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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
{Download PDF} Goodbye 20Th Century: a Biography of Sonic
GOODBYE 20TH CENTURY: A BIOGRAPHY OF SONIC YOUTH PDF, EPUB, EBOOK David Browne | 464 pages | 02 Jun 2009 | The Perseus Books Group | 9780306816031 | English | Cambridge, MA, United States SYR4: Goodbye 20th Century - Wikipedia He was also in the alternative rock band Sonic Youth from until their breakup, mainly on bass but occasionally playing guitar. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records. The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, nine releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations. It was released in on DGC. The song was dedicated to the band's friend Joe Cole, who was killed by a gunman in The lyrics were written by Thurston Moore. It featured songs from the album Sister. It was released on vinyl in , with a CD release in Apparently, the actual tape of the live recording was sped up to fit vinyl, but was not slowed down again for the CD release. It was the eighth release in the SYR series. It was released on July 28, The album was recorded on July 1, at the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth". For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation The band's songwriting on Goo is more topical than past works, exploring themes of female empowerment and pop culture. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
You Say Goodbye, I Say Tony & Kris Together Again for the First Time
July 17, 2017, Issue 559 Together Again For The First Time There’s more to the new WWYZ/Hartford morning pairing than the typical late career format jump. Many years ago, Cory Myers met a friend at the suburban Hartford nightclub Fantasia. While there, she had a conversation with the booth deejay about her interest in radio. Myers spent a year-and-a-half as an intern for that deejay, Damon Scott, at Hot AC WTIC-FM before mov- ing on to a career that culminated in her now two-decade run at crosstown Country WWYZ. Last month, Scott joined Myers in mornings at WWYZ. As for the club, it’s now called Cadillac Ranch. And, yes, they play country. Cory Myers Chemistry Lab: With their history, Scott and Myers have an obvious chemistry that may actually be combustible. “I have a couple of working titles for this story,” jokes Scott. “’The Future of Country Music’ or ‘Two Mete- ors Collide.’” With that, he and Myers are off My Guy: The Curb crew celebrates Dylan Scott’s first No. 1 “My to the races, finishing each other’s sentences Girl” today in Nashville. Pictured (l-r) are Jim Ed Norman, Mike without skipping a beat. Rogers, Scott, Taylor Childress, Ryan Dokke and RJ Meacham. Scott left his afternoon post at CBS Radio See the whole Curb family on page 7. Damon Scott last month after 28 years. “I can’t say enough about how they treated me,” says Scott. “Not only did they let me do my last show, they threw a party for me. -
Russie. Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce
AMNESTY INTERNATIONAL Lettre ouverte Index AI : EUR 46/031/2013 AILRC-FR 22 juillet 2013 Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce Springsteen, Ke$ha, Paul McCartney et Sting se joignent à plus de 100 musiciens pour réclamer la libération des Pussy Riot Chères Macha et Nadia, À l’approche du premier anniversaire de votre procès, nous tenions à vous écrire pour vous assurer que, partout dans le monde, des gens continuent de penser à vous et d’œuvrer à votre libération. Si vous étiez les contestataires les plus visibles, nous savons que beaucoup d’autres jeunes ont souffert durant les manifestations, et nous restons très préoccupés à leur sujet. Toutefois, à bien des égards, à travers votre incarcération, vous incarnez désormais cette jeunesse. De nombreux artistes ont exprimé leur inquiétude lorsque ces accusations ont été portées contre vous ; nous espérions vraiment que les autorités, dans cette affaire, feraient preuve d’un certain degré de compréhension, du sens des proportions, et même du sens de l’humour russe si caractéristique, mais force est de constater qu’il n’en fut rien. Votre procès terriblement inique et votre incarcération ont eu un très grand retentissement, particulièrement au sein de la communauté des artistes, des musiciens et des citoyens dans le monde entier, et notamment auprès des parents qui ressentent votre angoisse d’être séparées de vos enfants. Tout en comprenant qu’une action de contestation menée dans un lieu de culte puisse choquer, nous demandons aux autorités russes de revoir les sentences très lourdes prononcées, afin que vous puissiez retrouver vos enfants, vos familles et vos vies. -
Vinylnews 03-04-2020 Bis 05-06-2020.Xlsx
Artist Title Units Media Genre Release ABOMINATION FINAL WAR -COLOURED- 1 LP STM 17.04.2020 ABRAMIS BRAMA SMAKAR SONDAG -REISSUE- 2 LP HR. 29.05.2020 ABSYNTHE MINDED RIDDLE OF THE.. -LP+CD- 2 LP POP 08.05.2020 ABWARTS COMPUTERSTAAT / AMOK KOMA 1 LP PUN 15.05.2020 ABYSMAL DAWN PHYLOGENESIS -COLOURED- 1 LP STM 17.04.2020 ABYSMAL DAWN PHYLOGENESIS -GATEFOLD- 1 LP STM 17.04.2020 AC/DC WE SALUTE YOU -COLOURED- 1 LP ROC 10.04.2020 ACACIA STRAIN IT COMES IN.. -GATEFOLD- 1 LP HC. 10.04.2020 ACARASH DESCEND TO PURITY 1 LP HM. 29.05.2020 ACCEPT STALINGRAD-DELUXE/LTD/HQ- 2 LP HM. 29.05.2020 ACDA & DE MUNNIK GROETEN UIT.. -COLOURED- 1 LP POP 05.06.2020 ACHERONTAS PSYCHICDEATH - SHATTERING 2 LP BLM 01.05.2020 ACHERONTAS PSYCHICDEATH.. -COLOURED- 2 LP BLM 01.05.2020 ACHT EIMER HUHNERHERZEN ALBUM 1 LP PUN 27.04.2020 ACID BABY JESUS 7-SELECTED OUTTAKES -EP- 1 12in GAR 15.05.2020 ACID MOTHERS TEMPLE REVERSE OF.. -LTD- 1 LP ROC 24.04.2020 ACID MOTHERS TEMPLE & THE CHOSEN STAR CHILD`S.. 1 LP ROC 24.04.2020 ACID TONGUE BULLIES 1 LP GAR 08.05.2020 ACXDC SATAN IS KING 1 LP PUN 15.05.2020 ADDY ECLIPSE -DOWNLOAD- 1 LP ROC 01.05.2020 ADULT PERCEPTION IS/AS/OF.. 1 LP ELE 10.04.2020 ADULT PERCEPTION.. -COLOURED- 1 LP ELE 10.04.2020 AESMAH WALKING OFF THE HORIZON 2 LP ROC 24.04.2020 AGATHOCLES & WEEDEOUS HOL SELF.. -COLOURED- 1 LP M_A 22.05.2020 AGENT ORANGE LIVING IN DARKNESS -RSD- 1 LP PUN 18.04.2020 AGENTS OF TIME MUSIC MADE PARADISE 1 12in ELE 10.04.2020 AIRBORNE TOXIC EVENT HOLLYWOOD PARK -HQ- 2 LP ROC 08.05.2020 AIRSTREAM FUTURES LE FEU ET LE SABLE 1 LP ROC 24.04.2020 ALBINI, STEVE & ALISON CH MUSIC FROM THE FILM. -
The Golden Age of Non-Idiomatic Improvisation
The Golden Age of Non-Idiomatic Improvisation FYS 129 David Keffer, Professor Dept. of Materials Science & Engineering The University of Tennessee Knoxville, TN 37996-2100 [email protected] http: //cl ausi us.engr.u tk.e du / Various Quotes These slides contain a collection of some of the quotes largely from the musicians that are studied during the course. The idea is to present “musicians in their own words”. Thurston Moore American guitarist and vocalist (July 25, 1958—) Background on Sonic Youth Thurston Moore was a guitarist and vocalist for Sonic Youth. Sonic Youth was an American alternative rock band from New York City, formed in 1981. Their lineup largely consisted of Thurston Moore (guitar and vocals), Kim Gordon (bass guitar, vocals, and guitar), Lee Ranaldo (guitar and vocals), Steve Shelley (drums). In their early career, Sonic Youth was associated with the no wave art and music scene in New York City. Part of the first wave of American noise rock groups, the band carried out their interpretation of the hardcore punk ethos throughout the evolving American underground that focused more on the DIY ethic of the genre rather than its specific sound. As a result, some consider Sonic Youth as pivotal in the rise of the alternative rock and indie rock movementThbdts. The band exper ience d success an ditild critical acc lithhtlaim throughout their existence, continuing into the new millennium, including signing to major label DGC in 1990, and headlining the 1995 Lollapalooza festival. http://en.wikipedia.org/wiki/Sonic_youth Moore Quotes Q: What led Sonic Youth to do a project like Goodbye 20th Century? Moore: It was definitely a universe or world that we were aware of. -
Lee Ranaldo Jazzmaster®
ARTIST LEE RANALDO JAZZMASTER® Part Number Description MSRP excl. VAT Lee Ranaldo Jazzmaster®, Rosewood Fretboard, Sap- 011-5100-727 phire Blue Transparent €1,895.00 LEE RANALDO JAZZMASTER®: Thurston Moore and Lee Ranaldo. Jazzmaster® guitars slung across seminal shoulders. In the hands of both men, the sound of Sonic Youth is the sound of that guitar used as part paintbrush and part cluster bomb. If anybody ought to have a signature Jazzmaster® model, it’s those two guys. Done. Fender® introduces the new Thurston Moore Jazzmaster® and the Lee Ranaldo Jazzmaster® guitars. Classic Jazzmaster® gestalt, Youth-fully stripped down and hot rodded right through the roof. 727 (Saphire Blue Transparent) www.fender.com Prices and specifications subject to change without notice. Fender ARTIST LEE RANALDO JAZZMASTER® COLORS: (727) parent Saphire Blue Trans- SPECIFICATIONS: Body Alder Finish Satin Nitrocellulose Lacquer Finish Neck Maple w/ Satin Black Painted Headstock, “C” Shape Fingerboard Rosewood, 7.25” Radius (184 mm) Frets 21, Vintage Style Scale Length 25.5” Nut Width: 1.650” Hardware Chrome Tuning Keys Fender® Vintage Style Tuning Machines Bridge American Vintage Jazzmaster® Tremolo with Mustang® Bridge and Tremolo Lock Button. Pickguard Anodized Black Pickups 2 New Fender® Wide Range Humbucking Pickups Re- Voiced to Original Vintage Spec, (Neck/Bridge) Pickup Switching 3-Position Toggle: Position 1. Bridge Pickup Position 2. Bridge and Neck Pickups Position 3. Neck Pickup Controls Master Volume (Neck and Bridge Pickup) Strings Fender® Standard Tension™ ST250R, Nickel Plated Steel, Gauges: (.010, .013, .017, .026, .036, .046), (p/n 0730250206) Incl. Accessories Case: Standard Tolex Case Accessories: Strap, Cable, Jazzmaster Strings®, Sonic Youth ‘Zine, Sticker Sheet Unique Features Satin Lacquer Finish, Satin Black Painted Headstock, Single 727 (Saphire Blue Transparent) Master Volume, Mustang® Style Bridge, Re-Voiced Wide Range Humbucking pickups, Black Anodized Aluminum Pickguard, Sticker Sheet. -
Post-Cinematic Affect: on Grace Jones, Boarding Gate and Southland Tales
Film-Philosophy 14.1 2010 Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Steven Shaviro Wayne State University Introduction In this text, I look at three recent media productions – two films and a music video – that reflect, in particularly radical and cogent ways, upon the world we live in today. Olivier Assayas’ Boarding Gate (starring Asia Argento) and Richard Kelly’s Southland Tales (with Justin Timberlake, Dwayne Johnson, Seann William Scott, and Sarah Michelle Gellar) were both released in 2007. Nick Hooker’s music video for Grace Jones’s song ‘Corporate Cannibal’ was released (as was the song itself) in 2008. These works are quite different from one another, in form as well as content. ‘Corporate Cannibal’ is a digital production that has little in common with traditional film. Boarding Gate, on the other hand, is not a digital work; it is thoroughly cinematic, in terms both of technology, and of narrative development and character presentation. Southland Tales lies somewhat in between the other two. It is grounded in the formal techniques of television, video, and digital media, rather than those of film; but its grand ambitions are very much those of a big-screen movie. Nonetheless, despite their evident differences, all three of these works express, and exemplify, the ‘structure of feeling’ that I would like to call (for want of a better phrase) post-cinematic affect. Film-Philosophy | ISSN: 1466-4615 1 Film-Philosophy 14.1 2010 Why ‘post-cinematic’? Film gave way to television as a ‘cultural dominant’ a long time ago, in the mid-twentieth century; and television in turn has given way in recent years to computer- and network-based, and digitally generated, ‘new media.’ Film itself has not disappeared, of course; but filmmaking has been transformed, over the past two decades, from an analogue process to a heavily digitised one. -
Social Photography VI Prints Available Online from June 28Th At: Socialphotography.Carriagetrade.Org See Details on Purchasing Below*
Joianne Bittle, Empty Met - European paintings gallery, 2018 Social Photography VI Prints available online from June 28th at: socialphotography.carriagetrade.org See details on purchasing below* Online Sales Begin: Thursday, June 28 Gallery Exhibition Opens: Tuesday, July 10, 6-8 PM carriage trade 277 Grand St, 2nd Fl. New York, NY 10002 First presented in 2011, carriage trade’s Social Photography exhibitions have catalogued the rapid transformation of cell phone photography over the last several years. From a novelty medium existing between the voice and text functions of flip phones, to the smart phone as near physical appendage capable of recording and transmitting every waking moment, the cell phone camera now plays a pervasive role in many people’s lives. While Instagram tends to emphasize the medium’s social utility, carriage trade’s Social Photography exhibitions have tracked an alternate course, inviting participants and viewers to encounter these images in a format free of peer-generated tallies, while offering the option of a sustained look afforded by a gallery setting. Social Photography contributors are not limited to visual artists, and include writers, curators, musicians, students, etc., reflecting the accessibly and ubiquity of cell phone camera use. Functioning as a benefit exhibition to help support upcoming programming at carriage trade, there is no particular theme guiding Social Photography VI apart from how the cell phone camera is most often used. Participants email images from their phones to carriage trade, which are then formatted, printed on 7" x 5" paper, and sold online and in the gallery during the exhibition. Less a sanctioning of an evolving medium than a hybrid of a traditional exhibition format and the wider net of social media, Social Photography also functions as a means to sustain and expand carriage trade’s community, which exists in the combined spheres of online experience and the irreplaceable physicality of the exhibition space itself. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Olivier Assayas
[email protected] • www.janusfilms.com “No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be. Nielsen plays Diane de Monx, a Volf Corporation executive turned spy for rival Mangatronics in the companies’ battle over the lucrative market of internet adult animation. But Diane may not be the only player at Volf with a hidden agenda: both romantic interest Hervé (Charles Berling) and office enemy Elise (Chloë Sevigny) seem to know her secret and can easily use it against her for their own purposes. As the stakes grow higher and Diane ventures into deadlier territory, and as Sonic Youth’s score pulses, Assayas explores the connections between multinational businesses and extreme underground media as well as the many ways twenty-first-century reality increasingly resembles violent, disorienting fiction. New 2K restoration of the unrated director’s cut overseen by Olivier Assayas France | 2002 | 122 minutes | Color | In Japanese, French, and English with English subtitles | 2.35:1 aspect ratio Booking Inquiries: Janus Films Press Contact: Courtney Ott [email protected] • 212-756-8761 [email protected] • 646-230-6847 OLIVIER ASSAYAS Olivier Assayas was born in Paris in 1955, the son of screenwriter sentimentales (2000), demonlover (2002), and Clean (2004) were Raymond Assayas (better known by the pen name of Jacques all nominated for the Palme d’Or at Cannes, while Summer Rémy). After studying painting at the French National School of Hours (2008) and the miniseries Carlos (2010) each earned Fine Arts and working as a critic for Cahiers du cinéma, Assayas multiple awards from various international festivals and societies.