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Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
Logitech PTZ Pro Camera
THE USB 1080P PTZ CAMERA THAT BRINGS EVERY COLLABORATION TO LIFE Logitech PTZ Pro Camera The Logitech PTZ Pro Camera is a premium USB-enabled HD Set-up is a snap with plug-and-play simplicity and a single USB cable- 1080p PTZ video camera for use in conference rooms, education, to-host connection. Leading business certifications—Certified for health care and other professional video workspaces. Skype for Business, Optimized for Lync, Skype® certified, Cisco Jabber® and WebEx® compatible2—ensure an integrated experience with most The PTZ camera features a wide 90° field of view, 10x lossless full HD business-grade UC applications. zoom, ZEISS optics with autofocus, smooth mechanical 260° pan and 130° tilt, H.264 UVC 1.5 with Scalable Video Coding (SVC), remote control, far-end camera control1 plus multiple presets and camera mounting options for custom installation. Logitech PTZ Pro Camera FEATURES BENEFITS Premium HD PTZ video camera for professional Ideal for conference rooms of all sizes, training environments, large events and other professional video video collaboration applications. HD 1080p video quality at 30 frames per second Delivers brilliantly sharp image resolution, outstanding color reproduction, and exceptional optical accuracy. H.264 UVC 1.5 with Scalable Video Coding (SVC) Advanced camera technology frees up bandwidth by processing video within the PTZ camera, resulting in a smoother video stream in applications like Skype for Business. 90° field of view with mechanical 260° pan and The generously wide field of view and silky-smooth pan and tilt controls enhance collaboration by making it easy 130° tilt to see everyone in the camera’s field of view. -
1 What Is Photography?
Basic Photography To P. Still the first for the first . Basic Photography Seventh Edition Michael Langford FBIPP, HonFRPS Formerly Photography Course Director Royal College of Art, London Focal Press OXFORD AUCKLAND BOSTON JOHANNESBURG MELBOURNE NEW DELHI Focal Press An imprint of Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 225 Wildwood Avenue, Woburn, MA 01801-2041 A division of Reed Educational and Professional Publishing Ltd A member of the Reed Elsevier plc group First published 1965 Second edition 1971 Third edition 1973 Fourth edition 1977 Fifth edition 1986 Sixth edition 1997 Reprinted 1998 (twice), 1999 Seventh edition 2000 © Michael Langford 2000 All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1P 0LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the -
The Evolution of Keyence Machine Vision Systems
NEW High-Speed, Multi-Camera Machine Vision System CV-X200/X100 Series POWER MEETS SIMPLICITY GLOBAL STANDARD DIGEST VERSION CV-X200/X100 Series Ver.3 THE EVOLUTION OF KEYENCE MACHINE VISION SYSTEMS KEYENCE has been an innovative leader in the machine vision field for more than 30 years. Its high-speed and high-performance machine vision systems have been continuously improved upon allowing for even greater usability and stability when solving today's most difficult applications. In 2008, the XG-7000 Series was released as a “high-performance image processing system that solves every challenge”, followed by the CV-X100 Series as an “image processing system with the ultimate usability” in 2012. And in 2013, an “inline 3D inspection image processing system” was added to our lineup. In this way, KEYENCE has continued to develop next-generation image processing systems based on our accumulated state-of-the-art technologies. KEYENCE is committed to introducing new cutting-edge products that go beyond the expectations of its customers. XV-1000 Series CV-3000 Series THE FIRST IMAGE PROCESSING SENSOR VX Series CV-2000 Series CV-5000 Series CV-500/700 Series CV-100/300 Series FIRST PHASE 1980s to 2002 SECOND PHASE 2003 to 2007 At a time when image processors were Released the CV-300 Series using a color Released the CV-2000 Series compatible with x2 Released the CV-3000 Series that can simultaneously expensive and difficult to handle, KEYENCE camera, followed by the CV-500/700 Series speed digital cameras and added first-in-class accept up to four cameras of eight different types, started development of image processors in compact image processing sensors with 2 mega-pixel CCD cameras to the lineup. -
Talk History of Photography 2.Pptx
History of Photographic Technologies By Dan Hyde Camera equipment for wet-plate collodion photography (1851) – George Eastman Museum March 22, 2018 History of Photograph Tech.-Dan Hyde 1 Photography is one of the visual arts with roots in drawing and painting. March 22, 2018 History of Photograph Tech.-Dan Hyde 2 Etching Technology of 1700s Etching by Albrecht Dürer The Cannon, 8” x 13”, 1518 • Etching is a method of making prints. Well established by 1500s. • Start with a copper plate. Place on acid-resistant ground (used bitumen, a natural asphalt). • With a sharp tool (pointed etching needle), the design is scratched into the ground exposing the copper. • Use a strong acid to etch the plate which eats away the areas of the plated unprotected by the ground, forming a pattern of recessed lines. • The remaining ground is cleaned off. The plate is inKed all over, and then the inK wiped off the surface, leaving only the inK in the etched lines. • These lines hold the inK, and when the plate is applied to moist paper, the design transfers to the paper making a finished print. March 22, 2018 History of Photograph Tech.-Dan Hyde 3 Portable Camera Obscura • Aristotle in 4th century BC Knew the principles of Camera Obscura - light through a pinhole in a darKen room forms an inverted image of outside scene on a surface. • By 16th century lenses had replaced the pinhole creating a brighter and more focused image. A mirror was added to reverse the image. • In 17th century the Camera Obscura was combined with a tent and made portable. -
Visual Homing with a Pan-Tilt Based Stereo Camera Paramesh Nirmal Fordham University
Fordham University Masthead Logo DigitalResearch@Fordham Faculty Publications Robotics and Computer Vision Laboratory 2-2013 Visual homing with a pan-tilt based stereo camera Paramesh Nirmal Fordham University Damian M. Lyons Fordham University Follow this and additional works at: https://fordham.bepress.com/frcv_facultypubs Part of the Robotics Commons Recommended Citation Nirmal, Paramesh and Lyons, Damian M., "Visual homing with a pan-tilt based stereo camera" (2013). Faculty Publications. 15. https://fordham.bepress.com/frcv_facultypubs/15 This Article is brought to you for free and open access by the Robotics and Computer Vision Laboratory at DigitalResearch@Fordham. It has been accepted for inclusion in Faculty Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Visual homing with a pan-tilt based stereo camera Paramesh Nirmal and Damian M. Lyons Department of Computer Science, Fordham University, Bronx, NY 10458 ABSTRACT Visual homing is a navigation method based on comparing a stored image of the goal location and the current image (current view) to determine how to navigate to the goal location. It is theorized that insects, such as ants and bees, employ visual homing methods to return to their nest [1]. Visual homing has been applied to autonomous robot platforms using two main approaches: holistic and feature-based. Both methods aim at determining distance and direction to the goal location. Navigational algorithms using Scale Invariant Feature Transforms (SIFT) have gained great popularity in the recent years due to the robustness of the feature operator. Churchill and Vardy [2] have developed a visual homing method using scale change information (Homing in Scale Space, HiSS) from SIFT. -
Three Techniques for Rendering Generalized Depth of Field Effects
Three Techniques for Rendering Generalized Depth of Field Effects Todd J. Kosloff∗ Computer Science Division, University of California, Berkeley, CA 94720 Brian A. Barskyy Computer Science Division and School of Optometry, University of California, Berkeley, CA 94720 Abstract Post-process methods are fast, sometimes to the point Depth of field refers to the swath that is imaged in sufficient of real-time [13, 17, 9], but generally do not share the focus through an optics system, such as a camera lens. same image quality as distributed ray tracing. Control over depth of field is an important artistic tool that can be used to emphasize the subject of a photograph. In a A full literature review of depth of field methods real camera, the control over depth of field is limited by the is beyond the scope of this paper, but the interested laws of physics and by physical constraints. Depth of field reader should consult the following surveys: [1, 2, 5]. has been rendered in computer graphics, but usually with the same limited control as found in real camera lenses. In Kosara [8] introduced the notion of semantic depth this paper, we generalize depth of field in computer graphics of field, a somewhat similar notion to generalized depth by allowing the user to specify the distribution of blur of field. Semantic depth of field is non-photorealistic throughout a scene in a more flexible manner. Generalized depth of field provides a novel tool to emphasize an area of depth of field used for visualization purposes. Semantic interest within a 3D scene, to select objects from a crowd, depth of field operates at a per-object granularity, and to render a busy, complex picture more understandable allowing each object to have a different amount of blur. -
TESSERACT -- Antique Scientific Instruments
TESSERACT Early Scientific Instruments Special Issue: OPTICAL PLEASURES Catalogue One Hundred Seven Summer, 2018 $10 CATALOGUE ONE HUNDRED SEVEN Copyright 2018 David Coffeen CONDITIONS OF SALE All items in this catalogue are available at the time of printing. We do not charge for shipping and insurance to anywhere in the contiguous 48 states. New York residents must pay applicable sales taxes. For buyers outside the 48 states, we will provide packing and delivery to the post office or shipper but you must pay the actual shipping charges. Items may be reserved by telephone, and will be held for a reasonable time pending receipt of payment. All items are offered with a 10-day money-back guarantee for any reason, but you pay return postage and insurance. We will do everything possible to expedite your shipment, and can work within the framework of institutional requirements. The prices in this catalogue are net and are in effect through December, 2018. Payments by check, bank transfer, or credit card (Visa, Mastercard, American Express) are all welcome. — David Coffeen, Ph.D. — Yola Coffeen, Ph.D. Members: Scientific Instrument Society American Association for the History of Medicine Historical Medical Equipment Society Antiquarian Horological Society International Society of Antique Scale Collectors Surveyors Historical Society Early American Industries Association The Oughtred Society American Astronomical Society International Coronelli Society American Association of Museums Co-Published : RITTENHOUSE: The Journal of the American Scientific Instrument Enterprise (http://www.etesseract.com/RHjournal/) We are always interested in buying single items or collections. In addition to buying and selling early instruments, we can perform formal appraisals of your single instruments or whole collections, whether to determine fair market value for donation, for insurance, for loss, etc. -
Download Spec Sheet
Hardware Camera & Entertainment • Snapdragon 2.26 GHz Quad-Core Processor • 13 MP Optical Image Stabilization (OIS) Full HD Rear- • T-Mobile 4G LTE Network* Facing Autofocus Camera and Camcorder with LED Flash • 5.2" Full HD IPS Display – 1920 x 1080 resolution, 16:9 • Optical Image Stabilization – clearer results by keeping aspect ratio, and 423 ppi imagery stable while a photo or video is taken, even in • Zerogap Touch – precise touch response by reducing the low-light conditions space under the surface of the display • 2.1 MP Full HD Front-Facing Camera • Rear Key Placement – allows ambidextrous convenience • Camera Resolutions: up to 4160 x 31201 for the most natural and immediate use (4160 x 2340 default) pixels • Sapphire Crystal Glass – scratch-resistant material helps • Multipoint Autofocus – camera detects and captures a protect camera lens from blemishes particular subject faster and more precisely with nine autofocus points * T-Mobile’s 4G LTE Network not available everywhere. • Shot & Clear – eliminate select moving objects in the 2.79" 0.35" background of a picture UX Productivity • Tracking Zoom1 – zoom in on a subject while recording to • Slide Aside – three-finger swipe to the left saves up to track and magnify it through the scene three running apps; access tabs with a swipe to the right • Voice Shutter – take pictures using voice commands • QSlide – overlay up to two QSlide app windows with • Shot Mode – choose from Normal, Shot & Clear,1 Dynamic Tone adjustable sizing and transparency on primary screen (HDR),1 Panorama,1 -
FOCUSING the VIEW CAMERA Iii
)2&86,1* WKH 9,(:&$0(5$ $6FLHQWLILF:D\ WRIRFXV WKH9LHZ&DPHUD DQG (VWLPDWH'HSWKRI)LHOG J E\+DUROG00HUNOLQJHU )2&86,1* WKH 9,(:&$0(5$ $6FLHQWLILF:D\ WRIRFXV WKH9LHZ&DPHUD DQG (VWLPDWH'HSWKRI)LHOG E\ +DUROG00HUNOLQJHU 3XEOLVKHGE\WKHDXWKRU 7KLVYHUVLRQH[LVWVLQ HOHFWURQLF 3') IRUPDWRQO\ ii Published by the author: Harold M. Merklinger P. O. Box 494 Dartmouth, Nova Scotia Canada, B2Y 3Y8 v.1.0 1 March 1993 2nd Printing 29 March 1996 3rd Printing 27 August 1998 1st Internet Edition v. 1.6 29 Dec 2006 Corrected for iPad v. 1.6.1 30 July 2010 ISBN 0-9695025-2-4 © All rights reserved. No part of this book may be reproduced or translated without the express written permission of the author. ‘Printed’ in electronic format by the author, using Adobe Acrobat. Dedicated to view camera users everywhere. FOCUSING THE VIEW CAMERA iii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iv Merklinger: FOCUSING THE VIEW CAMERA &+$37(5 7DEOHV FRQWLQXHG +LQJHOLQHWLOW (IIHFWLYHWLOWIRUERWKVZLQJDQGWLOW /HQVWLOWDQJOHIRUJLYHQIRFDOOHQJWKfDQGGLVWDQFHJ -
HD-310U High Definition Camera UNMATCHED QUALITY AND
A Carter Family Update HD-310U High Definition Camera SCIENTIFIC. MEDICAL. INDUSTRIAL UNMATCHED QUALITY AND SIMPLICITY The NEW HD-310U video camera is a game-changer for live imaging applications. This is a unique camera to the industry, providing simultaneous outputs via HDMI and USB 3.0. The HDMI output connects directly to an HD display for live viewing (no PC required); while the new USB 3.0 output allows real-time live viewing and image capture on a PC – both at fast 60 fps! The HD-310U utilizes the latest color CMOS sensor to provide increased sensitivity to display impeccably clear images for both brightfield and bright fluorescence applications. The simplistic MagicApp software offers digital camera adjustments and enables users to snap images with the click of a mouse. • HDMI 1080p output at 60fps for live viewing (no PC required) • USB 3.0 1080p output at 60fps for PC connection • USB & HDMI outputs can be viewed simultaneously • Factory programmed to display best possble image • Exceptional color reproduction - 12-color channel matrix • Automatically adjusts to changes in light sensitivity • MagicApp software included for live image capture • Plug-and-play camera that DOES NOT require training Pathology Microscopy Tumor Board Review Classroom Demonstrations Semiconductor Inspection Brightfield Live Cell Imaging Metrology Scientific Imaging www.dagemti.com - 701 N. Roeske Ave, Michigan City, IN 46360 - P: (219) 872-5514 UNMATCHED QUALITY AND SIMPLICITY USB 3.0 Dimensions HDMI HD-310U CAMERA - SPECIFICATIONS Image Sensor: 1/2.8 inch color CMOS (progressive scan) Output Pixels: Horizontal: 1920, Vertical: 1080 Output Signal: HDMI Type A Terminal USB Video Class 1.1 Micro-B connector (in conformity with USB 3.1 Gen 1) 1920 x 1080 – 60fps (USB 3.0) 1920 x 1080 – 12fps (USB 2.0) Sensitivity: F10 standard (2000lx, 3100k, gain OFF, gamma OFF, 59,94Hz) Power: DC 12V +/- 10%, power consumption approx. -
|||GET||| Graphic Design Basics 6Th Edition
GRAPHIC DESIGN BASICS 6TH EDITION DOWNLOAD FREE Amy E Arntson | 9781111347178 | | | | | Graphic Design Solutions, 6th Edition Top to Bottom Type designers have long believed in the importance We are uncomfortable with shapes clustered at the of putting extra weight at the bottom of a letterform to top of a page, with open space beneath them. Areas of high contrast have strong visual weight. Everything must be sent to the printer ready brochures, mailers, illustration and photography, cata- for press. Which style has a short x-height? If you use a computer- generated solution, class and the instructor how your design could be stay within the same design limitations of size and improved. We have all seen images of a supposedly moving figure that appears in Balance is achieved by two forces of equal strength that awkward, static immobility. This chapter defines the field of graphic design and describes its Graphic Design Basics 6th edition. An author does not have to create a new alphabet or a new language in The next step is to gather and study all the related order to create an original piece of literature. The boundary can words makes it possible to recall the letters more be a line, a color, or a value change. Complete with the fresh voices of top creative directors and a diverse showcase of successful ads, Advertising by Design, Third Editionis a must have text for students and instructors of advertising concepts and design strategies, as well as a useful reference for practitioners. Our eyes are of paper can create three distinct weights: the black drawn to the realistic representation of something that bar of the heading is played against the gray, textured interests us Figure 4—19c.