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PH Agency Fined $112K for Illegal Placement
Page 28 Page 10 Page 19 ITALY. Zsa Zsa Padilla VIEWS. The Philippine plans to tie the knot Consulate General next year with her is showing to the boyfriend Conrad public a controversial Onglao in the land of documentary on the Romeo and Juliet. South China Sea. SUCCESS. This Cebuano graduated from the Chinese University of Hong Kong at the top of The No.1 Filipino Newspaper Vol.VI No.328 August 1, 2015 his class. PH agency US hits abuse fined $112k for illegal placement of FDHs in HK fee By Philip C. Tubeza PHILIPPINE Overseas Employment Administration (POEA) chief Hans Cacdac Jr. cancelled the license of a recruitment agency in Manila and or- dered it to pay P650,000 for collecting an illegal placement fee from a Filipina domestic worker in Hong Kong. In an order on June 25, Cacdac also banned the officers and directors of Kan-ya International Services Corp. from recruiting overseas Filipino work- ers (OFWs) for collecting a placement fee of P85,000 from complainant Sarah V. Nievera. The POEA pursued the case even after Nievera issued an affidavit of de- sistance. “As a consequence of the penalty of cancellation of license, the officers and directors of the respondent agency at the time of the commission of the of- fense are hereby disqualified from par- ticipating in the business of recruitment and placement of (OFWs),” Cacdac said. He also ordered Kan-ya and its in- surance firm to refund the amount of P85,000 that was collected from Nie- vera. In her complaint, Nievera said she ap- THE FINALE. -
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V. -
Ar-2004 Pdf Comp
abs-cbn annual report 2004 1 2 abs-cbn annual report 2004 abs-cbn annual report 2004 3 4 abs-cbn annual report 2004 abs-cbnabs-cbn annual annual report report 2004 2004 55 6 abs-cbn annual report 2004 abs-cbn annual report 2004 7 8 abs-cbn annual report 2004 abs-cbn annual report 2004 9 10 abs-cbn annual report 2004 abs-cbn annual report 2004 11 12 abs-cbn annual report 2004 abs-cbn annual report 2004 13 14 abs-cbn annual report 2004 abs-cbn annual report 2004 15 16 abs-cbn annual report 2004 abs-cbn annual report 2004 17 18 abs-cbn annual report 2004 abs-cbnabs-cbn annual annual report report 2004 20041919 ABS-CBN BROADCASTING CORPORATION AND SUBSIDIARIES BALANCE SHEETS (Amounts in Thousands) Parent Company Consolidated December 31 2003 2003 (As restated - (As restated - 2004 Note 2) 2004 Note 2) ASSETS Current Assets Cash and cash equivalents (Note 4) $356,772 $803,202 $1,291,557 $1,580,355 Receivables - net (Notes 5, 7 and 12) 2,181,412 2,338,136 3,757,824 3,789,278 Current portion of program rights (Note 9) 490,685 566,992 872,983 880,975 Other current assets - net (Note 6) 296,182 193,317 629,426 508,681 Total Current Assets 3,325,051 3,901,647 6,551,790 6,759,289 Noncurrent Assets Due from related parties (Notes 7 and 12) 159,741 150,894 262,435 273,303 Investments and advances (Notes 5, 7, 9, 12 and 15) 3,622,061 3,417,545 239,962 342,111 Noncurrent receivables from Sky Vision (Note 7) 1,800,428 – 1,800,428 – Property and equipment at cost - net (Notes 8, 12, 13 and 14) 10,250,015 10,580,136 10,650,285 10,909,767 Program rights -
MY MIIC STAR PHILIPPINES SONGS 4378 SONGS No
MY MIIC STAR PHILIPPINES SONGS 4378 SONGS No. Artist Song Title 55142 17:28 NETWORK I 55143 17:28 SUKOB NA 56237 1017 BERTING 58528 1017 CHARING 58685 1017 SANA 56247 14K DADAANIN KO NA LANG SA KANTA 59345 14K SAMA SAMA 57152 2 Unlimited NO LIMIT 59075 2001 CC TSUBIBO 55105 6 cycle mind SANDALAN 56102 6 Cycle Mind BIGLAAN 58345 6 CYCLE MIND I 58544 6 Cycle Mind CIRCLE 56314 6 Cyclemind MAGSASAYA 56908 6 Cyclemind TRIP 57005 6 cyclemind GAYA NG NOON 57030 6 Cyclemind NALILITO 58447 6 Cyclemind UMAASA 58494 6 Cyclemind WAIT OR GO 58547 6 Cyclemind DINAMAYAN 58619 6 Cyclemind AAMININ 58684 6 Cyclemind SALUDO 59024 6 Cyclemind WALANG IWANAN 56134 6 cylce mind PABA 56204 6 cylce mind SIGE 59176 7th Coral Group KAPUSO 56747 92 AD DIWA NG PASKO 57504 A. PASCUAL ANG TANGING ALAY KO 55477 A.TORRES MAHIWAGA 55391 A.Torres & R.Malaga SARONG BITUON (BICOLANO) 58594 Abdilla SABALAN 58596 Abdilla SURATAN 58597 Abdilla WAY BULI RAPAT 58608 Abdilla SIMASANDUNG 58609 Abdilla SUSA ATAY DAYANG 58675 Abdilla INA AMA 58680 Abdilla MALASA MAGTUNANG 57952 Abigail BONGGAHAN 58562 Acel PAKIUSAP 58584 Acel Bisa ONE LOVE 57247 Acosta & Russell DEEP IN MY SOUL 57269 Acosta-Rusell DON'T FADE AWAY 56921 Adamo ALINE khe.com.au khe.co.nz picknmix.com.au miicstar.com.au MY MIIC STAR PHILIPPINES SONGS 4378 SONGS No. Artist Song Title 58917 Adelaida Ramones KARIK KENKA 58934 Adelaida Ramones REBBENG NA KADI 58946 Adelaida Ramones TOY AYAT KO 58905 Adelaida Ramones & Randy Corpuz APAY NGA INAYAT NAK 58943 Adelaida Ramones & Randy Corpuz SIKSIKA 55470 Aegis BASANG BASA SA -
Philippine Mystic Dwarfs LUIS, Armand and Angel Meet Healing and Psychic Judge Florentino Floro
Philippine Mystic Dwarfs LUIS, Armand and Angel Meet Healing and Psychic Judge Florentino Floro by FLORENTINO V. FLORO, JR ., Part I - 2010 First Edition Published & Distributed by: FLORENTINO V. FLORO, JR . 1 Philippine Copyright© 2010 [Certificate of Copyright Registration and Deposit: Name of Copyright Owner and Author – Florentino V. Floro, Jr .; Date of Creation, Publication, Registration and Deposit – _________________, 2010, respectively; Registration No. __________, issued by the Republic of the Philippines, National Commission for Culture and the Arts, THE NATIONAL LIBRARY, Manila, Philippines, signed by Virginio V. Arrriero, Acting Chief, Publication and Special Services Division, for Director Prudencia C. Cruz, and Attested by Michelle A. Flor, 1 Copyright Examiner] By FLORENTINO V. FLORO, JR. Email: [email protected], 123 Dahlia, Alido, Bulihan, Malolos City, 3000 Bulacan, Philippines , Asia - Cel. # 0915 - 553008, Robert V. Floro All Rights Reserved This book is fully protected by copyright, and no part of it, with the exception of brief quotations embodied in critical articles and reviews, may be reproduced, recorded, photocopied, or distributed in any form or by any electronic or mechanical means, or stored in a database or retrieved system, without the written consent of the Author/publisher. Any copy of this book not bearing a number and the signature of the Author on this page shall be denounced as proceeding from an illegal source, or is in possession of one who has no authority to dispose of the same. First Printing, 2010 Serial No. _____________ LCCCN, Library of Congress Catalog Card Number: Floro, Florentino V., 2006, " Philippine Mystic Dwarves LUIS, Armand and Angel Meet Fortune-telling Judge", 1st edition, ____ p., FIL / ______ / ______ / 2010 2 ISBN ____________________ 3 Printed & Published by: FLORENTINO V. -
Pitong Sulyap Sa Pilosopiya Ng Wika Ni Padre Ferriols
K R I T I K E An Online Journal of Philosophy Volume 12, Number 1 June 2018 ISSN 1908-7330 THE DEPARTMENT OF PHILOSOPHY University of Santo Tomas Philippine Commission on Higher Education COPYRIGHTS All materials published by KRITIKE are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License KRITIKE supports the Open Access Movement. The copyright of an article published by the journal remains with its author. The author may republish his/her work upon the condition that KRITIKE is acknowledged as the original publisher. KRITIKE and the Department of Philosophy of the University of Santo Tomas do not necessarily endorse the views expressed in the articles published. © 2007-2018 KRITIKE: An Online Journal of Philosophy | ISSN 1908-7330 | OCLC 502390973 | [email protected] ABOUT THE COVER KRITIKE: An Online Journal of Philosophy, 12:1 (June 2018) Gerard Matthew R. Arcamo, A Piece of History, 2017. Photograph. About the Journal KRITIKE is the official open access (OA) journal of the Department of Philosophy of the University of Santo Tomas (UST), Manila, Philippines. It is a Filipino peer-reviewed, interdisciplinary, and international journal of philosophy founded by a group of UST alumni. The journal seeks to publish articles and book reviews by local and international authors across the whole range of philosophical topics, but with special emphasis on the following subject strands: • Filipino Philosophy • Oriental Thought and East-West Comparative Philosophy • Continental European Philosophy • Anglo-American Philosophy The journal primarily caters to works by professional philosophers and graduate students of philosophy, but welcomes contributions from other fields (literature, cultural studies, gender studies, political science, sociology, history, anthropology, economics, inter alia) with strong philosophical content. -
To Trump, Discuss N. Korea Nuclear Issue
STEALING FREE NEWSPAPER IS STILL A CRIME ! AB 2612, PLESCIA CRIME Landslides in Cebu WEEKLY ISSUE 70 CITIES IN 11 STATES ONLINE Vol. IX Issue 447 1028 Mission Street, 2/F, San Francisco, CA 94103 Tel. (415) 593-5955 or (650) 278-0692 November 2 - 8, 2017 Human rights top ASEAN-U.S. summit agenda; Duterte PH NEWS | A2 Duterte donor kicked ‘to listen’ to Trump, discuss N. Korea nuclear issue out of party By Macon Araneta | FilAm Star Correspondent Human rights will top the agenda when President Donald Trump meets with President Rodrigo Duterte in November for the Association of Southeast Asian Nations (ASEAN) Summit and related summits, a White House official said. In a Bloomberg report, the White House official said Trump would send a clear message on human rights principles in his meeting with Duterte when he visits the country from November 12 to 13. PH NEWS | A3 “I would deal with U.S. President Trump in the most righteous way, welcome him as an important leader. As a matter of fact, the most important leader on this side of the planet and I would have to listen to him, what he has De Lima recipient to say,” Duterte said. Prize for Freedom “We move our mouths in the same cadence, for example like declaring a national emergency regarding the drug issue,” he added. In the past, Duterte rejected U.S. criticism of his human rights track re- cord, calling then President Barack Obama a “son of a whore” over the issue. Duterte, known for his fiery rhetoric, has been criticized over extra-judicial killings in the Philippines that accompanied his crackdown on the drug trade. -
Lav Diaz.Pdf
Lying Down In A World Of Tempest Lav Diaz I Alexis Tioseco Over and above describing himself as a filmmaker, Lav Diaz prefers the definition Indictment And Empowerment Of The Individual: of “cultural worker”. Driven by a sense of political engagement, he has denounced The Modern Cinema Of Lav Diaz the series of miseries suffered by the Philippines since the time of Spanish coloni- – p. 5 alism (followed by occupations by both the Japanese and the Americans, as well as a period of martial law), focusing particularly on the years of the Marcos dictator- II Alexis Tioseco In Conversation With Lav Diaz ship. It is a feeling of love for his compatriots and their suffering that pushed him to – p. 11 depict, with a beauty and sense of urgency rarely found in cinema, the daily grind of life in small towns and in the countryside. III Lav Diaz Yet the lengthy, majestic black-and-white frescoes, lasting anywhere between The Aesthetic Challenge Of ‘Batang West Side’ 4 and 11 hours, which brought him to notice on the festival circuit, surely cannot be – p. 37 restricted to kinship with the Slow Cinema movement. Characterised by a radical formalism, his cinematic approach is to recount the life and rhythm of his commu- IV Lav Diaz nity by means of the suffering and slowness that define it. It is for these reasons that Our Death, In Memoriam Lav Diaz can be seen as a major artist for our times: his cinema is that of a peda- – p. 41 gogue—something shared here with that of his intellectual, idealistic father and, still more, with Lino Brocka whose wish it was “to educate his people”—as well V Lav Diaz as bearing essential witness. -
YCC 2019.Indb
The Film Desk of the Young Critics Circle The 29th Annual “During currently trying times, Circle Citations it is imperative to look for for Distinguished spaces of resistance such as Achievement those offered by the arts, and cinema in particular. Aside in Film for from attempting to challenge 2018 the status quo, filmmakers need to negotiate the very + spaces from which they can SINE SIPAT: pose this interrogation.” Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2019 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus | Diliman, Quezon City } The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2018Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. -
+ Sine Sipat: Recasting Roles and Images, Stars, Awards, and Criticism
The Film Desk of the Young Critics Circle The 28th Annual Circle Citations for Distinguished Achievement 2017in Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2018 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus Diliman, Quezon City | i } ii The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2017Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. Sa kanilang IDeklarasyon ng mga Prinsipyo, ipinahayag ng mga miyembro ang paniniwala na laging bukas ang mga tekstong kultural sa aktibong pagbasa, sa “mga interaksiyon” ng iba’t ibang mambabasa na may “natatanging kakayahan para sumipat, magbigay-kahulugan, at mag-isip . -
Ang Maluwalhating Ang Maluwalhating Quran Filipino
Ang Maluwalhating Quran Ang bawat libro ay may mga layunin at ang layunin ng Quran ay upang maunawaan ng tao ang plano ng Paglikha ng Allah (ang Diyos). Iyon ay, upang sabihin sa tao kung bakit nilalang ng Allah (ang Diyos) ang mundong ito; kung ano ang layunin ng paninirahan ng tao sa lupa; kung Quran ano ang kinakailangan mula sa tao sa kanyang buhay Ang Maluwalhating ng maikling panahon ng kamatayan, at kung ano ang kanyang haharapin pagkatapos ng kamatayan. Ang tao Ang Maluwalhating ay ipinanganak bilang isang walang hanggang nilalang. Nang nilikha ng Allah (ang Diyos) ang tao sa gayon, hinati niya ang kanyang buhay sa dalawang panahon, ang panahon bago ng kamatayan, na panahon ng pagsubok, at ang panahon matapos mamatay, na panahon para sa pagtanggap ng mga gantimpala o kaparusahan na nakamit Quran ng mga aksyon sa panahon ng buhay ng isang tao. Ang mga ito ay ang anyo ng walang hanggang paraiso o walang hanggang impiyerno. Ang layunin ng Quran ay upang malaman ng tao ang katotohanan na ito. Ito ang tema ng banal na Aklat na ito, na naglilingkod upang gabayan ang tao sa pamamagitan ng kanyang buong paglalakbay sa buhay at sa buhay pagkatapos ng kamatayan. GOODWORD ISBN 978-93-86589-09-5 GOODWORD www.goodwordbooks.com www.cpsglobal.org App and E-book 9 7 8 9386 589095 FILIPINO available Ang Maluwalhating Quran Isinalin sa Pilipino ni Abdullatif Eduardo M. Arceo GOODWORD First published by Goodword Books 2018 Goodword Books A-21, Sector 4, Noida-201301, India Tel. +91120-4314871 Mob. +91-8588822672 email: [email protected] www.goodwordbooks.com -
2016 YCC Citations Final
The Film Desk of the Young Critics Circle The 27th Annual Circle Citations for Distinguished Achievement 2016in Film for + SINE SIPat: Recasting Roles and Images, Stars,Awards, and Criticism Thursday, 27 April 2017 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus Diliman, Quezon City | 1 } 2 The 27th Annual CIrcLE CItatIONS for Distinguished Achievement in 2016Film for + SINE SIPat: Recasting Roles and Images, Stars, Awards, and Criticism 3 4 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. Sa kanilang IDeklarasyon ng mga Prinsipyo, ipinahayag ng mga miyembro ang paniniwala na laging bukas ang mga tekstong kultural sa aktibong pagbasa, sa “mga interaksiyon” ng iba’t ibang mambabasa na may “natatanging kakayahan para sumipat, magbigay-kahulugan, at mag-isip ..