June 2020 Shofar
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Cooper Square Committee Chrono
Cooper Square Committee Chrono A listing of Cooper Square events and activities - including victories and defeats - from March 1959 through March 2005. Prepared by: Walter Thabit, March, 2005 Planners Network Cooper Square Committee Municipal Art Society 61 East 4thStreet Planning Center New York, NY 10003 212 228-8210 COOPER SQUARE CHRONOLOGY The Cooper Square Chronology was initiated by Thelma Burdick in March, 1959, and recorded significant events up to March, 1968. For years, it was the bible of the organization, allowing us to keep the important dates straight. Unfortunately, it has never been updated till now, and it might still be waiting to happen if there hadn't been a renewed interest in the Cooper Square story. Writers and advocate planners have interviewed old timers like myself and Frances Goldin, and after hearing of an interesting incident, then ask, "And what year was that?" Too often I didn't have a clue. So I finally decided to bring the chronology up-to-date. It has been hard work, but worth every minute. I'm not the only contributor to a chronology of events. Marci Reaven, doing a PhD. dissertation on Cooper Square has also put one together for her personal use, and I have used it to fill out some uncertain items as well as a few whose significance I missed. Also, Valerio Orselli, Cooper Square's Director for over 20 years prepared a specialized chronology of 40 membership meetings held around the issue of the rehabilitation program, the Mutual Housing Association, and the revised Cooper Square Plan. It is included here, starting in November, 1984, running through April, 1993. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Board of Trustees the City University of New York
BOARD OF TRUSTEES THE CITY UNIVERSITY OF NEW YORK BOARD COMMITTEE ON FACULTY, AGENDA STAFF AND ADMINISTRATION JUNE 7, 2017 I. ACTION ITEMS A. Approval of the Minutes of April 3, 2017 B. POLICY CALENDAR 1. Amendments to the Guidelines for Presidential Searches (I-B-1) 2. Amendments to the Charter for the Governance of Hunter College (I-B-2) 3. Amendment to the Governance Plan of Lehman College (I-B-3) 4. Naming of the Hannelore S. and Robert M. Bloch Commons at Hunter College (I-B-4) 5. Naming of the Elizabeth Hemmerdinger Screening Center at Hunter College (I-B-5) 6. Naming of the Dina Axelrad Perry Pool at Queens College (I-B-6) C. CHANCELLOR’S UNIVERSITY REPORT 1. Appointment of Anne Lopes as Interim Provost and Senior Vice President of Academic Affairs at John Jay College of Criminal Justice (I-C-1) 2. Appointment of Reza Fakhari as Vice President for Workforce Development and Strategic Community Partnerships at Kingsborough Community College (I-C-2) 3. Appointment of Nireata Seals as Interim Vice President for Student Affairs at LaGuardia Community College (I-C-3) 4. Appointment of Gregory Mosher as Professor of Theatre at Hunter College with Waiver of §6.2.b. of the Bylaws (I-C-4) 5. Appointment of Carla Shedd as Associate Professor of Urban Education at the CUNY Graduate School and University Center with Waiver of §6.2.b. of the Bylaws (I-C-5) 6. Appointment of Jacqueline Clark as Vice President for Finance and Administration at Medgar Evers College (I-C-6) II. -
Show Programs
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My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts. -
Triptych Eyes of One on Another
Saturday, September 28, 2019, 8pm Zellerbach Hall Triptych Eyes of One on Another A Cal Performances Co-commission Produced by ArKtype/omas O. Kriegsmann in cooperation with e Robert Mapplethorpe Foundation Composed by Bryce Dessner Libretto by korde arrington tuttle Featuring words by Essex Hemphill and Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Jennifer H. Newman, associate director/touring Lilleth Glimcher, associate director/development Brad Wells, music director and conductor Martell Ruffin, contributing choreographer and performer Carlos Soto, set and costume design Yuki Nakase, lighting design Simon Harding, video Dylan Goodhue/nomadsound.net, sound design William Knapp, production management Talvin Wilks and Christopher Myers, dramaturgy ArKtype/J.J. El-Far, managing producer William Brittelle, associate music director Kathrine R. Mitchell, lighting supervisor Moe Shahrooz, associate video designer Megan Schwarz Dickert, production stage manager Aren Carpenter, technical director Iyvon Edebiri, company manager Dominic Mekky, session copyist and score manager Gill Graham, consulting producer Carla Parisi/Kid Logic Media, public relations Cal Performances’ 2019 –20 season is sponsored by Wells Fargo. ROOMFUL OF TEETH Estelí Gomez, Martha Cluver, Augusta Caso, Virginia Kelsey, omas McCargar, ann Scoggin, Cameron Beauchamp, Eric Dudley SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS Lisa Oman, executive director ; Eric Dudley, artistic director Susan Freier, violin ; Christina Simpson, viola ; Stephen Harrison, cello ; Alicia Telford, French horn ; Jeff Anderle, clarinet/bass clarinet ; Kate Campbell, piano/harmonium ; Michael Downing and Divesh Karamchandani, percussion ; David Tanenbaum, guitar Music by Bryce Dessner is used with permission of Chester Music Ltd. “e Perfect Moment, For Robert Mapplethorpe” by Essex Hemphill, 1988. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
CONGRESSIONAL RECORD— Extensions of Remarks E937 HON
October 9, 2020 CONGRESSIONAL RECORD — Extensions of Remarks E937 RECOGNIZING LITTLE ROCK VEN- came a lifeline for residents. Operating six works printed without her support. Lastly, TURE CENTER FOR BEING days a week, ‘‘Team Camille’’ delivered thou- Frances was a proud advocate and champion NAMED BEST ENTERPRISE PAY- sands of emergency meals, food boxes, and for the LBGTQ community. She was iconic for MENTS SOLUTION AND BEST essential protection supplies to quarantined attending New York City’s Pride Parade. Be- FINTECH PARTNERSHIP and homebound seniors, unemployed families, fore her passing, she was pictured in the pa- and other vulnerable individuals throughout pers at the parade on her wheelchair. Despite HON. J. FRENCH HILL the Lower East Side’s public housing develop- her unfortunate passing at the peak of the ments. Camille’s volunteerism and efforts far pandemic, her legacy lives on through her OF ARKANSAS exceeded expectations. Today, she continues children and the many lives she touched over IN THE HOUSE OF REPRESENTATIVES to serve her neighbors and exemplify her pas- the years. At the time her passing the New Friday, October 9, 2020 sion for the community. York Times called her a ‘‘. protester, Mr. HILL of Arkansas. Madam Speaker, Eric Diaz, Executive Director of Vision Ur- provocateur and voice for lost causes.’’ today I rise to recognize the Venture Center of bana Inc, Food Pantry program. Vison Urbana Frances was that and more, she was a trail- Little Rock who has recently been awarded is a community faith-based led organization blazer and a woman on a lifetime mission for the top prize in the Best Fintech Accelerator/ dedicated to the underserved families of the justice. -
Savoring the Classical Tradition in Drama
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION BABETTE BLOCH & MARC MELLON Monday, February 25 ♦ Like Alice Quinn, whose office is located at the NAC, sculptors Babette Bloch and Marc Mellon are both active in and rent studio space at the Club. Ms. Bloch is a pioneer in the use of laser-cut stainless steel, and her figurative works reflect their environments and explore the interplay NATIONAL ARTS CLUB between object and light. Her sculptures can be enjoyed in 15 Gramercy Park South such settings as the Maryland Institute of Art, the Na- Manhattan tional Jewish Museum, and the Orlando Museum of PROGRAM AT 2:00 P.M. Art. Mr. Mellon’s work includes busts of eminent Admission Free, But painters Will Barnet and Everett R. Kinstler at the National Arts Club, and he Reservations Requested has also portrayed Tony Bennett, Jimmy Carter, Elie Weisel, and an impressive array of sports figures and ballet dancers. He has produced commemorative medals in honor of such leaders as Michael Jordan, Pope John Paul II, Theodore Roosevelt, and Albert Schweitzer, and his many museum pieces include the 2009 Official Barack Obama Inauguration Medal. We look forward to a delightful afternoon salon with these remarkable artists. NAGLE JACKSON ♦ Tuesday, February 26 Not only has he distinguished himself on Broadway, at the Kennedy Center, and in other settings; NAGLE JACKSON is the first American to have been invited to direct in the Soviet Union. -
2010 TCG National Conference: IDEAS INTO ACTION
July 29, 2010 For immediate release Contact: Chris Boneau/Susanne Tighe [email protected] 2010 TCG National Conference: IDEAS INTO ACTION Field pioneers meet a new generation of visionaries as TCG awards the “Spirit of Irreverence” to funders and artists alike. The 2010 TCG Award Recipients are: Regional Funder Award: the Joyce Foundation Visionary Leadership Award: Bill Rauch, Artistic Director, Oregon Shakespeare Festival Theatre Practitioner Award: Bernard Gersten, Executive Producer, Lincoln Center Theater National Funder Award: Susan Smith Blackburn Prize Peter Zeisler Memorial Award: Jack Reuler, Artistic Director, Mixed Blood Theatre Alan Schneider Director Award: Anne Kauffman, Director Theatre Communications Group (TCG), the national organization for professional not- for-profit theatre announces the winners of the 2010 TCG Awards for excellence. The TCG Awards, presented during TCG’s National Conference in Chicago this past June, exist to salute extraordinary dedication to the American theatre community, the recipients of this honor are nominated by their peers and selected by TCG’s Board of Directors. Since 2001, TCG’s member theatres have been asked each year to nominate one person or organization for each of the five prestigious awards. On stage at the Palmer House Hilton’s Red Lacquer Room, TCG recognized a Regional Funder, a National Funder and recipients of the Peter Zeisler Memorial Award, the Alan Schneider Director Award and the Visionary Leadership Award with “Spirit of Irreverence” statues designed by Ralph Lee. “It -
A History of PE O
A History of PE O PLANNERS FOR EQUAL OPPORTUNITY Walter Thabit, May, 1999 Acknowledgments: To Frances Goldin for cutting and editing the original manuscript, and to Bob Bogen, Jill Hamberg, Chester Hartman, Bob Heifetz, Lewis Lubka, Peter Marcuse, Frances Piven and Stanley B. Winters for reviewing, editing, correcting and making suggestions for improving the manuscript. Thanks also to Esther Ginsberg, Secretary to the New York City City Planning Commission, who filled in a key fact. And thanks to all those who appear in these pages, the men and women who made up Planners for Equal Opportunity. 1 THE HISTORY OF PLANNERS FOR EQUAL OPPORTUNITY SUfrMARY, HIGHLIGHTS, AND TABLE OF CONTENTS ACKNOWLEDGMENTS Page i THE GENESIS OF PLANNERS FOR EQUAL OPPORTUNITY page 1 In May/June 1964, METCOP (the Metropolitan Committee on Planning), sponsored an exciting meeting on rent strikes by blacks and Puerto Ricans on the Lower East Side and Harlem. Out of that meeting came the impetus for starting Planners for Equal Opportunity. It was officially launched on August 17, 1964, at the AIP (American Institute of Planners) convention at the Military Park Hotel in Newark. A 16 member Policy Committee was established, dues were set at $5, and away we went! ORGANIZING AND ACTION, 1965 page 3 PEO's proposed 1965 budget was $2, 450; anticipated deficit: $800. " Addressograph plates for our 100+ membership were completed in April. A proposed constitution was submitted for approval to the Policy Committee. The New York Metropolitan Chapter of PEO was organized and began issuing reports on education and housing. Tom Gale was hired by the Urban League to do fair housing research for the NY Chapter. -
From “Gentrification” to Community Control: an Exploration Into Urban Restructuring in New York City
From “Gentrification” to Community Control: An exploration into urban restructuring in New York City by Aida Mas supervised by Dr. Luisa Sotomayor A Portfolio submitted to the Faculty of Environmental Studies in partial fulfillment of the requirements for the degree of in Environmental Studies York University, Toronto, Ontario, Canada July 31, 2019 Land Acknowledgement For over 15,000 years, Turtle Island has been stewarded collectively by Indigenous communities. In fact, it was not so long ago that colonization imposed the concept of private ownership of land on what settlers perceived as Terra nullius, or “nobody’s land.” This idea – that collectively stewarded land belonged to nobody – ultimately allowed colonial powers to usurp land from Indigenous communities through the imposition of private property. This legacy of extractive dispossession continues to shape our society and relationship to land. From where I sit today on the unceded territory of the Coast Salish Peoples, to the occupied Lenape land where most of this research took place, Indigenous communities have been systematically displaced and extirpated from their land. The land which York University occupies is no exception, having been home to the Anishinabek Nation, the Haudenosaunee Confederacy, Huron-Wendat, the Métis, and the Mississaugas of the New Credit First Nation. These Indigenous Nations have been stewarding land through agreements such as the Dish with One Spoon Wampum Belt Covenant, which aims to share and preserve the natural life and harmony of the Great Lakes region. My awareness of the importance of stewardship began far from my own ancestral territories of the Iberian Peninsula and the Middle East.