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Boston Symphony Orchestra Concert Programs, Season 47,1927-1928

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Boston Symphony Orchestra Concert Programs, Season 47,1927-1928 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 B( INC. SERGE KOUSSEVITZKY, Conductor FORTY-SEVENTH SEASON. 1927-1928 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1927, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE ....... Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 649 STEINWAY the instrument of the immortals Not only the best piano, but the best piano value It is possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . Convenient terms will be piano under such conditions. arranged, if desired. Steinway pianos are not—and There is a Steinway dealer in your com- never have been built to meet a — munity, or near you, through whom you price. They are made as well as may purchase a new Steinway piano with human skill can make them, and a small cash deposit, and the balance will the price is determined later. The be extended over a period of two years- result is the world's finest piano. Used pianos accepted in partial exchange. Such an instrument costs more ' Prices: ana up than a commonplace product—yet *fPo 4 O in point of long life, prestige, and Plus transportation STEINWAY & SONS, Steinway Hall, 109 W. 57th Street, New York Represented by the foremost dealers everywhere DOStOH ij1 :k testra Forty-seventh Season, 1927-1928 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P Concert-master Kreinin, B. Eisler, D. Hamilton, V Kassman, N. Theodorowicz, J. Hansen, E. Graeser, H. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Siegl, F. Mayer, P. Zung, M. Knudsen, C. Gorodetzky, L. Tapley, R. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Artifires, L. Cauhap6, J. Werner, H. Shirley, P. Avierino, N. Gerhardt, S. Bernard, A. Deane, C. Violoncellos. Bedetti, J. Zighera, A. Langendoen J. Stockbridge, C. Fabrizio, E. Keller, J. Barth, C. Droeghmans , H. Warnke, J. Marjollet, L. Basses. Kunze, M. Lemaire, J. Ludwig, 0. Girard, H. Kelley, A. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G Demetrides. L Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Hamelin, G. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Allegra, E. Bettoney, F. (E-flat Clarinet) Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Rochut, J. Pogrebniak, S. Schindler, G. Perret, G. Hansotte, L. Van Den Berg, C Lannoye, M. Voisin, R. Kenfield, L. Lorbeer, H. Blot, G. Mann, J. Raichman, J Jones, 0. Adam, E. Tubas. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Adam, E. Zighera, B. Polster, M. Sternburg, S. Seiniger, S. Organ. Piano. Celesta. Librarian. Snow, A. Zighera, B. Fiedler, A. Rogers, L. J. 651 ! . -j£P^,4 ./^-n CHICKERING HALL ^Home of the cS^mpico HEN the Ampico plays and the Chickering sings, the faithful re-enactment of the playing of the masters is combined with a loveliness of tone unequalled . one of many reasons why the Ampico in the Chickering has been se- lected by outstanding educational institutions . .The New England Conservatory of Music. Harvard University . Boston University . Weliesley College . Amherst College . Boston Teacher's College . Phillips Andover Academy . Fhillips Exeter Academy . and scores of others Pianos in infinite variety ftom £>3o5 to #18,000 — so easy to own on small monthly payments. ^95 Boyiston StJ 652 REMINDER to the Saturday Subscribers of the Boston Symphony Orchestra The next two symphony concerts of this series are to be given on THURSDAY Evenings (December 22, December 29) instead of on Saturday Evenings, in order that they may not coincide with Christmas and New Year's Eves. Forty-seventh Season. Nineteen Hundred Twenty-seven and Twenty-eight FRIDAY AFTERNOON, DECEMBER 16, at 2.30 o'clock SATURDAY EVENING, DECEMBER 17, at 8.15 o'clock Liadov . • . From the Apocalypse, Symphonic Picture, Op. 66 Bax Symphony in E-flat minor I. Allegro moderato e feroce. II. Lento solenne. III. Allegro maestoso; Allegro vivace. (First time at these concerts) Schumann .... Concerto in A minor for Pianoforte and Orchestra, Op. 54 I. Allegro. II. Adagio. III. Allegro non troppo. Wagner . Overture to "Tannhauser" SOLOIST • MYRA HESS STEINWAY piano used There will be an intermission after the symphony City of Boston, Revised Regulation of August 5, 1898,—Chapter 3, relating to the covering of the head in places of public amusement Every licensee shall not. in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk. The works to be played at these concerts may be seen in the Allen A. Brown Music Collection of the Boston Public Library one week before the concert 653 — TRAVEL WITH The Raymoiid*WhttcoBab Cruises are incontestabiy the best. They sail on the world's finest liners their routes are notably weli-plarmed and comprehensive The Mediterranean from end to end, with two c weeks in Sgypt and the \Koly Land, and calls at out-of-the-way islands, fascinating Dalmatian ports, and the historic Mediterranean cities. Sail- ing January 21, on the Cunard liner, "Carinthia." Rates, $1000 and upward Mediterranean Spring Cruise A shorter Cruise that traverses the Mediterranean in April, and visits (in addition to the great ports) several exceptionally picturesque places that trav- elers rarely find Casablanca in Morocco, Malaga, Catta.ro, Ragusa, Spalato, and Trau. Sailing from New York on April 7 and arriving at Naples on May 4, this cruise makes an ideal Spring voyage to Europe. On the new Cunard liner, "Carinthia." Rates, $725 and upward Round Africa Cruise —January 14 Land Cruises to California Tours to South America & Europe West Indies Cruises Company A ASS-. ' -ETTS 654 : ) "From the Apocalypse"—Symphonic Picture. Op. 66 Anatol. Constantinovich Liadov ( Born at Leningrad, May 11, 1855 ; died on August 28, 1914* The score dedicated to Alexander Siloti bears these verses from the tenth chapter of the Revelation of St. John the Divine "And I saw another mighty angel come down from heaven, clothed with a cloud : and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire. And he had in his hand a little book open : and he set his right foot upon the sea, and his left foot on the earth, and cried with a loud voice, as when a lion roareth : and when he had cried, seven thunders uttered their voices." The score, published in 1913, calls for three flutes (the third in- terchangeable with piccolo), two oboes, English horn, three clari- nets, two bassoons, double bassoon, four horns, three trumpets, three trombones, two tubas, four kettledrums (two players), bass drum, cymbals, triangle, tam-tam, bells, celesta, harp, and strings. This composition was performed in New York at a concert of the Symphony Society on November 5, 1922. The first performance in *S'ome music lexicons say at Novgorod ; others say at Leningrad. IW EMSEMELE MUSIC TO A WILD ROSE By Edward MacDowell Arranged for four violins and piano. 'Cello ad lib. May also be played by one, two, or three violins and piano. 'Cello ad lib. with all combinations Price 75 cents net Trios for Violin, 'Cello and Piano FRANZ DRDLA SCHMIDT'S COLLECTION OF 200 °P- SHORT TRIOS n Co Ce tanie, , r CONTENTS AnA extendedk AA°workZ in one movement, p D ' Almeyda, Menuett in G brilliant and full of color. May also be Rudolf Frim , TwiH ht (Cr^pUSCule) used for violin and piano. Boris Levenson) Priere Price $1.00 net Edward MacDowell, Nautilus * Moszkowski, Dawn in the Forest. rnwMDn i\/ta^ r\r\xvm t M EDWARD MAC DOWELL Cantilena From a Wandering Iceberg Anna Priscilla Risher, Mazurka Starlight (Schmidt's Educational Series No. 325) Price, each, 75 cents net Price, complete, $1 .25 THE ARTHUR P. SCHMIDT CO., 120 Boylston Street 655 Boston was by the Boston Symphony Orchestra, Mr. Koussevitzky conductor, October 23, 1925. Liadov's father and grandfather were professional musicians. His father, Constantine, a court conductor (1820-68), was his first teacher, for the boy showed uncommon talent at a very early age. He studied at the Leningrad Conservatory, and took lessons in com- position of Rimsky-Korsakov. Leaving the Conservatory in 1877, he went back the next year as assistant teacher in the lower classes for theory, and in 1878 was made professor of harmony and com- position there. He held a similar position in the Imperial Court Chapel. Glazounov, Rimsky-Korsakov, and Liadov were for a time conductors of the Russian Symphony Concerts. Liadov was ap- pointed in 1894. In March, 1908, Liadov, Glazounov, and other lead- ing teachers at the Conservatory espoused the cause of Rimsky- Korsakov, who was ejected from the Conservatory for his sympathies with students in political troubles, and they resigned their positions.
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