Danny Elfman

Total Page:16

File Type:pdf, Size:1020Kb

Danny Elfman DANNY ELFMAN COMPOSER AWARDS PRIMTETIME EMMY AWARD NOMINATION (2016) DANNY ELFMAN’S MUSIC Outstanding Music Direction FROM THE FILMS OF TIM BURTON (LIVE FROM LINCOLN CENTER) GRAMMY NOMINATION (2012) THE DANNY ELFMAN & TIM Best Boxed or Special Limited Edition Package BURTON 25th ANNIVERSARY MUSIC BOX IFMCA AWARD (2012) THE DANNY ELFMAN & TIM Best Archival Release of an Existing Score BURTON 25th ANNIVERSARY MUSIC BOX GOLDEN GLOBE NOMINATION (2011) ALICE IN WONDERLAND Best Original Score – Motion Picture GRAMMY NOMINATION (2011) ALICE IN WONDERLAND Best Score Soundtrack Album for Motion Picture ACADEMY AWARD NOMINATION (2008) MILK Best Score GRAMMY NOMINATION (2006) CHARLIE AND THE CHOCOLATE Best Song FACTORY EMMY AWARD (2005) DESPERATE HOUSEWIVES Outstanding Main Title Theme ACADEMY AWARD NOMINATION (2004) BIG FISH Best Dramatic Score GOLDEN GLOBE NOMINATION (2004) BIG FISH Best Score GRAMMY NOMINATION (2004) BIG FISH Best Score GRAMMY NOMINATION (2003) SPIDER-MAN Best Score 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 1 of 12 DANNY ELFMAN COMPOSER AWARDS (continued) GRAMMY NOMINATION (2002) PLANET OF THE APES Best Score ACADEMY AWARD NOMINATION (1998) GOOD WILL HUNTING Best Dramatic Score ACADEMY AWARD NOMINATION (1998) MEN IN BLACK Best Comedy or Musical Score GRAMMY NOMINATION (1998) MEN IN BLACK Best Instrumental Composition GOLDEN GLOBE NOMINATION (1994) THE NIGHTMARE BEFORE Best Score CHRISTMAS GRAMMY NOMINATION (1992) EDWARD SCISSORHANDS Best Instrumental Composition GRAMMY NOMINATION (1991) DICK TRACY Best Instrumental Composition EMMY NOMINATION (1990) THE SIMPSONS Outstanding Main Title Theme GRAMMY NOMINATION (1990) BATMAN Best Score MOTION PICTURES THE WOMAN IN THE WINDOW Joe Wright, dir. Netflix MEN IN BLACK: INTERNATIONAL F. Gary Gray, dir. Columbia Pictures THE GRINCH Yarrow CheNey, dir. Universal Pictures DUMBO Tim Burton, dir. Walt Disney Pictures JUSTICE LEAGUE Zack SNyder, dir. Warner Bros. FIFTY SHADES FREED James Foley, dir. Universal Pictures 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 2 of 12 DANNY ELFMAN COMPOSER MOTION PICTURES (continued) DON’T WORRY, HE WON’T GET FAR ON FOOT Gus VaN SaNt, dir. Amazon Studios FIFTY SHADES DARKER James Foley, dir. Universal THE CIRCLE James PoNsoldt, dir. Playtone ALICE: THROUGH THE LOOKING GLASS James Bobin, dir. Walt Disney Pictures TULIP FEVER Justin Chadwick, dir. The Weinstein Company GOOSEBUMPS Rob LettermaN, dir. Columbia Pictures THE END OF TOUR James PoNsoldt, dir. Modern Man Films AVENGERS: AGE OF ULTRON Joss WhedoN, dir. Marvel Studios THE GIRL ON THE TRAIN Tate Taylor dir. Universal FIFTY SHADES OF GREY Sam Taylor- JohNsoN, dir. Focus Features BIG EYES Tim BurtoN, dir. The Weinstein Company MR. PEABODY & SHERMAN Rob MiNkoff, dir. Twentieth Century Fox AMERICAN HUSTLE David O. Russell, dir. Columbia Pictures EPIC Chris Wedge, dir. Twentieth Century Fox THE UNKNOWN KNOWN Errol Morris, dir. The Weinstein Company 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 3 of 12 DANNY ELFMAN COMPOSER MOTION PICTURES (continued) PROMISED LAND Gus VaN SaNt, dir. Focus Features HITCHCOCK Sacha Gervais, dir. Fox Searchlight SILVER LININGS PLAYBOOK David O. Russell, dir. The Weinstein Company MEN IN BLACK III Barry SoNNeNfeld, dir. Columbia Pictures OZ: THE GREAT AND POWERFUL Sam Raimi, dir. Disney Pictures FRANKENWEENIE Tim BurtoN, dir. Disney Pictures DARK SHADOWS Tim BurtoN, dir. Warner Brothers REAL STEEL Shawn Levy, dir. Disney Studios RESTLESS Gus VaN SaNt, dir. Columbia Pictures THE NEXT THREE DAYS Paul Haggis, dir Lionsgate ALICE IN WONDERLAND Tim BurtoN, dir Walt Disney Studios 9(themes) Shane Acker, dir Focus Features THE WOLF MAN Joe JohNstoN, dir. Stuber Productions TAKING WOODSTOCK Ang Lee, dir. Focus Features TERMINATOR SALVATION McG, dir. The Halcyon Company NOTORIOUS George TillmaN Jr., dir. Fox Searchlight 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 4 of 12 DANNY ELFMAN COMPOSER MOTION PICTURES (continued) MILK Gus VaN SaNt, dir. Universal/Focus HELLBOY 2: THE GOLDEN ARMY Guillermo del Toro, dir. Universal WANTED Timur Bekmambetov, dir. Universal STANDARD OPERATING PROCEDURE Errol Morris, dir. Columbia THE KINGDOM Peter Berg, dir. Universal THE SIMPSONS MOVIE (theme) David SilvermaN, dir. Twentieth Century Fox SPIDER-MAN 3(themes) Sam Raimi, dir Columbia Pictures MEET THE ROBINSONS Stephen J. Anderson, dir. Disney CHARLOTTE’S WEB Gary Winick, dir. Paramount NACHO LIBRE Jared Hess, dir. Paramount CHARLIE AND THE CHOCOLATE FACTORY Tim BurtoN, dir. Warner Bros. THE CORPSE BRIDE Mike Johnson, dir. Warner Bros. SPIDER-MAN 2 Sam Raimi, dir. Columbia BIG FISH Tim Burton, dir. Columbia THE HULK Ang Lee, dir. Universal 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 5 of 12 DANNY ELFMAN COMPOSER MOTION PICTURES (continued) CHICAGO Rob Marshall, dir. Miramax RED DRAGON Brett RatNer, dir. Universal MEN IN BLACK II Barry SoNNeNfeld, dir Columbia . SPIDER-MAN Sam Raimi, dir. Columbia PLANET OF THE APES Tim BurtoN, dir. Fox HEARTBREAKERS (main theme) David MirkiN, dir. MGM SPY KIDS (main theme) Robert RodrigueZ, dir. Miramax PROOF OF LIFE Taylor Hackford, dir Warner Bros. FAMILY MAN Brett RatNer, dir Universal . SLEEPY HOLLOW Tim BurtoN, dir. Paramount ANYWHERE BUT HERE WayNe WaNg, dir. Fox INSTINCT JoN Turtletaub, dir. Disney A CIVIL ACTION Steven Zaillian, dir. Paramount PSYCHO (music producer) Gus VaN Sant, dir. Universal A SIMPLE PLAN Sam Raimi, dir. Paramount GOOD WILL HUNTING Gus VaN SaNt, dir. Miramax 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 6 of 12 DANNY ELFMAN COMPOSER MOTION PICTURES (continued) FLUBBER Les Mayfield, dir. Disney MEN IN BLACK Barry SoNNeNfeld, dir. Columbia MARS ATTACKS! Tim BurtoN, dir. Warner Bros. EXTREME MEASURES Michael Apted, dir. Castle Rock BORDELLO OF BLOOD (theme) Gilbert Adler, dir. Universal THE FRIGHTENERS Peter JacksoN, dir. Universal MISSION: IMPOSSIBLE BriaN DePalma, dir. Paramount FREEWAY Matthew Bright, dir. Lions Gate DEAD PRESIDENTS Albert & AlleN Hughes, prod., dir. Disney TO DIE FOR Gus VaN SaNt, dir. Columbia DOLORES CLAIBORNE Taylor Hackford, dir. Castle Rock BLACK BEAUTY CaroliNe ThompsoN, dir. Warner Bros. THE NIGHTMARE BEFORE CHRISTMAS Tim BurtoN, dir. Disney SOMMERSBY JoN Amiel, dir. Warner Bros. BATMAN RETURNS Tim BurtoN, dir. Warner Bros. ARTICLE 99 Howard Deutsch, dir. Orion 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 7 of 12 DANNY ELFMAN COMPOSER MOTION PICTURES (continued) PURE LUCK (theme) Nadia Tass, dir. Universal EDWARD SCISSORHANDS Tim BurtoN, dir. Twentieth Century Fox DARKMAN Sam Raimi, dir. Universal DICK TRACY WarreN Beatty, prod., dir. Disney NIGHTBREED Clive Barker, dir. 20th Century Fox BATMAN Tim BurtoN, dir. Warner Bros. SCROOGED Richard DoNNer, dir. Paramount HOT TO TROT Michael DiNNer, dir. Warner Bros. BIG TOP PEE WEE RaNdal Kleiser, dir Paramount MIDNIGHT RUN MartiN Brest, prod., dir. Universal BEETLEJUICE Tim BurtoN, dir. Warner Bros. SUMMER SCHOOL Carl ReiNer, dir. Paramount WISDOM Emilio EsteveZ, dir. Twentieth Century Fox BACK TO SCHOOL AlaN Metter, dir. Orion 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 8 of 12 DANNY ELFMAN COMPOSER TELEVISION THEMES WHEN WE RISE DustiN LaNce Black (created by) ABC Studios PEE WEE'S BIG ADVENTURE Tim BurtoN, dir. Warner Bros. FORBIDDEN ZONE Richard ElfmaN, dir. Hercules Films DESPERATE HOUSEWIVES Marc Cherry (created by) ABC THE SIMPSONS Matt GroeNiNg (created by) Twentieth Century Fox POINT PLEASANT JohN J. McLaughlin (created by) Twentieth Century Fox DILBERT “The Dilbert Zone” UPN PERVERSIONS OF SCIENCE HBO TALES FROM THE CRYPT HBO FAMILY DOG Brad Bird (created by) Warner Bros. THE ADVENTURES OF BATMAN & ROBIN Warner Bros. THE FLASH Warner Bros. OH NO, NOT THEM MTV BEETLEJUICE Tim BurtoN (created by) Warner Bros. SLEDGE HAMMER AlaN SpeNcer (created by) ABC 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 9 of 12 DANNY ELFMAN COMPOSER TELEVISION THEMES (continued) FAST TIMES Universal PEE WEE'S PLAYHOUSE CBS AMAZING STORIES ("Family Dog") Amblin AMAZING STORIES ("Mummy Daddy") Amblin ALFRED HITCHCOCK PRESENT ("The Jar") Universal MOTION PICTURE SONGS SICKO (“Christmas Eve Montage”) Dog Eat Dog Films SPIDER-MAN 3 (“Opening Montage,” “Backstage,” “Romantic Night,” “Peter’s Phone Call,” “Sad Girl,” “Peter and Harry,” “Peter Saves MJ,” “Happy Ending,” “Love Theme Reprise”) Columbia Pictures THE BENCHWARMERS (“Fire”) Sony Pictures SLEEPOVER (“We Close Our Eyes”) MGM THE IN-LAWS (“Will Hunting”) Franchise Pictures PAULY SHORE IS DEAD (“Little Girls”) CKrush Entertainment DONNIE DARKO (“Stay”) Pandora Cinema ANYWHERE BUT HERE (“Strange Wind”) Twentieth Century Fox NEVER BEEN KISSED (“The Simpsons Theme”) Fox 2000 MY FAVORITE MARTIAN (“Uncle Martin Theme”) Walt Disney Pictures 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Elfman Page 10 of 12 DANNY ELFMAN COMPOSER MOTION PICTURE SONGS (continued) HOME ALONE 3 (“Home Again”) Twentieth Century Fox ARMY OF DARKNESS ("March of the Dead") Universal BATMAN RETURNS ("Face To Face") Warner Bros. GHOSTBUSTERS 2 ("Flesh N' Blood") Columbia SHE'S OUT OF CONTROL ("The
Recommended publications
  • Fa Ir Light Books
    FAIRLIGHT BOOKS S PRING 2021 WELCOME ...to our spring 2021 catalogue. After the upheaval of last year, we’re excited to be getting back to what we love – championing and celebrating talented new and emerging writers and, wherever we can, supporting physical bookshops. For 2021, we have a host of new authors to introduce to you, four more Fairlight Moderns for the summer, and a further addition to our new How To... series. We hope that you will love these titles as much as we do. Fairlight Books was established in 2017 to publish new and emerging writers of quality and literary fiction. Since then, our authors have been listed for several prizes, including longlisted for ‘ I si T DOWN , S TART TO READ . T HE WORD S the Women’s Prize for Fiction, shortlisted for the Paul Torday Prize ARE L I KE NECTAR , L I KE HONEY . T HEY and BBC Short Story Award, and featured on the The Walter Scott TEMPT , CAPTURE , BEGU I LE , EXC I TE . L I KE Prize Academy Recommends List. F I RE , L I KE WATER , L I KE FRE S H A I R . T HEY ARE OUR ELEMENT .’ —Alice Jolly, A S A INT IN S WINDON SPRING 2021 NEW NON-FICTION Spring and Summer Reading: Beautiful Books HOW TO MEND A Quality fiction writing and a selection of non-fiction titles on subjects that inspire and intrigue us, or that we care about. BROKEN HEART Ziella Bryars Lessons from the world of neuroscience When Ziella Bryars was in the midst of heartbreak, a conversation with her neuroscientist best friend changed everything.
    [Show full text]
  • Tese De Charles Ponte
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
    [Show full text]
  • Read It Here
    Filed 1/31/14 Paul Haggis, Inc. v. Persik Productions CA2/1 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION ONE PAUL HAGGIS, INC., et al., B240556 Plaintiffs and Respondents, (Los Angeles County Super. Ct. No. BC381582) v. PERSIK PRODUCTIONS, INC., et al., Defendants and Appellants. APPEAL from a judgment of the Superior Court of Los Angeles County. Daniel J. Buckley, Judge. Affirmed. Nahai Law Group, Behzad Nahai, and Edward Wei for Defendants and Appellants. Deadline.com Ropers, Majeski, Kohn & Bentley, Terry Anastassiou; Arent Fox and Richard L. Charnley for Plaintiffs and Respondents. ____________________________________ This is an action by writer-director Paul Haggis and others involved in the Oscar- winning film Crash for compensation they claim is due them under their contract with the film’s principal backer, Persik Productions, Inc. In a bench trial the court found for the plaintiffs and awarded them over $12,000,000 in damages and prejudgment interest. We conclude that appellants have not carried their burden of showing prejudicial error, and we therefore affirm. FACTS AND PROCEEDINGS BELOW In summarizing the facts we view the evidence in the light most favorable to the judgment. (Roby v. McKesson Corp. (2009) 47 Cal.4th 686, 693-694.) The plaintiffs in this action are Paul Haggis, who directed and co-wrote Crash, Bobby Moresco who co-wrote and co-produced the film, Mark Harris, a co-producer, and Brendan Fraser, an actor in the film.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Gilles Menegaldo (Ed.), Tim Burton : a Cinema of Transformations
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Gilles Menegaldo (ed.), Tim Burton : A Cinema of Transformations Christophe Chambost Electronic version URL: http://journals.openedition.org/miranda/14578 DOI: 10.4000/miranda.14578 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Christophe Chambost, “Gilles Menegaldo (ed.), Tim Burton : A Cinema of Transformations”, Miranda [Online], 17 | 2018, Online since 02 October 2018, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/14578 ; DOI: https://doi.org/10.4000/miranda.14578 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Gilles Menegaldo (ed.), Tim Burton : A Cinema of Transformations 1 Gilles Menegaldo (ed.), Tim Burton : A Cinema of Transformations Christophe Chambost REFERENCES Gilles Menegaldo, Tim Burton : A Cinema of Transformations (Montpellier : Presses universitaires de la Méditerranée, 2018), 442 p, ISBN 978-2-36781-259-5 1 This major book on Tim Burton belongs to the serious academic series “Profils Américains” published by the Presses Universitaires de la Méditerranée (PULM). It is edited by Gilles Menegaldo, and is structured in five chapters that thematically organize a pleasurable and scholarly journey in Burtonland (from the director’s first short-feature films to his latest 2016 Miss Peregrine’s Home for Peculiar Children). 2 Gilles Menegaldo first gives a twenty page long introduction that not only summarizes Tim Burton’s life and films, but also starts highlighting the main themes and stylistic features in the director’s filmography.
    [Show full text]
  • Retrofuture Hauntings on the Jetsons
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello The Graduate Center, City University of New York [email protected] From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015). Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past and lost futures (Fisher 2014, 2-29) in the episodes of the Hanna-Barbera animated series The Jetsons produced for syndication between 1985 and 1987. A product of Cold War discourse and the early days of the Space Age, the series is characterized by a bidirectional rhetoric: if its setting emphasizes the empowering and alienating effects of technological advancement, its characters and its retrofuture aesthetics root the show in a recognizable and desirable all-American past.
    [Show full text]
  • Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I Entered College
    Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I entered college a naïve 18-year-old musician. I had played guitar for roughly four years and was determined to be the next great Texas blues guitarist. However, I was now in college and taking the standard freshman music literature class. Up to this point the most I knew about music other than rock or blues was that Beethoven was deaf, Mozart composed as a child, and Chopin wrote a really cool piano sonata in B-flat minor. So, we’re sitting in class learning about Berlioz, and all of the sudden it occurred to me: are there any composers still working today? So I risked looking silly and raised my hand to ask my professor if there were composers that were still working today. His response was, “Of course!” In discussing modern composers, the one medium that continuously came up in my literature class was that of film music. It occurred to me then that I knew a lot of modern orchestral music, even though I didn’t really know it. From the time when I was a little kid, I knew the name of John Williams. Some of my earliest memories involved seeing such movies as E.T., Raiders of the Lost Ark, and The Empire Strikes Back. My father was a musician, so I always noted the music credit in the opening credits. All of those films had the same composer, John Williams. Of course, I was only eight years old at the time, so in my mind I thought that John Williams wrote all the music for the movies.
    [Show full text]
  • 22Nd NFF Announces Screenwriters Tribute
    FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who ​ will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking ​ ​ ​ television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The ​ ​ ​ ​ 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and ​ ​ his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle ​ Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the ​ ​ Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award ​ ​ include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others.
    [Show full text]
  • December 29 1993 Vol 3 No 52OCR.Pdf
    -------� ---�--��•"c.---------- FirstNight LyndaBarry �Environment .........,_...------��------­ &PriWhett .........UALENDAR 9ThePiano -K>Life in Hell -a StraightDope Volume 3, Number 5 2, December 29, 199 3 FREE Evidence suggests that the poor health of Native Hawaiians is not simply a dietary problem. Taro, a staple food in the Hawaiian diet, is becoming scarcer as taro gardens are displaced by golf courses and other commercial development. ,J ' ,,f 'I I I 1 ' ) ' I' ] I 1 I ,I II i l, I i "I I • I I I I , I 11 Ii ' J I I I J I • i I r (!) a:<( .---���---� 0� <( C/J 0 () <(z a: u.. 1 I '.J --------- - ........_......� - -------------------------- ** * * * COMING SOON!***** Letters CD CAFE G A callfor competttion AttorneyGeneral Robert Marksthat Misdirected energy We Buy And Sell USED CD's effectively place the blame on the During the last fewmonths, sev­ In the last few months we have: custodial parentsfor CSEA's inabil­ ESPRESSO/DRINKS/SNACKS!I'UNES eral articles have appeared in print a couple in Ala Moana Park brutal­ ity to properly enforce child-support 537-1921 questioning whether Hawaii has a ly stabbed and the woman raped, a Hours: SUN., WED., THURS. 11·9 p.m. orders are seriously misdirected. 647AUAHI sufficientlycompetitive telecommu­ group of picnickers brutalized on Other states have recognized the FRI. and SAT. 11-2 a.m. NEARWATERFRONT TOWER nications infrastructure. Our own Mokuleia Beach, teenagers shoot­ problem and dealt with it in various Public UtilitiesCommission is study­ ing it out in the Pearlridge Shopping ways: by interceptingunemployment ing the issues associated with allow­ Center, a young woman stabbed and insurancebenefits, seizing drug money ing new companies to compete with drowned in Waianae.
    [Show full text]
  • Malcolm's Video Collection
    Malcolm's Video Collection Movie Title Type Format 007 A View to a Kill Action VHS 007 A View To A Kill Action DVD 007 Casino Royale Action Blu-ray 007 Casino Royale Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action Blu-ray 007 Die Another Day Action DVD 007 Die Another Day Action Blu-ray 007 Dr. No Action VHS 007 Dr. No Action Blu-ray 007 Dr. No DVD Action DVD 007 For Your Eyes Only Action DVD 007 For Your Eyes Only Action VHS 007 From Russia With Love Action VHS 007 From Russia With Love Action Blu-ray 007 From Russia With Love DVD Action DVD 007 Golden Eye (2 copies) Action VHS 007 Goldeneye Action Blu-ray 007 GoldFinger Action Blu-ray 007 Goldfinger Action VHS 007 Goldfinger DVD Action DVD 007 License to Kill Action VHS 007 License To Kill Action Blu-ray 007 Live And Let Die Action DVD 007 Never Say Never Again Action VHS 007 Never Say Never Again Action DVD 007 Octopussy Action VHS Saturday, March 13, 2021 Page 1 of 82 Movie Title Type Format 007 Octopussy Action DVD 007 On Her Majesty's Secret Service Action DVD 007 Quantum Of Solace Action DVD 007 Quantum Of Solace Action Blu-ray 007 Skyfall Action Blu-ray 007 SkyFall Action Blu-ray 007 Spectre Action Blu-ray 007 The Living Daylights Action VHS 007 The Living Daylights Action Blu-ray 007 The Man With The Golden Gun Action DVD 007 The Spy Who Loved Me Action Blu-ray 007 The Spy Who Loved Me Action VHS 007 The World Is Not Enough Action Blu-ray 007 The World is Not Enough Action DVD 007 Thunderball Action Blu-ray 007
    [Show full text]
  • Big Fish Casino Mod Apk
    Big fish casino mod apk Continue Big Fish Casino: Slots and games for Android Screenshots Download and install Big Fish Casino: Slots and APK games on Android In others to have a sleek experience, it is important to know how to use the APk or Apk MOD file once you have downloaded it on your device. APK files are raw files of the Android app, similar to how .exe is designed for Windows. APK means Android Kit Package (APK for short). This is the batch file format used by the Android operating system to distribute and install mobile apps. In 4 simple steps, I'll show you how to use Big Fish Casino: Slots and Games.apk on your phone as soon as you've done its downloads. Step 1: Download Big Fish Casino: Slots and Games.apk on your device You can do it right now using any of our download mirrors below. Its 99% guaranteed to work. If you're uploading an apk to your computer, make sure to move it to an android device. Step 2: Allow third-party apps on your device. To install Big Fish Casino: Slots and Games.apk, you need to make sure that third-party apps are being included as the source of the installation. Just go to the menu for the security settings and check unknown sources to allow your phone to install apps from sources other than the Google Play Store. On Android 8.0 Oreo, instead of checking the global setting to allow installation from unknown sources, you will be asked to allow your browser or file manager to install APKs on the first attempt to do so.
    [Show full text]
  • Tales from the Crypt
    Ah, HBO. Here in the year 2014, those three little initials are shorthand for quality, original programming; small screen event television almost certain to be immeasurably superior to the megabucks offerings of your local multiplex. The network also boasts a rich tradition of brining monsters into our living rooms, with the unsavoury actions of Livia Soprano, Gyp Rosetti, Cy Tolliver and Joffrey Baratheon horrifying viewers of all walks of life. Way back in the late 1980s, however, HBO introduced us to an altogether different kind of miscreant; a wisecracking living corpse, a teller of tall tales that focussed on vampires, zombies and the evil that men do. Jackanory it most certainly wasn’t – we’re referring, of course, to the legendary Tales from the Crypt. In the 80s, TV anthology horror was as much a fixture as leg warmers, John Hughes movies and the musical stylings of Duran Duran. Rod Serling’s Twilight Zone had enjoyed a redux, James Coburn invited us to his Darkroom, a certain pizza-faced dream demon hosted Freddy’s Nightmares, and genre enthusiasts were gripped by the Ray Bradbury Theater. Perhaps the most prosperous purveyor of small screen shivers was producer Richard Rubinstein, who enjoyed phenomenal success with Tales from the Darkside (the brainchild of none other than George Romero, director of the beloved portmanteau picture Creepshow) and Monsters. Bright and breezy 30-minute creature features with their tongue frequently placed firmly in their cheek, these shows were heavily influenced by the infamous EC horror comics of the 1950s, with a perverse sense of morality at the dark heart of the stories.
    [Show full text]