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FMI Wholesale 2006 Price List
FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods. -
HYPEBEAST UNVEILS FENDER® X HYPEBEAST STRATOCASTER
HYPEBEAST UNVEILS FENDER® x HYPEBEAST STRATOCASTER Download assets HERE Hypebeast today announces the launch of the HYPEBEAST Stratocaster®, presented in collaboration with Fender®, the iconic global guitar brand. Hypebeast shares strong bonds with a global network of content creators, and is dedicated to maintaining close interactions with established musicians across genres, as well as discovering emerging talent and bringing that to Hypebeast’s cultural realm. Constantly inspired by such meaningful connections, Hypebeast is thrilled to be joining hands with Fender to present this vintage-style guitar in Hypebeast’s signature navy. “Fender has always been closely connected to musical culture since its founding in 1946. Similarly, Hypebeast is one of the most influential online media in lifestyle and culture. Through this collaboration, we’re looking forward to bringing music closer to other cultural realms, as we share a passion for music amongst a generation immersed in fashion and lifestyle,” said Edward Cole President of APAC, Fender Music Corporation. www.hypebeast.com [email protected] Page 1 of 2 The model is based on the globally acclaimed Made in Japan Stratocaster featuring a 9.5" radius and 22 Medium Jumbo frets, delivering a sophisticated playability with modern feel optimal for any musical genres and playing style. The guitar painted in Hypebeast’s signature navy color from top to bottom - including the fingerboard and headstock - is sure to catch the attention of any culture-sensitive player. This special edition guitar is available exclusively at Fender.com in Japan, US and UK regions, as well as HBX.com in extremely limited quantities. To read full product specifications, please visit fender.com for more information. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
The Fender Custom Shop and “Blackie” Your Questions Answered…
The Fender Custom Shop and “Blackie” Your questions answered… A few days before the launch of the Fender Eric Clapton “Blackie” Reissue, Mike Eldred – Director of Sales and Marketing for the Fender Custom Shop, was interviewed by Guitar Center for his personal account of the “Blackie” Reissue project. GC: So Mike, what’s your role at Fender, and in the Custom Shop specifically? Mike: I’m Director of Sales and Marketing for the FMIC Custom Division, and that encompasses all brands: Tacoma, Guild, Gretsch, Fender, Charvel, Jackson, and the amplifiers. GC: What is it about “Blackie” that makes it so special, even within that special world? Mike: It’s an iconic Stratocaster. The story about the guitar is really such a great story about how Eric bought the guitar--bought several guitars--and then pieced together basically just one guitar from a bunch of different parts. So he actually built the guitar, which is very unique when it comes to iconic guitars like this. A lot of times they’re just bought at a store or something like that. But here, an artist actually built the guitar, and then used it on so many different recordings, and it was so identified with Eric Clapton and his musical legacy. GC: Then, after 35 years of ownership, he offered it up for sale. What did Fender think when they heard that Guitar Center had bought Blackie at auction for almost a million dollars? Mike: Just that we were glad that it was sold to someone we have a relationship with. The concern that we had was that somebody was going to buy it and then just lock it away and that would be that, or some private collector would buy it or something like that. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
Schecter Price List
Price List v3_2019 SCHECTER GUITAR RESEARCH - 2019 PRICE LIST C.O.O MODEL COLOR SKU/UPC CODE SUITABLE CASE RRP SCHECTER ACOUSTIC MODELS CHINA SCH3715 DELUXE ACOUSTIC NS 815447023013 SGR-13 AC $ 749.99 CHINA SCH3716 DELUXE ACOUSTIC SSTBLK 815447023020 SGR-13 AC $ 749.99 CHINA SCH3710 ORLEANS STAGE AC VRBS 815447022665 SGR-13 AC $ 1,399.99 CHINA SCH3711 ORLEANS STAGE AC NS-VRS 815447022672 SGR-13 AC $ 1,399.99 CHINA SCH3709 ORLEANS STAGE-7 AC SSTBLK 815447025611 SGR-13 AC $ 1,599.99 CHINA SCH3712 ORLEANS STUDIO AC NS 815447022689 SGR-13 AC $ 1,199.99 CHINA SCH3713 ORLEANS STUDIO AC SSTBLK 815447022993 SGR-13 AC $ 1,199.99 CHINA SCH3714 ORLEANS STUDIO-12 AC SSTBLK 815447023006 SGR-13 AC $ 1,299.99 CHINA SCH3700 SYNYSTER GATES-AC GA SC-ACOUSTIC BLK 815447021712 SGR-13 AC $ 1,399.99 CHINA SCH3701 SYNYSTER GATES-GA SC-ACOUSTIC TBBS 815447021729 SGR-13 AC $ 1,599.99 CHINA SCH3703 SYNYSTER GATES-J-ACOUSTIC BLK 815447021743 SGR-13 AC $ 1,599.99 CHINA SCH3717 DJ ASHBA ACOUSTIC SCG 815447024386 SGR-13 AC $ 1,999.99 CHINA SCH3718 DJ ASHBA ACOUSTIC SWHT 815447024393 SGR-13 AC $ 1,999.99 CHINA SCH282 RS-1000 STAGE ACOUSTIC BLK 815447022764 SGR-13 AC $ 2,699.99 CHINA SCH283 RS-1000 BUSKER ACOUSTIC BLK 815447023037 SGR-13 AC $ 1,449.99 C-6 DELUXE/PLUS/PRO SERIES INDONESIA SCH430 C-6 DELUXE SBK 081544708201 SGR-1C $ 669.99 INDONESIA SCH431 C-6 DELUXE SMLB 081544708218 SGR-1C $ 669.99 INDONESIA SCH432 C-6 DELUXE SWHT 081544708225 SGR-1C $ 669.99 INDONESIA SCH428 C-6 DELUXE SAQUA 815447028032 SGR-1C $ 669.99 INDONESIA SCH429 C-6 DELUXE SDPRPL 815447028049 -
Gretsch Setup Specs
Page 1 of 2 www.gretschguitars.com Acoustic and Electric Guitar and Bass Guitar Set-up Specifications All of the following specifications are for guitars/basses with the standard gauges of Gretsch strings that the guitar or bass is equipped with from the factory. Compensations may need to be made, if you plan to change string gauges. Modifications of the specifications can be made (within limited parameters) to adjust for player application (how hard the player picks or frets the guitar), or other considerations. Note: These are minimum specifications, meant to guide you, not to be taken as hard and fast rules. Always refer to your Gretsch Guitar Guide (owner's manual) for additional information and/or instruction. Acoustic Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .020” .018” 6/64” 5/64” Electric Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .020” .018” 4/64” 4/64” Pickup Height This specification is for humbucking and single coil pickups with height adjustments. Filtertron and Dynasonic pickups are mounted directly to the guitar’s top, and are not adjustable. Bass side Treble side 3/32 2/32 Page 2 of 2 Bass Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .022” .022” 4/64” 4/64” Pickup Height This specification is for humbucking and single coil pickups with height adjustments. -
Gibson Acoustic Serialization Taken from the 11
Gibson Acoustic Serialization Taken from the 11th Edition Blue Book of Acoustic Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ACOUSTIC SERIALIZATION 1 GIBSON SERIAL NUMBERS GIBSON ACOUSTIC SERIALIZATION,SERIALIZATION cont. Identifying Gibson instruments by serial number is tricky at best, and APPROX. LAST # YEAR downright impossible in some cases. The best method of identifying 13350 1912 them is to use a combination of the serial number, the factory order 16100 1913 number and any features that are particular to a specific time (i.e. logo 20150 1914 design change, headstock volutes, etc). 25150 1915 In addition to the above serial number information, Gibson also used 32000 1916 Factory Order Numbers (FON) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were nor- 39500 1917 mally built in batches of forty instruments. Gibson’s Factory Order 47900 1918 Numbers were an internal coding that followed the group of instru- 53800 1919 ments through the factory. -
Charvel® R&D Guitar Specification Sheet
Charvel® R&D Guitar Specification Summary Model: San Dimas™ Style 1 - 2H Series: U.S.A. Production Model Neck-thru or Bolt-on Bolt-on Description San Dimas™™ Style 1 Body Wood Alder (no veneer) Body Binding No BODY Scallop Heel No Scallop Horn No Other Charvel USA San Neck Description Dimas™ Reg./Reverse Headstock Regular 1 pc Maple - Neck/Centerblock Wood Quartersawn Fingerboard Wood n/a Inlay Dots 42.86 mm [1 11/16 Nut Width inch] Butt Width 57.15 mm [2 ¼ inch] NECK Scale Length 25.5" # of Frets 22 Dunlop® Jumbo 6100 Fret Wire (or SBB equivalent) Fret Scallop No Neck Binding No Head Binding No Charvel USA San 12”-16” Compound Neck Backshape Dimas™ Other Radius Bridge Floyd Rose® Recessed/Pullback No Nut Floyd Rose R3 Strap Button Dunlop Jack Location Side Jack Type Oval Grover® Mini Tuners Rotomatic Parts Color Black PARTS Knobs Black (knurled) Pickguard No Rear Control Yes – San Dimas™ Battery Cavity No Other Pickup Route 2H Active Electronics No Bezels Yes Covered Pickup No Bridge Pickup Seymour Duncan® TB4 Middle Pickup Neck Pickup Seymour Duncan SH1N Volume One Tone No Other Knobs Pickup Selector 3 Way Toggle Position 1 Bridge CONTROLS Position 2 Bridge & Neck Position 3 Neck Position 4 Position 5 Other Switches Placement Instructions Recessed back plates – (black) Standard Colors Black Rotation Colors Candy Apple Red (next TBA) Neck Finish Gunstock oil Painted Pickups No Artwork or Color Sample FINISH Natural – stain matte Headstock Color on front Logo Type Charvel Logo Color Black Other Case Charvel padded gig bag ©2008 JCMI, Inc. -
Gibson Headstock Template Actual Size
Gibson headstock template actual size Continue From Wikimedia Commons, the free media repository Jump to Navigation Jump to search file used on Commons File used on other wikis EnglishAdd a one-line explanation of what this file represents I, the copyright holder of this work, hereby publish it under the following licenses: Permission is granted to copy, distribute and/or change under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no invaded sections, no front page decks and no back page decks. A copy of the license is included in the section entitled GNU Free Documentation License. Free Documentation Licensetrue This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported License. You are free: to share - to copy, distribute and transfer the work to remix – to adjust the work under the following conditions: atmosting – you must give appropriate credit, provide a link to the license and indicate if changes have been made. You may do this in any reasonable manner, but not in any way that suggests that the licensee endorses you or your use. part alike – If you have remix, transform or build on the materials, you must distribute your contributions under the same or compatible license as the original. This license tag has been added to this file as part of the GFDL license-update. Common This file is licensed under the Creative Commons Attribution-Share Alike 2.5 Generic, 2.0 Generic and 1.0 Generic license. You are free: to share - to copy, distribute and transfer the work to remix – to adjust the work under the following conditions: atmosting – you must give appropriate credit, provide a link to the license and indicate if changes have been made.