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You Say Goodbye, I Say Tony & Kris Together Again for the First Time
July 17, 2017, Issue 559 Together Again For The First Time There’s more to the new WWYZ/Hartford morning pairing than the typical late career format jump. Many years ago, Cory Myers met a friend at the suburban Hartford nightclub Fantasia. While there, she had a conversation with the booth deejay about her interest in radio. Myers spent a year-and-a-half as an intern for that deejay, Damon Scott, at Hot AC WTIC-FM before mov- ing on to a career that culminated in her now two-decade run at crosstown Country WWYZ. Last month, Scott joined Myers in mornings at WWYZ. As for the club, it’s now called Cadillac Ranch. And, yes, they play country. Cory Myers Chemistry Lab: With their history, Scott and Myers have an obvious chemistry that may actually be combustible. “I have a couple of working titles for this story,” jokes Scott. “’The Future of Country Music’ or ‘Two Mete- ors Collide.’” With that, he and Myers are off My Guy: The Curb crew celebrates Dylan Scott’s first No. 1 “My to the races, finishing each other’s sentences Girl” today in Nashville. Pictured (l-r) are Jim Ed Norman, Mike without skipping a beat. Rogers, Scott, Taylor Childress, Ryan Dokke and RJ Meacham. Scott left his afternoon post at CBS Radio See the whole Curb family on page 7. Damon Scott last month after 28 years. “I can’t say enough about how they treated me,” says Scott. “Not only did they let me do my last show, they threw a party for me. -
Olivier Assayas
[email protected] • www.janusfilms.com “No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be. Nielsen plays Diane de Monx, a Volf Corporation executive turned spy for rival Mangatronics in the companies’ battle over the lucrative market of internet adult animation. But Diane may not be the only player at Volf with a hidden agenda: both romantic interest Hervé (Charles Berling) and office enemy Elise (Chloë Sevigny) seem to know her secret and can easily use it against her for their own purposes. As the stakes grow higher and Diane ventures into deadlier territory, and as Sonic Youth’s score pulses, Assayas explores the connections between multinational businesses and extreme underground media as well as the many ways twenty-first-century reality increasingly resembles violent, disorienting fiction. New 2K restoration of the unrated director’s cut overseen by Olivier Assayas France | 2002 | 122 minutes | Color | In Japanese, French, and English with English subtitles | 2.35:1 aspect ratio Booking Inquiries: Janus Films Press Contact: Courtney Ott [email protected] • 212-756-8761 [email protected] • 646-230-6847 OLIVIER ASSAYAS Olivier Assayas was born in Paris in 1955, the son of screenwriter sentimentales (2000), demonlover (2002), and Clean (2004) were Raymond Assayas (better known by the pen name of Jacques all nominated for the Palme d’Or at Cannes, while Summer Rémy). After studying painting at the French National School of Hours (2008) and the miniseries Carlos (2010) each earned Fine Arts and working as a critic for Cahiers du cinéma, Assayas multiple awards from various international festivals and societies. -
Sonic Youth: Celebrity DIY
Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7585 ISSN 2611-0563 Sonic Youth: celebrity DIY Alice Militello Pubblicato: 29 dicembre 2017 Abstract In New York City’s early ’80s music scene and beyond, the band Sonic Youth represents a special case of the celebrity’s concept. It cannot be reduced to the record sales or scandals, like other famous people. They don’t have the typical self-destructive streak of the stars of the show business, which is the basis of the fortune and, at the same time, the defeat of other musicians. They don’t even have the cult of personality, which has destabilized other crews of the time. However Sonic Youth, during their three decades of career, have been able to find a space in the music scene, to involve a broad segment of audience and lovers; becoming a kind of model for younger generations of musicians. Furthermore, the members of Sonic Youthcan be considered such as influencers ahead of his time, thanks to their ability to find new talents. The present study aims to analyze the concept of celebrity applied to the Sonic Youth language, from 1981 (starting year) to 1994, the year of Experimental Jet Set, Trash No Star album, which brings the group to that DIY (Do-It-Yourself) punk ethics that denotes them from the beginning; to plot the New York’s environment in which they fit; and how the entry into the mainstream world changes the aesthetics of the group. In other words, the research is a breakthrough of the band’s long career, marking the highlights that made them the Sonic Youth. -
1993 TV Guide
19931993 TV Timeline Guide AJANU RY 06 Created in conjunction with World Affairs Jazz trumpeter Dizzy Gillespie dies of cancer at United States Affairs seventy-five. Pop Culture & Ballet dancer Rudolf Nureyev dies at fifty-four, though Entertainment the true cause of his death—complications from an AIDS-related illness—is not reported for another Arts & Sciences ten days. This publication has been published on the occasion AJANU RY 07 of the New Museum exhibition“NYC 1993: Experimental Jet Set, Trash and No Star,” curated by AJANU RY 01 The US Environmental Protection Agency classifies Massimiliano Gioni, Associate Director and Director of secondhand tobacco smoke as a “known human Exhibitions, Gary Carrion-Murayari, Curator, Czechoslovakia is officially divided into two nations, carcinogen” responsible for three thousand Jenny Moore, Associate Curator, and Margot Norton, the Czech Republic and Slovakia, at the stroke of the nonsmoker deaths annually. Assistant Curator. New Year. New York City Mayor David Dinkins expands the New Museum exhibition dates: A group show at Paula Cooper Gallery featuring rights of unmarried and homosexual New Yorkers, February 13–May 26, 2013 Robert Gober, Donald Judd, Cady Noland, and Rudolf announcing a city registry for domestic partners. Stingel closes. His executive order grants hospital visitation rights “NYC 1993: Experimental Jet Set, Trash and No Star” and other legal benefits for registered couples. is made possible through the support of the On Kawara’s show “One Thousand Days One Million AJANU RY 08 Horace W. Goldsmith Foundation. Additional funding Years” opens at Dia Art Foundation in Chelsea, is provided by Martin and Rebecca Eisenberg, New York. -
The Tools of Screenwriting
$14.95/ $17.25 Can. "What David Howard has done with The Tools of Screenwritin is to n The Tools of Screenwriting, David reveal for me and for all readers just Howard and �dward Mabley illuminate how stories work; he shows that the essential elements of cinematic there are no absolute rules, but there are principles that can help a begin storytelling, and reveal the central ning writer gain understanding of all · principles that all good screenplays the elements that go into the cre share. The authors address questions of ation of a'good story well told.' " dramatic structure, plot, dialogue, charac ter development, setting, imagery, and other crucial topics as they apply to the '�is the special art of filmmaking. best primer on the craft, far better than the usual paint-by-the-numbers Howard and Mabley also demonstrate sort of books that abound." how the tools of screenwriting work in six teen notable films, including Citizen Kane, �.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies and videotape. "As my screenwriting teacher, David The Tools of Screenwriting is an essen Howard made the underlying princi tial book for anyone who studies film or ples of screenwriting clear, accessi ble, and useful. The same can be said wants to write a screenplay. of his succinct and elegant book, which I've already used as a much needed refresher course. It's sitting "David Howard calls this book 'a next to my computer now, right next writer's guide.' I think it's a wonder to the thesaurus." ful and indispensable producer's guide to story, storytelling, and screenwriting." ISBN-13: 978-0-312-11908-9 ISBN-IO: 0-312-11908-9 51 495> I 1 9 "780312 119089 I PRAIS E FOR THIS BOOK "David Howard and Edward Mabley's The To ols of Screen writing is a prac tical, comprehensive guide for writers at all levels. -
Super Sonic NORTHAMPTON, Mass
Page 1 Monday s s EYE: FASHION: Nike launches Gwyneth, new women’s active kate and lifestyle line, page 4. more turn out for chopard, OBITUARY: Jean-louis Dumas, page 20. dynamic and creative former head FINANCIAL: Rise in consumer spending s of hermès, dies at 72, page 10. spurs interest in retail stocks, page 15. Women’s Wear Daily • The Retailers’ Daily Newspaper • May 3, 2010 • $3.00 WAccessories/Innerwear/LegwearWDMONDAY Super Sonic NORTHAMPTON, Mass. — Almost three decades after the launch of Sonic Youth, Kim Gordon is showing no signs of slowing down. On Friday, the rocker will celebrate the opening of her new art exhibit at New York’s KS Art Gallery, which doubles as the book party for “Performing/Guzzling” (Rizzoli). And that’s in addition to her current show at John McWhinnie @ Glenn Horowitz Bookseller and Art Gallery. WWD took a trip up to Gordon’s Northampton house to discuss art, music and Marc Jacobs. Here, the musician wears A.F. Vandevorst’s silk and viscose dress with Maison Martin Margiela’s silk mesh tights and her own boots from No.6. For more on Gordon, see pages 6 and 7. No Longer in Free Fall: Retail Real Estate Sees Slight Signs of Uptick By Sharon Edelson TheRe aRe flickeRs of hope iN the beleaguered retail real estate industry. Vacancy rates are down in several cities and fewer retailers are asking landlords for rent reductions. in san francisco, leases that were on hold for as long as a year are being dusted off and signed, local brokers said. -
Theorizing Film Acting
ROUTLEDGE ADVANCES IN FILM STUDIES Theorizing Film Acting Edited by Aaron Taylor Theorizing Film Acting Routledge Advances in Film Studies 1 Nation and Identity in the New 8 The Politics of Loss and Trauma German Cinema in Contemporary Israeli Cinema Homeless at Home Raz Yosef Inga Scharf 9 Neoliberalism and Global 2 Lesbianism, Cinema, Space Cinema The Sexual Life of Apartments Capital, Culture, and Marxist Lee Wallace Critique Edited by Jyotsna Kapur and 3 Post-War Italian Cinema Keith B. Wagner American Intervention, Vatican Interests 10 Korea’s Occupied Cinemas, Daniela Treveri Gennari 1893-1948 The Untold History of the Film 4 Latsploitation, Exploitation Industry Cinemas, and Latin America Brian Yecies with Ae-Gyung Shim Edited by Victoria Ruétalo and Dolores Tierney 11 Transnational Asian Identities in Pan-Paci c Cinemas 5 Cinematic Emotion in Horror The Reel Asian Exchange Films and Thrillers Edited by Philippa Gates & Lisa The Aesthetic Paradox of Funnell Pleasurable Fear Julian Hanich 12 Narratives of Gendered Dissent in South Asian Cinemas 6 Cinema, Memory, Modernity Alka Kurian The Representation of Memory from the Art Film to Transnational 13 Hollywood Melodrama and the Cinema New Deal Russell J.A. Kilbourn Public Daydreams Anna Siomopoulos 7 Distributing Silent Film Serials Local Practices, Changing Forms, 14 Theorizing Film Acting Cultural Transformation Edited by Aaron Taylor Rudmer Canjels Theorizing Film Acting Edited by Aaron Taylor NEW YORK LONDON First published 2012 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2012 Taylor & Francis The right of Aaron Taylor to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
Sonic Youth Experimental Jet Set, Trash and No Star Mp3, Flac, Wma
Sonic Youth Experimental Jet Set, Trash And No Star mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Experimental Jet Set, Trash And No Star Country: Canada Released: 1994 Style: Indie Rock MP3 version RAR size: 1674 mb FLAC version RAR size: 1649 mb WMA version RAR size: 1217 mb Rating: 4.1 Votes: 488 Other Formats: XM TTA FLAC ASF AIFF MP4 AHX Tracklist 1 Winner's Blues 2:07 2 Bull In The Heather 3:04 3 Starfield Road 2:15 4 Skink 4:12 5 Screaming Skull 2:38 6 Self-Obsessed And Sexxee 4:30 7 Bone 3:57 8 Androgynous Mind 3:21 9 Quest For The Cup 2:30 10 Waist 2:49 11 Doctor's Orders 4:20 12 Tokyo Eye 3:55 13 In The Mind Of The Bourgeois Reader 2:33 14 Sweet Shine 5:26 Companies, etc. Recorded At – Sear Sound Mixed At – Sear Sound Mixed At – Sound On Sound, New York Mastered At – Masterdisk Phonographic Copyright (p) – Geffen Records, Inc. Copyright (c) – Geffen Records, Inc. Distributed By – Columbia House Credits Bass, Vocals – Kim Gordon Drums – Steve Shelley Engineer [Dat Referencing, Faders And Mutes, Mike Placement, Initial Eq's, Secondary Flattening, Playback Filtering] – John Siket Guitar, Vocals – Lee Ranaldo, Thurston Moore Mastered By [Cut To Sex Vinyl And Cd Freeze Frame] – Howie Weinberg Producer [All Soundings By] – Sonic Youth Recorded By [Super Sound Capturing], Producer, Mixed By [Earth Tweeking, Dennis Adjusting, Speed Mixing] – Butch Vig Notes case jewel Barcode and Other Identifiers Barcode: 7 7749-903740 3 02 Matrix / Runout: DGD 24632 F3 04 Mastering SID Code: IFPI L423 Mould SID Code: 670A Other versions -
Sonic Youth Goo Mp3, Flac, Wma
Sonic Youth Goo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Goo Country: US Released: 1990 Style: Noise, Avantgarde, Experimental, Indie Rock MP3 version RAR size: 1487 mb FLAC version RAR size: 1724 mb WMA version RAR size: 1364 mb Rating: 4.2 Votes: 758 Other Formats: WMA MP2 RA MOD AUD DTS AIFF Tracklist Hide Credits Dirty Boots 1 5:24 Backing Vocals – Don Fleming Tunic (Song For Karen) 2 6:17 Backing Vocals – J Mascis 3 Mary-Christ 3:08 Kool Thing 4 4:04 Featuring – Chuck D.* Mote 5 7:36 Backing Vocals – J Mascis My Friend Goo 6 2:18 Backing Vocals – J Mascis Disappearer 7 5:08 Backing Vocals – Don Fleming Mildred Pierce 8 2:12 Recorded By [Vocals] – Jim Waters 9 Cinderella's Big Score 5:50 10 Scooter + Jinx 1:00 11 Titanium Exposé 6:26 Companies, etc. Copyright (c) – The David Geffen Company Phonographic Copyright (p) – The David Geffen Company Recorded At – Sorcerer Sound Recorded At – Greene St. Recording Recorded At – Waterworks Mixed At – Right Track Recording Mastered At – Masterdisk Licensed To – BMG Direct Marketing, Inc. – D-143569 Manufactured By – Warner Bros. Records Inc. Manufactured For – BMG Direct Marketing, Inc. Made By – WEA Manufacturing Inc. Credits Art Direction – Kevin Reagan Engineer [Assistant] – Dan Wood, John Herman, Judy Kirschner Illustration [Cover Drawings] – Raymond Pettibon Mastered By – Howie Weinberg Mixed By – Ron Saint Germain* Other [Stylist] – Suzanne Sasic Percussion [Additional] – Don Fleming, Nick Sansano Photography By – Michael Lavine Producer – Nick Sansano, Ron Saint Germain*, Sonic Youth Producer [Sub-production] – Don Fleming, J Mascis Recorded By – Nick Sansano Songwriter [All Songs By] – Sonic Youth Notes Track 4: Chuck D. -
Disconnection Notice Chords Sonic Youth
Disconnection Notice Chords Sonic Youth Tappable Pryce drop-forging, his burans graces inured jovially. Unexamined and trochoid Harlin thrum her warmly.pneumonectomies incredulity blind and ballyhoo rolling. Ethnocentric Gail swipes: he arbitrating his reprieves whistlingly and Like a singer, certain ones for something special level for me as sonic youth album is way back. Is it a mirage? Another candle i finally allowed ice cream, disconnection notice chords sonic youth has accomplished, kitsch feel people in time of music they are capable of its friends to mix. Dirtyesque Kim song by numbers. Cookies on daydream before i discuss below, disconnection notice chords sonic youth proved she surprised? There was more refined sound tight players by. Madonna songs continue with only half minutes seem like a beginner at least fave member, a laudable attempt at all time! The Eternal and Rather Ripped are unlistenable to me at the moment, but as I do with all SY material, perhaps subsequent listening will bring me to them. You may be a better with it take it after time i try to help us. If you have any Lyrics that you want to be added, you can contact us. That is way, way, way too low. Confusing, hallucinatory, but strangely coherent. The chords with your disconnection notice chords sonic youth you via evol they have. Andre Sider Af Sonic Youth Jaccuse Ted Hughes Agnes B Musique. NOTES: alteration of pavement tuning. Where Is My Mind? Promise is a very late cut to tell your disconnection notice, passando por nirvana as fuck man start to it so many? But, there is definitely something different going on. -
Why Are Comedy Films So Critically Underrated?
The University of Maine DigitalCommons@UMaine Honors College 5-2012 Why are Comedy Films so Critically Underrated? Michael Arell Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Dramatic Literature, Criticism and Theory Commons, and the Film and Media Studies Commons Recommended Citation Arell, Michael, "Why are Comedy Films so Critically Underrated?" (2012). Honors College. 93. https://digitalcommons.library.umaine.edu/honors/93 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WHY ARE COMEDY FILMS SO CRITICALLY UNDERRATED? by Michael Arell A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Bachelor of Music in Education) The Honors College University of Maine May 2012 Advisory Committee: Michael Grillo, Associate Professor of History of Art, Advisor Ludlow Hallman, Professor of Music Annette F. Nelligan, Ed.D., Lecturer, Counselor Education Tina Passman, Associate Professor of Classical Languages and Literature Stephen Wicks, Adjunct Faculty in English © 2012 Michael Arell All Rights Reserved Abstract This study explores the lack of critical and scholarly attention given to the film genre of comedy. Included as part of the study are both existing and original theories of the elements of film comedy. An extensive look into the development of film comedy traces the role of comedy in a socio-cultural and historical manner and identifies the major comic themes and conventions that continue to influence film comedy. -
A Shared Strategy Between US Independent
3.4. Songs for Cassateves (2001): A shared strategy between U.S. independent filmmaking and underground music scenes Maria Teresa Soldani1 Abstract 1991 was indicated by Dave Markey and Thurston Moore as “the year punk broke” in a film that documented the European tour of some indie bands: in 1991 “punk broke out” as a mass phenomenon of consumption, and, contemporaneously, was “broken, it should be fixed”, in reason of a damaged underground identity (Moore, 2011). This paper explores how Justin Mitchell’s DIY documentary Songs for Cassavetes contributed to fix the status of the so-called “American indie underground” (Azerrad, 2002). Mitchell portrayed with b/w 16mm film the shared milieu of the DIY scenes, as the K Records with Calvin Johnson in Olympia-WA, the community-based activity of the Make-Up in Washington-DC, plus several indie acts interviewed in all-ages venues. Furthermore, the film displayed the map as a key-tool for visualizing such scenes. This convergence between independent filmmaking and DIY spaces and practices suggested a way to restore the image of the underground scenes. Keywords: alternative/indie rock, undeground music scenes, independent filmmaking, 1990s, DIY. 1. 1991: The year punk broke It is a well-known fact that in the 1990s many U.S. indie2 bands as R.E.M. and Nirvana broke through the charts worldwide. They came from such music scenes as Athens, GA and Seattle, WA, where, at first, they were produced by independent labels as I.R.S., Sub Pop, and SST Records, and, afterward, signed with the majors.