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History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded. -
Education for Research, Research for Creativity Edited by Jan Słyk and Lia Bezerra
EDUCATION FOR RESEARCH RESEACH FOR CREATIVITY Edited by Jan Słyk and Lia Bezerra EDUCATION FOR RESEARCH RESEACH FOR CREATIVITY Edited by Jan Słyk and Lia Bezerra Warsaw 2016 Architecture for the Society of Knowledge, volume 1 Education for Research, Research for Creativity Edited by Jan Słyk and Lia Bezerra Assistant editor: Karolina Ostrowska-Wawryniuk Scientific board: Stefan Wrona Jerzy Wojtowicz Joanna Giecewicz Graphic design: Gabriela Waśko VOSTOK DESIGN Printing: Argraf Sp. z.o.o ul. Jagiellońska 80, 03-301 Warszawa ISBN: 978-83-941642-2-5 ISSN: 2450-8918 Publisher: Wydział Architektury Politechniki Warszawskiej ul. Koszykowa 55, 00-659 Warszawa, Polska Copywright © by Wydział Architektury Politechniki Warszawskiej Warszawa 2016, Polska All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including photocopy, recording, scanning, or otherwise, without the written permission of the publisher. This book is part of a project supported by a grant from Norway through the Norway Grants and co-financed by the Polish funds. The publisher makes no representation, express or implied, with regard to the accuracy of the information contained in this book and cannot accept any legal responsibility or liability for any errors or omissions that may be made. The findings and conclusions of this book are solely representative of the authors’ beliefs. Opinions, findings and other writings published in this book in no way reflect the opinion or position of the publisher, scientific board, editor, its sponsors and other affiliated institutions. CONTENTS Foreword Jan Słyk and Lia Bezerra 7 EDUCATION Developing a New PhD Curriculum for an English-speaking Doctoral Course at the Architecture for the Society of Knowledge Program, Faculty of Architecture, Warsaw University of Technology Jan Słyk, Krzysztof Koszewski, Karolina Ostrowska, Lia M. -
1777 Map of Philadelphia and Parts Adjacent - a Poetose Notebook / Journal / Diary (50 Pages/25 Sheets) Pdf, Epub, Ebook
1777 MAP OF PHILADELPHIA AND PARTS ADJACENT - A POETOSE NOTEBOOK / JOURNAL / DIARY (50 PAGES/25 SHEETS) PDF, EPUB, EBOOK Poetose Press | 52 pages | 27 Aug 2019 | Poetose Press | 9781646720361 | English | none 1777 Map of Philadelphia and Parts Adjacent - A Poetose Notebook / Journal / Diary (50 pages/25 sheets) PDF Book In he had a safe-conduct to pass into England or across the sea. Bremen, Kunsthalle. The paintings had been discovered by advancing American troops in wartime storage in the salt mine at Merkers in , had been shipped to the United States aboard the Army transport James Parker in December of that year and stored in the vaults of the National Gallery in Washington. Photograph: Calvin Reinhold seated at his desk painting Frame: 12" x 10". Little did they know how skilled these boys were from playing on an uneven, rock infested dirt court. There are also copies of the obituary of W. This fact was consistent with the four-element theory. Pair of Rococo Revival rosewood parlor chairs, attributed to John Henry Belter , carved in the Rosalie with Grape pattern, laminated shield backs, carved skirt and cabriole legs, mounted with casters. Lucinda Maberry, Mrs. Florence: Centre di Firenze, Information on the charge of common ions can be obtained from the periodic table. Records of the Rev. The records for Emanuel County begin on page 78 and end on page Box 30 ca. Nancy Carmichael, b. Tear lower right margin, approx. A web portfolio is shown via the internet so it can be viewed or downloaded remotely or by anyone with access to the web. -
Villa Savoye Poissy, France [ La Maison Se Posera Au Milieu De L’Herbe Comme Un Objet, Sans Rien Déranger
Villa Savoye Poissy, France [ La maison se posera au milieu de l’herbe comme un objet, sans rien déranger. ] Le Corbusier Villa Savoye Située dans les environs de Paris, et terminée en 1931, la Villa Savoye est une maison de campagne privée conçue par l’architecte d’origine suisse Charles-Édouard Jeanneret, plus connu sous le nom de Le Corbusier. Elle est rapidement devenue l’un des plus célèbres bâtiments dans le style international d’architecture et établit la réputation de Le Corbusier comme l’un des architectes les plus importants du vingtième siècle. Importance architecturale Lorsque la construction de la Villa Savoye commença en 1928, Le Corbusier était déjà un architecte internationalement célèbre. Son livre Vers une Architecture avait été traduit en plusieurs langues, et son travail sur le bâtiment Centrosoyuz à Moscou l’avait mis en contact avec l’avant-garde russe. En tant que l’un des premiers membres du Congrès International d’Architecture Moderne (CIAM), il devenait aussi célèbre comme un défenseur important et éloquent de l’architecture © Fondation Le Corbusier moderne. La Villa Savoye allait être la dernière d’une série de « villas puristes » blanches, conçues et construites par Le Corbusier famille Savoye, Le Corbusier s’est assuré que la conception et son cousin Pierre Jeanneret à Paris et dans les environs de la maison devienne la représentation physique de ses dans les années 1920. Encouragé par la liberté donnée par la idéaux de « pureté totale ». © Fondation Le Corbusier 2 La villa allait être construite en accord avec les « cinq points » emblématiques que Le Corbusier avait développés comme principes directeurs pour son style architectural : 1. -
Villa Savoye Poissy, France [ the House Will Stand in the Midst of the Fields Like an Object, Without Disturbing Anything Around It
Villa Savoye Poissy, France [ The house will stand in the midst of the fields like an object, without disturbing anything around it. ] Le Corbusier Villa Savoye Lying on the outskirts of Paris, France, and completed in 1931, Villa Savoye was designed as a private country house by the Swiss-born architect, Le Corbusier. It quickly became one of the most influential buildings in the International style of architecture and cemented Le Corbusier’s reputation as one of the most important architects of the 20th century. Architectural significance When the construction of Villa Savoye began in 1928, Le Corbusier was already an internationally known architect. His book Vers une Architecture (Towards a New Architecture) had been translated into several languages, while his work on the Centrosoyuz Building in Moscow, Russia, had brought him into contact with the Russian avant-garde. As one of the first members of the Congrès International d’Architecture Moderne (CIAM), he was also becoming known as an important and vocal champion of modern architecture. Villa Savoye would be the last in a series of white ‘Purist villas’ designed and © Fondation Le Corbusier constructed by Le Corbusier and his cousin Pierre Jeanneret in and around the city of Paris during the 1920s. Encouraged by the Savoye family’s open brief, Le Corbusier ensured that the design of the house would become the physical representation of his ‘Total Purity’ ideals. © Fondation Le Corbusier 2 The villa was to be constructed according to the emblematic ‘Five Points’ Le Corbusier had developed as guiding principles for his modernist architectural style: 1. -
Persons Index
Architectural History Vol. 1-46 INDEX OF PERSONS Note: A list of architects and others known to have used Coade stone is included in 28 91-2n.2. Membership of this list is indicated below by [c] following the name and profession. A list of architects working in Leeds between 1800 & 1850 is included in 38 188; these architects are marked by [L]. A table of architects attending meetings in 1834 to establish the Institute of British Architects appears on 39 79: these architects are marked by [I]. A list of honorary & corresponding members of the IBA is given on 39 100-01; these members are marked by [H]. A list of published country-house inventories between 1488 & 1644 is given in 41 24-8; owners, testators &c are marked below with [inv] and are listed separately in the Index of Topics. A Aalto, Alvar (architect), 39 189, 192; Turku, Turun Sanomat, 39 126 Abadie, Paul (architect & vandal), 46 195, 224n.64; Angoulême, cath. (rest.), 46 223nn.61-2, Hôtel de Ville, 46 223n.61-2, St Pierre (rest.), 46 224n.63; Cahors cath (rest.), 46 224n.63; Périgueux, St Front (rest.), 46 192, 198, 224n.64 Abbey, Edwin (painter), 34 208 Abbott, John I (stuccoist), 41 49 Abbott, John II (stuccoist): ‘The Sources of John Abbott’s Pattern Book’ (Bath), 41 49-66* Abdallah, Emir of Transjordan, 43 289 Abell, Thornton (architect), 33 173 Abercorn, 8th Earl of (of Duddingston), 29 181; Lady (of Cavendish Sq, London), 37 72 Abercrombie, Sir Patrick (town planner & teacher), 24 104-5, 30 156, 34 209, 46 284, 286-8; professor of town planning, Univ. -
Henri Lefebvre Published by the University of Minnesota Press
HENR LEFEBVRE TOWARD AN ARCH TECTURE OF ENJOYMENT Edited by l:.ukasz Stanek I Translated by Robert Bononno TOWARD AN ARCHITECTURE OF ENJOYMENT Also by Henri Lefebvre Published by the University of Minnesota Press The Urban Revolution Translated by Robert Bononno Foreword by Neil Smith Dialectical Materialism Translated by John Sturrock Foreword by Stefan Kipfer State, Space, World: Selected Essays Edited by Neil Brenner and Stuart Elden Translated by Gerald Moore, Neil Brenner, and Stuart Elden Also on Henri Lefebvre Published by the University of Minnesota Press Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory Łukasz Stanek TOWARD AN ARCHITECTURE OF ENJOYMENT Henri Lefebvre EDITED BY ŁUKASZ STANEK TRANSLATED BY ROBERT BONONNO University of Minnesota Press Minneapolis • London This book was supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts. English translation copyright 2014 by Robert Bononno Introduction copyright 2014 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Lefebvre, Henri, –, author. [Vers une architecture de la jouissance. English] Toward an architecture of enjoyment / Henri Lefebvre; edited by Lukasz Stanek; translated by Robert Bononno. Includes bibliographical references and index. ISBN ---- (hc) ISBN ---- (pb) . -
Of Ronchamp's East Wall: Constellations of Thought
Montreal Architectural Review ‘In the sky with diamonds’ of Ronchamp’s East Wall: Constellations of Thought* Marcia F. Feuerstein Virginia Tech (Virginia Polytechnic Institute and State University) Abstract The Chapelle Notre-Dame-du-Haut in Ronchamp designed by Charles-Edouard Jeanneret, also known as Le Corbusier, has been studied, analyzed and explored by architects, theorists and historians ever since it was completed. Despite these studies, scholars have paid little attention to the east wall of the chapel as a unique architectural element. An important and iconic element within this project, it is distinguished by the turning statue of the Virgin Mary set in a cabinet within the wall and surrounded by small openings allowing light into the chapel. While the moving statue had always been part of the original design, the small openings -- the stars -- were not. Somehow and sometime the eastern wall became a sky when, at the beginning of construction, it was a wall. The story began with Le Corbusier’s slow design process, which allowed him to develop an evolving vision even after a design was finalized. His creative process allowed him to envision the building as a full scale model, which provided him with freedom to take advantage of new opportunities of designing during construction. This occurred with the east wall. A serendipitous * This essay was initially conceived in the late 1990s but developed for and presented at the AHRA conference on models and buildings at Nottingham in November 2005. I wish to thank Lisa Landrum and Margarita McGrath for their recent suggestions, as well as Peter Carl for his generous and extensive comments on the initial paper. -
Roe-- • ' 7 Charles Edouard Jeanneret (Le Corbusier) (1887-1965) And
....... IIIA Neo-Classicism and the Call to Order 239 1entary Now night falls on everything. We have reached the second half of the parabola. fashion Hysteria and rog~ery are_ ~onde?1ned. I thi~k that by_ now we are all satiated with cessit1 ,merv whether 1t be pohucal, literary, or pamterly. With the sunset of hysteria more ., roe-- • ' sez bien than one painter will return to the craft, and those who have already done so can work all the with freer hands, and their work will be more adequately recognized and recompensed. re, who As for me, I am calm, and I decorate myself with three words that I wish to be the ve been seal of all my work: Pictor classicus sum. and the :e of all go and 7 Charles Edouard Jeanneret (Le Corbusier) (1887-1965) and stem of Amedee Ozenfant (1886--1966) 'Purism' 1othing n, ha1e The authors met in late 191 7, whereupon Jeanneret, trained as an architect and draughts eed not man, also took up painting. In November 1918 they jointly published After Cubism (Apres le 1 in the CtiJisme), developing the ideas broached in Ozenfant's 'Notes on Cubism' of 1916 (Ill Al). In .nage to 1920 they founded the review L'Esprit Nouveau to promote a return, within the avant-garde, were to to principles of classical order. 'Purism', a comprehensive statement of these principles, correct. was published in the fourth issue of 1920, pp. 369-86. The present extracts are taken from the first English translation in R. L. Herbert, Modern Artists on Art, New York, 1964, pp. -
The Right to Being Surrounded by Beauty - by Dalibor Borák 11 08 24
The right to being surrounded by beauty - by Dalibor Borák 11_08_24 1. The World and Man were created beautiful From the exalted source and out of the essence of His favour and bounty He hath entrusted every created thing with a sign of His knowledge, so that none of His creatures may be deprived of its share in expressing, each according to its capacity and rank, this knowledge. This sign is the mirror of His beauty in the world of creation. (Baha'u'llah, Gleanings from the Writings of Baha'u'llah, p. 261) On the globe are only two types of materialised Environment. The original Environment - Nature which was not touched by hand of Man and so called Build Environment where activity of man could be traced. Praha It seems that there is general agreement that The Nature is beautiful. The problem appears when we try to evaluate the other type of Environment. The original source – power of creation was apparently more successful than we are. Ios - Chora The question is : could the creativity performed by Man produce the Quality, in our case Beauty on the level performed by the original creation (or at least close to it) and are there some principles which being used result in similar quality? Český Krumlov 2. The society seeks for The Beauty – The Truth – The Fairness The experience of "beauty" often involves the interpretation of some entity as being in balance and harmony, which may lead to feelings of attraction and emotional well-being Many philosophers connect Beauty with truth. This approach is deeply anchored in tradition of Civilisation and reflexes even in languages. -
“The Nude Man's City”: Flávio De Carvalho's Anthropophagic
“The Nude Man’s City”: Flávio de Carvalho’s anthropophagic architecture as cultural criticism* Panu Minkkinen Abstract. Cannibalism is one of the most recognisable taboos of the West and a benchmark with which a supposedly civilised world has traditionally sought to differentiate itself from the radically “other” of the hinterlands. As such, cannibalism has made its way both into the vocabulary of the West’s pseudo-ethnographic self-reflection (e.g. Freud) and the imaginary of its literary culture (e.g. Grimm). A less-well-known strain in this narrative uses cannibalism as a critical postcolonial metaphor. In 1928, the Brazilian poet and agitator Oswald de Andrade published a short text entitled “Anthropophagic Manifesto.” The aim of the manifesto was to distance an emerging Brazilian modernism from the European ideals that the São Paulo bourgeoisie uncritically embraced, and to synthesise more avant-garde ideas with aspects from the cultures of the indigenous Amazonian peoples into a truly national cultural movement. This essay draws on various aspects of the anthropophagic movement and seeks to understand, whether (and how) it influenced Brazilian urban planning and architecture, and especially if it is detectable in the ways in which architects Lúcio Costa and Oscar Niemeyer designed and executed the legal and political institutions in Brasília, the country’s iconic federal capital. The analysis, however, identifies a colonialist inclination in Costa and Niemeyer’s ideological debt to Le Corbusier. Instead, the radical potential of anthropophagic architecture is developed with reference to the less-known São Paulo architect and polymath Flávio de Carvalho whose aesthetic politics provide parallels with contemporary radical politics, as well. -
— Docomomo Book Reviews
Book Reviews Ministério da Educação e between teacher and students when Le Corbusier, ment and the issues surrounding the protection of Saúde. disagreeing when credited as project consultant, Modern Movement architecture—the building was Ícone urbano da modernidade committed the “slip” of publishing in Ouvre Com- inscribed in the book Livro do Tombo das Belas Artes, brasileira 1935–1945 plete, 1934–1938, “a sketch made a posteriori as “it was the first monumental building aimed at By Roberto Segre based on photos of the built building”, pointing out public services’ headquarters, ever planned and Publisher: Romano Guerra, São Paulo Lúcio Costa in correspondence: “(you) publish (the built worldwide in strict compliance to the prin- 11 — docomomo ISBN: 978–85–88585–40–9 sketch) as if it were an original design, (which) ciples of Modern architecture.” Language: Portuguese caused a sad impression.”9 The Palácio Gustavo Capanema—named after Year: 2013 Getulio Vargas’ Minister who played a key role in the recruitment of the carioca architects, in bring- evisiting the headquarters of the Ministry of ing Le Corbusier to Brazil and in the viability of the REducation and Health in Rio de Janeiro1 project—was designed by a team of young archi- Architects, researchers and Brazilian critics tects then composed by Lúcio Costa (1902–1998), found many ways to try to define the uniqueness Carlos Leão (1906–1983), Óscar Niemeyer Soares of a certain office building built in Rio de Janeiro Filho (1907–2012), Affonso Eduardo Reidy (1909– in the late 1930s. It hosted the Ministry of Health 1964), Ernani Vasconcellos (1912–1989) and Jorge and Education (MES in its Portuguese acronym), the Machado Moreira (1904–1992).