Ii D. the Arhoolie Collection

Total Page:16

File Type:pdf, Size:1020Kb

Ii D. the Arhoolie Collection II D. THE ARHOOLIE COLLECTION In 1960 a young college student living in Berkeley named Chris Strachwitz decided to start a record company. He was passionately excited in vernacular American music of every style, and he had a strong, personal interest in the blues. His first LP release was an album of blues and songs by the Texas sharecropper and songster Mance Lipscomb. Forty years later Strachwitz is still as excited by the music he finds, and his record company, Arhoolie, named after a field holler, has been consistently one of the most important sources for African American music of every style, from field song to gospel choirs. Also, with his extensive reissue program, he has introduced his audiences to music of the Caribbean, from the dance orchestras of Martinique to the sextetos and danzons of Cuba, along with a tantalizing introduction to historical calypso performances. In the last decades he has been interested in music of the southwestern Latin community, and working with film maker Les Blank he produced the award winning film Chulas Fronteras. Beginning with the first years he was active with his company Strachwitz has made many trips to western Louisiana, and Arhoolie was the exclusive label for many of the local artists, including the “King of Zydeco” Clifton Chenier, and the well-known Cajun group Beausoleil. With Les Blank and Maureen Gosling he produced the definitive film on Cajun music and culture J’ai Ete Au Bal. The material from the bayou country is a fascinating cross-section of the sources of this rich cultural area. Strachwitz has generously presented this archive of Arhoolie albums, CDs, 45rpm singles, and videos materials to strengthen and expand the collection’s documentation of African American rural and urban root musical styles. LPs F 1001 MANCE LIPSCOMB “Texas Sharecropper and Songster” LP 575 F 1002 BIG JOE WILLIAMS “Tough Times” LP 576 F 1003 BLACK ACE LP 577 F 1004 LIL SON JACKSON LP 578 F 1005 I HAVE TO PAINT MY FACE - MISSISSIPPI BLUES (Notes by Mack McCormick ) LP 579 F 1005 I HAVE TO PAINT MY FACE: A RANDOM COLLECTION OF MISSISSIPPI DELTA BLUES (Different cover design and notes by Chris Strachwitz) LP 580 F 1006 BLUES ‘N TROUBLE LP 581 F 1007 MERCY DEE LP582 453 F 1008 ALEX MOORE LP 583 F 1009 ZYDECO LP 584 F 1010 TEXAS BARRELHOUSE PIANO - ROBERT SHAW LP 585 F 1011 LIGHTNIN’ HOPKINS LP 586 F 1012 BLUES ‘N TROUBLE Volume 2 LP 587 F 1013 NEW ORLEANS JAZZ AT THE KITTY HALLS LP 588 F 1014 REV. LOUIS OVERSTREET “An Evening with Rev. Overstreet” LP 589 F 1015 BLIND JAMES CAMPBELL and his NASHVILLE STREET BAND LP 590 F 1016 KID THOMAS VALENTINE and his CREOLE JAZZ BAND LP 591 F 1017 TEXAS BLUES Volume 2 LP 592 F 1018 BAD LUCK ‘N TROUBLE LP 593 F 1019 BUKKA WHITE Volume 1 “Sky Songs” LP 594 F 1020 BUKKA WHITE Volume 2 “Sky Songs” LP 595 F 1021 MISSISSIPPI FRED McDOWELL “Mississippi Delta Blues” LP 596 F 1022 LIGHTNING HOPKINS and his BROTHERS LP 597 Side One with his brothers, Joel and John Henry; Side Two with Barbara Dane. F 1023 MANCE LIPSCOMB Volume 2 “Texas Songster” LP 598 F 1024 CLIFTON CHENIER “Louisiana Blues and Zydeco” LP 599 F 1025 JOHN JACKSON “Blues and Country Dance Tunes from Virginia” LP 600 F 1026 MANCE LIPSCOMB Volume 3 “Texas Songster in Live Performance” LP 601 F 1027 MISSISSIPPI FRED McDOWELL Volume 2 LP 602 F 1028 BIG MAMA THORNTON “In Europe” LP 603 F 1029 JOHNNY YOUNG and his CHICAGO BLUES BAND LP 604 Featuring Otis Spahn and James Cotton. 454 F 1030 THE SECOND ANNUAL BERKELEY BLUES FESTIVAL LP 605 F 1031 CLIFTON CHENIER “Bon Ton Roulet!” LP 606 F 1032 BIG MAMA THORNTON Volume 2 LP 607 With Muddy Waters’ B;ues Band. F 1033 MANCE LIPSCOMB Volume 4 LP 608 F 1034 LIGHTNING HOPKINS “Texas Blues Man” LP 609 F 1035 JOHN JACKSON Volume 2 “More Blues and Country Dance Tunes from Virginia” LP 610 F 1036 JUKE BOY BONNER “I’m going back to the country where they don’t burn the buildings down” LP 611 F 1037 JOHNNY YOUNG and BIG WALTER “Chicago Blues” LP 612 F 1038 CLIFTON CHENIER “Black Snake Blues” LP 613 F 1039 BALL AND CHAIN LP 614 Big Mama Thornton, Lighting Hopkins, Larry Williams. F 1040 GEORGE COLEMAN “BONGO JOE” LP 615 F 1041 MISSISSIPPI DELTA BLUES Volume 1 LP 616 F 1042 MISSISSIPPI DELTA BLUES Volume 2 LP 617 F 1043 JOHN LITTLEJOHN “Chicago Blues Stars” LP 618 F 1045 JUKE BOY BONNER “The Struggle” LP 619 F 1046 FRED McDOWELL and his BLUES BOYS LP 620 F 1047 JOHN JACKSON “In Europe” LP 621 F 1048 ALEX MOORE “IN Europe” LP 622 F 1049 MANCE LIPSCOMB Volume 5 LP 623 F 1050 BEE HOUSTON LP 624 F 1051 EARL HOOKER “Hooker and Steve” LP 625 455 F 1052 CLIFTON CHENIER “King of the Bayous” LP 626 F 1053 BIG JOE WILLIAMS “Thinking of what they did to Me” LP 627 F 1054 LOUISIANA BLUES LP 628 F 1055 JOHNIE LEWIS “Alabama Slide Guitar” LP 629 F 1056 CHARLIE MUSSELWHITE “Takin’ My Time” LP 630 F 1057 ROOSEVELT HOLTS “and His Friends” LP 631 F 1058 THE NEW ORLEANS RAGTIME ORCHESTRA LP 632 F 1059 CLIFTON CHENIER “Live” LP 633 F 1060 HERMAN E. JOHNSON “Louisiana Country Blues” LP 634 F 1061 JOSEPH SPENCE “Good Morning, Mr. Walker—Bahaman Guitarist” LP 635 F 1062 L. C. “GOOD ROCKIN’” ROBINSON “Ups and Downs” LP 636 F 1063 LIGHTNING HOPKINS “In Berkeley” LP 637 F 1064 PIANO RED “Dr. Feelgood all Alone with his Piano” LP 638 F 1065 DR. ROSS “His First Recordings” LP 639 F 1066 EARL HOOKER “His First and Last Recordings” LP 640 F 1067 DAVE ALEXANDER “The Rattler” LP 641 F 1068 FRED McDOWELL “Keep Your Lamp Trimmed and Burning” LP 642 F 1069 MANCE LIPSCOMB Volume 6 LP 643 F 1070 ALPHONSE “BOISEC” ARDOIN with CONROY FONTENOT and the ARDOIN BROTHERS “Boisec La Musique Creole” LP 644 F 1071 DAVE ALEXANDER “The Dirt on the Ground” LP 645 F 1072 CLIFTON CHENIER “Out West with Elvin Bishop and Steve Miller” LP 646 F 1073 K. C. DOUGLAS “The Country Boy” LP 647 456 F 1074 CHARLIE MUSSELWHITE “Goin’ Back Down South with LaFayette Leake and Robben Ford” LP 648 F 1075 J. C. BURRIS “One of These Mornings” LP 649 F 1076 CLIFTON CHENIER “Bogalusa Boogie” LP 650 F 1077 MANCE LIPSCOMB “You’ll Never Find Another Man Like Mance” LP 651 F 1078 CLIFTON CHENIER and his RED HOT LOUISIANA BAND LP 652 F 1079 TOM McFARLAND “Travelin’ with the Blues” LP 653 F 1080 BIG JOE DUSKIN “Cincinnati Stomp” LP 654 F 1081 SAM BROS. 5 with DADDY “GOOD ROCKIN’” SAM LP 655 F 1082 CLIFTON CHENIER “Classic Clifton” LP 656 F 1083 JOHN DELAFOSE “Zydeco Man” LP 657 F 1084 KINGS OF COUNTRY BLUES Volume 1 LP 658 F 1085 KINGS OF COUNTRY BLUES Volume 2 LP 659 F 1086 CLIFTON CHENIER “The King of Zydeco” LP 660 F 1087 LIGHTNING HOPKINS “Po’ Lightin’” LP 661 F 1088 JOHN DELAFOSE with GENO DELAFOSE on drums “Uncle Bud Zydeco” LP 662 F 1089 ELIZABETH COTTON “Live!” LP 663 F 1090 ZYDECO Volume 2 “Preston France and the Swallow Band and Ambrose Sam’s Old Time Zydeco” LP 664 F 1091 LAWRENCE “BLACK” ARDOIN and his FRENCH BAND with EDWARD POULARD on fiddle LP 665 F 1092 REBIRTH JAZZ BAND of NEW ORLEANS “Here to Stay!” LP 666 F 1093 CLIFTON CHENIER “Live at the San Francisco Blues Festival with his Red Hot Louisiana Band” LP 667 F 1094 KATIE WEBSTER with HOT LINKS “You Know That’s Right” LP 668 457 F 1095 Soundtrack from the film LOUIE BLUIS LP 669 F 1096 CHRIS THOMAS “The Beginning” LP 670 F 1097 CLIFTON CHENIER “The King of Zydeco Sings the Blues” LP 671 F 1098 C. J. CHENIER (son of Clifton Chenier) and the NEW RED HOT LOUISIANA BAND “Let Me in Your Heart” LP 672 F 1099 BOB MIELKE’S BEARCATS LP 673 SONNY BOY WILLIAMSON “It’s King Biscuit Time” (7 inch record) LP 748 2001/2002 THE ROOTS OF AMERICA’S MUSIC LP 674a, 674b R 2003 LOWELL FULSON LP 675 R 2004 JOE TURNER with PETE JOHNSON’S ORCHESTRA “Jumpin’ the Blues” LP 676 R 2005 GUITAR SLIM and JELLY BELLY “Carolina Blues” LP 677 R 2006 TEXAS BLUES Volume 1 (from Gold Star label) LP 678 R 2007 LIGHTNING HOPKINS “Early Recordings” LP 679 R 2008 OAKLAND BLUES LP 680 R 2009 JESSE FULLER “Frisco Bound” LP 681 R 2010 LIGHTNING HOPKINS “Early Recordings, Volume 2” LP 682 R 2011 ANGOLA PRISONER’S BLUES (from Folklyric label) LP 683 Robert Pete Williams, Matthew “Hogman” Maxey, Robert “Guitar” Welch. R 2012 PRISON WORKSONGS (from Folklyric label) LP684 R 2014 SNOOKS EAGLIN (from Folklyric label) “Possum Up a Simmon Tree” LP 685 R 2015 ROBERT PETE WILLIAMS (from Folklyric label) “Those Prison Blues” LP 686 R 2016 BILLIE & DEE DEE PIERCE “New Orleans Music” LP 687 R 2018 COUNTRY NEGRO JAM SESSION LP 688 458 Butch Cage, Willie B. Thomas and others. R 2019 SMOKY BABE “Hot Blues” LP 699 R 2020 SONNY BOY WILLIAMSON (from Trumpet label) “King Biscuit Time” LP 700 5031 CAJUN FIDDLE STYLES Volume 1, The Creole Tradition LP 701 Conroy Fontenot, Joseph “Bebe” and Eraste Carriere (The Carriere Brothers) 5035 CAJUN JAM SESSION “Live Radio Broadcast with Sharon Arms Doucet on Trumpet” LP 702 Michael Doucet, Danny Poullard, Alan Senauke.
Recommended publications
  • Memphis Jug Baimi
    94, Puller Road, B L U E S Barnet, Herts., EN5 4HD, ~ L I N K U.K. Subscriptions £1.50 for six ( 54 sea mail, 58 air mail). Overseas International Money Orders only please or if by personal cheque please add an extra 50p to cover bank clearance charges. Editorial staff: Mike Black, John Stiff. Frank Sidebottom and Alan Balfour. Issue 2 — October/November 1973. Particular thanks to Valerie Wilmer (photos) and Dave Godby (special artwork). National Giro— 32 733 4002 Cover Photo> Memphis Minnie ( ^ ) Blues-Link 1973 editorial In this short editorial all I have space to mention is that we now have a Giro account and overseas readers may find it easier and cheaper to subscribe this way. Apologies to Kees van Wijngaarden whose name we left off “ The Dutch Blues Scene” in No. 1—red faces all round! Those of you who are still waiting for replies to letters — bear with us as yours truly (Mike) has had a spell in hospital and it’s taking time to get the backlog down. Next issue will be a bumper one for Christmas. CONTENTS PAGE Memphis Shakedown — Chris Smith 4 Leicester Blues Em pire — John Stretton & Bob Fisher 20 Obscure LP’ s— Frank Sidebottom 41 Kokomo Arnold — Leon Terjanian 27 Ragtime In The British Museum — Roger Millington 33 Memphis Minnie Dies in Memphis — Steve LaVere 31 Talkabout — Bob Groom 19 Sidetrackin’ — Frank Sidebottom 26 Book Review 40 Record Reviews 39 Contact Ads 42 £ Memphis Shakedown- The Memphis Jug Band On Record by Chris Smith Much has been written about the members of the Memphis Jug Band, notably by Bengt Olsson in Memphis Blues (Studio Vista 1970); surprisingly little, however has got into print about the music that the band played, beyond general outline.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
    et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers.
    [Show full text]
  • 6 Inspiring Cajun Musicians
    LeadingLadies 6 INSPIRING CAJUN MUSICIANS In what has become our now annual music their voices have been heard and met with guide, we decided to do something a little praise – even Grammy nominations. All six different. Rather than focus on venues, clubs of these women are carrying on the tradition and places to go, we chose to focus on faces of their Cajun ancestors and bringing it to look for – and more importantly, voices to into the future, and we hope that the trend hear. In the music industry in general – and of women leading their own bands will gain especially when it comes to Cajun music, momentum as they continue to inspire others. women are outnumbered by men. Fortunately, That, we think, is worth singing about. By Michael Patrick Welch \\ Photos by Romero & Romero acadianaprofile.com | 31 gigs as Petite et les Patates (Little and the AT THE AGE OF 18, Potatoes), a quieter three-piece traditional musician Jamie Lynn Fontenot was Cajun band. overtaken by the desire to learn Cajun Along with accordion player Jacques French. “My grandparents, Mary ‘Mimi’ fontenotBoudreaux, Petite et les Patates also often Fontenot and John ‘Toe’ Fontenot, from features Fontenot's husband, French fiddle Opelousas are great, really strong Cajun player Samuel Giarrusso, who moved to speakers,” says Fontenot from her home in Louisiana in 2012 from France to be near his Lafayette. “My siblings and I wanted them father, also a Cajun French musician. “Petite to teach us Cajun French, so she would play et les Patates is actually a constantly rotating me all these old Cajun vinyl records, and band, where I am the only constant,” says she’d tell me the stories the singers were Fontenot.
    [Show full text]
  • Son Sealsseals 1942-2004
    January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page.
    [Show full text]
  • Collection Highlights
    COLLECTION HIGHLIGHTS “LATINOS AND BASEBALL” COLLECTING INITIATIVE Latino baseball players have been interwoven in the fabric of Major League Baseball for years. They've been some of the greatest, well-known names in baseball history. To reflect and celebrate that rich history, the National Museum of American History (“NMAH”) in collaboration with the Smithsonian Latino Center, launched Latinos and Baseball: In the Barrios and the Big Leagues. The multi-year community collecting initiative focuses on the historic role that baseball has played as a social and cultural force within Latino communities across the nation. The project launched a series of collecting events in late February in San Bernardino, California. A second event will be held in Los Angeles on July 17, 2016, and a third will be held in Syracuse, New York, on September 15, 2016. The events are designed to generate interest in the initiative, build on community relationships, record oral histories, and identify objects for possible acquisition by local historical associations as well as for the Smithsonian collections. The collaborative initiative seeks to document stories from across the U.S. and Puerto Rico and plans to collect a number of objects that could include baseball equipment; stadium signs; game memorabilia, such as handmade or mass-produced jerseys and tickets; food vendor signs; home movies; and period photographs. Curators will select objects based on the stories they represent and the insight they provide into the personal, community, and national narratives of the national pastime. “Baseball has played a major role in everyday American life since the 1800s, providing a means of celebrating both national and ethnic identities and building communities,” said John Gray, director of NMAH.
    [Show full text]
  • Rhythm Posse Occasionally Worked with Bukka White in Local Juke Facebook.Com/Rhythmposse Joints
    father of the Memphis blues guitar style. By the turn of the century, at the age of 12, Stokes worked as a blacksmith, traveling the 25 miles to Memphis on the weekends to sing and play guitar All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues with Don Sane, with whom he developed a long- is held at the House of Rock, 422 Water Street. term musical partnership. Together, they busked on *August 7 will be held at Phoenix Park. the streets and in Church's Park (now W. C. Handy Park) on Memphis' Beale Street. Sane rejoined Stokes May 28 Howard ‘Guitar’ Luedtke & Blue Max for the second day of an August 1928 session for HowardLuedtke.com June 4 Revolver Victor Records, and they produced a two-part RevolverBand.net version of "Tain't Nobody's Business If I Do", a song August 20, 2013 at Owen Park June 11 Bryan Lee well known in later versions by Bessie Smith and BrailleBluesDaddy.com Jimmy Witherspoon, but whose origin lies June 18 Tommy Bentz Band somewhere in the pre-blues era. RhythmRhythm PPosseosse TommyBentz.com In 1929, Stokes and Sane recorded again for June 25 Code Blue with Catya & Sue Catya.net Paramount, resuming their 'Beale Street Sheiks' July 2 Left Wing Bourbon billing for a few cuts. In September, Stokes was back LeftWingBourbon.com on Victor to make what were to be his last July 9 Charlie Parr recordings, this time without Sane, but with Will Batts CharlieParr.com on fiddle. Stokes and Batts were a team as July 16 Deep Water Reunion MySpace.com/DWReunion evidenced by these records, which are both July 23 Steve Meyer with the True Heat Band traditional and wildly original, but their style had (featuring Ben Harder) fallen out of favor with the blues record buying July 30 Ross William Perry public.
    [Show full text]
  • 88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
    The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates.
    [Show full text]
  • KIRK FLETCHER “MY BLUES PATHWAY” – NEW STUDIO ALBUM RELEASED on FRIDAY SEPTEMBER 25Th, 2020
    d KIRK FLETCHER “MY BLUES PATHWAY” – NEW STUDIO ALBUM RELEASED ON FRIDAY SEPTEMBER 25th, 2020 AVAILABLE ON CD, VINYL & DIGITAL "NO PLACE TO GO" SINGLE RELEASED JULY 21st FEATURING BLUES LEGEND CHARLIE MUSSELWHITE AND ORIGINALS AND RE-IMAGINED TRIBUTES OF QUINESSENTIAL BLUES CLASSICS BY SONNY BOY WILLIAMSON, CHRIS CAIN, AC REED, AND JUKE BOY BONNER Former guitarist with the Fabulous Thunderbirds, and award-winning American blues guitarist Kirk Fletcher is very happy to release his 6th album “My Blues Pathway” via Cleopatra Records. The 10 tracks will be released on CD, vinyl and digital on Friday September 25th. “My Blues Pathway” follows hot on the heels of Kirk’s 2018 Blues music award nominated album “Hold On.” “My Blues Pathway” features a mix of originals, covers and two co-writes with Robert Cray’s longtime bass player Richard Cousins, with all music arrangements by Kirk Fletcher. The first single “No Place To Go,” co-written with Richard Cousins, is out and available to stream . “This song is about the struggles of success, sometimes at the expense of what life is really about,” says Kirk. “It about self-empowerment and what a person’s view of happiness means, whether, it is a house on a hill or a meal for the day to survive.” “The album was a joy to make,” says Kirk – “especially making music with some of my longtime friends. I’ve known drummer David Kida for over 25 years. We have been in the trenches together on the L.A. Blues music scene.” Kirk recorded this album over the Christmas holidays 2019 in six days over a two-week period.
    [Show full text]
  • Woody Mann “Don’T Miss a Chance to See Him
    woody mann “Don’t miss a chance to see him. You are unlikely to hear anything or anyone better in the fields that Mann has chosen to master.” –THE LONDON TIMES Among guitarists and critics, Woody Mann is considered a modern master. While the blues are his touchstone, he seems to draw inspiration from every direction, blending a myriad of influences with ease and grace. Pioneering guitar legend John Fahey said it well: “You can hear classical, jazz and blues approaches somehow converging into a single sparkling sound – a sound completely his own. Woody takes a fresh approach to his blues re-creations and his own compositions defy category. If there was a category simply called ‘great music’ Woody’s music would belong there. Woody received his first musical schooling in the living room of Reverend Gary Davis, the legendary blues, gospel and ragtime guitarist. Mann soon went on to perform with blues legends Son House and Bukka White, British great Jo Anne Kelly, and fingerstyle wizard John Fahey. Mann complemented the tutelage of Rev. Davis with formal training at New York’s celebrated Juilliard School. In addition, Mann completed a period of intense study with noted Chicago-born pianist Lennie Tristano, who introduced him to the world of jazz and its infinite possibilities. During this time, Mann’s early musical grounding began to blossom into an improvisational style all his own. Since then, Mann has pursued a rich and diverse career that has included; playing with jazz great Attila Zoller, accompanying songwriter Dory Previn, giving guitar lessons to recording artist Paul Simon, performing in over fifteen countries, and recording eleven albums ranging from 1994’s “Stories” to 2008’s “Road Trip”, as well as collaborations with blues legends Son House and John Cephas.
    [Show full text]
  • The Fado & the Blues
    1 The Fado (Destiny or fate) The "Blues" of Portugal and American Blues Fado and the Blues - 1 Story of the Blues - 17 Ana Moura Bio - 4 Articles - 19 Origin & Genre - 6 Magic Melody (Kern) - 44 Moura Interview II - 7 Conclusion - 93 Spirituals - 9 Music - 95 The Fado & the Blues While working on the story behind the song “April in Portugal” I found the composer of the English version was Jimmy Kennedy, the lyricist of many popular songs. He added lyrics that did not mirror the Brazilian words but did try to keep the emotion behind the original music and lyrics by Raul Ferrdo and Jose Galhardo. Upon further research I found out that the tune was what is called a “Fado” (fate) in Portugal. In Portugal the Fado is considered the national music. Its impression is a nostalgia felt when missing someone or losing someone (in Portuguese the word ‘saudade’ is used much as the word blues is used). The origin of the Fado is said to have been a mixture of African slave rhythms with the traditional music of Portuguese sailors and Arabic influences. This fact got me thinking about the similarities and differences between the Fado and the Negro Blues. Further research finds that some jazz players also became interested in the Fado. Don Byas had an interest in the Fado and actually performed with Fado singers. There are many similar things about Fado and the Blues. Both seemed to have origins in Negro Slaves. Slaves during the era of slavery that went to Brazil numbered 3,646,800.
    [Show full text]
  • Un Concept Polyvalent : Jean-Pierre Bertrand Créateur D'événements
    Un concept polyvalent : Quelques Revue de presse : Références Figure talentueuse du Boogie « made in France », Jean-Pierre Bertrand Jean-Pierre Bertrand se produit : reprend avec bonheur les standards du jazz en boogie et des compositions personnelles très originales. : En piano solo Festivals JAZZMAN : En duo de pianos Den Haag Jazz Festival Jean-Pierre Bertrand (Hollande) : En trio (piano, contrebasse, Le jeu fruité de Jean-Pierre Bertrand marie des influences Swing et Jazz. Les Nuits Jazz & SOULBAG Le moteur à rythme batterie) Boogie Piano (Paris) : En quintet (piano, Jean-Pierre Bertrand et ses complices offrent au public une musique “Boogie Swingers” quintet Shake the Lake contrebasse, batterie, (Autriche) dynamique, un fabuleux voyage au pays du Boogie. NICE-MATIN sSax alto et sax ténor) Boogie Woogie : En Orchestre (piano, contrebasse, batterie, meeting Jean-Pierre Bertrand is one of the prolific boogie woogie pianists of today sax alto, sax ténor, guitare, trombone) (Allemagne, Autriche) spreading the seeds of this wonderful music both in France as well as Cincinnati internationally. Blues Festival (USA) Steve Dore (boogiewoogie.com) Jean-Pierre Festival de Boogie de La Roquebrou Jean-Pierre possesses a creative charme which enables him to blend original Bertrand Boogie Woogie with other musical influences from the swinging, happy side Piano à Auxerre and still keep the authentic feeling of the Bluesy roots of Boogie, very much Blues et Boogie Woogie créateur Jazz à Bagatelle like Albert Ammons did in the 1940s. (Marseille) Axel ZWINGENBERGER – International Blues & Boogie pianist. d’événements : La Fabrik (Hambourg) 62449 - Crédits photos : V.Colignon – J.P. Amouroux – Olivier Figoni HTP – J.P.
    [Show full text]