John Montague, comes to find Constance and to tell her about the troubled history surrounding the Hall, and begs The Seance to The Seance the home once and for all. -
Players Conjures up Blithe Spirit
Inside this Issue Hairspray Auditions ..........................2 Mystery Photo ..................................2 Lab Show Preview ............................3 Historian’s Corner .............................3 Lab Show Rehearsal Pictures ............4 Vol. 7.6 March, 2012 Players Conjures Up Blithe Spirit by Bob McLaughlin Noël Coward’s Blithe Spirit is possibly the best and Coward wrote this certainly the funniest example of its genre: the drama very funny comedy of paranormal bigamy. It tells the story of writer Charles in the midst of tragic Condomine, who, in order to research the supernatural, circumstances. invites his friends Dr. and Mrs. Bradman along with a His apartment and local medium, Madame Arcati, to a dinner-party-cum- office having been séance. The proceedings appear to be a bust until, after destroyed in the the guests have left, Charles is confronted with the ghost German bombing of his late wife, Elvira. He is also confronted with the of London, he problem of how to explain this to his second and very took a holiday in much alive wife, Ruth. The play goes on to explore Portmeirion, Wales such questions as: Does love survive past the grave? (the eccentric town Do wedding vows lapse after the funeral? Can one be where the classic TV jealous of ectoplasm? Can Madame Arcati un-conjure series The Prisoner spirits? How will the maid clean up after all this? was filmed), and was inspired to write an escapist play that might entertain his countrymen in wartime. He claimed to have written the script in five days and to have changed barely a line before its premiere in London on July 21, 1941. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Hay Fever by Noel Coward
Central Washington University Theatre Arts Department presents Hay Fever By Noel Coward Prepared by Maureen Eller, assistant director and dramaturg 1 Central Washington University Theatre Arts Department Hay Fever Study Guide v Synopsis of Hay Fever v Noël Coward, playwright v The Taylor Family § Laurette Taylor v The Period § Timeline of Events v Glossary of Terms v Comments on Hay Fever v Sources Student matinee Nov. 22 at 11 a.m. TOWER THEATRE Produced by special arrangement with SAMUEL FRENCH, INC. Synopsis A luminous and entertaining comedy, Hay Fever introduces you to the Bliss family: a retired actress mother, a novelist father, and two children for whom all the world, literally, is a stage. Their outrageous antics alternately infuriate and astound their hapless weekend guests, all of whom have been individually invited up for a weekend tete-a-tete. Rousing fights, surprise engagements, and fevered declarations of love drive the poor guests from the house, leaving the 2 family happily bickering and playing amongst themselves as this stylish comedy bounces to its inevitable and intoxicating end. Noel Coward Life of Noël Coward: Actor, Composer, Playwright, Director, Author, Celebrity *(Classic Magazine) 1899 Born in Teddington, Middlesex 16th December. 1907 First public stage appearances. 1922 Spends winter in New York on a subsistence income, and becomes frequent guest at the home of Laurette Taylor and Hartley Manners. 1923 Composes London Calling; writes The Vortex (produced 1924); writes Fallen Angels (produced 1925); Weatherwise (produced 1932). 1924 Appears in The Vortex; writes Hay Fever; produced Easy Virtue. 1925 Directs Hay Fever at the Ambassadors and Criterion Theatres. -
Early 20Th-Century Operetta from the German Stage: a Cosmopolitan Genre
This is a repository copy of Early 20th-Century Operetta from the German Stage: A Cosmopolitan Genre. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/150913/ Version: Accepted Version Article: Scott, DB orcid.org/0000-0002-5367-6579 (2016) Early 20th-Century Operetta from the German Stage: A Cosmopolitan Genre. The Musical Quarterly, 99 (2). pp. 254-279. ISSN 0027-4631 https://doi.org/10.1093/musqtl/gdw009 © The Author 2016. Published by Oxford University Press. This is an author produced version of a paper published in The Musical Quarterly. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Early 20th-Century Operetta from the German Stage: A Cosmopolitan Genre Derek B. Scott In the first four decades of the twentieth century, new operettas from the German stage enjoyed great success with audiences not only in cities in Europe and North America but elsewhere around the world.1 The transfer of operetta and musical theatre across countries and continents may be viewed as cosmopolitanism in action. -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.