IN the CROSSFIRE.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Unicef Book No Photo
Front Cover: UNICEF/EAPRO/Thierry Falise ADULT WARS, CHILD SOLDIERS Voices of Children Involved in Armed Conflict in the East Asia and Pacific Region C ONTENTS Chapter 1: This Study 7 Introduction 8 Methodology 10 Legal Standards to Stop the Use of Child Soldiers 12 Status of Ratification of Key International Treaties 14 Child Soldiers Map 15 Chapter 2: Voices of Child Soldiers 19 Section 1: How We Became Involved 23 "The militia threatened to kill me…" 24 "I was dragged out of my house…" 25 "I joined to serve the people…" 26 "I think soldiers are very beautiful…" 29 "I had no parents to look after me…" 30 "My parents couldn’t afford to send me to school…" 31 Section 2: Our Experiences as Child Soldiers 35 "I had about two weeks of training…" 36 "Yes, I have heard of the Geneva Conventions…" 39 "Don’t steal, don’t talk to girls or have sex…" 41 "They ordered us to rape…" 43 "My jobs were to take care of security, cooking and carrying orders…" 44 "No, I’m not being paid…" 47 "Yes, we have doctors…" 50 "Kill or be killed…" 52 "It was a good experience for me…" 56 "A good age for youth to join the army is 18..." 58 Section 3: Coping with Our Pasts and Looking Ahead 63 "I have bad dreams of killing people…" 64 "Sometimes now I get very angry…" 66 "I want to become one of the successful people in life…" 67 Chapter 3: Conclusion- Children Caught in the Crossfire of Adult Wars 73 Children Involved in Armed Conflict in EAP Case Studies Project: Guidelines for Case Studies 76 Acknowledgments 81 Visna is registered in the Royal Cambodian Armed Forces as an adult soldier. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
I Have No Mouth and I Must Extreme
xXxtreme - 7/31/16, 9:05 PM / 1 xXx I HAVE NO MOUTH AND I MUST EXTREME Written by Brian Firenzi In 12 straight hours xXxtreme - 7/31/16, 9:05 PM / 2 OPENING CREDITS SEQUENCE: A microscopic camera SWOOPS and dives around different circuits which glow and spark with energy. We are inside of something computerized. It's very Fight Club. We zoom and swoop through arcing blasts of blue and yellow electricity until we emerge from the very tiny speaker hole of a computer. Back, back, back we pull until... REVEAL: A hacker is hurriedly downloading something she shouldn't be. The big download bar which never exists with this kind of expository clarity in real life ticks closer and closer to completion. She looks over her shoulder through a curtain of sharp bangs. This is ZENDAYA. INT. HALLWAY OUTSIDE THE COMPUTER ROOM - NIGHT Two GUARDS (RuPaul and Paulie), butch as hell and racked out with tats, approach a third guard who appears to be sleeping on the job. RUPAUL Hey. Paco. Wake up. PAULIE He is sleeping. We must not disturb him. RUPAUL We ain't getting paid by the Tortuga to slack off. RuPaul slaps the sleeping guard (Paco) in the face. No response. RUPAUL Shit. He's dead. PAULIE Death is a kind of sleep. RUPAUL Shut up. Someone's in here. They draw their AR-15s and start approaching the door to the computer room. xXxtreme - 7/31/16, 9:05 PM / 3 INT. COMPUTER ROOM - NIGHT Zendaya isn't finished downloading but she's incredibly close. -
“My Logo Is Branded on Your Skin”: the Wu-Tang Clan, Authenticity, Black Masculinity, and the Rap Music Industry
“MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Master of Arts 2014 ABSTRACT “MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey The rap group, the Wu-Tang Clan came out of a turbulent period of time in both the rap music industry and American society in the early 1990s. Lawsuits over sampling in rap music forced producers to rethink the ways they made music while crack cocaine and the War on Drugs wreaked havoc in urban communities across the nation, as it did in the Clan’s home borough of Staten Island, New York. Before the formation of the group, Gary “GZA” Grice, had managed to land a recording contract as a solo artist, but his marketing was mismanaged and his career stagnated. He returned in 1992 as one of the nine member collective, who billed themselves as kung fu movie buffs melding low-fi, eerie productions with realistic raps about ghetto life. Drawing from the vibrant underground rap scene of New York City in the 1970s and 1980s, Brooklyn’s rich African American chess tradition, the teachings of the Five Percenters, and the cult following for Hong Kong action cinema, the Clan became a huge hit across the country. Each member fashioned a unique masculine identity for himself, bolstering their hardcore underground image while pushing the boundaries of acceptable expressions of manhood in rap music. -
Brief of March for Our Lives Action Fund As Amicus Curiae in Support of Respondents ______Ira M
No. 18-280 IN THE Supreme Court of the United States _________ NEW YORK STATE RIFLE & PISTOL ASSOCIATION, INC., ET AL., Petitioners, v. THE CITY OF NEW YORK AND THE NEW YORK CITY POLICE DEPARTMENT-LICENSE DIVISION, _________ Respondents. On Writ of Certiorari to the United States Courts of Appeals for the Second Circuit _________ BRIEF OF MARCH FOR OUR LIVES ACTION FUND AS AMICUS CURIAE IN SUPPORT OF RESPONDENTS _________ IRA M. FEINBERG Counsel of Record HOGAN LOVELLS US LLP 390 Madison Avenue New York, NY 10017 (212) 918-3509 [email protected] ANDREW A. BANK EVAN W. GUIMOND KIRTI DATLA HOGAN LOVELLS US LLP 555 Thirteenth Street, N.W. Washington, D.C. 20004 Counsel for Amicus Curiae i TABLE OF CONTENTS Page TABLE OF AUTHORITIES ........................................ ii STATEMENT OF INTEREST .................................... 1 INTRODUCTION AND SUMMARY OF ARGUMENT .......................................................... 2 ARGUMENT ............................................................... 3 I. THE PREVENTION OF GUN VIOLENCE IS AN ISSUE OF CRITICAL IMPORTANCE TO YOUNG AMERICANS .......... 3 A. Aalayah Eastmond ........................................... 5 B. Edna Chavez ..................................................... 8 C. Lourdes Russell .............................................. 10 D. LaNiyah Murphy ............................................ 12 E. Jackson Mittleman ......................................... 14 F. Zion Kelly ........................................................ 16 G. Marcel McClinton -
50 Cent Films and Movies (Filmography) List : Vote For
50 Cent Movies List (Filmography) Last Vegas https://www.listvote.com/lists/film/movies/last-vegas-866048/actors Setup https://www.listvote.com/lists/film/movies/setup-778970/actors Beef II https://www.listvote.com/lists/film/movies/beef-ii-4879742/actors The Frozen Ground https://www.listvote.com/lists/film/movies/the-frozen-ground-2613129/actors The Prince https://www.listvote.com/lists/film/movies/the-prince-16254293/actors Vengeance https://www.listvote.com/lists/film/movies/vengeance-7919906/actors Escape Plan https://www.listvote.com/lists/film/movies/escape-plan-196685/actors Champs https://www.listvote.com/lists/film/movies/champs-18205925/actors Dead Man Running https://www.listvote.com/lists/film/movies/dead-man-running-5245303/actors Power https://www.listvote.com/lists/film/movies/power-15072855/actors Southpaw https://www.listvote.com/lists/film/movies/southpaw-17276718/actors Morning Glory https://www.listvote.com/lists/film/movies/morning-glory-856602/actors Caught in the Crossfire https://www.listvote.com/lists/film/movies/caught-in-the-crossfire-5054460/actors Home of the Brave https://www.listvote.com/lists/film/movies/home-of-the-brave-1246152/actors Righteous Kill https://www.listvote.com/lists/film/movies/righteous-kill-477624/actors Fire with Fire https://www.listvote.com/lists/film/movies/fire-with-fire-1057433/actors All Things Fall Apart https://www.listvote.com/lists/film/movies/all-things-fall-apart-4729787/actors 13 https://www.listvote.com/lists/film/movies/13-186799/actors LA Originals https://www.listvote.com/lists/film/movies/la-originals-90712852/actors -
Dissertation Full Draft
Copyright by Bryan John McCann 2009 The Dissertation Committee for Bryan John McCann Certifies that this is the approved version of the following dissertation: Contesting the Mark of Criminality: Resistance and Ideology in Gangsta Rap, 1988-1997 Committee: Dana L. Cloud, Supervisor Barry Brummett Jennifer Fuller Joshua Gunn Stephen John Hartnett Contesting the Mark of Criminality: Resistance and Ideology in Gangsta Rap, 1988-1997 by Bryan John McCann, B.S.; M.S. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2009 Dedication To the heroic families of Texas’s death row. They are the inspiration for this project and the heart of a movement. Acknowledgements As a materialist, I believe that all texts are conditioned by relationships. Indeed, completing this project would have been impossible were it not for my connection to a wide range of people. I am especially indebted to my talented dissertation committee. Dana Cloud, in addition to being a wise and dedicated advisor, is a dear friend and comrade. Her example and mentorship are constant reminders that scholarship should emerge from the concrete struggles of ordinary people and that while it is important to interpret the world; the point is ultimately to change it. In addition to helping cultivate a supportive and challenging environment as department chair at the University of Texas, Barry Brummett has helped me develop a deeper appreciation for the artistry of criticism and what it means to “get inside” a text. -
Caught in the Crossfire?
Caught in the crossfire? An international survey of anti-terrorism legislation and its impact on children Acknowledgements CRIN is a global children’s rights advocacy network. Established in 1995, we press for rights - not charity - and campaign for a genuine shift in how gover- nments and societies view and treat children. CRIN would like to express our thanks to the lawyers that have supported this work and without whom this project would not have been possible. Our specific thanks to Bryan, Cave, Leighton, Paisner LLP for their contribution to the research. CRIN would also like to express our thanks to Child Soldiers International who collaborated on the research that led to this publication. Illustrations by Miriam Sugranyes. First published in November 2018. (c) Child Rights International Network 2018 The Child Rights International Network (CRIN) is registered in the United Kingdom and regulated by Companies House and the Charity Commission (Company Limited by Guarantee No. 6653398 and Charity No. 1125925). This report is provided for informational and educational purposes only and should not be construed as legal advice. CRIN does not accept liability for any loss, damage, cost or expense incurred or arising by reason of any person using or relying on information in this report. CRIN encourages personal and educational use of this publication and grants permission for its reproduction in this capacity where proper credit is given in good faith. Please send any feedback or comments to [email protected]. 2 CAUGHT IN THE CROSSFIRE? Contents -
Films on Race & Ethnicity
1 FILMS ON RACE & ETHNICITY Pgs 1-3: Pgs. 4-6: Pgs. 7-9: Pgs. 10-12: Pgs. 13 African American Asian Americans Hispanic – Latino Native Americans Multi-Cultural & Stories & Themes Stories & Themes Stories & Themes Stories & Themes Intersectionalities AFRICAN AMERICAN STORIES & THEMES FEATURE FILMS Bamboozled - New Line Cinema (135 min.) 2000 Director Spike Lee … tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. … By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues-- Director : Spike Lee. Performers : Damon Wayans, Savion Glover, Jada Pinkett-Smith, Tommy Davidson, Michael Rapaport. Boyz 'n the Hood - Columbia Pictures (112 min.) 1991 John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. -
OVC Bulletin, July 2001: Working with Victims of Gun Violence
U.S. Department of Justice Office of Justice Programs Office for Victims of Crime J ULY 2001 Working With Victims of Gun Violence About This Bulletin by Judith Bonderman Gun violence in America crosses the demographic lines of age, race, ethnicity, I Identify promising or successful as- religion, gender, and class—very few Introduction sistance programs for victims of Americans have not been affected by gun violence. the scourge of gun violence. Gun violence corrodes the fabric of our n March 3, 2000, the Office for I Develop recommendations for how communities, traumatizing victims, Victims of Crime (OVC) spon- federal and state crime victims’ witnesses, families, communities, and sored a roundtable discussion funds could be used to address even our Nation, as recent high- aboutO the effects of gun violence on indi- profile school shootings have shown. unmet needs. vidual victims, their families, and their To understand and respond effectively communities. This 1-day meeting in The 18-person group reflected a wide to violence in our society, we must Washington, D.C., brought together a di- range of expertise—from a trauma sur- build on many disciplines, including the verse group of professionals who work geon who operates on gun victims to a victim assistance and criminal justice with victims of gun violence: physicians, counselor who accompanies families to fields, health care, social services, educa- tion, and the clergy.To guide our efforts social workers, mental health providers, the morgue to a judge who hears victim prosecutors, nurses, lawyers, teachers, in serving victims of gun violence, the impact statements.