INDEX OF ARTISTS Raul Larnbo: p.23—From The Crossroads of Time back cover—from Plague Ship Erin McKee: front cover: from Jargoon Jh,rd p. 11—from Moon of Three Rings Sylvus Tam: pp. 7, 16, 18, 2?, 30, 43—from the Witch World series John Thiel: p.32—from Daybreak: 2250 A.D■ R Laurraine Tutihasi: p.39— from the Witch World Series Mel.White: p.4—Andre Nor­ ton herself p.28—from "The Toads of Grimmerdale" LAN’S LANTERN 16 A SPECIAL ANDRE NORTON ISSUE Front Cover. .from The Jargoon Ihrd.. .by Erin McKee--- —----------------- 1 Index of Artists--------------------------------------------- — —-------- 2 Table of Contents................................................... "3 For Andre...from Lan------------------------------------- --- ------------ An Open Letter to Andre Norton... .from Joan D. Vinge--------------------- ~5 Andre's Animals...by Rick Brooks-----------------------------------—----- 8 From Allan Trimpi...................................——■----------------- 9 An Andre Norton Trivia Quiz...by David M. Shea--------------------- ■——10 Andre Norton: Updates, additions and Corrections to Andre Norton: A Primary and Secondary Bibliography ... by Roger C. Schlobin----- 12 Bruno Bettelheim and Year of the Unicom...by Rick Brooks---------------17 The Calendar and Chronology of Witch World. .by David M. Shea----------- 18 Andre Norton’s Word Spell...by Sally A. Syrjala—---------------- - 20 Growing in Wonder...by Sandra Missel------------------------------ 21 Andre Norton: A Remarkable Writer. ..by David Palter--------------------- 27 Andre Norton: Short Story Writer...by Don D'Ammassa- ■ 28 A Review of 'Ware Hawk. .by Greg Hills------------------- —■ 30 Andre Norton's Daybreak: 2250 A.B. in Perspective: A Novel of Doom and Disaster. .. .by John Thiel--------------— 32 On Andre Norton...by Margaret Middleton-------------- ——■ “33 An Ad for Rostirasa----- -—------------------ - 33 The "Coming of Age" Theme in Selected Works of Andre Norton .. .by Carol Yoder-------------------------------- ' 3^ Andre Norton Bibliography.. .by Mark Owings-------------------- —--------3& Blank Ihge---- —--- —--------------------------- " “ —40 Shadow Hawk.. .by Jon Pryor— . 'Thank You, Andre"...by Jacqueling Lichtenberg, Lee Pelton, Steve Bridge, Sandra Miesel, Roland Green, Frieda Murray---------------- -45 Back Cover...from Plague Ship...by Fdul Lambo ■ —————48 LAN'S LANTERN #16 is published by George "Ian" WHY YOU ARE RECEIVING THIS Laskowski, 55 Valley Way, Bloomfield Hills, MI ___ contribution ___ art ■4-8013, phone (313)642-5670. This is LanHI Pub­ lication #180, and a division of LanShack Press comment/loc received Unlimited. All rights return to the contribut­ *■' you asked for a copy ors upon publication. Copyright (c) March, 1985 by George J Laskowski Jr. , or where other copy­ trade ___your last one rights are indicated. It was at Chambanacon in 1983 that Sandra Miesel asked if I would consider doing my next Special fanzine on Andre Norton, since her first published story was in 193^• Very little time elapsed between the question and answer. And here is the result. I just wish I could have gotten it out by the end of 198^-, but Andre celebrates her Golden Anniversary throughout 1985. So, Andre, this is for you. I have very little to add — everyone says what I would say in these pages — except, Thanks for all those hours of pleasure in reading. from Joan D. Vinge Dear Andre Morton, ons, but also historical novels like Scarface (which strips the glamor from Carribean piracy, This is a kind of love letter, and I've owed and still makes the reader love every minute of it to you for fifteen years — ever since I came it), mystery and spy novels, westerns... and more home from the '/fair Market with your Storm Ov­ recently gothics, a large number of adult fan­ er Warlock one day when I was in junior high. tasies, and delightful children's fantasies like When I read the description on the back cover, I Lavender-Green Magic. didn't even know what a Terran was...but by the time I'd finished the book I didn't want to read When I feel fed up with the world, or that anything besides science fiction. It was like people are just no damn good, I like to sit and finding the key to the universe, and although it reread some of my favorites among your novels, probably sounds corny, it changed my life. because they always end up making me feel bet­ ter. One of the reasons that they do is your It wasn't until I had read several of your ability to create another world, or time and books that 1 found one with a biography that place, that’s so' tangible and sense-stimulating gave away the secret that you were actually a I can step into the transporter, or though rhe woman. It never occurred to me then to wonder looking-glass, and be there...on Warlock, where why you needed to use a male psuedonym, but —a­ the skies are hazy amber and the flora glows gain without really wondering why— I was thril­ with phosphorescence at night; where leather­ led to learn the truth. Because you were a wom­ winged clak-claks drift above the cliffs as I an you were suddenly very real to me: a person, ga?e out across the storm—wracked beach toward a as well as an Author. I lay awake nights corn­ chain of ragged islands adrift on sea-fog.... Or composing letters to you in my mind, trying to- on Dis, whose sun is infrared, and whose seas imagine what you were like. have boiled away—where only special goggles can penetrate the suffocating, humid, utter black­ I knew from the biographical notes in your ness, and show to human eyes the degenerate life books that you were a native of Cleveland, Ohio, -forms that survive there, the nightmare crea­ like my mother; that you had been a children's tures that don't disappear when the lights come librarian there, and later worked for the Libra­ on.... Or in the British Isles, wearing the cop­ ry of Congress; that you had also been an editor per armband of a Eeaker trader and singing a of young people's science fiction at Gnome Press song that won't make the charts for four thous­ before you became a full-time writer and moved and years — meeting a priestess of the Mother to Florida. I also learned that you had pub­ Earth, who materializes from the sun-shafted lished your first book before you were 21, and morning mist between menhirs of stone in the that you had written a lot of novels —though at quiet forest.... the time I had no idea how many: I used to be a­ fraid that someday I'd have read them all, and Written in a clean straightforward prose that there'd be nothing left to look forward to. But never gets in the way of its images, your adven­ you've been writing for about fifty years now, tures catch the illusive "sense of wonder" that and I'm still discovering books I never knew ex­ sets good science fiction apart from all other isted. Just the collection I have contains at kinds of fiction, and makes a fan into an ad­ least fifty books, including a title for every dict . letter of the alphabet (from Android at Arms to The Zero Stone). Over the years you've explored But escaping to another world doesn't guaran­ land explained to me) every imaginable science tee a pleasant trip unless the fellow-tave1lers fiction theme, from p.sionics to parallel worlds, are ores a reader can like and relate to. Sci­ from interstellar travel to time travel. You've ence fiction is a field where too often the also gradually developed a vast and complicated characters have been cardboard cutouts pushed a­ future' history around your science fiction nov­ round the landscape to move the plot along. But els, and a fantasy otherworld for your Witch you have always tried to make your characters World stories. Almost all your stories beg for a Individuals. In your best stories the difficul­ sequel, and in many cases you've actually writ­ ties they face are not only those of coping with ten them, so that I meet old friends again, or an unknown planet or hostile aliens, but also sometimes their -sons and daughters. the overcoming of very real personal and social handicaps. And yet, in the face of all the ob­ You've used your experience as a librarian to stacles that are thrown against them, they re­ find unusual material on a tremendous range of tain a basic decency and kindness that makes the subjects, and make into stories: not only sci­ reader care about them, and want tilings to cone ence fiction novels like The Timo Traders, which out right for them: Shann Lantee, whose lif? had combined extraterrestrials with liidnze Age Brit­ been a struggle for survival on the bl»ak -ininq world of Tyr; who saw his hope of something bet­ benign reptilian Zacathans to the vicious insec- ter—of belonging, even as a menial worker, to a toid Throgs, whose thought processes seem to Survey team—destroyed when tbaeir camp was wiped have no common ground with humanity's. But your out by attacking aliens, leaving him stranded on specialty -- and probably one of the things my an unexplored world.... Holly Wade, a young friends and I have always enjoyed the most — is black girl whose father was missing-in-acticn in your treatment of the relationships between hu­ Vietnam, who was suddenly uprooted from her home mans and animals, particularly cats. The tele­ in Boston when her mother fouisdi a job— one that telepathic rapport between human and animal sen­ meant she and her brother and sister had to stay sitives in stories like Catseye gives the read­ with their grandparents in a town where she was er, like the protagonist, a chance to experience painfully aware of being "different"; and where the world with the heightened senses of a cat, a her conflicting emotions drew her into the power fox, a wolverine, or an alien creature like Har- struggle between two witch sisters, one good and ath in Forerunner Foray..