Next Gen 2015: Youtube's Top 30 Influencers
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Identity and Representation on the Neoliberal Platform of Youtube
Identity and Representation on the Neoliberal Platform of YouTube Andra Teodora Pacuraru Student Number: 11693436 30/08/2018 Supervisor: Alberto Cossu Second Reader: Bernhard Rieder MA New Media and Digital Culture University of Amsterdam Table of Contents Introduction ............................................................................................................................................ 2 Chapter 1: Theoretical Framework ........................................................................................................ 4 Neoliberalism & Personal Branding ............................................................................................ 4 Mass Self-Communication & Identity ......................................................................................... 8 YouTube & Micro-Celebrities .................................................................................................... 10 Chapter 2: Case Studies ........................................................................................................................ 21 Methodology ............................................................................................................................. 21 Who They Are ........................................................................................................................... 21 Video Evolution ......................................................................................................................... 22 Audience Statistics ................................................................................................................... -
Hearst Pays $81.3M for Stake in Awesomenesstv 12 December 2014
Hearst pays $81.3M for stake in AwesomenessTV 12 December 2014 Hearst Corp. is betting $81.3 million that Internet video network AwesomenessTV will live up to its name. The investment announced Thursday gives Hearst a 25 percent stake in AwesomenessTV, which DreamWorks Animation SKG Inc. acquired in May 2013. The deal is the latest to underscore the growing popularity of Internet video services. Glendale- based DreamWorks bought AwesomenessTV, or ATV, at a price that could exceed $100 million if certain financial targets are reached. Just 19 months later, Awesomeness TV has now been valued at $325 million, based on Hearst's investment. ATV, which tailors its videos for teens, got its start with a small piece of the $100 million that Google Inc.'s YouTube doled out to about 100 programmers in 2012. New York-based Hearst, which owns 29 traditional television stations, hopes to help ATV expand its audience beyond the viewers who watch the network's clips about 800 million times per month. Among other things, Hearst is allowing ATV to use its video-on-demand technology to expand. "For us, it's very important to make a bet on the future of how content is created," said Hearst CEO Steven Swartz. ATV's stable of talent includes Cimorelli, Miss Glamorazzi, Tyler Oakley, Cameron Dallas and Nash Grier. © 2014 The Associated Press. All rights reserved. APA citation: Hearst pays $81.3M for stake in AwesomenessTV (2014, December 12) retrieved 30 September 2021 from https://phys.org/news/2014-12-hearst-813m-stake-awesomenesstv.html This document is subject to copyright. -
Top 1000 Searches in Youtube New Zealand
Top 1000 Searches in YouTube New Zealand https://www.iconicfreelancer.com/top-1000-youtube-new-zealand/ # Keyword Volume 1 pewdiepie 109000 2 music 109000 3 asmr 77000 4 songs 68000 5 fortnite 65000 6 old town road 60000 7 billie eilish 59000 8 pewdiepie vs t series 57000 9 david dobrik 48000 10 baby shark 45000 11 bts 44000 12 james charles 43000 13 dantdm 42000 14 joe rogan 41000 15 peppa pig 40000 16 minecraft 39000 17 norris nuts 36000 18 lazarbeam 34000 19 movies 33000 20 ufc 32000 21 ksi 32000 22 wwe 32000 23 eminem 29000 24 t series 28000 25 jacksepticeye 28000 26 lofi 26000 27 crime patrol 2019 26000 28 senorita 26000 29 ariana grande 25000 30 blippi 25000 31 jake paul 25000 32 tik tok 25000 33 markiplier 25000 34 logan paul 24000 35 roblox 23000 36 song 23000 37 ed sheeran 23000 38 cocomelon 23000 39 nightcore 22000 40 rugby reaction 22000 41 shane dawson 22000 42 try not to laugh 22000 43 gacha life 22000 44 game of thrones 22000 45 jelly 22000 46 mrbeast 21000 47 post malone 21000 48 ssundee 21000 49 taylor swift 21000 50 ace family 20000 51 jre 20000 52 ryan's toy review 20000 53 unspeakable 20000 54 morgz 20000 55 chris brown 20000 56 boy with luv 20000 57 sex 19000 58 rachel maddow 19000 59 sidemen 19000 60 documentary 19000 61 mr beast 18000 62 paw patrol 18000 63 just dance 18000 64 sis vs bro 18000 65 blackpink 18000 66 fgteev 18000 67 bad guy 18000 68 tfue 18000 69 nba 18000 70 study music 17000 71 six60 17000 72 michael jackson 17000 73 trump 17000 74 stephen colbert 17000 75 cardi b 17000 76 slime 17000 77 funny videos -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Developing a Curriculum for TEFL 107: American Childhood Classics
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Winter 12-19-2019 Developing a Curriculum for TEFL 107: American Childhood Classics Kendra Hansen [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the American Studies Commons, Education Commons, and the English Language and Literature Commons Recommended Citation Hansen, Kendra, "Developing a Curriculum for TEFL 107: American Childhood Classics" (2019). Dissertations, Theses, and Projects. 239. https://red.mnstate.edu/thesis/239 This Project (696 or 796 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Developing a Curriculum for TEFL 107: American Childhood Classics A Plan B Project Proposal Presented to The Graduate Faculty of Minnesota State University Moorhead By Kendra Rose Hansen In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language December, 2019 Moorhead, Minnesota Copyright 2019 Kendra Rose Hansen v Dedication I would like to dedicate this thesis to my family. To my husband, Brian Hansen, for supporting me and encouraging me to keep going and for taking on a greater weight of the parental duties throughout my journey. To my children, Aidan, Alexa, and Ainsley, for understanding when Mom needed to be away at class or needed quiet time to work at home. -
EXPRESS Express@Houndmail
MOBERLY AREA COMMUNITY COLLEGE Greyhound EXPRESS express@houndmail. macc.edu November 2013 www.macc.edu Inside Stories: Live from Fitzsimmons-John Arena By Kendra Gladbach News Express Staff Major Decisions p 2 Can’t make it to a Grey- MACC Singers p 2 Giving Back p3 hound game? Too far to Multicultural club p3 travel? Weather is too cold or roads too bad to get out? MACC is streaming Lady Arts & Life Greyhound and Greyhound basketball games live, so Big Sisters p 4 now you can curl up on A Passion for Teaching p 5 your couch, grab your pop- Spelling Bee p 6 corn, and watch the games Touring with Twain p 7 at home on your computer! Many colleges and uni- versities and even some high schools have gone to mainstreaming their athletic events and other activities. Moberly Area Community College has recently streamed their first home basketball game and will stream all home games this season. According to Scott Mc- Garvey, director of Market- Student Andrew Faulconer watches the stream from Hannibal's campus. ing and Public Relations, com’s specification, which Since MACC has re- vs. Iowa Western on Dec. 14 the process has been a long includes having web access. cruited many players from and the Lady Greyhounds vs Voice time coming. After main- What Scott McGarvey out-of-town, this will benefit Three Rivers Jan. 9, 2014. streaming the SGA Battle thought was going to be a their families by allowing If you are unable to Right From The Source p 8 of the Bands, it was clear More Than Ramen Noodles p 9 very difficult process turned them to be a part of the bas- make it to Fitzsimmons-John that MACC would be able out to be a very simple set-up. -
Pewdiepie, Popularity, and Profitability
Pepperdine Journal of Communication Research Volume 8 Article 4 2020 The 3 P's: Pewdiepie, Popularity, and Profitability Lea Medina Pepperdine University, [email protected] Eric Reed Pepperdine University, [email protected] Cameron Davis Pepperdine University, [email protected] Follow this and additional works at: https://digitalcommons.pepperdine.edu/pjcr Part of the Communication Commons Recommended Citation Medina, Lea; Reed, Eric; and Davis, Cameron (2020) "The 3 P's: Pewdiepie, Popularity, and Profitability," Pepperdine Journal of Communication Research: Vol. 8 , Article 4. Available at: https://digitalcommons.pepperdine.edu/pjcr/vol8/iss1/4 This Article is brought to you for free and open access by the Communication at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Journal of Communication Research by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. 21 The 3 P’s: Pewdiepie, Popularity, & Popularity Lea Medina Written for COM 300: Media Research (Dr. Klive Oh) Introduction Channel is an online prole created on the Felix Arvid Ul Kjellberg—more website YouTube where users can upload their aectionately referred to as Pewdiepie—is original video content to the site. e factors statistically the most successful YouTuber, o his channel that will be explored are his with a net worth o over $15 million and over relationships with the viewers, his personality, 100 million subscribers. With a channel that relationship with his wife, and behavioral has uploaded over 4,000 videos, it becomes patterns. natural to uestion how one person can gain Horton and Wohl’s Parasocial such popularity and prot just by sitting in Interaction eory states that interacting front o a camera. -
Sources & Data
YouTube Highest Earning Influencers Ranking Name Channel Category Subscribers Total views Earnings Per Video ($) Age 1 JoJo https://www.youtube.com/channel/UCeV2O_6QmFaaKBZHY3bJgsASiwa (Its JoJo Siwa) Life / Vlogging 10.6M 2.8Bn 569112 16 2 Anastasia Radzinskayahttps://www.youtube.com/channel/UCJplp5SjeGSdVdwsfb9Q7lQ (Like Nastya Vlog) Children's channel 48.6M 26.9Bn 546549 6 Coby Cotton; Cory Cotton; https://www.youtube Garrett Hilbert; Cody Jones; .com/user/corycotto 3 Tyler Toney. (Dude Perfect) n Sports 49.4M 10Bn 186783 30,30,30,33,28 FunToys Collector Disney Toys ReviewToys Review ( FunToys Collector Disney 4 Toys ReviewToyshttps://www.youtube.com/user/DisneyCollectorBR Review) Children's channel 11.6M 14.9Bn 184506 Unknown 5 Jakehttps://www.youtube.com/channel/UCcgVECVN4OKV6DH1jLkqmcA Paul (Jake Paul) Comedy / Entertainment 19.8M 6.4Bn 180090 23 6 Loganhttps://www.youtube.com/channel/UCG8rbF3g2AMX70yOd8vqIZg Paul (Logan Paul) Comedy / Entertainment 20.5M 4.9Bn 171396 24 https://www.youtube .com/channel/UChG JGhZ9SOOHvBB0Y 7 Ryan Kaji (Ryan's World) 4DOO_w Children's channel 24.1M 36.7Bn 133377 8 8 Germán Alejandro Garmendiahttps://www.youtube.com/channel/UCZJ7m7EnCNodqnu5SAtg8eQ Aranis (German Garmendia) Comedy / Entertainment 40.4M 4.2Bn 81489 29 9 Felix Kjellberg (PewDiePie)https://www.youtube.com/user/PewDiePieComedy / Entertainment 103M 24.7Bn 80178 30 10 Anthony Padilla and Ian Hecoxhttps://www.youtube.com/user/smosh (Smosh) Comedy / Entertainment 25.1M 9.3Bn 72243 32,32 11 Olajide William Olatunjihttps://www.youtube.com/user/KSIOlajidebt -
Social Media Entertainment Could Be the Future of the Screen Industry, So Let's Not Strangle It with Regulation
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Cunningham, Stuart (2018) Social media entertainment could be the future of the screen industry, so let’s not strangle it with regulation. The Conversation, October, pp. 1-6, 2018. [Article] This file was downloaded from: https://eprints.qut.edu.au/122330/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-No Derivative Works 2.5 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// theconversation.com/ social-media-entertainment-could-be-the-future-of-the-screen-industry-so-lets-not-strangle-it-with-regulation-101037 -
Youtube Report Draft V4
MONDAY, JULY 16 YouTube & News A new kind of visual journalism FOR FUTHER INFORMATION: Tom Rosenstiel, Director, Pew Research Center’s Project for Excellence in Journalism Amy Mitchell, Deputy Director, Pew Research Center’s Project for Excellence in Journalism (202) 419-3650 1515 L St, N.W., Suite 700 Washington, D.C. 20036 www.journalism.org YouTube & News: A New Kind of Visual Journalism Introduction On March 11, 2011, an earthquake registering 9.0 on the Richter scale struck the coast of northeastern Japan, triggering a tsunami that would kill more than 18,000 people and leave an estimated $180 billion in damage. The news media worldwide provided extensive coverage of the disaster and its aftermath, but millions of people also turned to the web to learn about the event on the video sharing website YouTube. 1 In the seven days following the disaster (March 11-18), the 20 most viewed news-related videos on YouTube all focused on the tragedy—and were viewed more than 96 million times. What people saw in these videos also represented a new kind of visual journalism. Most of that footage was recorded by citizen eyewitnesses who found themselves caught in the tragedy. Some of that video was posted by the citizens themselves. Most of this citizen-footage, however, was posted by news organizations incorporating user-generated content into their news offerings. The most watched video of all was shot by what appeared to be fixed closed-circuit surveillance camera at the Sendai airport. Link: http://www.youtube.com/watch?v=-DSSssHxm4Y The disaster in Japan was hardly a unique case. -
The Self-Referential Narcissism of Youth Behind the Name Vanity Teen
Since publishing in 2008, we have The self-referential narcissism of been pioneers in featuring the youth behind the name Vanity future faces of fashion, art and Teen alludes to the importance we think Adolescence plays in entertainment that will pave the society. Transcending the wave not only in its respective evocative and refreshing attributes areas, but also echoes the ethos of the modern generation, today’s of today’s society. From the first youth is an extremely fashion and influencers like Cameron Dallas, social conscious audience that Lucky Blue Smith, Paris Brosnan clearly reflects and impacts to current influencers and society’s mood and style. celebrities like Manu Rios and Sundy Jules. VTEEN Cover 2018 INFO Being Spain’s most followed influencer, Manu Rios with over 500,000 followers on Twitter, and 5 million followers on Instagram, Manu Rios has become designers’ favorite including Dior and Calvin Klein. From making the cover of Australian singer-songwriter Vance Joy’s "Riptide", which earned him over 4 million views on YouTube, the Spanish influencer and 21-year-old entertainer's upcoming project includes its role in the fourth season of Netflix’s Spanish thriller teen drama ‘’Elite’’. Manu Rios IG (5.4M followers) Adidas, Antonio Morato, MM& Maison Margiela, Diesel, Tommy Hilfiger. VTEEN Cover 2013 Cameron Dallas INFO Before becoming the American internet personality that he is now, Cameron Dallas began his career in September 2012 by posting vines of himself playing jokes and pranks on his friends and family. By 2014, Dallas had 8.1 million followers on Vine, making him the 11th most followed account,and 11.3 million followers on Twitter. -
“Decreasing World Suck”
Dz dzǣ Fan Communities, Mechanisms of Translation, and Participatory Politics Neta Kligler-Vilenchik A Case Study Report Working Paper Media, Activism and Participatory Politics Project AnnenBerg School for Communication and Journalism University of Southern California June 24, 2013 Executive Summary This report describes the mechani sms of translation through which participatory culture communities extend PHPEHUV¶cultural connections toward civic and political outcomes. The report asks: What mechanisms do groups use to translate cultural interests into political outcomes? What are challenges and obstacles to this translation? May some mechanisms be more conducive towards some participatory political outcomes than others? The report addresses these questions through a comparison between two groups: the Harry Potter Alliance and the Nerdfighters. The Harry Potter Alliance is a civic organization with a strong online component which runs campaigns around human rights issues, often in partnership with other advocacy and nonprofit groups; its membership skews college age and above. Nerdfighters are an informal community formed around a YouTube vlog channel; many of the pDUWLFLSDQWVDUHKLJKVFKRRODJHXQLWHGE\DFRPPRQJRDORI³GHFUHDVLQJZRUOGVXFN.´ These two groups have substantial overlapping membership, yet they differ in their strengths and challenges in terms of forging participatory politics around shared cultural interests. The report discusses three mechanisms that enable such translation: 1. Tapping content worlds and communities ± Scaffolding the connections that group members have through their shared passions for popular culture texts and their relationships with each other toward the development of civic identities and political agendas. 2. Creative production ± Encouraging production and circulation of content, especially for political expression. 3. Informal discussion ± Creating and supporting spaces and opportunities for conversations about current events and political issues.