Curating Sonic Laboratories

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Curating Sonic Laboratories http://dx.doi.org/10.14236/ewic/RESOUND19.4 Curating Sonic Laboratories Laura Plana Gracia UAL – LCC - CRiSAP London [email protected] Bruno Latour’s essay Give Me a Laboratory and I will Raise the World (1983), describes the laboratory as the place in science and technology where innovation happens. From the depth of the lab, the society is so directly modified. This essay examines the power of the laboratory to transform society, or of rebuilding the system in which it is embedded. Following such reasoning, this essay will make a case for how transformations in culture, capital and society that occurred during the 1990s are part of the history from which to explain the emergence of laboratory spaces such as hackerspaces, media labs and the lessfavoured sonic laboratories. Nevertheless, there are qualitative as well as quantitative differences between such places. Since their appearance, sonic laboratories have been aligned, for example, with critical and alternative practices, thus indicating a separation from the neoliberal economies of private sector galleries and established cultural institutions in the public sector (Jaron Rowan, 2015). Reacting against these, the sonic laboratory is often characterised by using open source and digital media and focuses on radically transforming production denouncing how capitalistic market speculates with the value of art objects. The sonic lab offers a confrontation with the methods of capitalistic technologies, becoming its production more affordable and also, provides models of collaborative practices which encourage experimentation and creativity in the curation of sound arts. The sonic lab offers practices of instrument making that make production more personal but located in a community. Such labs can address new institutional opportunities in humanities to engage with practice-based knowledge creation and extend their mission to include tools, techniques and a new curatorial scope. Hackerspace, media lab, science, technology, sound art, sonic laboratories. 1. INTRODUCTION: LABORATORIES IN THE sociologist Karin Knorr Cetina studied a ART, SCIENCE AND TECHNOLOGY NETWORK. biochemistry laboratory in Berkeley and looked into the informal, practical reasoning of researchers in a The most common and well-known definition of work situation. According to Andrew Pickering “laboratory” is related to science and also, through (1992), LS analysed science as both “practice and laboratory studies (LS), which emerge as a mix of culture”, as opposed to the study of scientific science and sociology. LS study the lab but from a theories and ideas. Nonetheless, a laboratory is sociological point of view. LS analyse the context of also a place of scientific production but the laboratory’s production and how it affects and is insufficiently explored. The laboratory is a sort of related to society. LS reached a turning point with standard organisation of “knowledge society” with the works of Latour, Lynch and Knorr Cetina. the ability to act on the world of objects. Its Latour and Woolgar who researched in a dynamism arises from its capacity to reconfigure biochemistry laboratory-made critical contributions entities from the natural to the social world. to the network of laboratory studies. Following, Dominique Vink (2007) defines the Latour and Woolgar were based at the Salk laboratory as a reconfiguration space and so Institute in southern California, while Knorr Cetina coincides with Latour, who remarks the worked at the University of Berkeley. Latour, who transformative capabilities of the lab, from nature to seemed unaware of the sociology of science and society. Also, Vink defines the laboratory space as who never seemed interested in science, adopted a an active system. Laboratories are made up of “naïve” ethnographic approach to understand human groups that are more fluid than the laboratory activity. Differently, the German industrial and bureaucratic organisations. As © Gracia. Published by 22 BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019 Sonic Laboratories Laura Plana Gracia Verena Kuni (2005) observes, the laboratory through texts and inscriptions. What is interesting constitutes the “framework for the scientific here is how the strength is gained in laboratories to examination of a phenomenon” and also a “place of transform and displace societies. To understand transgression”. the reason why people pay so much for laboratories which are ordinary places is that these Following Bruno Latour (1983), it exists a division are places of technological devices that invert the between organisations, institutions, public policy, hierarchy of forces in society. Making instructions on the one hand, and scientific disciplines on the readable and visible, permits the accumulation of other. So, a lack of understanding of different knowledge, and that is a condition for acceleration opinions leads to extreme internalism in science. in society. Latour’s position is to demonstrate that laboratories are built to destabilise the difference between Latour defines the way we approach science and macro and micro, inside and outside. In this how sociological science ignores the transformative manner, Latour studied the reception and success capacity that labs have. Because laboratories make of Pasteur’s laboratory in 1881, which made more the relevant changes to happen, we may remember progress and set up “in-site”. Then the laboratory as well that is the universality of society which “in-site” was transferred back to the workplace at permits this construction of social change. That is Ecole Normale Superieure. Since then, the scientist why Latour (1983) expresses the sentence “Give in this lab talked with more authority, becoming an me a laboratory and I will move society”. imposition to the other lab’s needs, and amplifying Lab in science identifies as a place for doing the interest of external agents. “Suddenly people experiments which resemble reality. However, from were manipulating new objects and so acquiring the 1970s, a surge of the interest in the notion of new skills in a new idiosyncratic ethic”, says Knorr lab sets it as a space in the culture. With its Cetina (1981). Pasteur’s laboratory applied what is production, culture constructs society. What the known as imitated variation. The success of it is laboratory does is to erase this complicated because of a double movement, from the lab to the difference between inside/outside and works to site, and from the site to the lab, adding the reshape society in innovative conditions. That is manipulation of new materials. However, how can what gives prestige to the labs and makes grow the laboratory practice be extended? Only by their economic potential, which at the same time extending the laboratory by itself. Extended into a grows technological capabilities. Moreover, the village, from the lab to the site, to the city, it is an production of written instructions transforms the lab extension of the lab to the outside. However, for the into a place of culture with literature instrumentation media, it was not seen as a practical movement; it that allows interfering socially. was a prophecy. What the press validated was the inside/outside relation, but in reality, there was a step after step, an event that was possible, but not 2. THE EMERGENCE OF DIY LABORATORIES a miracle. Mystified versions of scientific activity come from overlooking at it. Such displacement of The transformations in culture, capital and ecology laboratories became a national miracle when it was in the late 1990s contextualise the history for the not. emergence of do-it-yourself (DIY) laboratories, However, Latour states that the lab is a moment in hackerspaces, media labs, and sonic laboratories. a dynamic process. The laboratory modifies all From the depth of the lab, the society is so directly other actors, including society. In the beginning, modified and defines the power of the lab to there was distrust in science because of the transform society, rebuilding the system in which is separation and differentiation of the inside/outside. embedded. As Latour (1987) says in Science in However, now, there is no differentiation. In Action, there is a division of labour between science and technology, innovation happens in the scholars studying organisations, institutions, public laboratory. From the depth of the lab, the society is policy on the one hand, and people studying inside so directly modified. This states the power of the scientific disciplines on the other. Therefore, is why lab to transform society, rebuilding the system in this lack of connection in between humanities and which is embedded. The transformation of society scientific process in the laboratory lead towards a operated in laboratories, which are places that also highly scientific-technological society based on renew politics, alter the composition of society models of unsustainable development, because of the very content of the trials made representing the last phase of techno-capitalism, within their walls. ideologically alienated with neoliberalism. What Latour proposes here is a definition of the Although, since the 1990s, certain practices aligned laboratory, which relapses in its transformative with critical and alternative practices indicating social capacity. Labs have political strength, and separation from the neoliberal economies of private sociological studies have found that what makes sector galleries and established cultural institutions science so successful is the way it expresses
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