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Order of Events for the Harvey Milk Assembly • Assembly Begins with Kindergartners Sitting on Steps
Order of events for the Harvey Milk assembly • Assembly begins with kindergartners sitting on steps. • Introduction by student • Kindergartners recite their poem and leave the stage. • 5th graders’ slide show about Harvey Milk’s life • 3rd grade class sings • Student shares an excerpt from Milk’s “Hope speech” • 4th graders sing • Teachers speech Student 1 Introduction Welcome students of (School Name). Today we will tell you about Harvey Milk, the first gay City Hall supervisor. He has changed many people’s lives that are gay or lesbian. People respect him because he stood up for gay and lesbian people. He is remembered for changing our country, and he is a hero to gay and lesbian people. Fifth Grade Class Slide Show When Harvey Milk was a little boy he loved to be the center of attention. Growing up, Harvey was a pretty normal boy, doing things that all boys do. Harvey was very popular in school and had many friends. However, he hid from everyone a very troubling secret. Harvey Milk was homosexual. Being gay wasn’t very easy back in those days. For an example, Harvey Milk and Joe Campbell had to keep a secret of their gay relationship for six years. Sadly, they broke up because of stress. But Harvey Milk was still looking for a spouse. Eventually, Harvey Milk met Scott Smith and fell in love. Harvey and Scott moved together to the Castro neighborhood of San Francisco, which was a haven for people who were gay, a place where they were respected more easily. Harvey and Scott opened a store called Castro Camera and lived on the top floor. -
LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
Uses of the Judeo-Christian Bible in the Anti-Abolitionist
THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES by Michael J. Mazza B. A., State University of New York at Buffalo, 1990 M. A., University of Pittsburgh, 1996 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Michael J. Mazza It was defended on April 15, 2009 and approved by Nancy Glazener, University of Pittsburgh Moni McIntyre, Duquesne University William Scott, University of Pittsburgh Committee Chair: Jean Ferguson Carr, University of Pittsburgh ii THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES Michael J. Mazza, PhD University of Pittsburgh, 2009 Copyright © by Michael J. Mazza 2009 iii Jean Ferguson Carr_______ THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES Michael J. Mazza, Ph.D. University of Pittsburgh, 2009 This dissertation examines the citational use of the Judeo-Christian Bible in two sociopolitical debates within the United States: first, the debate over the abolition of slavery in the nineteenth century, and second, the contemporary debate over gay rights. This study incorporates two core theses. First, I argue that the contemporary religious right, in its anti-gay use of the Bible, is replicating the hermeneutical practices used by opponents of the abolitionist movement. My second thesis parallels the first: I argue that the contemporary activists who reclaim the Bible as a pro-gay instrument are standing in the same hermeneutical tradition as nineteenth-century Christian abolitionists. -
Read It Here
Filed 1/31/14 Paul Haggis, Inc. v. Persik Productions CA2/1 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION ONE PAUL HAGGIS, INC., et al., B240556 Plaintiffs and Respondents, (Los Angeles County Super. Ct. No. BC381582) v. PERSIK PRODUCTIONS, INC., et al., Defendants and Appellants. APPEAL from a judgment of the Superior Court of Los Angeles County. Daniel J. Buckley, Judge. Affirmed. Nahai Law Group, Behzad Nahai, and Edward Wei for Defendants and Appellants. Deadline.com Ropers, Majeski, Kohn & Bentley, Terry Anastassiou; Arent Fox and Richard L. Charnley for Plaintiffs and Respondents. ____________________________________ This is an action by writer-director Paul Haggis and others involved in the Oscar- winning film Crash for compensation they claim is due them under their contract with the film’s principal backer, Persik Productions, Inc. In a bench trial the court found for the plaintiffs and awarded them over $12,000,000 in damages and prejudgment interest. We conclude that appellants have not carried their burden of showing prejudicial error, and we therefore affirm. FACTS AND PROCEEDINGS BELOW In summarizing the facts we view the evidence in the light most favorable to the judgment. (Roby v. McKesson Corp. (2009) 47 Cal.4th 686, 693-694.) The plaintiffs in this action are Paul Haggis, who directed and co-wrote Crash, Bobby Moresco who co-wrote and co-produced the film, Mark Harris, a co-producer, and Brendan Fraser, an actor in the film. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Harvey Milk Page 1 of 3 Opera Assn
San Francisco Orpheum 1996-1997 Harvey Milk Page 1 of 3 Opera Assn. Theatre Production made possible by a generous grant from Madeleine Haas Russell. Harvey Milk (in English) Opera in three acts by Stewart Wallace Libretto by Michael Korie Commissioned by S. F. Opera, Houston Grand Opera, and New York City Opera The commission for "Harvey Milk" has been funded in substantial part by a generous gift from Drs. Dennis and Susan Carlyle and has been supported by major grants from the Lila Wallace-Reader's Digest Opera for a New America, a project of OPERA America; the Caddell & Conwell Foundation for the Arts; as well as the National Endowment for the Arts. Conductor CAST Donald Runnicles Harvey Milk Robert Orth Production Messenger James Maddalena Christopher Alden Mama Elizabeth Bishop Set designer Young Harvey Adam Jacobs Paul Steinberg Dan White Raymond Very Costume Designer Man at the opera James Maddalena Gabriel Berry Gidon Saks Lighting Designer Bradley Williams Heather Carson Randall Wong Sound Designer William Pickersgill Roger Gans Richard Walker Chorus Director Man in a tranch coat/Cop Raymond Very Ian Robertson Central Park cop David Okerlund Choreographer Joe Randall Wong Ross Perry Jack Michael Chioldi Realized by Craig Bradley Williams Victoria Morgan Beard Juliana Gondek Musical Preparation Mintz James Maddalena Peter Grunberg Horst Brauer Gidon Saks Bryndon Hassman Adelle Eslinger Scott Smith Bradley Williams Kathleen Kelly Concentration camp inmate Randall Wong Ernest Fredric Knell James Maddalena Synthesizer Programmer -
The Reporter, November 24, 1980
City University of New York (CUNY) CUNY Academic Works The Reporter Archives 1980 The Reporter, November 24, 1980 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_arch_reporter/254 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] WBMB: Elevator Horror The Holdups and Deadaebes. By DHYANA ZIEGLER In case you haven't noticed, the elevator situation at Baruch is horrendous. Students ·are shoved, or crammed into elevators like sarqines. -Long lines, such as the line in the Sound 26th Street building, extend as faras the local elevators. As a result, students are late for classes because they have to wait on these long lines. A few weeks ago, the Roving Reporter took a look at students' responses to the services ·offered at Baruch College, and ninety per cent of the comments concerned the of poor elevator service. Pinhas Friedenberg, Registrar, made must go up and down at the same time an effortto help combat the elevator horror because of the class schedule starting and by having some classes start 15 minutes ending classes at the same time. "We need after other classes, to cut down on. the more elevators, but I .guess it's too expen Baruch rush._ "It should have made things better sive. If they could stagger classes, it would just because of the schedule." But accord help alleviate problems," says Thompson. ing to students, the system has failed.· The elevator operators are literal by Phillip McConnell Friedenberg feels that the system should ly "catching hell" from students and fa work because students have more time in The list of student activities that the culty because the situation is just so between classes. -
22Nd NFF Announces Screenwriters Tribute
FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others. -
In Concert at with Congregation Sha'ar Zahav
Street Theatre • Z. Budapest • Swingshift • Boy Meets Boy • C O M I N G U P ! FREE March, 1982 Largest Lesbian/Gay Circulation in the Bay Area The Mayor of Castro Street International Feminism Lesbian and Gay in Argentina Harvey Milk Lives! by Cris, an Argentine woman A review by Larry Lee International Women's Week officia lly classes. So these organizations arose runs from March 7 to U , bu t here In the Bay together with other revolutionary currents, The Mayor o f Castro Street: The Life & Times o f Harvey Milk, by Area It w ill start early and end late. A com not only In Argentina but throughout Latin Randy Shilts. St. M artin’s Press, 1982. $14.95. plete directory of events can be found on America. Later, many of these movements page 3. were destroyed by the military dictator In the three and a half years since the murder of Harvey Milk, To celebrate the week we've com m is ships that came to power. the columns have carried several items forecasting the way the sioned a number of special articles, In media would package his story, the inevitable fate o f our latter- cluding this one, which Inaugurates what During those years, In the 1970's, it was day heroes and martyrs. Joel Grey, o f all people, was Interested we hope w ill become an ongoing series on fashionable, especially In Buenos Aires, to in playing Harvey on TV, and there was talk o f a theatrical film the feminist, gay and lesbian movements go to gay clubs and bars. -
Unprocessed Materials
BID# 09ITB12346B-BR UNPROCESSED MATERIALS Vision People Families Neighborhoods Mission To serve, protect and govern in concert with local municipalities Values People Customer Services Ethics Resource Management Innovation Equal Opportunity REQUEST FOR INVITATION TO BID NO. 09ITB12346B-BR UNPROCESSED MATERIALS For THE LIBRARY DEPARTMENT BID DUE DATE AND TIME: December 30, 2008, 11:00 A.M. BID ISSUANCE DATE: November 21, 2008 PURCHASING CONTACT: Brian Richmond at 404-612-7915 E-MAIL: [email protected] All bids must be mailed to: LOCATION: FULTON COUNTY DEPARTMENT OF PURCHASING & CONTRACT COMPLIANCE 130 PEACHTREE STREET, S.W., SUITE 1168 ATLANTA, GA 30303 1 BID# 09ITB12346B-BR UNPROCESSED MATERIALS COMPANY NAME: ___________________________________________ ADDRESS: ___________________________________________ CITY: ________________________ STATE: ________________________ ZIP CODE: ________________________ CONTACT PERSON: ________________________ TELEPHONE NUMBER: ________________________ FAX NUMBER: ________________________ EMAIL ADDRESS: ________________________ Note: All vendors submitting a bid must complete this page. If you are submitting a bid, please submit the original and five copies. Vendors have up to 2:00 P.M. Monday, December 15, 2008 to email any questions that you may have. All bids should be sealed and mailed to the following address: The Fulton County Department of Purchasing and Contract Compliance 130 Peachtree Street S.W. Suite 1168 Atlanta Georgia 30303 Attn: Brian Richmond 2 BID# 09ITB12346B-BR UNPROCESSED -
Call Me by Your Name
Presents CALL ME BY YOUR NAME A film by Luca Guadagnino (131 min., USA/Italy/France/Brazil, 2017) Languages: English, Italian, French, German w/ English subtitles Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CALL ME BY YOUR NAME The Cast Oliver ARMIE HAMMER Elio TIMOTHÉE CHALAMET Mr. Perlman MICHAEL STUHLBARG Annella AMIRA CASAR Marzia ESTHER GARREL Chiara VICTOIRE DU BOIS Mafalda VANDA CAPRIOLO Anchise ANTONIO RIMOLDI Art Historian 1 ELENA BUCCI Art Historian 2 MARCO SGROSSO Mounir ANDRÉ ACIMAN Isaac PETER SPEARS 2 CALL ME BY YOUR NAME The Filmmakers Director LUCA GUADAGNINO Screenplay JAMES IVORY Based on the Novel Call Me By Your Name by ANDRÉ ACIMAN Producers PETER SPEARS LUCA GUADAGNINO EMILIE GEORGES RODRIGO TEIXERA MARCO MORABITO JAMES IVORY HOWARD ROSENMAN Executive Producers DEREK SIMONDS TOM DOLBY MARGARETHE BAILLOU FRANCESCO MELZI D’ERIL NAIMA ABED NICHOLAS KAISER SOPHIE MAS LOURENÇO SANT’ANNA Director of Photography SAYOMBHU MUKDEEPROM Editor WALTER FASANO Production Designer SAMUEL DESHORS Costume Designer GIULIA PIERSANTI Songs “Mystery of Love” and “Visions of Gideon” Written and Performed by SUFJAN STEVENS Production Sound Mixer YVES-MARIE OMNES Re-Recording Mixer JEAN-PIERRE LAFORCE Music Supervisor ROBIN URDANG Music Consultant GERRY GERSHMAN Casting / Line Producer STELLA SAVINO Main Titles -
Presenta Un Film Di Gus Van Sant
presenta Milk un film di Gus Van Sant uscita 23 gennaio durata 128 minuti ufficio stampa Federica de Sanctis 339.2476890 [email protected] BIM DISTRIBUZIONE Via Marianna Dionigi 57 00193 ROMA Tel. 06-3231057 Fax 06-3211984 www.bimfilm.com 2 Milk Indice I. Sinossi pag. 3 II. Il contesto storico: cronologia pag. 5 III. Il contesto storico: Milk/Castro pag. 9 IV. Le riprese pag. 10 VI. Location pag. 12 VII. L’eredità di Milk pag. 17 VIII. Il cast artistico pag. 19 IX. Il cast tecnico pag. 32 X. Titoli pag. 43 2 3 Milk Sinossi Attivista del movimento dei diritti degli omosessuali. Amico. Amante. Unificatore. Politico. Combattente. Icona. Ispiratore. Eroe. La sua vita ha cambiato la storia, e il suo coraggio ha cambiato la vita di tante persone. Nel 1977, Harvey Milk è stato eletto supervisor (consigliere comunale) a San Francisco, divenendo il primo omosessuale dichiarato ad avere accesso a una importante carica pubblica in America. La sua vittoria non è stata solo una vittoria per i diritti dei gay, ma ha aperto la strada a coalizioni trasversali nello schieramento politico. Harvey Milk ha incarnato per molti – dagli anziani agli iscritti al sindacato – una nuova figura di militante per i diritti civili; e con la sua morte prematura, avvenuta nel 1978, è diventato un eroe per tutti gli americani. L’attore premio Oscar Sean Penn interpreta Harvey Milk, diretto dal regista candidato all’Oscar Gus Van Sant, in Milk, un film girato a San Francisco, tratto da una sceneggiatura originale di Dustin Lance Black, e prodotto dai premi Oscar Dan Jinks e Bruce Cohen.